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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EDB2D it is the complementary color #D124D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EDB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EDB2D shade: #33DB28, #44ED3B, #55FF4E, #66FF61 and #77FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EDB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EDB2D shade: #2EDB2D, #1DC91A, #0CB707, #00A500 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EDB2D shade: #2EDB2D, #5DDB2D, #8CDB2D, #BBDB2D and #DBCC2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EDB2D shade: #2EDB2D, #2DDB5B, #2DDB8A, #2DDBB9 and #2DCEDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EDB2D shade matches the following richer shades: #2EDB2D and #1BEF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EDB2D shade: #2EDB2D, #42C741, #55B355, #69A069 and #7D8C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EDB2D shade: #8DDB2D, #5EDB2D, #30DB2D, #2DDB59 and #2DDB87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EDB2D shade: #1B9C1A, #21BF20, #2EDB2D, #51E150 and #74E774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EDB2D shade: #2EDB2D, #2DBBDB and #DB2D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EDB2D shade: #2EDB2D, #2D30DB and #DB2D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EDB2D shade: #2EDB2D, #2DBBDB, #D82DDB and #DB4D2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EDB2D shade: #2EDB2D, #2D87DB, #D82DDB and #DB812D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

Complementary color

CMYK 0 / 83 / 0 / 18

HEX #D124D2

RGB 209 36 210

HSL 299.66, 0.71%, 0.48%

LAB 51.23, 80.34, -50.47

 

CMYK 77 / 0 / 82 / 14

HEX #33DB28

RGB 51 219 40

HSL 116.31, 0.71%, 0.51%

LAB 76.99, -71.82, 68.55

 

CMYK 71 / 0 / 75 / 7

HEX #44ED3B

RGB 68 237 59

HSL 116.97, 0.83%, 0.58%

LAB 82.97, -73.57, 68.83

 

CMYK 67 / 0 / 69 / 0

HEX #55FF4E

RGB 85 255 78

HSL 117.63, 1%, 0.65%

LAB 88.92, -74.83, 68.48

 

CMYK 60 / 0 / 62 / 0

HEX #66FF61

RGB 102 255 97

HSL 118.1, 1%, 0.69%

LAB 89.49, -69.68, 61.85

 

CMYK 53 / 0 / 55 / 0

HEX #77FF74

RGB 119 255 116

HSL 118.71, 1%, 0.73%

LAB 90.18, -63.66, 54.58

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 86 / 0 / 87 / 21

HEX #1DC91A

RGB 29 201 26

HSL 118.97, 0.77%, 0.45%

LAB 70.95, -69.74, 66.25

 

CMYK 93 / 0 / 96 / 28

HEX #0CB707

RGB 12 183 7

HSL 118.3, 0.93%, 0.37%

LAB 64.93, -66.45, 64.05

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 58 / 0 / 79 / 14

HEX #5DDB2D

RGB 93 219 45

HSL 103.45, 0.71%, 0.52%

LAB 77.98, -63.45, 68.47

 

CMYK 36 / 0 / 79 / 14

HEX #8CDB2D

RGB 140 219 45

HSL 87.24, 0.71%, 0.52%

LAB 79.86, -49.35, 70.88

 

CMYK 15 / 0 / 79 / 14

HEX #BBDB2D

RGB 187 219 45

HSL 71.03, 0.71%, 0.52%

LAB 82.6, -31.6, 74.39

 

CMYK 0 / 7 / 79 / 14

HEX #DBCC2D

RGB 219 204 45

HSL 54.83, 0.71%, 0.52%

LAB 80.98, -10.98, 73.89

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 79 / 0 / 58 / 14

HEX #2DDB5B

RGB 45 219 91

HSL 135.86, 0.71%, 0.52%

LAB 77.27, -68.13, 50.15

 

CMYK 79 / 0 / 37 / 14

HEX #2DDB8A

RGB 45 219 138

HSL 152.07, 0.71%, 0.52%

LAB 77.91, -60.6, 28.04

 

CMYK 79 / 0 / 16 / 14

HEX #2DDBB9

RGB 45 219 185

HSL 168.28, 0.71%, 0.52%

LAB 78.88, -50.01, 4.69

 

CMYK 79 / 6 / 0 / 14

HEX #2DCEDB

RGB 45 206 219

HSL 184.48, 0.71%, 0.52%

LAB 75.96, -34.8, -17.88

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 89 / 0 / 90 / 6

HEX #1BEF19

RGB 27 239 25

HSL 119.44, 0.87%, 0.52%

LAB 82.93, -80.44, 76.77

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 67 / 0 / 67 / 22

HEX #42C741

RGB 66 199 65

HSL 119.55, 0.54%, 0.52%

LAB 71.14, -61.22, 54.51

 

CMYK 53 / 0 / 53 / 30

HEX #55B355

RGB 85 179 85

HSL 120, 0.38%, 0.52%

LAB 65.61, -47.1, 39.33

 

CMYK 34 / 0 / 34 / 37

HEX #69A069

RGB 105 160 105

HSL 120, 0.22%, 0.52%

LAB 60.93, -29.57, 23.09

 

CMYK 11 / 0 / 11 / 45

HEX #7D8C7C

RGB 125 140 124

HSL 116.25, 0.07%, 0.52%

LAB 56.66, -8.64, 6.71

 

CMYK 36 / 0 / 79 / 14

HEX #8DDB2D

RGB 141 219 45

HSL 86.9, 0.71%, 0.52%

LAB 79.91, -49, 70.95

 

CMYK 57 / 0 / 79 / 14

HEX #5EDB2D

RGB 94 219 45

HSL 103.1, 0.71%, 0.52%

LAB 78.01, -63.21, 68.51

 

CMYK 78 / 0 / 79 / 14

HEX #30DB2D

RGB 48 219 45

HSL 118.97, 0.71%, 0.52%

LAB 76.97, -71.95, 67.16

 

CMYK 79 / 0 / 59 / 14

HEX #2DDB59

RGB 45 219 89

HSL 135.17, 0.71%, 0.52%

LAB 77.25, -68.37, 51.02

 

CMYK 79 / 0 / 38 / 14

HEX #2DDB87

RGB 45 219 135

HSL 151.03, 0.71%, 0.52%

LAB 77.86, -61.17, 29.51

 

CMYK 83 / 0 / 83 / 39

HEX #1B9C1A

RGB 27 156 26

HSL 119.54, 0.71%, 0.36%

LAB 56.17, -56.64, 52.98

 

CMYK 83 / 0 / 83 / 25

HEX #21BF20

RGB 33 191 32

HSL 119.62, 0.71%, 0.44%

LAB 67.79, -66.18, 62.07

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 64 / 0 / 64 / 12

HEX #51E150

RGB 81 225 80

HSL 119.59, 0.71%, 0.6%

LAB 79.72, -65.58, 57.84

 

CMYK 50 / 0 / 50 / 9

HEX #74E774

RGB 116 231 116

HSL 120, 0.71%, 0.68%

LAB 82.98, -55.31, 45.84

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 79 / 15 / 0 / 14

HEX #2DBBDB

RGB 45 187 219

HSL 191.03, 0.71%, 0.52%

LAB 70.32, -25.57, -26.45

 

CMYK 0 / 79 / 46 / 14

HEX #DB2D76

RGB 219 45 118

HSL 334.83, 0.71%, 0.52%

LAB 49.79, 69.33, 1.87

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 79 / 78 / 0 / 14

HEX #2D30DB

RGB 45 48 219

HSL 238.97, 0.71%, 0.52%

LAB 33.53, 56.24, -85.33

 

CMYK 0 / 79 / 78 / 14

HEX #DB2D30

RGB 219 45 48

HSL 358.97, 0.71%, 0.52%

LAB 48.45, 65.21, 42.03

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 79 / 15 / 0 / 14

HEX #2DBBDB

RGB 45 187 219

HSL 191.03, 0.71%, 0.52%

LAB 70.32, -25.57, -26.45

 

CMYK 1 / 79 / 0 / 14

HEX #D82DDB

RGB 216 45 219

HSL 298.97, 0.71%, 0.52%

LAB 53.59, 81.01, -51.78

 

CMYK 0 / 65 / 79 / 14

HEX #DB4D2D

RGB 219 77 45

HSL 11.03, 0.71%, 0.52%

LAB 52.46, 53.97, 47.65

 

CMYK 79 / 0 / 79 / 14

HEX #2EDB2D

RGB 46 219 45

HSL 119.66, 0.71%, 0.52%

LAB 76.94, -72.2, 67.12

 

CMYK 79 / 38 / 0 / 14

HEX #2D87DB

RGB 45 135 219

HSL 208.97, 0.71%, 0.52%

LAB 55.07, 3.1, -50.3

 

CMYK 1 / 79 / 0 / 14

HEX #D82DDB

RGB 216 45 219

HSL 298.97, 0.71%, 0.52%

LAB 53.59, 81.01, -51.78

 

CMYK 0 / 41 / 79 / 14

HEX #DB812D

RGB 219 129 45

HSL 28.97, 0.71%, 0.52%

LAB 62.47, 28.63, 57.21

 

Description

Color code: HEX #2EDB2D | qconv.com Color code: HEX #2EDB2D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 219 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 219 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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