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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ECFA4 it is the complementary color #D1305B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ECFA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ECFA4 shade: #33CF9F, #44E1B2, #55F3C5, #66FFD8 and #77FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ECFA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ECFA4 shade: #2ECFA4, #1DBD91, #0CAB7E, #00996B and #008758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ECFA4 shade: #2ED1A6, #2ED17A, #2ED14E, #3AD12E and #66D12E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ECFA4 shade: #2ED1A6, #2ED1D1, #2EA5D1, #2E79D1 and #2E4DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ECFA4 shade matches the following richer shades: #2ED1A6, #19E6AF and #05FAB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ECFA4 shade: #2ED1A6, #43BC9C, #57A892, #6C9389 and #807F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ECFA4 shade: #2ED14C, #2ED177, #2ED1A3, #2ED1CE and #2EA8D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ECFA4 shade: #1F8D70, #26AF8B, #2ED1A6, #50D9B4 and #72E0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ECFA4 shade: #2ECFA4, #2E3CD1 and #D1622E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ECFA4 shade: #2ECFA4, #A32ED1 and #D1A32E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ECFA4 shade: #2ECFA4, #2E3CD1, #D12E5C and #D1C42E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ECFA4 shade: #2ECFA4, #512ED1, #D12E5C and #AED12E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 21 / 19

HEX #2ECFA4

RGB 46 207 164

HSL 163.98, 0.64%, 0.5%

LAB 74.75, -50.22, 9.99

 

Complementary color

CMYK 0 / 77 / 56 / 18

HEX #D1305B

RGB 209 48 91

HSL 343.98, 0.64%, 0.5%

LAB 47.53, 63.71, 14.92

 

CMYK 75 / 0 / 23 / 19

HEX #33CF9F

RGB 51 207 159

HSL 161.54, 0.62%, 0.51%

LAB 74.72, -50.84, 12.63

 

CMYK 70 / 0 / 21 / 12

HEX #44E1B2

RGB 68 225 178

HSL 162.04, 0.72%, 0.57%

LAB 80.9, -51.47, 11.34

 

CMYK 65 / 0 / 19 / 5

HEX #55F3C5

RGB 85 243 197

HSL 162.53, 0.87%, 0.64%

LAB 87.03, -51.88, 10.16

 

CMYK 60 / 0 / 15 / 0

HEX #66FFD8

RGB 102 255 216

HSL 164.71, 1%, 0.7%

LAB 91.37, -49.63, 6.59

 

CMYK 53 / 0 / 8 / 0

HEX #77FFEB

RGB 119 255 235

HSL 171.18, 1%, 0.73%

LAB 92.33, -41.95, -1.78

 

CMYK 78 / 0 / 21 / 19

HEX #2ECFA4

RGB 46 207 164

HSL 163.98, 0.64%, 0.5%

LAB 74.75, -50.22, 9.99

 

CMYK 85 / 0 / 23 / 26

HEX #1DBD91

RGB 29 189 145

HSL 163.5, 0.73%, 0.43%

LAB 68.53, -49.15, 11.4

 

CMYK 93 / 0 / 26 / 33

HEX #0CAB7E

RGB 12 171 126

HSL 163.02, 0.87%, 0.36%

LAB 62.26, -47.67, 12.97

 

CMYK 100 / 0 / 30 / 40

HEX #00996B

RGB 0 153 107

HSL 161.96, 1%, 0.3%

LAB 55.93, -45.71, 14.72

 

CMYK 100 / 0 / 35 / 47

HEX #008758

RGB 0 135 88

HSL 159.11, 1%, 0.26%

LAB 49.54, -43.14, 16.67

 

CMYK 78 / 0 / 21 / 18

HEX #2ED1A6

RGB 46 209 166

HSL 164.17, 0.64%, 0.5%

LAB 75.41, -50.54, 9.86

 

CMYK 78 / 0 / 42 / 18

HEX #2ED17A

RGB 46 209 122

HSL 147.98, 0.64%, 0.5%

LAB 74.56, -59.9, 31.82

 

CMYK 78 / 0 / 63 / 18

HEX #2ED14E

RGB 46 209 78

HSL 131.78, 0.64%, 0.5%

LAB 74.02, -66.36, 52.15

 

CMYK 72 / 0 / 78 / 18

HEX #3AD12E

RGB 58 209 46

HSL 115.58, 0.64%, 0.5%

LAB 74, -67.39, 64.1

 

CMYK 51 / 0 / 78 / 18

HEX #66D12E

RGB 102 209 46

HSL 99.39, 0.64%, 0.5%

LAB 75.22, -57.45, 65.69

 

CMYK 78 / 0 / 21 / 18

HEX #2ED1A6

RGB 46 209 166

HSL 164.17, 0.64%, 0.5%

LAB 75.41, -50.54, 9.86

 

CMYK 78 / 0 / 0 / 18

HEX #2ED1D1

RGB 46 209 209

HSL 180, 0.64%, 0.5%

LAB 76.55, -39.05, -11.6

 

CMYK 78 / 21 / 0 / 18

HEX #2EA5D1

RGB 46 165 209

HSL 196.2, 0.64%, 0.5%

LAB 63.42, -17.38, -31.59

 

CMYK 78 / 42 / 0 / 18

HEX #2E79D1

RGB 46 121 209

HSL 212.39, 0.64%, 0.5%

LAB 50.52, 8.03, -51.91

 

CMYK 78 / 63 / 0 / 18

HEX #2E4DD1

RGB 46 77 209

HSL 228.59, 0.64%, 0.5%

LAB 38.71, 36.1, -71.03

 

CMYK 78 / 0 / 21 / 18

HEX #2ED1A6

RGB 46 209 166

HSL 164.17, 0.64%, 0.5%

LAB 75.41, -50.54, 9.86

 

CMYK 89 / 0 / 24 / 10

HEX #19E6AF

RGB 25 230 175

HSL 163.9, 0.8%, 0.5%

LAB 81.78, -58.25, 14.08

 

CMYK 98 / 0 / 26 / 2

HEX #05FAB9

RGB 5 250 185

HSL 164.08, 0.96%, 0.5%

LAB 87.92, -64.09, 17.51

 

CMYK 78 / 0 / 21 / 18

HEX #2ED1A6

RGB 46 209 166

HSL 164.17, 0.64%, 0.5%

LAB 75.41, -50.54, 9.86

 

CMYK 64 / 0 / 17 / 26

HEX #43BC9C

RGB 67 188 156

HSL 164.13, 0.47%, 0.5%

LAB 69.16, -41.23, 6.38

 

CMYK 48 / 0 / 13 / 34

HEX #57A892

RGB 87 168 146

HSL 163.7, 0.32%, 0.5%

LAB 63.43, -30.25, 3.74

 

CMYK 27 / 0 / 7 / 42

HEX #6C9389

RGB 108 147 137

HSL 164.62, 0.15%, 0.5%

LAB 57.91, -15.65, 0.93

 

CMYK 0 / 1 / 1 / 50

HEX #807F7F

RGB 128 127 127

HSL 0, 0%, 0.5%

LAB 53.28, 0.38, 0.13

 

CMYK 78 / 0 / 64 / 18

HEX #2ED14C

RGB 46 209 76

HSL 131.04, 0.64%, 0.5%

LAB 74, -66.58, 52.99

 

CMYK 78 / 0 / 43 / 18

HEX #2ED177

RGB 46 209 119

HSL 146.87, 0.64%, 0.5%

LAB 74.52, -60.44, 33.29

 

CMYK 78 / 0 / 22 / 18

HEX #2ED1A3

RGB 46 209 163

HSL 163.07, 0.64%, 0.5%

LAB 75.34, -51.26, 11.36

 

CMYK 78 / 0 / 1 / 18

HEX #2ED1CE

RGB 46 209 206

HSL 178.9, 0.64%, 0.5%

LAB 76.46, -39.92, -10.12

 

CMYK 78 / 20 / 0 / 18

HEX #2EA8D1

RGB 46 168 209

HSL 195.09, 0.64%, 0.5%

LAB 64.31, -18.97, -30.21

 

CMYK 78 / 0 / 21 / 45

HEX #1F8D70

RGB 31 141 112

HSL 164.18, 0.64%, 0.34%

LAB 52.41, -37.16, 6.97

 

CMYK 78 / 0 / 21 / 31

HEX #26AF8B

RGB 38 175 139

HSL 164.23, 0.64%, 0.42%

LAB 64.11, -44.04, 8.43

 

CMYK 78 / 0 / 21 / 18

HEX #2ED1A6

RGB 46 209 166

HSL 164.17, 0.64%, 0.5%

LAB 75.41, -50.54, 9.86

 

CMYK 63 / 0 / 17 / 15

HEX #50D9B4

RGB 80 217 180

HSL 163.8, 0.64%, 0.58%

LAB 78.83, -45.77, 7.35

 

CMYK 49 / 0 / 13 / 12

HEX #72E0C2

RGB 114 224 194

HSL 163.64, 0.64%, 0.66%

LAB 82.26, -38.72, 5.01

 

CMYK 78 / 0 / 21 / 19

HEX #2ECFA4

RGB 46 207 164

HSL 163.98, 0.64%, 0.5%

LAB 74.75, -50.22, 9.99

 

CMYK 78 / 71 / 0 / 18

HEX #2E3CD1

RGB 46 60 209

HSL 234.85, 0.64%, 0.5%

LAB 34.83, 46.51, -77.4

 

CMYK 0 / 53 / 78 / 18

HEX #D1622E

RGB 209 98 46

HSL 19.14, 0.64%, 0.5%

LAB 54.54, 40.69, 48.67

 

CMYK 78 / 0 / 21 / 19

HEX #2ECFA4

RGB 46 207 164

HSL 163.98, 0.64%, 0.5%

LAB 74.75, -50.22, 9.99

 

CMYK 22 / 78 / 0 / 18

HEX #A32ED1

RGB 163 46 209

HSL 283.07, 0.64%, 0.5%

LAB 44.72, 69.33, -60.75

 

CMYK 0 / 22 / 78 / 18

HEX #D1A32E

RGB 209 163 46

HSL 43.07, 0.64%, 0.5%

LAB 69.43, 6.09, 62.86

 

CMYK 78 / 0 / 21 / 19

HEX #2ECFA4

RGB 46 207 164

HSL 163.98, 0.64%, 0.5%

LAB 74.75, -50.22, 9.99

 

CMYK 78 / 71 / 0 / 18

HEX #2E3CD1

RGB 46 60 209

HSL 234.85, 0.64%, 0.5%

LAB 34.83, 46.51, -77.4

 

CMYK 0 / 78 / 56 / 18

HEX #D12E5C

RGB 209 46 92

HSL 343.07, 0.64%, 0.5%

LAB 47.34, 64.36, 14.05

 

CMYK 0 / 6 / 78 / 18

HEX #D1C42E

RGB 209 196 46

HSL 55.21, 0.64%, 0.5%

LAB 78.01, -11.17, 70.65

 

CMYK 78 / 0 / 21 / 19

HEX #2ECFA4

RGB 46 207 164

HSL 163.98, 0.64%, 0.5%

LAB 74.75, -50.22, 9.99

 

CMYK 61 / 78 / 0 / 18

HEX #512ED1

RGB 81 46 209

HSL 252.88, 0.64%, 0.5%

LAB 34.61, 57.22, -77.69

 

CMYK 0 / 78 / 56 / 18

HEX #D12E5C

RGB 209 46 92

HSL 343.07, 0.64%, 0.5%

LAB 47.34, 64.36, 14.05

 

CMYK 17 / 0 / 78 / 18

HEX #AED12E

RGB 174 209 46

HSL 72.88, 0.64%, 0.5%

LAB 78.92, -32.14, 70.47

 

Description

Color code: HEX #2ECFA4 | qconv.com Color code: HEX #2ECFA4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 207 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 207 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 21 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 21% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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