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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ECCC2 it is the complementary color #D1333D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ECCC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ECCC2 shade: #33CCBD, #44DED0, #55F0E3, #66FFF6 and #77FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ECCC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ECCC2 shade: #2ECCC2, #1DBAAF, #0CA89C, #009689 and #008476

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ECCC2 shade: #2ECCC2, #2ECC97, #2ECC6D, #2ECC42 and #45CC2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ECCC2 shade: #2ECCC2, #2EABCC, #2E81CC, #2E56CC and #2E2ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ECCC2 shade matches the following richer shades: #2ECCC2, #1AE0D3 and #06F4E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ECCC2 shade: #2ECCC2, #42B7B0, #57A39E, #6B8F8D and #7F7B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ECCC2 shade: #2ECC6D, #2ECC97, #2ECCC1, #2EACCC and #2E82CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ECCC2 shade: #1F8882, #27AAA2, #2ECCC2, #4DD7CE and #6EDED7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ECCC2 shade: #2ECCC2, #432ECC and #CC822E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ECCC2 shade: #2ECCC2, #C12ECC and #CCC12E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ECCC2 shade: #2ECCC2, #432ECC, #CC2E39 and #B7CC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ECCC2 shade: #2ECCC2, #722ECC, #CC2E39 and #87CC2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

Complementary color

CMYK 0 / 76 / 71 / 18

HEX #D1333D

RGB 209 51 61

HSL 356.2, 0.63%, 0.51%

LAB 47.31, 61.05, 32.8

 

CMYK 75 / 0 / 7 / 20

HEX #33CCBD

RGB 51 204 189

HSL 174.12, 0.6%, 0.5%

LAB 74.55, -41.94, -3.77

 

CMYK 69 / 0 / 6 / 13

HEX #44DED0

RGB 68 222 208

HSL 174.55, 0.7%, 0.57%

LAB 80.75, -42.69, -4.78

 

CMYK 65 / 0 / 5 / 6

HEX #55F0E3

RGB 85 240 227

HSL 174.97, 0.84%, 0.64%

LAB 86.9, -43.23, -5.71

 

CMYK 60 / 0 / 4 / 0

HEX #66FFF6

RGB 102 255 246

HSL 176.47, 1%, 0.7%

LAB 92.13, -42.29, -7.83

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 84 / 0 / 6 / 27

HEX #1DBAAF

RGB 29 186 175

HSL 175.8, 0.73%, 0.42%

LAB 68.37, -39.9, -5.28

 

CMYK 93 / 0 / 7 / 34

HEX #0CA89C

RGB 12 168 156

HSL 175.38, 0.87%, 0.35%

LAB 62.07, -38.34, -4.04

 

CMYK 100 / 0 / 9 / 41

HEX #009689

RGB 0 150 137

HSL 174.8, 1%, 0.29%

LAB 55.7, -36.36, -2.66

 

CMYK 100 / 0 / 11 / 48

HEX #008476

RGB 0 132 118

HSL 173.64, 1%, 0.26%

LAB 49.27, -33.86, -1.11

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 77 / 0 / 26 / 20

HEX #2ECC97

RGB 46 204 151

HSL 159.87, 0.63%, 0.49%

LAB 73.55, -52.08, 15.25

 

CMYK 77 / 0 / 47 / 20

HEX #2ECC6D

RGB 46 204 109

HSL 143.92, 0.63%, 0.49%

LAB 72.81, -60.39, 36.14

 

CMYK 77 / 0 / 68 / 20

HEX #2ECC42

RGB 46 204 66

HSL 127.59, 0.63%, 0.49%

LAB 72.34, -66.04, 55.28

 

CMYK 66 / 0 / 77 / 20

HEX #45CC2E

RGB 69 204 46

HSL 111.27, 0.63%, 0.49%

LAB 72.66, -63.77, 62.9

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 77 / 16 / 0 / 20

HEX #2EABCC

RGB 46 171 204

HSL 192.53, 0.63%, 0.49%

LAB 65.02, -22.2, -26.36

 

CMYK 77 / 37 / 0 / 20

HEX #2E81CC

RGB 46 129 204

HSL 208.48, 0.63%, 0.49%

LAB 52.55, 1.29, -45.83

 

CMYK 77 / 58 / 0 / 20

HEX #2E56CC

RGB 46 86 204

HSL 224.81, 0.63%, 0.49%

LAB 40.57, 28.49, -65.11

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECC

RGB 46 46 204

HSL 240, 0.63%, 0.49%

LAB 31.57, 52.61, -79.9

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 88 / 0 / 6 / 12

HEX #1AE0D3

RGB 26 224 211

HSL 176.06, 0.79%, 0.49%

LAB 80.87, -46.5, -6.27

 

CMYK 98 / 0 / 6 / 4

HEX #06F4E5

RGB 6 244 229

HSL 176.22, 0.95%, 0.49%

LAB 87.19, -50.62, -6.43

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 64 / 0 / 4 / 28

HEX #42B7B0

RGB 66 183 176

HSL 176.41, 0.47%, 0.49%

LAB 68.14, -33.91, -6.1

 

CMYK 47 / 0 / 3 / 36

HEX #57A39E

RGB 87 163 158

HSL 176.05, 0.3%, 0.49%

LAB 62.24, -24.79, -4.72

 

CMYK 25 / 0 / 1 / 44

HEX #6B8F8D

RGB 107 143 141

HSL 176.67, 0.14%, 0.49%

LAB 56.78, -12.9, -3.02

 

CMYK 0 / 3 / 3 / 50

HEX #7F7B7B

RGB 127 123 123

HSL 0, 0.02%, 0.49%

LAB 51.96, 1.52, 0.53

 

CMYK 77 / 0 / 47 / 20

HEX #2ECC6D

RGB 46 204 109

HSL 143.92, 0.63%, 0.49%

LAB 72.81, -60.39, 36.14

 

CMYK 77 / 0 / 26 / 20

HEX #2ECC97

RGB 46 204 151

HSL 159.87, 0.63%, 0.49%

LAB 73.55, -52.08, 15.25

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC1

RGB 46 204 193

HSL 175.82, 0.63%, 0.49%

LAB 74.58, -41.36, -5.89

 

CMYK 77 / 16 / 0 / 20

HEX #2EACCC

RGB 46 172 204

HSL 192.15, 0.63%, 0.49%

LAB 65.31, -22.71, -25.9

 

CMYK 77 / 36 / 0 / 20

HEX #2E82CC

RGB 46 130 204

HSL 208.1, 0.63%, 0.49%

LAB 52.85, 0.69, -45.37

 

CMYK 77 / 0 / 4 / 47

HEX #1F8882

RGB 31 136 130

HSL 176.57, 0.63%, 0.33%

LAB 51.28, -29.78, -5.11

 

CMYK 77 / 0 / 5 / 33

HEX #27AAA2

RGB 39 170 162

HSL 176.34, 0.63%, 0.41%

LAB 63.17, -35.5, -5.75

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 64 / 0 / 4 / 16

HEX #4DD7CE

RGB 77 215 206

HSL 176.09, 0.63%, 0.57%

LAB 78.83, -38.8, -6.53

 

CMYK 50 / 0 / 3 / 13

HEX #6EDED7

RGB 110 222 215

HSL 176.25, 0.63%, 0.65%

LAB 82.09, -33.63, -6.4

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 67 / 77 / 0 / 20

HEX #432ECC

RGB 67 46 204

HSL 247.97, 0.63%, 0.49%

LAB 32.93, 54.33, -77.6

 

CMYK 0 / 36 / 77 / 20

HEX #CC822E

RGB 204 130 46

HSL 31.9, 0.63%, 0.49%

LAB 60.78, 21.8, 54.53

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 5 / 77 / 0 / 20

HEX #C12ECC

RGB 193 46 204

HSL 295.82, 0.63%, 0.49%

LAB 49.07, 74, -50.63

 

CMYK 0 / 5 / 77 / 20

HEX #CCC12E

RGB 204 193 46

HSL 55.82, 0.63%, 0.49%

LAB 76.78, -11.79, 69.38

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 67 / 77 / 0 / 20

HEX #432ECC

RGB 67 46 204

HSL 247.97, 0.63%, 0.49%

LAB 32.93, 54.33, -77.6

 

CMYK 0 / 77 / 72 / 20

HEX #CC2E39

RGB 204 46 57

HSL 355.82, 0.63%, 0.49%

LAB 45.75, 60.95, 33.08

 

CMYK 10 / 0 / 77 / 20

HEX #B7CC2E

RGB 183 204 46

HSL 67.97, 0.63%, 0.49%

LAB 78.14, -26.11, 69.99

 

CMYK 77 / 0 / 5 / 20

HEX #2ECCC2

RGB 46 204 194

HSL 176.2, 0.63%, 0.49%

LAB 74.61, -41.08, -6.39

 

CMYK 44 / 77 / 0 / 20

HEX #722ECC

RGB 114 46 204

HSL 265.82, 0.63%, 0.49%

LAB 37.65, 60.17, -69.67

 

CMYK 0 / 77 / 72 / 20

HEX #CC2E39

RGB 204 46 57

HSL 355.82, 0.63%, 0.49%

LAB 45.75, 60.95, 33.08

 

CMYK 34 / 0 / 77 / 20

HEX #87CC2E

RGB 135 204 46

HSL 86.2, 0.63%, 0.49%

LAB 75.16, -44.82, 66.16

 

Description

Color code: HEX #2ECCC2 | qconv.com Color code: HEX #2ECCC2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 204 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 204 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 5 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 5% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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