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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ECA43 it is the complementary color #D135BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ECA43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ECA43 shade: #33CA3E, #44DC51, #55EE64, #66FF77 and #77FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ECA43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ECA43 shade: #2ECA43, #1DB830, #0CA61D, #00940A and #008200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ECA43 shade: #2ECC43, #43CC2E, #6ECC2E, #98CC2E and #C3CC2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ECA43 shade: #2ECC43, #2ECC6E, #2ECC98, #2ECCC3 and #2EAACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ECA43 shade matches the following richer shades: #2ECC43, #1AE035 and #06F426

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ECA43 shade: #2ECC43, #42B752, #57A361, #6B8F70 and #7F7B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ECA43 shade: #6DCC2E, #43CC2E, #2ECC43, #2ECC6D and #2ECC97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ECA43 shade: #1F882D, #27AA38, #2ECC43, #4DD75F and #6EDE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ECA43 shade: #2ECA43, #2E97CC and #CC2E58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ECA43 shade: #2ECA43, #432ECC and #CC432E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ECA43 shade: #2ECA43, #2E97CC, #CC2EB7 and #CC632E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ECA43 shade: #2ECA43, #2E68CC, #CC2EB7 and #CC922E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 67 / 21

HEX #2ECA43

RGB 46 202 67

HSL 128.08, 0.63%, 0.49%

LAB 71.71, -65.31, 54.21

 

Complementary color

CMYK 0 / 75 / 10 / 18

HEX #D135BC

RGB 209 53 188

HSL 308.08, 0.63%, 0.51%

LAB 51.53, 72.82, -37.3

 

CMYK 75 / 0 / 69 / 21

HEX #33CA3E

RGB 51 202 62

HSL 124.37, 0.6%, 0.5%

LAB 71.75, -65.07, 56.26

 

CMYK 69 / 0 / 63 / 14

HEX #44DC51

RGB 68 220 81

HSL 125.13, 0.68%, 0.56%

LAB 77.88, -66.27, 55.31

 

CMYK 64 / 0 / 58 / 7

HEX #55EE64

RGB 85 238 100

HSL 125.88, 0.82%, 0.63%

LAB 83.97, -67.06, 54.15

 

CMYK 60 / 0 / 53 / 0

HEX #66FF77

RGB 102 255 119

HSL 126.67, 1%, 0.7%

LAB 89.71, -67.19, 52.53

 

CMYK 53 / 0 / 46 / 0

HEX #77FF8A

RGB 119 255 138

HSL 128.38, 1%, 0.73%

LAB 90.45, -60.78, 44.68

 

CMYK 77 / 0 / 67 / 21

HEX #2ECA43

RGB 46 202 67

HSL 128.08, 0.63%, 0.49%

LAB 71.71, -65.31, 54.21

 

CMYK 84 / 0 / 74 / 28

HEX #1DB830

RGB 29 184 48

HSL 127.35, 0.73%, 0.42%

LAB 65.56, -63.45, 54.98

 

CMYK 93 / 0 / 83 / 35

HEX #0CA61D

RGB 12 166 29

HSL 126.62, 0.87%, 0.35%

LAB 59.38, -60.79, 55.06

 

CMYK 100 / 0 / 93 / 42

HEX #00940A

RGB 0 148 10

HSL 124.05, 1%, 0.29%

LAB 53.17, -57.13, 53.79

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 77 / 0 / 67 / 20

HEX #2ECC43

RGB 46 204 67

HSL 127.97, 0.63%, 0.49%

LAB 72.34, -65.94, 54.89

 

CMYK 67 / 0 / 77 / 20

HEX #43CC2E

RGB 67 204 46

HSL 112.03, 0.63%, 0.49%

LAB 72.61, -64.17, 62.84

 

CMYK 46 / 0 / 77 / 20

HEX #6ECC2E

RGB 110 204 46

HSL 95.7, 0.63%, 0.49%

LAB 74, -53.19, 64.64

 

CMYK 25 / 0 / 77 / 20

HEX #98CC2E

RGB 152 204 46

HSL 79.75, 0.63%, 0.49%

LAB 76.11, -38.5, 67.38

 

CMYK 4 / 0 / 77 / 20

HEX #C3CC2E

RGB 195 204 46

HSL 63.42, 0.63%, 0.49%

LAB 79.03, -21.11, 71.13

 

CMYK 77 / 0 / 67 / 20

HEX #2ECC43

RGB 46 204 67

HSL 127.97, 0.63%, 0.49%

LAB 72.34, -65.94, 54.89

 

CMYK 77 / 0 / 46 / 20

HEX #2ECC6E

RGB 46 204 110

HSL 144.3, 0.63%, 0.49%

LAB 72.82, -60.22, 35.65

 

CMYK 77 / 0 / 25 / 20

HEX #2ECC98

RGB 46 204 152

HSL 160.25, 0.63%, 0.49%

LAB 73.57, -51.85, 14.74

 

CMYK 77 / 0 / 4 / 20

HEX #2ECCC3

RGB 46 204 195

HSL 176.58, 0.63%, 0.49%

LAB 74.64, -40.8, -6.89

 

CMYK 77 / 17 / 0 / 20

HEX #2EAACC

RGB 46 170 204

HSL 192.91, 0.63%, 0.49%

LAB 64.72, -21.68, -26.82

 

CMYK 77 / 0 / 67 / 20

HEX #2ECC43

RGB 46 204 67

HSL 127.97, 0.63%, 0.49%

LAB 72.34, -65.94, 54.89

 

CMYK 88 / 0 / 76 / 12

HEX #1AE035

RGB 26 224 53

HSL 128.18, 0.79%, 0.49%

LAB 78.34, -75.03, 66

 

CMYK 98 / 0 / 84 / 4

HEX #06F426

RGB 6 244 38

HSL 128.07, 0.95%, 0.49%

LAB 84.42, -82.23, 75.6

 

CMYK 77 / 0 / 67 / 20

HEX #2ECC43

RGB 46 204 67

HSL 127.97, 0.63%, 0.49%

LAB 72.34, -65.94, 54.89

 

CMYK 64 / 0 / 55 / 28

HEX #42B752

RGB 66 183 82

HSL 128.21, 0.47%, 0.49%

LAB 66.24, -53.64, 41.4

 

CMYK 47 / 0 / 40 / 36

HEX #57A361

RGB 87 163 97

HSL 127.89, 0.3%, 0.49%

LAB 60.86, -37.97, 27.16

 

CMYK 25 / 0 / 22 / 44

HEX #6B8F70

RGB 107 143 112

HSL 128.33, 0.14%, 0.49%

LAB 56.03, -19.09, 12.51

 

CMYK 0 / 3 / 0 / 50

HEX #7F7B7F

RGB 127 123 127

HSL 300, 0.02%, 0.49%

LAB 52.07, 2.31, -1.64

 

CMYK 47 / 0 / 77 / 20

HEX #6DCC2E

RGB 109 204 46

HSL 96.08, 0.63%, 0.49%

LAB 73.96, -53.5, 64.59

 

CMYK 67 / 0 / 77 / 20

HEX #43CC2E

RGB 67 204 46

HSL 112.03, 0.63%, 0.49%

LAB 72.61, -64.17, 62.84

 

CMYK 77 / 0 / 67 / 20

HEX #2ECC43

RGB 46 204 67

HSL 127.97, 0.63%, 0.49%

LAB 72.34, -65.94, 54.89

 

CMYK 77 / 0 / 47 / 20

HEX #2ECC6D

RGB 46 204 109

HSL 143.92, 0.63%, 0.49%

LAB 72.81, -60.39, 36.14

 

CMYK 77 / 0 / 26 / 20

HEX #2ECC97

RGB 46 204 151

HSL 159.87, 0.63%, 0.49%

LAB 73.55, -52.08, 15.25

 

CMYK 77 / 0 / 67 / 47

HEX #1F882D

RGB 31 136 45

HSL 128, 0.63%, 0.33%

LAB 49.6, -47.98, 39.38

 

CMYK 77 / 0 / 67 / 33

HEX #27AA38

RGB 39 170 56

HSL 127.79, 0.63%, 0.41%

LAB 61.19, -57.07, 47.31

 

CMYK 77 / 0 / 67 / 20

HEX #2ECC43

RGB 46 204 67

HSL 127.97, 0.63%, 0.49%

LAB 72.34, -65.94, 54.89

 

CMYK 64 / 0 / 56 / 16

HEX #4DD75F

RGB 77 215 95

HSL 127.83, 0.63%, 0.57%

LAB 76.68, -61.24, 47.8

 

CMYK 50 / 0 / 44 / 13

HEX #6EDE7D

RGB 110 222 125

HSL 128.04, 0.63%, 0.65%

LAB 80.2, -52.05, 37.93

 

CMYK 77 / 0 / 67 / 21

HEX #2ECA43

RGB 46 202 67

HSL 128.08, 0.63%, 0.49%

LAB 71.71, -65.31, 54.21

 

CMYK 77 / 26 / 0 / 20

HEX #2E97CC

RGB 46 151 204

HSL 200.13, 0.63%, 0.49%

LAB 59.04, -11.46, -35.61

 

CMYK 0 / 77 / 57 / 20

HEX #CC2E58

RGB 204 46 88

HSL 344.05, 0.63%, 0.49%

LAB 46.31, 62.7, 14.94

 

CMYK 77 / 0 / 67 / 21

HEX #2ECA43

RGB 46 202 67

HSL 128.08, 0.63%, 0.49%

LAB 71.71, -65.31, 54.21

 

CMYK 67 / 77 / 0 / 20

HEX #432ECC

RGB 67 46 204

HSL 247.97, 0.63%, 0.49%

LAB 32.93, 54.33, -77.6

 

CMYK 0 / 67 / 77 / 20

HEX #CC432E

RGB 204 67 46

HSL 7.97, 0.63%, 0.49%

LAB 48.32, 53.06, 42.1

 

CMYK 77 / 0 / 67 / 21

HEX #2ECA43

RGB 46 202 67

HSL 128.08, 0.63%, 0.49%

LAB 71.71, -65.31, 54.21

 

CMYK 77 / 26 / 0 / 20

HEX #2E97CC

RGB 46 151 204

HSL 200.13, 0.63%, 0.49%

LAB 59.04, -11.46, -35.61

 

CMYK 0 / 77 / 10 / 20

HEX #CC2EB7

RGB 204 46 183

HSL 307.97, 0.63%, 0.49%

LAB 49.75, 73.01, -37.25

 

CMYK 0 / 51 / 77 / 20

HEX #CC632E

RGB 204 99 46

HSL 20.13, 0.63%, 0.49%

LAB 53.98, 38.24, 47.87

 

CMYK 77 / 0 / 67 / 21

HEX #2ECA43

RGB 46 202 67

HSL 128.08, 0.63%, 0.49%

LAB 71.71, -65.31, 54.21

 

CMYK 77 / 49 / 0 / 20

HEX #2E68CC

RGB 46 104 204

HSL 217.97, 0.63%, 0.49%

LAB 45.42, 16.86, -57.25

 

CMYK 0 / 77 / 10 / 20

HEX #CC2EB7

RGB 204 46 183

HSL 307.97, 0.63%, 0.49%

LAB 49.75, 73.01, -37.25

 

CMYK 0 / 28 / 77 / 20

HEX #CC922E

RGB 204 146 46

HSL 37.97, 0.63%, 0.49%

LAB 64.64, 13.09, 58.2

 

Description

Color code: HEX #2ECA43 | qconv.com Color code: HEX #2ECA43 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 202 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 202 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 67 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 67% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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