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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EC903 it is the complementary color #D136FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EC903. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EC903 shade: #33C900, #44DB11, #55ED24, #66FF37 and #77FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EC903. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EC903 shade: #2EC903, #1DB700, #0CA500, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EC903 shade: #2EC903, #63C903, #99C903, #C9C403 and #C98E03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EC903 shade: #2EC903, #03C90D, #03C943, #03C978 and #03C9AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EC903 shade matches the following richer shades: #2EC903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EC903 shade: #2EC903, #37B814, #41A824, #4A9735 and #538745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EC903 shade: #9BC903, #66C903, #31C903, #03C90A and #03C93E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EC903 shade: #1B7802, #25A002, #2EC903, #37F204 and #52FC23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EC903 shade: #2EC903, #03C9C2 and #C90380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EC903 shade: #2EC903, #0331C9 and #C90331

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EC903 shade: #2EC903, #03C9C2, #9B03C9 and #C9030A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EC903 shade: #2EC903, #0394C9, #9B03C9 and #C93803

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

Complementary color

CMYK 17 / 79 / 0 / 1

HEX #D136FC

RGB 209 54 252

HSL 286.97, 0.97%, 0.6%

LAB 55.3, 82.9, -67.64

 

CMYK 75 / 0 / 100 / 21

HEX #33C900

RGB 51 201 0

HSL 104.78, 1%, 0.39%

LAB 71.2, -67.69, 70.12

 

CMYK 69 / 0 / 92 / 14

HEX #44DB11

RGB 68 219 17

HSL 104.85, 0.86%, 0.46%

LAB 77.24, -69.93, 73.35

 

CMYK 64 / 0 / 85 / 7

HEX #55ED24

RGB 85 237 36

HSL 105.37, 0.85%, 0.54%

LAB 83.25, -71.64, 75.37

 

CMYK 60 / 0 / 78 / 0

HEX #66FF37

RGB 102 255 55

HSL 105.9, 1%, 0.61%

LAB 89.21, -72.89, 76.29

 

CMYK 53 / 0 / 71 / 0

HEX #77FF4A

RGB 119 255 74

HSL 105.08, 1%, 0.65%

LAB 89.83, -67.61, 71.13

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 84 / 0 / 100 / 28

HEX #1DB700

RGB 29 183 0

HSL 110.49, 1%, 0.36%

LAB 65.06, -65.29, 65.09

 

CMYK 93 / 0 / 100 / 35

HEX #0CA500

RGB 12 165 0

HSL 115.64, 1%, 0.32%

LAB 58.96, -61.56, 60.14

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 51 / 0 / 99 / 21

HEX #63C903

RGB 99 201 3

HSL 90.91, 0.97%, 0.4%

LAB 72.52, -56.76, 71.4

 

CMYK 24 / 0 / 99 / 21

HEX #99C903

RGB 153 201 3

HSL 74.55, 0.97%, 0.4%

LAB 75.17, -37.91, 74.62

 

CMYK 0 / 2 / 99 / 21

HEX #C9C403

RGB 201 196 3

HSL 58.48, 0.97%, 0.4%

LAB 77.22, -15.49, 77.69

 

CMYK 0 / 29 / 99 / 21

HEX #C98E03

RGB 201 142 3

HSL 42.12, 0.97%, 0.4%

LAB 63.15, 12.98, 67.64

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 99 / 0 / 94 / 21

HEX #03C90D

RGB 3 201 13

HSL 123.03, 0.97%, 0.4%

LAB 70.75, -71.66, 68.14

 

CMYK 99 / 0 / 67 / 21

HEX #03C943

RGB 3 201 67

HSL 139.39, 0.97%, 0.4%

LAB 71.01, -68.33, 53.33

 

CMYK 99 / 0 / 40 / 21

HEX #03C978

RGB 3 201 120

HSL 155.45, 0.97%, 0.4%

LAB 71.66, -60.42, 28.96

 

CMYK 99 / 0 / 13 / 21

HEX #03C9AE

RGB 3 201 174

HSL 171.82, 0.97%, 0.4%

LAB 72.79, -47.81, 1.73

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 70 / 0 / 89 / 28

HEX #37B814

RGB 55 184 20

HSL 107.2, 0.8%, 0.4%

LAB 65.86, -61.3, 63.17

 

CMYK 61 / 0 / 79 / 34

HEX #41A824

RGB 65 168 36

HSL 106.82, 0.65%, 0.4%

LAB 61.01, -53, 54.82

 

CMYK 51 / 0 / 65 / 41

HEX #4A9735

RGB 74 151 53

HSL 107.14, 0.48%, 0.4%

LAB 55.93, -42.69, 43.13

 

CMYK 39 / 0 / 49 / 47

HEX #538745

RGB 83 135 69

HSL 107.27, 0.32%, 0.4%

LAB 51.38, -30.81, 29.99

 

CMYK 23 / 0 / 99 / 21

HEX #9BC903

RGB 155 201 3

HSL 73.94, 0.97%, 0.4%

LAB 75.29, -37.12, 74.76

 

CMYK 49 / 0 / 99 / 21

HEX #66C903

RGB 102 201 3

HSL 90, 0.97%, 0.4%

LAB 72.63, -55.87, 71.54

 

CMYK 76 / 0 / 99 / 21

HEX #31C903

RGB 49 201 3

HSL 106.06, 0.97%, 0.4%

LAB 71.17, -67.94, 69.76

 

CMYK 99 / 0 / 95 / 21

HEX #03C90A

RGB 3 201 10

HSL 122.12, 0.97%, 0.4%

LAB 70.74, -71.72, 68.48

 

CMYK 99 / 0 / 69 / 21

HEX #03C93E

RGB 3 201 62

HSL 137.88, 0.97%, 0.4%

LAB 70.97, -68.83, 55.29

 

CMYK 78 / 0 / 98 / 53

HEX #1B7802

RGB 27 120 2

HSL 107.29, 0.97%, 0.24%

LAB 43.76, -46.21, 47.6

 

CMYK 77 / 0 / 99 / 37

HEX #25A002

RGB 37 160 2

HSL 106.71, 0.98%, 0.32%

LAB 57.6, -57.36, 58.87

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 77 / 0 / 98 / 5

HEX #37F204

RGB 55 242 4

HSL 107.14, 0.97%, 0.48%

LAB 84.13, -78.96, 80.14

 

CMYK 67 / 0 / 86 / 1

HEX #52FC23

RGB 82 252 35

HSL 107, 0.97%, 0.56%

LAB 87.74, -76.93, 79.48

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 99 / 0 / 3 / 21

HEX #03C9C2

RGB 3 201 194

HSL 177.88, 0.97%, 0.4%

LAB 73.34, -42.18, -8.31

 

CMYK 0 / 99 / 36 / 21

HEX #C90380

RGB 201 3 128

HSL 322.12, 0.97%, 0.4%

LAB 44.29, 72.88, -12.79

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 99 / 76 / 0 / 21

HEX #0331C9

RGB 3 49 201

HSL 226.06, 0.97%, 0.4%

LAB 30.48, 48.23, -79.99

 

CMYK 0 / 99 / 76 / 21

HEX #C90331

RGB 201 3 49

HSL 346.06, 0.97%, 0.4%

LAB 42.31, 67.61, 33.74

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 99 / 0 / 3 / 21

HEX #03C9C2

RGB 3 201 194

HSL 177.88, 0.97%, 0.4%

LAB 73.34, -42.18, -8.31

 

CMYK 23 / 99 / 0 / 21

HEX #9B03C9

RGB 155 3 201

HSL 286.06, 0.97%, 0.4%

LAB 40, 75.06, -63.84

 

CMYK 0 / 99 / 95 / 21

HEX #C9030A

RGB 201 3 10

HSL 357.88, 0.97%, 0.4%

LAB 42.01, 66.76, 52.86

 

CMYK 77 / 0 / 99 / 21

HEX #2EC903

RGB 46 201 3

HSL 106.97, 0.97%, 0.4%

LAB 71.12, -68.38, 69.7

 

CMYK 99 / 26 / 0 / 21

HEX #0394C9

RGB 3 148 201

HSL 196.06, 0.97%, 0.4%

LAB 57.48, -13.63, -36.41

 

CMYK 23 / 99 / 0 / 21

HEX #9B03C9

RGB 155 3 201

HSL 286.06, 0.97%, 0.4%

LAB 40, 75.06, -63.84

 

CMYK 0 / 72 / 99 / 21

HEX #C93803

RGB 201 56 3

HSL 16.06, 0.97%, 0.4%

LAB 45.98, 55.41, 57.02

 

Description

Color code: HEX #2EC903 | qconv.com Color code: HEX #2EC903 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 201 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 201 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 99 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 99% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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