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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EC748 it is the complementary color #D138B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EC748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EC748 shade: #33C743, #44D956, #55EB69, #66FD7C and #77FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EC748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EC748 shade: #2EC748, #1DB535, #0CA322, #00910F and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EC748 shade: #2FC648, #3EC62F, #67C62F, #8FC62F and #B8C62F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EC748 shade: #2FC648, #2FC671, #2FC69A, #2FC6C3 and #2FA1C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EC748 shade matches the following richer shades: #2FC648, #1BDA3B and #07EE2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EC748 shade: #2FC648, #42B255, #569F62, #6A8B70 and #7E777D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EC748 shade: #66C62F, #3EC62F, #2FC648, #2FC670 and #2FC699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EC748 shade: #1F8330, #27A53C, #2FC648, #4AD461 and #6BDC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EC748 shade: #2EC748, #2F8FC6 and #C62F52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EC748 shade: #2EC748, #482FC6 and #C6482F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EC748 shade: #2EC748, #2F8FC6, #C62FAD and #C6662F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EC748 shade: #2EC748, #2F61C6, #C62FAD and #C6942F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 64 / 22

HEX #2EC748

RGB 46 199 72

HSL 130.2, 0.62%, 0.48%

LAB 70.8, -63.83, 51.12

 

Complementary color

CMYK 0 / 73 / 12 / 18

HEX #D138B7

RGB 209 56 183

HSL 310.2, 0.62%, 0.52%

LAB 51.61, 71.18, -34.27

 

CMYK 74 / 0 / 66 / 22

HEX #33C743

RGB 51 199 67

HSL 126.49, 0.59%, 0.49%

LAB 70.84, -63.63, 53.29

 

CMYK 69 / 0 / 60 / 15

HEX #44D956

RGB 68 217 86

HSL 127.25, 0.66%, 0.56%

LAB 77, -64.72, 52.17

 

CMYK 64 / 0 / 55 / 8

HEX #55EB69

RGB 85 235 105

HSL 128, 0.79%, 0.63%

LAB 83.11, -65.41, 50.9

 

CMYK 60 / 0 / 51 / 1

HEX #66FD7C

RGB 102 253 124

HSL 128.74, 0.97%, 0.7%

LAB 89.17, -65.83, 49.59

 

CMYK 53 / 0 / 44 / 0

HEX #77FF8F

RGB 119 255 143

HSL 130.59, 1%, 0.73%

LAB 90.52, -60.05, 42.37

 

CMYK 77 / 0 / 64 / 22

HEX #2EC748

RGB 46 199 72

HSL 130.2, 0.62%, 0.48%

LAB 70.8, -63.83, 51.12

 

CMYK 84 / 0 / 71 / 29

HEX #1DB535

RGB 29 181 53

HSL 129.47, 0.72%, 0.41%

LAB 64.62, -62.1, 52.15

 

CMYK 93 / 0 / 79 / 36

HEX #0CA322

RGB 12 163 34

HSL 128.74, 0.86%, 0.34%

LAB 58.4, -59.59, 52.63

 

CMYK 100 / 0 / 90 / 43

HEX #00910F

RGB 0 145 15

HSL 126.21, 1%, 0.28%

LAB 52.16, -56.09, 51.99

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 76 / 0 / 64 / 22

HEX #2FC648

RGB 47 198 72

HSL 129.93, 0.62%, 0.48%

LAB 70.5, -63.36, 50.79

 

CMYK 69 / 0 / 76 / 22

HEX #3EC62F

RGB 62 198 47

HSL 114.04, 0.62%, 0.48%

LAB 70.61, -63.11, 60.53

 

CMYK 48 / 0 / 76 / 22

HEX #67C62F

RGB 103 198 47

HSL 97.75, 0.62%, 0.48%

LAB 71.88, -52.96, 62.2

 

CMYK 28 / 0 / 76 / 22

HEX #8FC62F

RGB 143 198 47

HSL 81.85, 0.62%, 0.48%

LAB 73.83, -39.22, 64.75

 

CMYK 7 / 0 / 76 / 22

HEX #B8C62F

RGB 184 198 47

HSL 65.56, 0.62%, 0.48%

LAB 76.55, -22.74, 68.26

 

CMYK 76 / 0 / 64 / 22

HEX #2FC648

RGB 47 198 72

HSL 129.93, 0.62%, 0.48%

LAB 70.5, -63.36, 50.79

 

CMYK 76 / 0 / 43 / 22

HEX #2FC671

RGB 47 198 113

HSL 146.23, 0.62%, 0.48%

LAB 71, -57.45, 31.79

 

CMYK 76 / 0 / 22 / 22

HEX #2FC69A

RGB 47 198 154

HSL 162.52, 0.62%, 0.48%

LAB 71.78, -48.85, 11.14

 

CMYK 76 / 0 / 2 / 22

HEX #2FC6C3

RGB 47 198 195

HSL 178.81, 0.62%, 0.48%

LAB 72.85, -37.99, -9.55

 

CMYK 76 / 19 / 0 / 22

HEX #2FA1C6

RGB 47 161 198

HSL 194.7, 0.62%, 0.48%

LAB 61.8, -18.84, -27.97

 

CMYK 76 / 0 / 64 / 22

HEX #2FC648

RGB 47 198 72

HSL 129.93, 0.62%, 0.48%

LAB 70.5, -63.36, 50.79

 

CMYK 88 / 0 / 73 / 15

HEX #1BDA3B

RGB 27 218 59

HSL 130.05, 0.78%, 0.48%

LAB 76.49, -72.8, 62.17

 

CMYK 97 / 0 / 81 / 7

HEX #07EE2E

RGB 7 238 46

HSL 130.13, 0.94%, 0.48%

LAB 82.59, -80.2, 72.03

 

CMYK 76 / 0 / 64 / 22

HEX #2FC648

RGB 47 198 72

HSL 129.93, 0.62%, 0.48%

LAB 70.5, -63.36, 50.79

 

CMYK 63 / 0 / 52 / 30

HEX #42B255

RGB 66 178 85

HSL 130.18, 0.46%, 0.48%

LAB 64.69, -51.36, 38.06

 

CMYK 46 / 0 / 38 / 38

HEX #569F62

RGB 86 159 98

HSL 129.86, 0.3%, 0.48%

LAB 59.58, -36.31, 24.94

 

CMYK 24 / 0 / 19 / 45

HEX #6A8B70

RGB 106 139 112

HSL 130.91, 0.13%, 0.48%

LAB 54.76, -17.34, 10.72

 

CMYK 0 / 6 / 1 / 51

HEX #7E777D

RGB 126 119 125

HSL 308.57, 0.03%, 0.48%

LAB 50.82, 3.86, -2.33

 

CMYK 48 / 0 / 76 / 22

HEX #66C62F

RGB 102 198 47

HSL 98.15, 0.62%, 0.48%

LAB 71.84, -53.26, 62.15

 

CMYK 69 / 0 / 76 / 22

HEX #3EC62F

RGB 62 198 47

HSL 114.04, 0.62%, 0.48%

LAB 70.61, -63.11, 60.53

 

CMYK 76 / 0 / 64 / 22

HEX #2FC648

RGB 47 198 72

HSL 129.93, 0.62%, 0.48%

LAB 70.5, -63.36, 50.79

 

CMYK 76 / 0 / 43 / 22

HEX #2FC670

RGB 47 198 112

HSL 145.83, 0.62%, 0.48%

LAB 70.98, -57.62, 32.28

 

CMYK 76 / 0 / 23 / 22

HEX #2FC699

RGB 47 198 153

HSL 162.12, 0.62%, 0.48%

LAB 71.75, -49.09, 11.65

 

CMYK 76 / 0 / 63 / 49

HEX #1F8330

RGB 31 131 48

HSL 130.2, 0.62%, 0.32%

LAB 47.93, -45.85, 36.1

 

CMYK 76 / 0 / 64 / 35

HEX #27A53C

RGB 39 165 60

HSL 130, 0.62%, 0.4%

LAB 59.59, -54.96, 43.79

 

CMYK 76 / 0 / 64 / 22

HEX #2FC648

RGB 47 198 72

HSL 129.93, 0.62%, 0.48%

LAB 70.5, -63.36, 50.79

 

CMYK 65 / 0 / 54 / 17

HEX #4AD461

RGB 74 212 97

HSL 130, 0.62%, 0.56%

LAB 75.7, -60.51, 45.68

 

CMYK 51 / 0 / 43 / 14

HEX #6BDC7E

RGB 107 220 126

HSL 130.09, 0.62%, 0.64%

LAB 79.51, -51.86, 36.52

 

CMYK 77 / 0 / 64 / 22

HEX #2EC748

RGB 46 199 72

HSL 130.2, 0.62%, 0.48%

LAB 70.8, -63.83, 51.12

 

CMYK 76 / 28 / 0 / 22

HEX #2F8FC6

RGB 47 143 198

HSL 201.85, 0.62%, 0.48%

LAB 56.41, -8.96, -36.34

 

CMYK 0 / 76 / 59 / 22

HEX #C62F52

RGB 198 47 82

HSL 346.09, 0.62%, 0.48%

LAB 45.15, 60.29, 16.88

 

CMYK 77 / 0 / 64 / 22

HEX #2EC748

RGB 46 199 72

HSL 130.2, 0.62%, 0.48%

LAB 70.8, -63.83, 51.12

 

CMYK 64 / 76 / 0 / 22

HEX #482FC6

RGB 72 47 198

HSL 249.93, 0.62%, 0.48%

LAB 32.89, 52.57, -74.15

 

CMYK 0 / 64 / 76 / 22

HEX #C6482F

RGB 198 72 47

HSL 9.93, 0.62%, 0.48%

LAB 48.07, 48.93, 40.98

 

CMYK 77 / 0 / 64 / 22

HEX #2EC748

RGB 46 199 72

HSL 130.2, 0.62%, 0.48%

LAB 70.8, -63.83, 51.12

 

CMYK 76 / 28 / 0 / 22

HEX #2F8FC6

RGB 47 143 198

HSL 201.85, 0.62%, 0.48%

LAB 56.41, -8.96, -36.34

 

CMYK 0 / 76 / 13 / 22

HEX #C62FAD

RGB 198 47 173

HSL 309.93, 0.62%, 0.48%

LAB 48.33, 70, -33.68

 

CMYK 0 / 48 / 76 / 22

HEX #C6662F

RGB 198 102 47

HSL 21.85, 0.62%, 0.48%

LAB 53.72, 34.34, 46.84

 

CMYK 77 / 0 / 64 / 22

HEX #2EC748

RGB 46 199 72

HSL 130.2, 0.62%, 0.48%

LAB 70.8, -63.83, 51.12

 

CMYK 76 / 51 / 0 / 22

HEX #2F61C6

RGB 47 97 198

HSL 220.13, 0.62%, 0.48%

LAB 43.11, 19.21, -57.52

 

CMYK 0 / 76 / 13 / 22

HEX #C62FAD

RGB 198 47 173

HSL 309.93, 0.62%, 0.48%

LAB 48.33, 70, -33.68

 

CMYK 0 / 25 / 76 / 22

HEX #C6942F

RGB 198 148 47

HSL 40.13, 0.62%, 0.48%

LAB 64.48, 9.41, 57.42

 

Description

Color code: HEX #2EC748 | qconv.com Color code: HEX #2EC748 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 199 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 199 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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