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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EC596 it is the complementary color #D13A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EC596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EC596 shade: #33C591, #44D7A4, #55E9B7, #66FBCA and #77FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EC596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EC596 shade: #2EC596, #1DB383, #0CA170, #008F5D and #007D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EC596 shade: #2FC697, #2FC66E, #2FC645, #41C62F and #6AC62F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EC596 shade: #2FC697, #2FC6C0, #2FA4C6, #2F7BC6 and #2F52C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EC596 shade matches the following richer shades: #2FC697, #1BDA9F and #07EEA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EC596 shade: #2FC697, #42B290, #569F88, #6A8B81 and #7E7779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EC596 shade: #2FC645, #2FC66E, #2FC696, #2FC6BF and #2FA5C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EC596 shade: #1F8364, #27A57E, #2FC697, #4AD4A9 and #6BDCB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EC596 shade: #2EC596, #2F40C6 and #C65A2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EC596 shade: #2EC596, #962FC6 and #C6962F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EC596 shade: #2EC596, #2F40C6, #C62F5F and #C6B52F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EC596 shade: #2EC596, #4A2FC6, #C62F5F and #AAC62F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 24 / 23

HEX #2EC596

RGB 46 197 150

HSL 161.32, 0.62%, 0.48%

LAB 71.36, -49.51, 12.72

 

Complementary color

CMYK 0 / 72 / 50 / 18

HEX #D13A69

RGB 209 58 105

HSL 341.32, 0.62%, 0.52%

LAB 49.01, 61.57, 8.42

 

CMYK 74 / 0 / 26 / 23

HEX #33C591

RGB 51 197 145

HSL 158.63, 0.59%, 0.49%

LAB 71.34, -50.05, 15.39

 

CMYK 68 / 0 / 24 / 16

HEX #44D7A4

RGB 68 215 164

HSL 159.18, 0.65%, 0.55%

LAB 77.58, -50.6, 14.05

 

CMYK 64 / 0 / 21 / 9

HEX #55E9B7

RGB 85 233 183

HSL 159.73, 0.77%, 0.62%

LAB 83.77, -50.94, 12.84

 

CMYK 59 / 0 / 20 / 2

HEX #66FBCA

RGB 102 251 202

HSL 160.27, 0.95%, 0.69%

LAB 89.9, -51.12, 11.72

 

CMYK 53 / 0 / 13 / 0

HEX #77FFDD

RGB 119 255 221

HSL 165, 1%, 0.73%

LAB 91.98, -45.23, 4.95

 

CMYK 77 / 0 / 24 / 23

HEX #2EC596

RGB 46 197 150

HSL 161.32, 0.62%, 0.48%

LAB 71.36, -49.51, 12.72

 

CMYK 84 / 0 / 27 / 30

HEX #1DB383

RGB 29 179 131

HSL 160.8, 0.72%, 0.41%

LAB 65.07, -48.52, 14.18

 

CMYK 93 / 0 / 30 / 37

HEX #0CA170

RGB 12 161 112

HSL 160.27, 0.86%, 0.34%

LAB 58.73, -47.07, 15.81

 

CMYK 100 / 0 / 35 / 44

HEX #008F5D

RGB 0 143 93

HSL 159.02, 1%, 0.28%

LAB 52.33, -45.09, 17.64

 

CMYK 100 / 0 / 41 / 51

HEX #007D4A

RGB 0 125 74

HSL 155.52, 1%, 0.25%

LAB 45.85, -42.41, 19.68

 

CMYK 76 / 0 / 24 / 22

HEX #2FC697

RGB 47 198 151

HSL 161.32, 0.62%, 0.48%

LAB 71.71, -49.56, 12.67

 

CMYK 76 / 0 / 44 / 22

HEX #2FC66E

RGB 47 198 110

HSL 145.03, 0.62%, 0.48%

LAB 70.95, -57.97, 33.26

 

CMYK 76 / 0 / 65 / 22

HEX #2FC645

RGB 47 198 69

HSL 128.74, 0.62%, 0.48%

LAB 70.47, -63.69, 52.03

 

CMYK 67 / 0 / 76 / 22

HEX #41C62F

RGB 65 198 47

HSL 112.85, 0.62%, 0.48%

LAB 70.68, -62.53, 60.63

 

CMYK 46 / 0 / 76 / 22

HEX #6AC62F

RGB 106 198 47

HSL 96.56, 0.62%, 0.48%

LAB 72, -52.04, 62.36

 

CMYK 76 / 0 / 24 / 22

HEX #2FC697

RGB 47 198 151

HSL 161.32, 0.62%, 0.48%

LAB 71.71, -49.56, 12.67

 

CMYK 76 / 0 / 3 / 22

HEX #2FC6C0

RGB 47 198 192

HSL 177.62, 0.62%, 0.48%

LAB 72.76, -38.85, -8.05

 

CMYK 76 / 17 / 0 / 22

HEX #2FA4C6

RGB 47 164 198

HSL 193.51, 0.62%, 0.48%

LAB 62.7, -20.42, -26.58

 

CMYK 76 / 38 / 0 / 22

HEX #2F7BC6

RGB 47 123 198

HSL 209.8, 0.62%, 0.48%

LAB 50.51, 2.82, -45.66

 

CMYK 76 / 59 / 0 / 22

HEX #2F52C6

RGB 47 82 198

HSL 226.09, 0.62%, 0.48%

LAB 39.1, 28.95, -64.03

 

CMYK 76 / 0 / 24 / 22

HEX #2FC697

RGB 47 198 151

HSL 161.32, 0.62%, 0.48%

LAB 71.71, -49.56, 12.67

 

CMYK 88 / 0 / 27 / 15

HEX #1BDA9F

RGB 27 218 159

HSL 161.47, 0.78%, 0.48%

LAB 77.8, -57.28, 16.92

 

CMYK 97 / 0 / 30 / 7

HEX #07EEA6

RGB 7 238 166

HSL 161.3, 0.94%, 0.48%

LAB 83.94, -63.9, 21.76

 

CMYK 76 / 0 / 24 / 22

HEX #2FC697

RGB 47 198 151

HSL 161.32, 0.62%, 0.48%

LAB 71.71, -49.56, 12.67

 

CMYK 63 / 0 / 19 / 30

HEX #42B290

RGB 66 178 144

HSL 161.79, 0.46%, 0.48%

LAB 65.76, -39.92, 8.1

 

CMYK 46 / 0 / 14 / 38

HEX #569F88

RGB 86 159 136

HSL 161.1, 0.3%, 0.48%

LAB 60.38, -28.52, 4.95

 

CMYK 24 / 0 / 7 / 45

HEX #6A8B81

RGB 106 139 129

HSL 161.82, 0.13%, 0.48%

LAB 55.19, -13.79, 1.56

 

CMYK 0 / 6 / 4 / 51

HEX #7E7779

RGB 126 119 121

HSL 342.86, 0.03%, 0.48%

LAB 50.7, 3.06, -0.14

 

CMYK 76 / 0 / 65 / 22

HEX #2FC645

RGB 47 198 69

HSL 128.74, 0.62%, 0.48%

LAB 70.47, -63.69, 52.03

 

CMYK 76 / 0 / 44 / 22

HEX #2FC66E

RGB 47 198 110

HSL 145.03, 0.62%, 0.48%

LAB 70.95, -57.97, 33.26

 

CMYK 76 / 0 / 24 / 22

HEX #2FC696

RGB 47 198 150

HSL 160.93, 0.62%, 0.48%

LAB 71.69, -49.8, 13.18

 

CMYK 76 / 0 / 4 / 22

HEX #2FC6BF

RGB 47 198 191

HSL 177.22, 0.62%, 0.48%

LAB 72.73, -39.13, -7.55

 

CMYK 76 / 17 / 0 / 22

HEX #2FA5C6

RGB 47 165 198

HSL 193.11, 0.62%, 0.48%

LAB 63, -20.94, -26.11

 

CMYK 76 / 0 / 24 / 49

HEX #1F8364

RGB 31 131 100

HSL 161.4, 0.62%, 0.32%

LAB 48.81, -35.85, 8.81

 

CMYK 76 / 0 / 24 / 35

HEX #27A57E

RGB 39 165 126

HSL 161.43, 0.62%, 0.4%

LAB 60.65, -42.94, 10.74

 

CMYK 76 / 0 / 24 / 22

HEX #2FC697

RGB 47 198 151

HSL 161.32, 0.62%, 0.48%

LAB 71.71, -49.56, 12.67

 

CMYK 65 / 0 / 20 / 17

HEX #4AD4A9

RGB 74 212 169

HSL 161.3, 0.62%, 0.56%

LAB 76.93, -47.25, 10.48

 

CMYK 51 / 0 / 16 / 14

HEX #6BDCB9

RGB 107 220 185

HSL 161.42, 0.62%, 0.64%

LAB 80.64, -40.55, 7.4

 

CMYK 77 / 0 / 24 / 23

HEX #2EC596

RGB 46 197 150

HSL 161.32, 0.62%, 0.48%

LAB 71.36, -49.51, 12.72

 

CMYK 76 / 68 / 0 / 22

HEX #2F40C6

RGB 47 64 198

HSL 233.25, 0.62%, 0.48%

LAB 34.7, 40.4, -71.23

 

CMYK 0 / 55 / 76 / 22

HEX #C65A2F

RGB 198 90 47

HSL 17.09, 0.62%, 0.48%

LAB 51.29, 40.47, 44.35

 

CMYK 77 / 0 / 24 / 23

HEX #2EC596

RGB 46 197 150

HSL 161.32, 0.62%, 0.48%

LAB 71.36, -49.51, 12.72

 

CMYK 24 / 76 / 0 / 22

HEX #962FC6

RGB 150 47 198

HSL 280.93, 0.62%, 0.48%

LAB 42.15, 64.47, -58.65

 

CMYK 0 / 24 / 76 / 22

HEX #C6962F

RGB 198 150 47

HSL 40.93, 0.62%, 0.48%

LAB 64.98, 8.33, 57.9

 

CMYK 77 / 0 / 24 / 23

HEX #2EC596

RGB 46 197 150

HSL 161.32, 0.62%, 0.48%

LAB 71.36, -49.51, 12.72

 

CMYK 76 / 68 / 0 / 22

HEX #2F40C6

RGB 47 64 198

HSL 233.25, 0.62%, 0.48%

LAB 34.7, 40.4, -71.23

 

CMYK 0 / 76 / 52 / 22

HEX #C62F5F

RGB 198 47 95

HSL 340.93, 0.62%, 0.48%

LAB 45.45, 61.25, 9.25

 

CMYK 0 / 9 / 76 / 22

HEX #C6B52F

RGB 198 181 47

HSL 53.25, 0.62%, 0.48%

LAB 73.06, -8.18, 65.48

 

CMYK 77 / 0 / 24 / 23

HEX #2EC596

RGB 46 197 150

HSL 161.32, 0.62%, 0.48%

LAB 71.36, -49.51, 12.72

 

CMYK 63 / 76 / 0 / 22

HEX #4A2FC6

RGB 74 47 198

HSL 250.73, 0.62%, 0.48%

LAB 33.06, 52.79, -73.86

 

CMYK 0 / 76 / 52 / 22

HEX #C62F5F

RGB 198 47 95

HSL 340.93, 0.62%, 0.48%

LAB 45.45, 61.25, 9.25

 

CMYK 14 / 0 / 76 / 22

HEX #AAC62F

RGB 170 198 47

HSL 71.13, 0.62%, 0.48%

LAB 75.54, -28.54, 66.96

 

Description

Color code: HEX #2EC596 | qconv.com Color code: HEX #2EC596 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 197 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 197 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 24 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 24% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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