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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EC24C it is the complementary color #D13DB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EC24C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EC24C shade: #33C247, #44D45A, #55E66D, #66F880 and #77FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EC24C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EC24C shade: #2EC24C, #1DB039, #0C9E26, #008C13 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EC24C shade: #2EC24C, #38C22E, #60C22E, #88C22E and #B0C22E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EC24C shade: #2EC24C, #2EC274, #2EC29C, #2EC0C2 and #2E98C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EC24C shade matches the following richer shades: #2EC24C, #1AD640 and #07E935

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EC24C shade: #2EC24C, #41AF57, #549B63, #68886E and #7B757A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EC24C shade: #5FC22E, #37C22E, #2EC24B, #2EC273 and #2EC29B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EC24C shade: #1E7F32, #26A13F, #2EC24C, #45D362 and #67DB7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EC24C shade: #2EC24C, #2E87C2 and #C22E4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EC24C shade: #2EC24C, #4B2EC2 and #C24B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EC24C shade: #2EC24C, #2E87C2, #C22EA4 and #C2692E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EC24C shade: #2EC24C, #2E5AC2, #C22EA4 and #C2962E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

Complementary color

CMYK 0 / 71 / 14 / 18

HEX #D13DB3

RGB 209 61 179

HSL 312.16, 0.62%, 0.53%

LAB 52, 68.98, -31.32

 

CMYK 74 / 0 / 63 / 24

HEX #33C247

RGB 51 194 71

HSL 128.39, 0.58%, 0.48%

LAB 69.29, -61.57, 49.88

 

CMYK 68 / 0 / 58 / 17

HEX #44D45A

RGB 68 212 90

HSL 129.17, 0.63%, 0.55%

LAB 75.48, -62.54, 48.63

 

CMYK 63 / 0 / 53 / 10

HEX #55E66D

RGB 85 230 109

HSL 129.93, 0.74%, 0.62%

LAB 81.64, -63.14, 47.29

 

CMYK 59 / 0 / 48 / 3

HEX #66F880

RGB 102 248 128

HSL 130.68, 0.91%, 0.69%

LAB 87.74, -63.47, 45.93

 

CMYK 53 / 0 / 42 / 0

HEX #77FF93

RGB 119 255 147

HSL 132.35, 1%, 0.73%

LAB 90.57, -59.45, 40.5

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 84 / 0 / 68 / 31

HEX #1DB039

RGB 29 176 57

HSL 131.43, 0.72%, 0.4%

LAB 63.02, -60.15, 48.83

 

CMYK 92 / 0 / 76 / 38

HEX #0C9E26

RGB 12 158 38

HSL 130.68, 0.86%, 0.33%

LAB 56.75, -57.79, 49.65

 

CMYK 100 / 0 / 86 / 45

HEX #008C13

RGB 0 140 19

HSL 128.14, 1%, 0.27%

LAB 50.46, -54.44, 49.54

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 71 / 0 / 76 / 24

HEX #38C22E

RGB 56 194 46

HSL 115.95, 0.62%, 0.47%

LAB 69.2, -62.98, 59.44

 

CMYK 51 / 0 / 76 / 24

HEX #60C22E

RGB 96 194 46

HSL 99.73, 0.62%, 0.47%

LAB 70.36, -53.57, 60.97

 

CMYK 30 / 0 / 76 / 24

HEX #88C22E

RGB 136 194 46

HSL 83.51, 0.62%, 0.47%

LAB 72.24, -40.14, 63.42

 

CMYK 9 / 0 / 76 / 24

HEX #B0C22E

RGB 176 194 46

HSL 67.3, 0.62%, 0.47%

LAB 74.83, -24.18, 66.78

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 76 / 0 / 40 / 24

HEX #2EC274

RGB 46 194 116

HSL 148.38, 0.62%, 0.47%

LAB 69.77, -55.57, 28.63

 

CMYK 76 / 0 / 20 / 24

HEX #2EC29C

RGB 46 194 156

HSL 164.59, 0.62%, 0.47%

LAB 70.57, -46.84, 8.34

 

CMYK 76 / 1 / 0 / 24

HEX #2EC0C2

RGB 46 192 194

HSL 180.81, 0.62%, 0.47%

LAB 70.99, -35.62, -11.78

 

CMYK 76 / 22 / 0 / 24

HEX #2E98C2

RGB 46 152 194

HSL 197.03, 0.62%, 0.47%

LAB 58.91, -15.47, -30.19

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 88 / 0 / 70 / 16

HEX #1AD640

RGB 26 214 64

HSL 132.13, 0.78%, 0.47%

LAB 75.25, -71.28, 59.08

 

CMYK 97 / 0 / 77 / 9

HEX #07E935

RGB 7 233 53

HSL 132.21, 0.94%, 0.47%

LAB 81.06, -78.43, 68.61

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 63 / 0 / 50 / 31

HEX #41AF57

RGB 65 175 87

HSL 132, 0.46%, 0.47%

LAB 63.73, -50.14, 35.87

 

CMYK 46 / 0 / 36 / 39

HEX #549B63

RGB 84 155 99

HSL 132.68, 0.3%, 0.47%

LAB 58.25, -34.91, 22.62

 

CMYK 24 / 0 / 19 / 47

HEX #68886E

RGB 104 136 110

HSL 131.25, 0.13%, 0.47%

LAB 53.68, -16.85, 10.33

 

CMYK 0 / 5 / 1 / 52

HEX #7B757A

RGB 123 117 122

HSL 310, 0.03%, 0.47%

LAB 49.9, 3.29, -1.93

 

CMYK 51 / 0 / 76 / 24

HEX #5FC22E

RGB 95 194 46

HSL 100.14, 0.62%, 0.47%

LAB 70.33, -53.86, 60.92

 

CMYK 72 / 0 / 76 / 24

HEX #37C22E

RGB 55 194 46

HSL 116.35, 0.62%, 0.47%

LAB 69.18, -63.16, 59.41

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24B

RGB 46 194 75

HSL 131.76, 0.62%, 0.47%

LAB 69.24, -61.86, 48.05

 

CMYK 76 / 0 / 41 / 24

HEX #2EC273

RGB 46 194 115

HSL 147.97, 0.62%, 0.47%

LAB 69.76, -55.76, 29.13

 

CMYK 76 / 0 / 20 / 24

HEX #2EC29B

RGB 46 194 155

HSL 164.19, 0.62%, 0.47%

LAB 70.55, -47.08, 8.85

 

CMYK 76 / 0 / 61 / 50

HEX #1E7F32

RGB 30 127 50

HSL 132.37, 0.62%, 0.31%

LAB 46.56, -44.31, 33.54

 

CMYK 76 / 0 / 61 / 37

HEX #26A13F

RGB 38 161 63

HSL 132.2, 0.62%, 0.39%

LAB 58.28, -53.38, 40.92

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 67 / 0 / 54 / 17

HEX #45D362

RGB 69 211 98

HSL 132.25, 0.62%, 0.55%

LAB 75.29, -60.97, 44.68

 

CMYK 53 / 0 / 42 / 14

HEX #67DB7E

RGB 103 219 126

HSL 131.9, 0.62%, 0.63%

LAB 79.07, -52.47, 35.93

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 76 / 30 / 0 / 24

HEX #2E87C2

RGB 46 135 194

HSL 203.92, 0.62%, 0.47%

LAB 53.82, -5.9, -38.15

 

CMYK 0 / 76 / 61 / 24

HEX #C22E4B

RGB 194 46 75

HSL 348.24, 0.62%, 0.47%

LAB 44.13, 58.99, 19.72

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 61 / 76 / 0 / 24

HEX #4B2EC2

RGB 75 46 194

HSL 251.76, 0.62%, 0.47%

LAB 32.58, 52.23, -72.31

 

CMYK 0 / 61 / 76 / 24

HEX #C24B2E

RGB 194 75 46

HSL 11.76, 0.62%, 0.47%

LAB 47.88, 46.12, 41.11

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 76 / 30 / 0 / 24

HEX #2E87C2

RGB 46 135 194

HSL 203.92, 0.62%, 0.47%

LAB 53.82, -5.9, -38.15

 

CMYK 0 / 76 / 15 / 24

HEX #C22EA4

RGB 194 46 164

HSL 312.16, 0.62%, 0.47%

LAB 47.11, 68.13, -30.32

 

CMYK 0 / 46 / 76 / 24

HEX #C2692E

RGB 194 105 46

HSL 23.92, 0.62%, 0.47%

LAB 53.78, 31.09, 47.19

 

CMYK 76 / 0 / 61 / 24

HEX #2EC24C

RGB 46 194 76

HSL 132.16, 0.62%, 0.47%

LAB 69.25, -61.74, 47.61

 

CMYK 76 / 54 / 0 / 24

HEX #2E5AC2

RGB 46 90 194

HSL 222.16, 0.62%, 0.47%

LAB 40.88, 22.13, -58.81

 

CMYK 0 / 76 / 15 / 24

HEX #C22EA4

RGB 194 46 164

HSL 312.16, 0.62%, 0.47%

LAB 47.11, 68.13, -30.32

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

Description

Color code: HEX #2EC24C | qconv.com Color code: HEX #2EC24C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 194 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 194 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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