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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EC196 it is the complementary color #D13E69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EC196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EC196 shade: #33C191, #44D3A4, #55E5B7, #66F7CA and #77FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EC196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EC196 shade: #2EC196, #1DAF83, #0C9D70, #008B5D and #00794A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EC196 shade: #2EC297, #2EC26F, #2EC247, #3DC22E and #65C22E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EC196 shade: #2EC297, #2EC2BF, #2E9DC2, #2E75C2 and #2E4DC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EC196 shade matches the following richer shades: #2EC297, #1AD69F and #07E9A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EC196 shade: #2EC297, #41AF8F, #549B87, #68887F and #7B7576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EC196 shade: #2EC246, #2EC26E, #2EC296, #2EC2BD and #2E9FC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EC196 shade: #1E7F63, #26A17D, #2EC297, #45D3AA and #67DBB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EC196 shade: #2EC196, #2E3CC2 and #C25A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EC196 shade: #2EC196, #962EC2 and #C2962E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EC196 shade: #2EC196, #2E3CC2, #C22E5A and #C2B32E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EC196 shade: #2EC196, #4B2EC2, #C22E5A and #A4C22E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 22 / 24

HEX #2EC196

RGB 46 193 150

HSL 162.45, 0.62%, 0.47%

LAB 70.12, -47.89, 10.96

 

Complementary color

CMYK 0 / 70 / 50 / 18

HEX #D13E69

RGB 209 62 105

HSL 342.45, 0.62%, 0.53%

LAB 49.52, 60.15, 9.14

 

CMYK 74 / 0 / 25 / 24

HEX #33C191

RGB 51 193 145

HSL 159.72, 0.58%, 0.48%

LAB 70.1, -48.43, 13.65

 

CMYK 68 / 0 / 22 / 17

HEX #44D3A4

RGB 68 211 164

HSL 160.28, 0.62%, 0.55%

LAB 76.37, -48.96, 12.35

 

CMYK 63 / 0 / 20 / 10

HEX #55E5B7

RGB 85 229 183

HSL 160.83, 0.73%, 0.62%

LAB 82.59, -49.28, 11.16

 

CMYK 59 / 0 / 18 / 3

HEX #66F7CA

RGB 102 247 202

HSL 161.38, 0.9%, 0.68%

LAB 88.74, -49.45, 10.06

 

CMYK 53 / 0 / 13 / 0

HEX #77FFDD

RGB 119 255 221

HSL 165, 1%, 0.73%

LAB 91.98, -45.23, 4.95

 

CMYK 76 / 0 / 22 / 24

HEX #2EC196

RGB 46 193 150

HSL 162.45, 0.62%, 0.47%

LAB 70.12, -47.89, 10.96

 

CMYK 83 / 0 / 25 / 31

HEX #1DAF83

RGB 29 175 131

HSL 161.92, 0.72%, 0.4%

LAB 63.8, -46.91, 12.4

 

CMYK 92 / 0 / 29 / 38

HEX #0C9D70

RGB 12 157 112

HSL 161.38, 0.86%, 0.33%

LAB 57.43, -45.49, 14

 

CMYK 100 / 0 / 33 / 45

HEX #008B5D

RGB 0 139 93

HSL 160.14, 1%, 0.27%

LAB 50.98, -43.54, 15.81

 

CMYK 100 / 0 / 39 / 53

HEX #00794A

RGB 0 121 74

HSL 156.69, 1%, 0.24%

LAB 44.47, -40.88, 17.83

 

CMYK 76 / 0 / 22 / 24

HEX #2EC297

RGB 46 194 151

HSL 162.57, 0.62%, 0.47%

LAB 70.45, -48.06, 10.89

 

CMYK 76 / 0 / 43 / 24

HEX #2EC26F

RGB 46 194 111

HSL 146.35, 0.62%, 0.47%

LAB 69.69, -56.49, 31.11

 

CMYK 76 / 0 / 63 / 24

HEX #2EC247

RGB 46 194 71

HSL 130.14, 0.62%, 0.47%

LAB 69.2, -62.32, 49.76

 

CMYK 69 / 0 / 76 / 24

HEX #3DC22E

RGB 61 194 46

HSL 113.92, 0.62%, 0.47%

LAB 69.31, -62.07, 59.58

 

CMYK 48 / 0 / 76 / 24

HEX #65C22E

RGB 101 194 46

HSL 97.7, 0.62%, 0.47%

LAB 70.56, -52.09, 61.23

 

CMYK 76 / 0 / 22 / 24

HEX #2EC297

RGB 46 194 151

HSL 162.57, 0.62%, 0.47%

LAB 70.45, -48.06, 10.89

 

CMYK 76 / 0 / 2 / 24

HEX #2EC2BF

RGB 46 194 191

HSL 178.78, 0.62%, 0.47%

LAB 71.5, -37.42, -9.37

 

CMYK 76 / 19 / 0 / 24

HEX #2E9DC2

RGB 46 157 194

HSL 195, 0.62%, 0.47%

LAB 60.42, -18.17, -27.86

 

CMYK 76 / 40 / 0 / 24

HEX #2E75C2

RGB 46 117 194

HSL 211.22, 0.62%, 0.47%

LAB 48.51, 4.9, -46.55

 

CMYK 76 / 60 / 0 / 24

HEX #2E4DC2

RGB 46 77 194

HSL 227.43, 0.62%, 0.47%

LAB 37.45, 30.6, -64.39

 

CMYK 76 / 0 / 22 / 24

HEX #2EC297

RGB 46 194 151

HSL 162.57, 0.62%, 0.47%

LAB 70.45, -48.06, 10.89

 

CMYK 88 / 0 / 26 / 16

HEX #1AD69F

RGB 26 214 159

HSL 162.45, 0.78%, 0.47%

LAB 76.57, -55.82, 15.19

 

CMYK 97 / 0 / 28 / 9

HEX #07E9A7

RGB 7 233 167

HSL 162.48, 0.94%, 0.47%

LAB 82.44, -61.87, 19.17

 

CMYK 76 / 0 / 22 / 24

HEX #2EC297

RGB 46 194 151

HSL 162.57, 0.62%, 0.47%

LAB 70.45, -48.06, 10.89

 

CMYK 63 / 0 / 18 / 31

HEX #41AF8F

RGB 65 175 143

HSL 162.55, 0.46%, 0.47%

LAB 64.78, -39.02, 7.25

 

CMYK 46 / 0 / 13 / 39

HEX #549B87

RGB 84 155 135

HSL 163.1, 0.3%, 0.47%

LAB 59.05, -27.32, 3.57

 

CMYK 24 / 0 / 7 / 47

HEX #68887F

RGB 104 136 127

HSL 163.13, 0.13%, 0.47%

LAB 54.12, -13.27, 1.14

 

CMYK 0 / 5 / 4 / 52

HEX #7B7576

RGB 123 117 118

HSL 350, 0.03%, 0.47%

LAB 49.79, 2.49, 0.27

 

CMYK 76 / 0 / 64 / 24

HEX #2EC246

RGB 46 194 70

HSL 129.73, 0.62%, 0.47%

LAB 69.19, -62.43, 50.18

 

CMYK 76 / 0 / 43 / 24

HEX #2EC26E

RGB 46 194 110

HSL 145.95, 0.62%, 0.47%

LAB 69.68, -56.67, 31.61

 

CMYK 76 / 0 / 23 / 24

HEX #2EC296

RGB 46 194 150

HSL 162.16, 0.62%, 0.47%

LAB 70.43, -48.29, 11.4

 

CMYK 76 / 0 / 3 / 24

HEX #2EC2BD

RGB 46 194 189

HSL 177.97, 0.62%, 0.47%

LAB 71.45, -37.99, -8.37

 

CMYK 76 / 18 / 0 / 24

HEX #2E9FC2

RGB 46 159 194

HSL 194.19, 0.62%, 0.47%

LAB 61.02, -19.23, -26.93

 

CMYK 76 / 0 / 22 / 50

HEX #1E7F63

RGB 30 127 99

HSL 162.68, 0.62%, 0.31%

LAB 47.44, -34.47, 7.44

 

CMYK 76 / 0 / 22 / 37

HEX #26A17D

RGB 38 161 125

HSL 162.44, 0.62%, 0.39%

LAB 59.33, -41.62, 9.43

 

CMYK 76 / 0 / 22 / 24

HEX #2EC297

RGB 46 194 151

HSL 162.57, 0.62%, 0.47%

LAB 70.45, -48.06, 10.89

 

CMYK 67 / 0 / 19 / 17

HEX #45D3AA

RGB 69 211 170

HSL 162.68, 0.62%, 0.55%

LAB 76.53, -47.4, 9.37

 

CMYK 53 / 0 / 16 / 14

HEX #67DBB9

RGB 103 219 185

HSL 162.41, 0.62%, 0.63%

LAB 80.21, -40.99, 6.77

 

CMYK 76 / 0 / 22 / 24

HEX #2EC196

RGB 46 193 150

HSL 162.45, 0.62%, 0.47%

LAB 70.12, -47.89, 10.96

 

CMYK 76 / 69 / 0 / 24

HEX #2E3CC2

RGB 46 60 194

HSL 234.32, 0.62%, 0.47%

LAB 33.37, 41.35, -71.08

 

CMYK 0 / 54 / 76 / 24

HEX #C25A2E

RGB 194 90 46

HSL 17.84, 0.62%, 0.47%

LAB 50.66, 38.88, 44.01

 

CMYK 76 / 0 / 22 / 24

HEX #2EC196

RGB 46 193 150

HSL 162.45, 0.62%, 0.47%

LAB 70.12, -47.89, 10.96

 

CMYK 23 / 76 / 0 / 24

HEX #962EC2

RGB 150 46 194

HSL 282.16, 0.62%, 0.47%

LAB 41.74, 64.01, -56.97

 

CMYK 0 / 23 / 76 / 24

HEX #C2962E

RGB 194 150 46

HSL 42.16, 0.62%, 0.47%

LAB 64.55, 6.52, 57.72

 

CMYK 76 / 0 / 22 / 24

HEX #2EC196

RGB 46 193 150

HSL 162.45, 0.62%, 0.47%

LAB 70.12, -47.89, 10.96

 

CMYK 76 / 69 / 0 / 24

HEX #2E3CC2

RGB 46 60 194

HSL 234.32, 0.62%, 0.47%

LAB 33.37, 41.35, -71.08

 

CMYK 0 / 76 / 54 / 24

HEX #C22E5A

RGB 194 46 90

HSL 342.16, 0.62%, 0.47%

LAB 44.46, 60.04, 10.86

 

CMYK 0 / 8 / 76 / 24

HEX #C2B32E

RGB 194 179 46

HSL 53.92, 0.62%, 0.47%

LAB 72.17, -8.92, 64.85

 

CMYK 76 / 0 / 22 / 24

HEX #2EC196

RGB 46 193 150

HSL 162.45, 0.62%, 0.47%

LAB 70.12, -47.89, 10.96

 

CMYK 61 / 76 / 0 / 24

HEX #4B2EC2

RGB 75 46 194

HSL 251.76, 0.62%, 0.47%

LAB 32.58, 52.23, -72.31

 

CMYK 0 / 76 / 54 / 24

HEX #C22E5A

RGB 194 46 90

HSL 342.16, 0.62%, 0.47%

LAB 44.46, 60.04, 10.86

 

CMYK 15 / 0 / 76 / 24

HEX #A4C22E

RGB 164 194 46

HSL 72.16, 0.62%, 0.47%

LAB 73.98, -29.14, 65.68

 

Description

Color code: HEX #2EC196 | qconv.com Color code: HEX #2EC196 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 193 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 193 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 22% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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