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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB3EACE it is the complementary color #D14C15CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB3EACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB3EACE shade: #33B3E5CE, #44C5F8CE, #55D7FFCE, #66E9FFCE and #77FBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB3EACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB3EACE shade: #2EB3EACE, #1DA1D7CE, #0C8FC4CE, #007DB1CE and #006B9ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB3EACE shade: #2EB3EA, #2E81EA, #2E4EEA, #412EEA and #742EEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB3EACE shade: #2EB3EA, #2E81EA, #2E4EEA and #2E2EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB3EACE shade matches the following richer shades: #2EB3EA and #1CBBFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB3EACE shade: #2EB3EA, #41ACD8, #53A4C5, #669CB3 and #7894A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB3EACE shade: #2EEABB, #2EE7EA, #2EB5EA, #2E83EA and #2E51EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB3EACE shade: #1285B4, #16A0DA, #2EB3EA, #54C1EE and #79CFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB3EACE shade: #2EB3EA, #892EEA and #EAD42E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB3EACE shade: #2EB3EA, #EA2EB5 and #B5EA2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB3EACE shade: #2EB3EA, #892EEA, #EA632E and #8FEA2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB3EACE shade: #2EB3EA, #C22EEA, #EA632E and #57EA2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 19 / 0 / 7

HEX #2EB3EACE

RGBA 46 179 234 0.81

HSLA 197.55, 0.82%, 0.55%, 0.81

LABA 68.58, -16.37, -37.34, 0.81

 

Complementary color

CMYK 0 / 52 / 73 / 15

HEX #D14C15CE

RGBA 209 76 21 0.81

HSLA 17.55, 0.82%, 0.45%, 0.81

LABA 50.43, 50.34, 55.46, 0.81

 

CMYK 63 / 18 / 0 / 8

HEX #33B3E5CE

RGBA 51 179 229 0.81

HSLA 196.85, 0.77%, 0.55%, 0.81

LABA 68.46, -17.57, -34.78, 0.81

 

CMYK 59 / 17 / 0 / 2

HEX #44C5F8CE

RGBA 68 197 248 0.81

HSLA 197, 0.93%, 0.62%, 0.81

LABA 74.79, -18.85, -35.24, 0.81

 

CMYK 54 / 13 / 0 / 0

HEX #55D7FFCE

RGBA 85 215 255 0.81

HSLA 194.12, 1%, 0.67%, 0.81

LABA 80.6, -23.54, -29.98, 0.81

 

CMYK 49 / 7 / 0 / 0

HEX #66E9FFCE

RGBA 102 233 255 0.81

HSLA 188.63, 1%, 0.7%, 0.81

LABA 86.17, -29.69, -21.45, 0.81

 

CMYK 43 / 1 / 0 / 0

HEX #77FBFFCE

RGBA 119 251 255 0.81

HSLA 181.76, 1%, 0.73%, 0.81

LABA 91.75, -35.14, -13.01, 0.81

 

CMYK 65 / 19 / 0 / 7

HEX #2EB3EACE

RGBA 46 179 234 0.81

HSLA 197.55, 0.82%, 0.55%, 0.81

LABA 68.58, -16.37, -37.34, 0.81

 

CMYK 70 / 20 / 0 / 13

HEX #1DA1D7CE

RGBA 29 161 215 0.81

HSLA 197.42, 0.76%, 0.48%, 0.81

LABA 62.22, -14.59, -36.82, 0.81

 

CMYK 76 / 22 / 0 / 19

HEX #0C8FC4CE

RGBA 12 143 196 0.81

HSLA 197.28, 0.88%, 0.41%, 0.81

LABA 55.79, -12.37, -36.22, 0.81

 

CMYK 81 / 24 / 0 / 25

HEX #007DB1CE

RGBA 0 125 177 0.81

HSLA 197.63, 1%, 0.35%, 0.81

LABA 49.3, -9.67, -35.53, 0.81

 

CMYK 81 / 26 / 0 / 31

HEX #006B9ECE

RGBA 0 107 158 0.81

HSLA 199.37, 1%, 0.31%, 0.81

LABA 42.74, -6.39, -34.75, 0.81

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 80 / 45 / 0 / 8

HEX #2E81EA

RGB 46 129 234

HSL 213.51, 0.82%, 0.55%

LAB 54.26, 12.42, -59.99

 

CMYK 80 / 67 / 0 / 8

HEX #2E4EEA

RGB 46 78 234

HSL 229.79, 0.82%, 0.55%

LAB 41.17, 44.4, -81.28

 

CMYK 72 / 80 / 0 / 8

HEX #412EEA

RGB 65 46 234

HSL 246.06, 0.82%, 0.55%

LAB 36.02, 62.95, -89.75

 

CMYK 50 / 80 / 0 / 8

HEX #742EEA

RGB 116 46 234

HSL 262.34, 0.82%, 0.55%

LAB 40.59, 67.81, -82.05

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 80 / 45 / 0 / 8

HEX #2E81EA

RGB 46 129 234

HSL 213.51, 0.82%, 0.55%

LAB 54.26, 12.42, -59.99

 

CMYK 80 / 67 / 0 / 8

HEX #2E4EEA

RGB 46 78 234

HSL 229.79, 0.82%, 0.55%

LAB 41.17, 44.4, -81.28

 

CMYK 80 / 80 / 0 / 8

HEX #2E2EEA

RGB 46 46 234

HSL 240, 0.82%, 0.55%

LAB 34.95, 61.84, -91.55

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 89 / 26 / 0 / 1

HEX #1CBBFD

RGB 28 187 253

HSL 197.6, 0.98%, 0.55%

LAB 71.47, -15.35, -43.14

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 70 / 20 / 0 / 15

HEX #41ACD8

RGB 65 172 216

HSL 197.48, 0.66%, 0.55%

LAB 66.2, -16.45, -31.12

 

CMYK 58 / 17 / 0 / 23

HEX #53A4C5

RGB 83 164 197

HSL 197.37, 0.5%, 0.55%

LAB 63.69, -15.13, -24.42

 

CMYK 43 / 13 / 0 / 30

HEX #669CB3

RGB 102 156 179

HSL 197.92, 0.34%, 0.55%

LAB 61.53, -11.68, -17.55

 

CMYK 25 / 7 / 0 / 37

HEX #7894A0

RGB 120 148 160

HSL 198, 0.17%, 0.55%

LAB 59.63, -6.99, -9.56

 

CMYK 80 / 0 / 20 / 8

HEX #2EEABB

RGB 46 234 187

HSL 165, 0.82%, 0.55%

LAB 83.45, -55.48, 10.19

 

CMYK 80 / 1 / 0 / 8

HEX #2EE7EA

RGB 46 231 234

HSL 180.96, 0.82%, 0.55%

LAB 83.8, -41.75, -14.08

 

CMYK 80 / 23 / 0 / 8

HEX #2EB5EA

RGB 46 181 234

HSL 196.91, 0.82%, 0.55%

LAB 69.16, -17.43, -36.43

 

CMYK 80 / 44 / 0 / 8

HEX #2E83EA

RGB 46 131 234

HSL 212.87, 0.82%, 0.55%

LAB 54.82, 11.19, -59.09

 

CMYK 80 / 65 / 0 / 8

HEX #2E51EA

RGB 46 81 234

HSL 228.83, 0.82%, 0.55%

LAB 41.85, 42.57, -80.15

 

CMYK 90 / 26 / 0 / 29

HEX #1285B4

RGB 18 133 180

HSL 197.41, 0.82%, 0.39%

LAB 52.06, -12.35, -32.93

 

CMYK 90 / 27 / 0 / 15

HEX #16A0DA

RGB 22 160 218

HSL 197.76, 0.82%, 0.47%

LAB 61.98, -13.38, -38.87

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 65 / 19 / 0 / 7

HEX #54C1EE

RGB 84 193 238

HSL 197.53, 0.82%, 0.63%

LAB 73.67, -17.67, -31.54

 

CMYK 50 / 14 / 0 / 5

HEX #79CFF2

RGB 121 207 242

HSL 197.36, 0.82%, 0.71%

LAB 79.1, -16.71, -25.25

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 41 / 80 / 0 / 8

HEX #892EEA

RGB 137 46 234

HSL 269.04, 0.82%, 0.55%

LAB 43.08, 70.51, -77.86

 

CMYK 0 / 9 / 80 / 8

HEX #EAD42E

RGB 234 212 46

HSL 52.98, 0.82%, 0.55%

LAB 84.37, -8.6, 77.07

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 0 / 80 / 23 / 8

HEX #EA2EB5

RGB 234 46 181

HSL 316.91, 0.82%, 0.55%

LAB 54.85, 79.2, -27.74

 

CMYK 23 / 0 / 80 / 8

HEX #B5EA2E

RGB 181 234 46

HSL 76.91, 0.82%, 0.55%

LAB 86.44, -40.7, 77.39

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 41 / 80 / 0 / 8

HEX #892EEA

RGB 137 46 234

HSL 269.04, 0.82%, 0.55%

LAB 43.08, 70.51, -77.86

 

CMYK 0 / 58 / 80 / 8

HEX #EA632E

RGB 234 99 46

HSL 16.91, 0.82%, 0.55%

LAB 58.61, 49.57, 53.95

 

CMYK 39 / 0 / 80 / 8

HEX #8FEA2E

RGB 143 234 46

HSL 89.04, 0.82%, 0.55%

LAB 84.42, -54.32, 74.83

 

CMYK 80 / 24 / 0 / 8

HEX #2EB3EA

RGB 46 179 234

HSL 197.55, 0.82%, 0.55%

LAB 68.58, -16.37, -37.34

 

CMYK 17 / 80 / 0 / 8

HEX #C22EEA

RGB 194 46 234

HSL 287.23, 0.82%, 0.55%

LAB 51.11, 79.32, -64.44

 

CMYK 0 / 58 / 80 / 8

HEX #EA632E

RGB 234 99 46

HSL 16.91, 0.82%, 0.55%

LAB 58.61, 49.57, 53.95

 

CMYK 63 / 0 / 80 / 8

HEX #57EA2E

RGB 87 234 46

HSL 106.91, 0.82%, 0.55%

LAB 82.42, -69.81, 72.25

 

Description

Color code: HEX #2EB3EACE | qconv.com Color code: HEX #2EB3EACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 179 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 179 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 19 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 19% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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