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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB26D it is the complementary color #D14D92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB26D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB26D shade: #33B268, #44C47B, #55D68E, #66E8A1 and #77FAB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB26D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB26D shade: #2EB26D, #1DA05A, #0C8E47, #007C34 and #006A21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB26D shade: #2EB26D, #2EB249, #36B22E, #59B22E and #7DB22E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB26D shade: #2EB26D, #2EB290, #2EB0B2, #2E8CB2 and #2E68B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB26D shade matches the following richer shades: #2EB26D, #1BC46C and #09D66B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB26D shade: #2EB26D, #40A06E, #528E6E, #647B6F and #766970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB26D shade: #36B22E, #2EB248, #2EB26B, #2EB28F and #2EB2B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB26D shade: #1D7045, #259159, #2EB26D, #3CCC81 and #5DD596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB26D shade: #2EB26D, #2E5AB2 and #B2362E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB26D shade: #2EB26D, #6B2EB2 and #B26B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB26D shade: #2EB26D, #2E5AB2, #B22E74 and #B2862E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB26D shade: #2EB26D, #2E32B2, #B22E74 and #B2AD2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

Complementary color

CMYK 0 / 63 / 30 / 18

HEX #D14D92

RGB 209 77 146

HSL 328.64, 0.59%, 0.56%

LAB 52.88, 58.51, -10.56

 

CMYK 71 / 0 / 42 / 30

HEX #33B268

RGB 51 178 104

HSL 145.04, 0.55%, 0.45%

LAB 64.6, -51.09, 28.13

 

CMYK 65 / 0 / 37 / 23

HEX #44C47B

RGB 68 196 123

HSL 145.78, 0.52%, 0.52%

LAB 70.97, -51.54, 26.63

 

CMYK 60 / 0 / 34 / 16

HEX #55D68E

RGB 85 214 142

HSL 146.51, 0.61%, 0.59%

LAB 77.27, -51.75, 25.25

 

CMYK 56 / 0 / 31 / 9

HEX #66E8A1

RGB 102 232 161

HSL 147.23, 0.74%, 0.65%

LAB 83.5, -51.8, 23.97

 

CMYK 52 / 0 / 28 / 2

HEX #77FAB4

RGB 119 250 180

HSL 147.94, 0.93%, 0.72%

LAB 89.67, -51.75, 22.78

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 82 / 0 / 44 / 37

HEX #1DA05A

RGB 29 160 90

HSL 147.94, 0.69%, 0.37%

LAB 58.17, -49.96, 27.1

 

CMYK 92 / 0 / 50 / 44

HEX #0C8E47

RGB 12 142 71

HSL 147.23, 0.84%, 0.3%

LAB 51.7, -48.43, 28.9

 

CMYK 100 / 0 / 58 / 51

HEX #007C34

RGB 0 124 52

HSL 145.16, 1%, 0.24%

LAB 45.17, -46.13, 30.79

 

CMYK 100 / 0 / 69 / 58

HEX #006A21

RGB 0 106 33

HSL 138.68, 1%, 0.21%

LAB 38.58, -42.71, 32.62

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 74 / 0 / 59 / 30

HEX #2EB249

RGB 46 178 73

HSL 132.27, 0.59%, 0.44%

LAB 64.08, -56.73, 43.01

 

CMYK 70 / 0 / 74 / 30

HEX #36B22E

RGB 54 178 46

HSL 116.36, 0.59%, 0.44%

LAB 64.02, -58.11, 54.28

 

CMYK 50 / 0 / 74 / 30

HEX #59B22E

RGB 89 178 46

HSL 100.45, 0.59%, 0.44%

LAB 65.09, -49.51, 55.71

 

CMYK 30 / 0 / 74 / 30

HEX #7DB22E

RGB 125 178 46

HSL 84.09, 0.59%, 0.44%

LAB 66.82, -37.19, 58

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 74 / 0 / 19 / 30

HEX #2EB290

RGB 46 178 144

HSL 164.55, 0.59%, 0.44%

LAB 65.31, -43.09, 7.39

 

CMYK 74 / 1 / 0 / 30

HEX #2EB0B2

RGB 46 176 178

HSL 180.91, 0.59%, 0.44%

LAB 65.63, -32.83, -10.99

 

CMYK 74 / 21 / 0 / 30

HEX #2E8CB2

RGB 46 140 178

HSL 197.27, 0.59%, 0.44%

LAB 54.61, -14.36, -27.78

 

CMYK 74 / 42 / 0 / 30

HEX #2E68B2

RGB 46 104 178

HSL 213.64, 0.59%, 0.44%

LAB 43.79, 7.04, -44.79

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 86 / 0 / 45 / 23

HEX #1BC46C

RGB 27 196 108

HSL 148.76, 0.76%, 0.44%

LAB 70.03, -59.71, 33.05

 

CMYK 96 / 0 / 50 / 16

HEX #09D66B

RGB 9 214 107

HSL 148.68, 0.92%, 0.44%

LAB 75.58, -66.83, 40.55

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 60 / 0 / 31 / 37

HEX #40A06E

RGB 64 160 110

HSL 148.75, 0.43%, 0.44%

LAB 59.3, -40.14, 17.86

 

CMYK 42 / 0 / 23 / 44

HEX #528E6E

RGB 82 142 110

HSL 148, 0.27%, 0.44%

LAB 54.31, -27.16, 11.03

 

CMYK 19 / 0 / 10 / 52

HEX #647B6F

RGB 100 123 111

HSL 148.7, 0.1%, 0.44%

LAB 49.52, -10.99, 3.79

 

CMYK 0 / 11 / 5 / 54

HEX #766970

RGB 118 105 112

HSL 327.69, 0.06%, 0.44%

LAB 45.8, 6.46, -2.04

 

CMYK 70 / 0 / 74 / 30

HEX #36B22E

RGB 54 178 46

HSL 116.36, 0.59%, 0.44%

LAB 64.02, -58.11, 54.28

 

CMYK 74 / 0 / 60 / 30

HEX #2EB248

RGB 46 178 72

HSL 131.82, 0.59%, 0.44%

LAB 64.07, -56.86, 43.46

 

CMYK 74 / 0 / 40 / 30

HEX #2EB26B

RGB 46 178 107

HSL 147.73, 0.59%, 0.44%

LAB 64.55, -51.29, 26.47

 

CMYK 74 / 0 / 20 / 30

HEX #2EB28F

RGB 46 178 143

HSL 164.09, 0.59%, 0.44%

LAB 65.28, -43.34, 7.91

 

CMYK 74 / 0 / 0 / 30

HEX #2EB2B2

RGB 46 178 178

HSL 180, 0.59%, 0.44%

LAB 66.24, -33.77, -10.08

 

CMYK 74 / 0 / 38 / 56

HEX #1D7045

RGB 29 112 69

HSL 148.92, 0.59%, 0.28%

LAB 41.66, -35.26, 17.02

 

CMYK 74 / 0 / 39 / 43

HEX #259159

RGB 37 145 89

HSL 148.89, 0.59%, 0.36%

LAB 53.35, -43.35, 21.32

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 71 / 0 / 37 / 20

HEX #3CCC81

RGB 60 204 129

HSL 148.75, 0.59%, 0.52%

LAB 73.37, -54.84, 26.68

 

CMYK 56 / 0 / 30 / 16

HEX #5DD596

RGB 93 213 150

HSL 148.5, 0.59%, 0.6%

LAB 77.35, -48.09, 21.22

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 74 / 49 / 0 / 30

HEX #2E5AB2

RGB 46 90 178

HSL 220, 0.59%, 0.44%

LAB 39.76, 16.06, -51.26

 

CMYK 0 / 70 / 74 / 30

HEX #B2362E

RGB 178 54 46

HSL 3.64, 0.59%, 0.44%

LAB 41.69, 49.58, 33.56

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 40 / 74 / 0 / 30

HEX #6B2EB2

RGB 107 46 178

HSL 267.73, 0.59%, 0.44%

LAB 34.59, 52.61, -59.43

 

CMYK 0 / 40 / 74 / 30

HEX #B26B2E

RGB 178 107 46

HSL 27.73, 0.59%, 0.44%

LAB 52.04, 23.25, 44.7

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 74 / 49 / 0 / 30

HEX #2E5AB2

RGB 46 90 178

HSL 220, 0.59%, 0.44%

LAB 39.76, 16.06, -51.26

 

CMYK 0 / 74 / 35 / 30

HEX #B22E74

RGB 178 46 116

HSL 328.18, 0.59%, 0.44%

LAB 42.28, 58.06, -8.85

 

CMYK 0 / 25 / 74 / 30

HEX #B2862E

RGB 178 134 46

HSL 40, 0.59%, 0.44%

LAB 58.71, 8.2, 51.46

 

CMYK 74 / 0 / 39 / 30

HEX #2EB26D

RGB 46 178 109

HSL 148.64, 0.59%, 0.44%

LAB 64.58, -50.91, 25.45

 

CMYK 74 / 72 / 0 / 30

HEX #2E32B2

RGB 46 50 178

HSL 238.18, 0.59%, 0.44%

LAB 29.6, 41.83, -67.82

 

CMYK 0 / 74 / 35 / 30

HEX #B22E74

RGB 178 46 116

HSL 328.18, 0.59%, 0.44%

LAB 42.28, 58.06, -8.85

 

CMYK 0 / 3 / 74 / 30

HEX #B2AD2E

RGB 178 173 46

HSL 57.73, 0.59%, 0.44%

LAB 69.15, -12.79, 61.54

 

Description

Color code: HEX #2EB26D | qconv.com Color code: HEX #2EB26D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 178 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 178 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 39 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 39% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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