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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EB1BA it is the complementary color #D14E45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EB1BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EB1BA shade: #33B1B5, #44C3C8, #55D5DB, #66E7EE and #77F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EB1BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EB1BA shade: #2EB1BA, #1D9FA7, #0C8D94, #007B81 and #00696E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EB1BA shade: #2EAFB8, #2E8AB8, #2E64B8, #2E3FB8 and #422EB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EB1BA shade: #2EAFB8, #2E8AB8, #2E64B8, #2E3FB8 and #2E2EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EB1BA shade matches the following richer shades: #2EAFB8, #1BBFCA and #09CFDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EB1BA shade: #2EAFB8, #409FA5, #538E92, #667E80 and #786E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EB1BA shade: #2EB875, #2EB89A, #2EB1B8, #2E8CB8 and #2E67B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EB1BA shade: #1D7076, #268F97, #2EAFB8, #40C6CF and #61D0D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EB1BA shade: #2EB1BA, #502EB8 and #B8872E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EB1BA shade: #2EB1BA, #B82EB1 and #B1B82E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EB1BA shade: #2EB1BA, #502EB8, #B8352E and #95B82E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EB1BA shade: #2EB1BA, #7A2EB8, #B8352E and #6CB82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 5 / 0 / 27

HEX #2EB1BA

RGB 46 177 186

HSL 183.86, 0.6%, 0.45%

LAB 66.19, -30.9, -14.59

 

Complementary color

CMYK 0 / 63 / 67 / 18

HEX #D14E45

RGB 209 78 69

HSL 3.86, 0.6%, 0.55%

LAB 51.19, 51.17, 32.8

 

CMYK 72 / 2 / 0 / 29

HEX #33B1B5

RGB 51 177 181

HSL 181.85, 0.56%, 0.45%

LAB 66.12, -31.81, -11.91

 

CMYK 66 / 3 / 0 / 22

HEX #44C3C8

RGB 68 195 200

HSL 182.27, 0.55%, 0.53%

LAB 72.51, -32.52, -12.73

 

CMYK 61 / 3 / 0 / 14

HEX #55D5DB

RGB 85 213 219

HSL 182.69, 0.65%, 0.6%

LAB 78.83, -33.04, -13.47

 

CMYK 57 / 3 / 0 / 7

HEX #66E7EE

RGB 102 231 238

HSL 183.09, 0.8%, 0.67%

LAB 85.07, -33.41, -14.16

 

CMYK 53 / 2 / 0 / 0

HEX #77F9FF

RGB 119 249 255

HSL 182.65, 1%, 0.73%

LAB 91.19, -34.21, -13.85

 

CMYK 75 / 5 / 0 / 27

HEX #2EB1BA

RGB 46 177 186

HSL 183.86, 0.6%, 0.45%

LAB 66.19, -30.9, -14.59

 

CMYK 83 / 5 / 0 / 35

HEX #1D9FA7

RGB 29 159 167

HSL 183.48, 0.7%, 0.38%

LAB 59.75, -29.71, -13.69

 

CMYK 92 / 5 / 0 / 42

HEX #0C8D94

RGB 12 141 148

HSL 183.09, 0.85%, 0.31%

LAB 53.24, -28.11, -12.66

 

CMYK 100 / 5 / 0 / 49

HEX #007B81

RGB 0 123 129

HSL 182.79, 1%, 0.25%

LAB 46.65, -26.03, -11.49

 

CMYK 100 / 5 / 0 / 57

HEX #00696E

RGB 0 105 110

HSL 182.73, 1%, 0.22%

LAB 39.96, -23.33, -10.15

 

CMYK 75 / 5 / 0 / 28

HEX #2EAFB8

RGB 46 175 184

HSL 183.91, 0.6%, 0.45%

LAB 65.52, -30.54, -14.5

 

CMYK 75 / 25 / 0 / 28

HEX #2E8AB8

RGB 46 138 184

HSL 200, 0.6%, 0.45%

LAB 54.26, -11.17, -31.76

 

CMYK 75 / 46 / 0 / 28

HEX #2E64B8

RGB 46 100 184

HSL 216.52, 0.6%, 0.45%

LAB 43, 11.85, -49.57

 

CMYK 75 / 66 / 0 / 28

HEX #2E3FB8

RGB 46 63 184

HSL 232.61, 0.6%, 0.45%

LAB 33.13, 35.94, -65.59

 

CMYK 64 / 75 / 0 / 28

HEX #422EB8

RGB 66 46 184

HSL 248.7, 0.6%, 0.45%

LAB 30.81, 48.18, -69.35

 

CMYK 75 / 5 / 0 / 28

HEX #2EAFB8

RGB 46 175 184

HSL 183.91, 0.6%, 0.45%

LAB 65.52, -30.54, -14.5

 

CMYK 75 / 25 / 0 / 28

HEX #2E8AB8

RGB 46 138 184

HSL 200, 0.6%, 0.45%

LAB 54.26, -11.17, -31.76

 

CMYK 75 / 46 / 0 / 28

HEX #2E64B8

RGB 46 100 184

HSL 216.52, 0.6%, 0.45%

LAB 43, 11.85, -49.57

 

CMYK 75 / 66 / 0 / 28

HEX #2E3FB8

RGB 46 63 184

HSL 232.61, 0.6%, 0.45%

LAB 33.13, 35.94, -65.59

 

CMYK 75 / 75 / 0 / 28

HEX #2E2EB8

RGB 46 46 184

HSL 240, 0.6%, 0.45%

LAB 29.4, 46.15, -71.73

 

CMYK 75 / 5 / 0 / 28

HEX #2EAFB8

RGB 46 175 184

HSL 183.91, 0.6%, 0.45%

LAB 65.52, -30.54, -14.5

 

CMYK 87 / 5 / 0 / 21

HEX #1BBFCA

RGB 27 191 202

HSL 183.77, 0.76%, 0.45%

LAB 70.7, -34.27, -16.61

 

CMYK 96 / 6 / 0 / 13

HEX #09CFDD

RGB 9 207 221

HSL 183.96, 0.92%, 0.45%

LAB 76.01, -36.59, -18.9

 

CMYK 75 / 5 / 0 / 28

HEX #2EAFB8

RGB 46 175 184

HSL 183.91, 0.6%, 0.45%

LAB 65.52, -30.54, -14.5

 

CMYK 61 / 4 / 0 / 35

HEX #409FA5

RGB 64 159 165

HSL 183.56, 0.44%, 0.45%

LAB 60.43, -25.71, -11.46

 

CMYK 43 / 3 / 0 / 43

HEX #538E92

RGB 83 142 146

HSL 183.81, 0.28%, 0.45%

LAB 55.34, -18.1, -8.17

 

CMYK 20 / 2 / 0 / 50

HEX #667E80

RGB 102 126 128

HSL 184.62, 0.11%, 0.45%

LAB 51.04, -8.17, -3.97

 

CMYK 0 / 8 / 9 / 53

HEX #786E6D

RGB 120 110 109

HSL 5.45, 0.05%, 0.45%

LAB 47.3, 3.7, 1.96

 

CMYK 75 / 0 / 36 / 28

HEX #2EB875

RGB 46 184 117

HSL 150.87, 0.6%, 0.45%

LAB 66.63, -51.62, 23.92

 

CMYK 75 / 0 / 16 / 28

HEX #2EB89A

RGB 46 184 154

HSL 166.96, 0.6%, 0.45%

LAB 67.42, -43.11, 4.92

 

CMYK 75 / 4 / 0 / 28

HEX #2EB1B8

RGB 46 177 184

HSL 183.04, 0.6%, 0.45%

LAB 66.13, -31.5, -13.58

 

CMYK 75 / 24 / 0 / 28

HEX #2E8CB8

RGB 46 140 184

HSL 199.13, 0.6%, 0.45%

LAB 54.86, -12.29, -30.81

 

CMYK 75 / 44 / 0 / 28

HEX #2E67B8

RGB 46 103 184

HSL 215.22, 0.6%, 0.45%

LAB 43.86, 9.93, -48.19

 

CMYK 75 / 5 / 0 / 54

HEX #1D7076

RGB 29 112 118

HSL 184.04, 0.61%, 0.29%

LAB 43, -21.69, -10.38

 

CMYK 75 / 5 / 0 / 41

HEX #268F97

RGB 38 143 151

HSL 184.25, 0.6%, 0.37%

LAB 54.33, -25.9, -12.7

 

CMYK 75 / 5 / 0 / 28

HEX #2EAFB8

RGB 46 175 184

HSL 183.91, 0.6%, 0.45%

LAB 65.52, -30.54, -14.5

 

CMYK 69 / 4 / 0 / 19

HEX #40C6CF

RGB 64 198 207

HSL 183.78, 0.6%, 0.53%

LAB 73.53, -32.49, -15.01

 

CMYK 55 / 3 / 0 / 16

HEX #61D0D7

RGB 97 208 215

HSL 183.56, 0.6%, 0.61%

LAB 77.61, -29.59, -13.11

 

CMYK 75 / 5 / 0 / 27

HEX #2EB1BA

RGB 46 177 186

HSL 183.86, 0.6%, 0.45%

LAB 66.19, -30.9, -14.59

 

CMYK 57 / 75 / 0 / 28

HEX #502EB8

RGB 80 46 184

HSL 254.78, 0.6%, 0.45%

LAB 32.08, 49.96, -67.22

 

CMYK 0 / 27 / 75 / 28

HEX #B8872E

RGB 184 135 46

HSL 38.7, 0.6%, 0.45%

LAB 59.63, 10.32, 52.6

 

CMYK 75 / 5 / 0 / 27

HEX #2EB1BA

RGB 46 177 186

HSL 183.86, 0.6%, 0.45%

LAB 66.19, -30.9, -14.59

 

CMYK 0 / 75 / 4 / 28

HEX #B82EB1

RGB 184 46 177

HSL 303.04, 0.6%, 0.45%

LAB 46.07, 67.83, -39.77

 

CMYK 4 / 0 / 75 / 28

HEX #B1B82E

RGB 177 184 46

HSL 63.04, 0.6%, 0.45%

LAB 72.11, -18.82, 64.29

 

CMYK 75 / 5 / 0 / 27

HEX #2EB1BA

RGB 46 177 186

HSL 183.86, 0.6%, 0.45%

LAB 66.19, -30.9, -14.59

 

CMYK 57 / 75 / 0 / 28

HEX #502EB8

RGB 80 46 184

HSL 254.78, 0.6%, 0.45%

LAB 32.08, 49.96, -67.22

 

CMYK 0 / 71 / 75 / 28

HEX #B8352E

RGB 184 53 46

HSL 3.04, 0.6%, 0.45%

LAB 42.66, 51.95, 34.96

 

CMYK 19 / 0 / 75 / 28

HEX #95B82E

RGB 149 184 46

HSL 75.22, 0.6%, 0.45%

LAB 70.08, -30.51, 61.65

 

CMYK 75 / 5 / 0 / 27

HEX #2EB1BA

RGB 46 177 186

HSL 183.86, 0.6%, 0.45%

LAB 66.19, -30.9, -14.59

 

CMYK 34 / 75 / 0 / 28

HEX #7A2EB8

RGB 122 46 184

HSL 273.04, 0.6%, 0.45%

LAB 37.03, 56.72, -58.93

 

CMYK 0 / 71 / 75 / 28

HEX #B8352E

RGB 184 53 46

HSL 3.04, 0.6%, 0.45%

LAB 42.66, 51.95, 34.96

 

CMYK 41 / 0 / 75 / 28

HEX #6CB82E

RGB 108 184 46

HSL 93.04, 0.6%, 0.45%

LAB 67.77, -45.87, 58.63

 

Description

Color code: HEX #2EB1BA | qconv.com Color code: HEX #2EB1BA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 177 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 177 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 5 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 5% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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