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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EAE7E it is the complementary color #D15181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EAE7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EAE7E shade: #33AE79, #44C08C, #55D29F, #66E4B2 and #77F6C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EAE7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EAE7E shade: #2EAE7E, #1D9C6B, #0C8A58, #007845 and #006632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EAE7E shade: #2EAD7E, #2EAD5B, #2EAD39, #45AD2E and #68AD2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EAE7E shade: #2EAD7E, #2EADA0, #2E98AD, #2E76AD and #2E54AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EAE7E shade matches the following richer shades: #2EAD7E, #1CBF82 and #0BD186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EAE7E shade: #2EAD7E, #409C79, #528A75, #637870 and #75666C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EAE7E shade: #2EAD39, #2EAD5B, #2EAD7C, #2EAD9E and #2E9AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EAE7E shade: #1D6C4E, #258D66, #2EAD7E, #3ACB94 and #5BD3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EAE7E shade: #2EAE7E, #2E45AD and #AD4A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EAE7E shade: #2EAE7E, #7C2EAD and #AD7C2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EAE7E shade: #2EAE7E, #2E45AD, #AD2E5F and #AD962E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EAE7E shade: #2EAE7E, #3D2EAD, #AD2E5F and #9EAD2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 28 / 32

HEX #2EAE7E

RGB 46 174 126

HSL 157.5, 0.58%, 0.43%

LAB 63.64, -45.73, 14.96

 

Complementary color

CMYK 0 / 61 / 38 / 18

HEX #D15181

RGB 209 81 129

HSL 337.5, 0.58%, 0.57%

LAB 52.98, 54.81, -0.32

 

CMYK 71 / 0 / 30 / 32

HEX #33AE79

RGB 51 174 121

HSL 154.15, 0.55%, 0.44%

LAB 63.64, -46.1, 17.71

 

CMYK 65 / 0 / 27 / 25

HEX #44C08C

RGB 68 192 140

HSL 154.84, 0.5%, 0.51%

LAB 70.05, -46.47, 16.34

 

CMYK 60 / 0 / 24 / 18

HEX #55D29F

RGB 85 210 159

HSL 155.52, 0.58%, 0.58%

LAB 76.39, -46.64, 15.09

 

CMYK 55 / 0 / 22 / 11

HEX #66E4B2

RGB 102 228 178

HSL 156.19, 0.7%, 0.65%

LAB 82.66, -46.68, 13.95

 

CMYK 52 / 0 / 20 / 4

HEX #77F6C5

RGB 119 246 197

HSL 156.85, 0.88%, 0.72%

LAB 88.86, -46.63, 12.9

 

CMYK 74 / 0 / 28 / 32

HEX #2EAE7E

RGB 46 174 126

HSL 157.5, 0.58%, 0.43%

LAB 63.64, -45.73, 14.96

 

CMYK 81 / 0 / 31 / 39

HEX #1D9C6B

RGB 29 156 107

HSL 156.85, 0.69%, 0.36%

LAB 57.17, -44.9, 16.47

 

CMYK 91 / 0 / 36 / 46

HEX #0C8A58

RGB 12 138 88

HSL 156.19, 0.84%, 0.29%

LAB 50.64, -43.57, 18.18

 

CMYK 100 / 0 / 43 / 53

HEX #007845

RGB 0 120 69

HSL 154.5, 1%, 0.24%

LAB 44.04, -41.58, 20.11

 

CMYK 100 / 0 / 51 / 60

HEX #006632

RGB 0 102 50

HSL 149.41, 1%, 0.2%

LAB 37.36, -38.65, 22.26

 

CMYK 73 / 0 / 27 / 32

HEX #2EAD7E

RGB 46 173 126

HSL 157.8, 0.58%, 0.43%

LAB 63.32, -45.32, 14.51

 

CMYK 73 / 0 / 47 / 32

HEX #2EAD5B

RGB 46 173 91

HSL 141.26, 0.58%, 0.43%

LAB 62.7, -52.29, 32.44

 

CMYK 73 / 0 / 67 / 32

HEX #2EAD39

RGB 46 173 57

HSL 125.2, 0.58%, 0.43%

LAB 62.31, -56.88, 48.14

 

CMYK 60 / 0 / 73 / 32

HEX #45AD2E

RGB 69 173 46

HSL 109.13, 0.58%, 0.43%

LAB 62.8, -53.11, 53.18

 

CMYK 40 / 0 / 73 / 32

HEX #68AD2E

RGB 104 173 46

HSL 92.6, 0.58%, 0.43%

LAB 64.18, -42.65, 55.02

 

CMYK 73 / 0 / 27 / 32

HEX #2EAD7E

RGB 46 173 126

HSL 157.8, 0.58%, 0.43%

LAB 63.32, -45.32, 14.51

 

CMYK 73 / 0 / 8 / 32

HEX #2EADA0

RGB 46 173 160

HSL 173.86, 0.58%, 0.43%

LAB 64.17, -36.63, -3.14

 

CMYK 73 / 12 / 0 / 32

HEX #2E98AD

RGB 46 152 173

HSL 189.92, 0.58%, 0.43%

LAB 58.09, -22.46, -19.58

 

CMYK 73 / 32 / 0 / 32

HEX #2E76AD

RGB 46 118 173

HSL 205.98, 0.58%, 0.43%

LAB 47.69, -3.46, -35.69

 

CMYK 73 / 51 / 0 / 32

HEX #2E54AD

RGB 46 84 173

HSL 222.05, 0.58%, 0.43%

LAB 37.73, 18.11, -51.58

 

CMYK 73 / 0 / 27 / 32

HEX #2EAD7E

RGB 46 173 126

HSL 157.8, 0.58%, 0.43%

LAB 63.32, -45.32, 14.51

 

CMYK 85 / 0 / 32 / 25

HEX #1CBF82

RGB 28 191 130

HSL 157.55, 0.74%, 0.43%

LAB 68.84, -53.48, 19.93

 

CMYK 95 / 0 / 36 / 18

HEX #0BD186

RGB 11 209 134

HSL 157.27, 0.9%, 0.43%

LAB 74.44, -60.17, 25.41

 

CMYK 73 / 0 / 27 / 32

HEX #2EAD7E

RGB 46 173 126

HSL 157.8, 0.58%, 0.43%

LAB 63.32, -45.32, 14.51

 

CMYK 59 / 0 / 22 / 39

HEX #409C79

RGB 64 156 121

HSL 157.17, 0.42%, 0.43%

LAB 58.27, -35.94, 10.28

 

CMYK 41 / 0 / 15 / 46

HEX #528A75

RGB 82 138 117

HSL 157.5, 0.25%, 0.43%

LAB 53.23, -23.59, 5.48

 

CMYK 18 / 0 / 7 / 53

HEX #637870

RGB 99 120 112

HSL 157.14, 0.1%, 0.43%

LAB 48.58, -9.45, 1.82

 

CMYK 0 / 13 / 8 / 54

HEX #75666C

RGB 117 102 108

HSL 336, 0.07%, 0.43%

LAB 44.76, 7.08, -1.19

 

CMYK 73 / 0 / 67 / 32

HEX #2EAD39

RGB 46 173 57

HSL 125.2, 0.58%, 0.43%

LAB 62.31, -56.88, 48.14

 

CMYK 73 / 0 / 47 / 32

HEX #2EAD5B

RGB 46 173 91

HSL 141.26, 0.58%, 0.43%

LAB 62.7, -52.29, 32.44

 

CMYK 73 / 0 / 28 / 32

HEX #2EAD7C

RGB 46 173 124

HSL 156.85, 0.58%, 0.43%

LAB 63.28, -45.78, 15.55

 

CMYK 73 / 0 / 9 / 32

HEX #2EAD9E

RGB 46 173 158

HSL 172.91, 0.58%, 0.43%

LAB 64.11, -37.18, -2.11

 

CMYK 73 / 11 / 0 / 32

HEX #2E9AAD

RGB 46 154 173

HSL 188.98, 0.58%, 0.43%

LAB 58.7, -23.49, -18.64

 

CMYK 73 / 0 / 28 / 58

HEX #1D6C4E

RGB 29 108 78

HSL 157.22, 0.58%, 0.27%

LAB 40.47, -31.41, 10.07

 

CMYK 74 / 0 / 28 / 45

HEX #258D66

RGB 37 141 102

HSL 157.5, 0.58%, 0.35%

LAB 52.29, -38.82, 12.55

 

CMYK 73 / 0 / 27 / 32

HEX #2EAD7E

RGB 46 173 126

HSL 157.8, 0.58%, 0.43%

LAB 63.32, -45.32, 14.51

 

CMYK 71 / 0 / 27 / 20

HEX #3ACB94

RGB 58 203 148

HSL 157.24, 0.58%, 0.51%

LAB 73.38, -50.82, 16.65

 

CMYK 57 / 0 / 21 / 17

HEX #5BD3A6

RGB 91 211 166

HSL 157.5, 0.58%, 0.59%

LAB 77.02, -44.31, 12.28

 

CMYK 74 / 0 / 28 / 32

HEX #2EAE7E

RGB 46 174 126

HSL 157.5, 0.58%, 0.43%

LAB 63.64, -45.73, 14.96

 

CMYK 73 / 60 / 0 / 32

HEX #2E45AD

RGB 46 69 173

HSL 229.13, 0.58%, 0.43%

LAB 33.68, 28.03, -58.16

 

CMYK 0 / 57 / 73 / 32

HEX #AD4A2E

RGB 173 74 46

HSL 13.23, 0.58%, 0.43%

LAB 44.2, 38.77, 36.12

 

CMYK 74 / 0 / 28 / 32

HEX #2EAE7E

RGB 46 174 126

HSL 157.5, 0.58%, 0.43%

LAB 63.64, -45.73, 14.96

 

CMYK 28 / 73 / 0 / 32

HEX #7C2EAD

RGB 124 46 173

HSL 276.85, 0.58%, 0.43%

LAB 36.47, 54.61, -53.29

 

CMYK 0 / 28 / 73 / 32

HEX #AD7C2E

RGB 173 124 46

HSL 36.85, 0.58%, 0.43%

LAB 55.58, 11.54, 48.14

 

CMYK 74 / 0 / 28 / 32

HEX #2EAE7E

RGB 46 174 126

HSL 157.5, 0.58%, 0.43%

LAB 63.64, -45.73, 14.96

 

CMYK 73 / 60 / 0 / 32

HEX #2E45AD

RGB 46 69 173

HSL 229.13, 0.58%, 0.43%

LAB 33.68, 28.03, -58.16

 

CMYK 0 / 73 / 45 / 32

HEX #AD2E5F

RGB 173 46 95

HSL 336.85, 0.58%, 0.43%

LAB 40.68, 54.46, 1.81

 

CMYK 0 / 13 / 73 / 32

HEX #AD962E

RGB 173 150 46

HSL 49.13, 0.58%, 0.43%

LAB 62.42, -2.83, 54.94

 

CMYK 74 / 0 / 28 / 32

HEX #2EAE7E

RGB 46 174 126

HSL 157.5, 0.58%, 0.43%

LAB 63.64, -45.73, 14.96

 

CMYK 65 / 73 / 0 / 32

HEX #3D2EAD

RGB 61 46 173

HSL 247.09, 0.58%, 0.43%

LAB 29.32, 44.15, -65.26

 

CMYK 0 / 73 / 45 / 32

HEX #AD2E5F

RGB 173 46 95

HSL 336.85, 0.58%, 0.43%

LAB 40.68, 54.46, 1.81

 

CMYK 9 / 0 / 73 / 32

HEX #9EAD2E

RGB 158 173 46

HSL 67.09, 0.58%, 0.43%

LAB 67.54, -21.42, 59.45

 

Description

Color code: HEX #2EAE7E | qconv.com Color code: HEX #2EAE7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 174 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 174 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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