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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EAA63 it is the complementary color #D1559C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EAA63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EAA63 shade: #33AA5E, #44BC71, #55CE84, #66E097 and #77F2AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EAA63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EAA63 shade: #2EAA63, #1D9850, #0C863D, #00742A and #006217

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EAA63 shade: #2EA862, #2EA841, #3CA82E, #5DA82E and #7EA82E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EAA63 shade: #2EA862, #2EA883, #2EA8A4, #2E8BA8 and #2E6AA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EAA63 shade matches the following richer shades: #2EA862, #1DB960 and #0BCB5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EAA63 shade: #2EA862, #3F9765, #518567, #62746A and #73636C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EAA63 shade: #3CA82E, #2EA840, #2EA861, #2EA881 and #2EA8A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EAA63 shade: #1C673C, #25884F, #2EA862, #37C875 and #58D18C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EAA63 shade: #2EAA63, #2E5DA8 and #A8302E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EAA63 shade: #2EAA63, #612EA8 and #A8612E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EAA63 shade: #2EAA63, #2E5DA8, #A82E75 and #A8792E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EAA63 shade: #2EAA63, #2E38A8, #A82E75 and #A89E2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 42 / 33

HEX #2EAA63

RGB 46 170 99

HSL 145.65, 0.57%, 0.42%

LAB 61.85, -49.76, 27.16

 

Complementary color

CMYK 0 / 59 / 25 / 18

HEX #D1559C

RGB 209 85 156

HSL 325.65, 0.57%, 0.58%

LAB 54.5, 56.33, -14.01

 

CMYK 70 / 0 / 45 / 33

HEX #33AA5E

RGB 51 170 94

HSL 141.68, 0.54%, 0.43%

LAB 61.88, -49.83, 29.86

 

CMYK 64 / 0 / 40 / 26

HEX #44BC71

RGB 68 188 113

HSL 142.5, 0.47%, 0.5%

LAB 68.31, -50.24, 28.35

 

CMYK 59 / 0 / 36 / 19

HEX #55CE84

RGB 85 206 132

HSL 143.31, 0.55%, 0.57%

LAB 74.66, -50.41, 26.95

 

CMYK 54 / 0 / 33 / 12

HEX #66E097

RGB 102 224 151

HSL 144.1, 0.66%, 0.64%

LAB 80.94, -50.42, 25.65

 

CMYK 51 / 0 / 30 / 5

HEX #77F2AA

RGB 119 242 170

HSL 144.88, 0.83%, 0.71%

LAB 87.16, -50.34, 24.44

 

CMYK 73 / 0 / 42 / 33

HEX #2EAA63

RGB 46 170 99

HSL 145.65, 0.57%, 0.42%

LAB 61.85, -49.76, 27.16

 

CMYK 81 / 0 / 47 / 40

HEX #1D9850

RGB 29 152 80

HSL 144.88, 0.68%, 0.35%

LAB 55.38, -48.84, 28.82

 

CMYK 91 / 0 / 54 / 47

HEX #0C863D

RGB 12 134 61

HSL 144.1, 0.84%, 0.29%

LAB 48.84, -47.29, 30.6

 

CMYK 100 / 0 / 64 / 55

HEX #00742A

RGB 0 116 42

HSL 141.72, 1%, 0.23%

LAB 42.24, -44.88, 32.4

 

CMYK 100 / 0 / 77 / 62

HEX #006217

RGB 0 98 23

HSL 134.08, 1%, 0.19%

LAB 35.59, -41.19, 33.9

 

CMYK 73 / 0 / 42 / 34

HEX #2EA862

RGB 46 168 98

HSL 145.57, 0.57%, 0.42%

LAB 61.19, -49.18, 26.83

 

CMYK 73 / 0 / 61 / 34

HEX #2EA841

RGB 46 168 65

HSL 129.34, 0.57%, 0.42%

LAB 60.75, -54.28, 42.87

 

CMYK 64 / 0 / 73 / 34

HEX #3CA82E

RGB 60 168 46

HSL 113.11, 0.57%, 0.42%

LAB 60.93, -53.45, 51.19

 

CMYK 45 / 0 / 73 / 34

HEX #5DA82E

RGB 93 168 46

HSL 96.89, 0.57%, 0.42%

LAB 62.11, -44.27, 52.77

 

CMYK 25 / 0 / 73 / 34

HEX #7EA82E

RGB 126 168 46

HSL 80.66, 0.57%, 0.42%

LAB 63.87, -32.23, 55.11

 

CMYK 73 / 0 / 42 / 34

HEX #2EA862

RGB 46 168 98

HSL 145.57, 0.57%, 0.42%

LAB 61.19, -49.18, 26.83

 

CMYK 73 / 0 / 22 / 34

HEX #2EA883

RGB 46 168 131

HSL 161.8, 0.57%, 0.42%

LAB 61.85, -42.04, 9.68

 

CMYK 73 / 0 / 2 / 34

HEX #2EA8A4

RGB 46 168 164

HSL 178.03, 0.57%, 0.42%

LAB 62.73, -33.16, -7.5

 

CMYK 73 / 17 / 0 / 34

HEX #2E8BA8

RGB 46 139 168

HSL 194.26, 0.57%, 0.42%

LAB 53.89, -17.21, -23.15

 

CMYK 73 / 37 / 0 / 34

HEX #2E6AA8

RGB 46 106 168

HSL 210.49, 0.57%, 0.42%

LAB 43.82, 2.04, -38.88

 

CMYK 73 / 0 / 42 / 34

HEX #2EA862

RGB 46 168 98

HSL 145.57, 0.57%, 0.42%

LAB 61.19, -49.18, 26.83

 

CMYK 84 / 0 / 48 / 27

HEX #1DB960

RGB 29 185 96

HSL 145.77, 0.73%, 0.42%

LAB 66.37, -57.81, 34.48

 

CMYK 95 / 0 / 54 / 20

HEX #0BCB5D

RGB 11 203 93

HSL 145.63, 0.9%, 0.42%

LAB 71.94, -65.38, 42.82

 

CMYK 73 / 0 / 42 / 34

HEX #2EA862

RGB 46 168 98

HSL 145.57, 0.57%, 0.42%

LAB 61.19, -49.18, 26.83

 

CMYK 58 / 0 / 33 / 41

HEX #3F9765

RGB 63 151 101

HSL 145.91, 0.41%, 0.42%

LAB 56.22, -38.31, 18.63

 

CMYK 39 / 0 / 23 / 48

HEX #518567

RGB 81 133 103

HSL 145.38, 0.24%, 0.42%

LAB 51.27, -24.47, 10.78

 

CMYK 16 / 0 / 9 / 55

HEX #62746A

RGB 98 116 106

HSL 146.67, 0.08%, 0.42%

LAB 47.14, -8.84, 3.29

 

CMYK 0 / 14 / 6 / 55

HEX #73636C

RGB 115 99 108

HSL 326.25, 0.07%, 0.42%

LAB 43.73, 8.1, -2.72

 

CMYK 64 / 0 / 73 / 34

HEX #3CA82E

RGB 60 168 46

HSL 113.11, 0.57%, 0.42%

LAB 60.93, -53.45, 51.19

 

CMYK 73 / 0 / 62 / 34

HEX #2EA840

RGB 46 168 64

HSL 128.85, 0.57%, 0.42%

LAB 60.74, -54.4, 43.32

 

CMYK 73 / 0 / 42 / 34

HEX #2EA861

RGB 46 168 97

HSL 145.08, 0.57%, 0.42%

LAB 61.18, -49.37, 27.34

 

CMYK 73 / 0 / 23 / 34

HEX #2EA881

RGB 46 168 129

HSL 160.82, 0.57%, 0.42%

LAB 61.8, -42.53, 10.72

 

CMYK 73 / 0 / 4 / 34

HEX #2EA8A2

RGB 46 168 162

HSL 177.05, 0.57%, 0.42%

LAB 62.67, -33.74, -6.47

 

CMYK 73 / 0 / 42 / 60

HEX #1C673C

RGB 28 103 60

HSL 145.6, 0.57%, 0.26%

LAB 38.33, -33.5, 17.84

 

CMYK 73 / 0 / 42 / 47

HEX #25884F

RGB 37 136 79

HSL 145.45, 0.57%, 0.34%

LAB 50.18, -41.74, 22.67

 

CMYK 73 / 0 / 42 / 34

HEX #2EA862

RGB 46 168 98

HSL 145.57, 0.57%, 0.42%

LAB 61.19, -49.18, 26.83

 

CMYK 73 / 0 / 42 / 22

HEX #37C875

RGB 55 200 117

HSL 145.66, 0.57%, 0.5%

LAB 71.83, -56.34, 30.84

 

CMYK 58 / 0 / 33 / 18

HEX #58D18C

RGB 88 209 140

HSL 145.79, 0.57%, 0.58%

LAB 75.8, -49.48, 24.33

 

CMYK 73 / 0 / 42 / 33

HEX #2EAA63

RGB 46 170 99

HSL 145.65, 0.57%, 0.42%

LAB 61.85, -49.76, 27.16

 

CMYK 73 / 45 / 0 / 34

HEX #2E5DA8

RGB 46 93 168

HSL 216.89, 0.57%, 0.42%

LAB 39.98, 10.31, -45.01

 

CMYK 0 / 71 / 73 / 34

HEX #A8302E

RGB 168 48 46

HSL 0.98, 0.57%, 0.42%

LAB 38.96, 48.62, 29.95

 

CMYK 73 / 0 / 42 / 33

HEX #2EAA63

RGB 46 170 99

HSL 145.65, 0.57%, 0.42%

LAB 61.85, -49.76, 27.16

 

CMYK 42 / 73 / 0 / 34

HEX #612EA8

RGB 97 46 168

HSL 265.08, 0.57%, 0.42%

LAB 32.53, 48.27, -56.86

 

CMYK 0 / 42 / 73 / 34

HEX #A8612E

RGB 168 97 46

HSL 25.08, 0.57%, 0.42%

LAB 48.35, 24.5, 40.41

 

CMYK 73 / 0 / 42 / 33

HEX #2EAA63

RGB 46 170 99

HSL 145.65, 0.57%, 0.42%

LAB 61.85, -49.76, 27.16

 

CMYK 73 / 45 / 0 / 34

HEX #2E5DA8

RGB 46 93 168

HSL 216.89, 0.57%, 0.42%

LAB 39.98, 10.31, -45.01

 

CMYK 0 / 73 / 30 / 34

HEX #A82E75

RGB 168 46 117

HSL 325.08, 0.57%, 0.42%

LAB 40.51, 55.46, -12.31

 

CMYK 0 / 28 / 73 / 34

HEX #A8792E

RGB 168 121 46

HSL 36.89, 0.57%, 0.42%

LAB 54.24, 10.99, 46.58

 

CMYK 73 / 0 / 42 / 33

HEX #2EAA63

RGB 46 170 99

HSL 145.65, 0.57%, 0.42%

LAB 61.85, -49.76, 27.16

 

CMYK 73 / 67 / 0 / 34

HEX #2E38A8

RGB 46 56 168

HSL 235.08, 0.57%, 0.42%

LAB 30, 34.64, -61.18

 

CMYK 0 / 73 / 30 / 34

HEX #A82E75

RGB 168 46 117

HSL 325.08, 0.57%, 0.42%

LAB 40.51, 55.46, -12.31

 

CMYK 0 / 6 / 73 / 34

HEX #A89E2E

RGB 168 158 46

HSL 55.08, 0.57%, 0.42%

LAB 64.14, -9.34, 56.45

 

Description

Color code: HEX #2EAA63 | qconv.com Color code: HEX #2EAA63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 170 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 170 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 42 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 42% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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