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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA992 it is the complementary color #D1566D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA992 shade: #33A98D, #44BBA0, #55CDB3, #66DFC6 and #77F1D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA992 shade: #2EA992, #1D977F, #0C856C, #007359 and #006146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA992 shade: #2EA891, #2EA870, #2EA84F, #2EA82F and #4EA82E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA992 shade: #2EA891, #2E9EA8, #2E7DA8, #2E5CA8 and #2E3BA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA992 shade matches the following richer shades: #2EA891, #1DB99C and #0BCBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA992 shade: #2EA891, #3F9786, #51857C, #627471 and #736366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA992 shade: #2EA84F, #2EA86F, #2EA890, #2EA0A8 and #2E7FA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA992 shade: #1C6759, #258875, #2EA891, #37C8AD and #58D1BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA992 shade: #2EA992, #2E2EA8 and #A85F2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA992 shade: #2EA992, #902EA8 and #A8902E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA992 shade: #2EA992, #2E2EA8, #A82E46 and #A8A82E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA992 shade: #2EA992, #532EA8, #A82E46 and #84A82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 14 / 34

HEX #2EA992

RGB 46 169 146

HSL 168.78, 0.57%, 0.42%

LAB 62.53, -38.64, 2.29

 

Complementary color

CMYK 0 / 59 / 48 / 18

HEX #D1566D

RGB 209 86 109

HSL 348.78, 0.57%, 0.58%

LAB 53.29, 50.54, 12.04

 

CMYK 70 / 0 / 17 / 34

HEX #33A98D

RGB 51 169 141

HSL 165.76, 0.54%, 0.43%

LAB 62.51, -39.23, 5.06

 

CMYK 64 / 0 / 14 / 27

HEX #44BBA0

RGB 68 187 160

HSL 166.39, 0.47%, 0.5%

LAB 68.97, -39.63, 3.93

 

CMYK 59 / 0 / 13 / 20

HEX #55CDB3

RGB 85 205 179

HSL 167, 0.55%, 0.57%

LAB 75.36, -39.84, 2.9

 

CMYK 54 / 0 / 11 / 13

HEX #66DFC6

RGB 102 223 198

HSL 167.6, 0.65%, 0.64%

LAB 81.66, -39.94, 1.97

 

CMYK 51 / 0 / 10 / 5

HEX #77F1D9

RGB 119 241 217

HSL 168.2, 0.81%, 0.71%

LAB 87.89, -39.96, 1.1

 

CMYK 73 / 0 / 14 / 34

HEX #2EA992

RGB 46 169 146

HSL 168.78, 0.57%, 0.42%

LAB 62.53, -38.64, 2.29

 

CMYK 81 / 0 / 16 / 41

HEX #1D977F

RGB 29 151 127

HSL 168.2, 0.68%, 0.35%

LAB 56.01, -37.8, 3.54

 

CMYK 91 / 0 / 19 / 48

HEX #0C856C

RGB 12 133 108

HSL 167.6, 0.83%, 0.28%

LAB 49.42, -36.51, 4.98

 

CMYK 100 / 0 / 23 / 55

HEX #007359

RGB 0 115 89

HSL 166.43, 1%, 0.23%

LAB 42.74, -34.66, 6.63

 

CMYK 100 / 0 / 28 / 62

HEX #006146

RGB 0 97 70

HSL 163.3, 1%, 0.19%

LAB 35.97, -32.02, 8.55

 

CMYK 73 / 0 / 14 / 34

HEX #2EA891

RGB 46 168 145

HSL 168.69, 0.57%, 0.42%

LAB 62.19, -38.46, 2.36

 

CMYK 73 / 0 / 33 / 34

HEX #2EA870

RGB 46 168 112

HSL 152.46, 0.57%, 0.42%

LAB 61.44, -46.39, 19.6

 

CMYK 73 / 0 / 53 / 34

HEX #2EA84F

RGB 46 168 79

HSL 136.23, 0.57%, 0.42%

LAB 60.91, -52.37, 36.32

 

CMYK 73 / 0 / 72 / 34

HEX #2EA82F

RGB 46 168 47

HSL 120.49, 0.57%, 0.42%

LAB 60.6, -56.15, 50.36

 

CMYK 54 / 0 / 73 / 34

HEX #4EA82E

RGB 78 168 46

HSL 104.26, 0.57%, 0.42%

LAB 61.5, -48.86, 51.96

 

CMYK 73 / 0 / 14 / 34

HEX #2EA891

RGB 46 168 145

HSL 168.69, 0.57%, 0.42%

LAB 62.19, -38.46, 2.36

 

CMYK 73 / 6 / 0 / 34

HEX #2E9EA8

RGB 46 158 168

HSL 184.92, 0.57%, 0.42%

LAB 59.76, -27.1, -14.2

 

CMYK 73 / 26 / 0 / 34

HEX #2E7DA8

RGB 46 125 168

HSL 201.15, 0.57%, 0.42%

LAB 49.59, -9.37, -29.82

 

CMYK 73 / 45 / 0 / 34

HEX #2E5CA8

RGB 46 92 168

HSL 217.38, 0.57%, 0.42%

LAB 39.69, 10.96, -45.48

 

CMYK 73 / 65 / 0 / 34

HEX #2E3BA8

RGB 46 59 168

HSL 233.61, 0.57%, 0.42%

LAB 30.73, 32.72, -59.99

 

CMYK 73 / 0 / 14 / 34

HEX #2EA891

RGB 46 168 145

HSL 168.69, 0.57%, 0.42%

LAB 62.19, -38.46, 2.36

 

CMYK 84 / 0 / 16 / 27

HEX #1DB99C

RGB 29 185 156

HSL 168.85, 0.73%, 0.42%

LAB 67.55, -44.71, 3.97

 

CMYK 95 / 0 / 18 / 20

HEX #0BCBA7

RGB 11 203 167

HSL 168.75, 0.9%, 0.42%

LAB 73.27, -50.23, 6.21

 

CMYK 73 / 0 / 14 / 34

HEX #2EA891

RGB 46 168 145

HSL 168.69, 0.57%, 0.42%

LAB 62.19, -38.46, 2.36

 

CMYK 58 / 0 / 11 / 41

HEX #3F9786

RGB 63 151 134

HSL 168.41, 0.41%, 0.42%

LAB 56.99, -30.6, 1.06

 

CMYK 39 / 0 / 7 / 48

HEX #51857C

RGB 81 133 124

HSL 169.62, 0.24%, 0.42%

LAB 51.81, -19.61, -0.64

 

CMYK 16 / 0 / 3 / 55

HEX #627471

RGB 98 116 113

HSL 170, 0.08%, 0.42%

LAB 47.34, -7.31, -0.59

 

CMYK 0 / 14 / 11 / 55

HEX #736366

RGB 115 99 102

HSL 348.75, 0.07%, 0.42%

LAB 43.55, 6.95, 0.66

 

CMYK 73 / 0 / 53 / 34

HEX #2EA84F

RGB 46 168 79

HSL 136.23, 0.57%, 0.42%

LAB 60.91, -52.37, 36.32

 

CMYK 73 / 0 / 34 / 34

HEX #2EA86F

RGB 46 168 111

HSL 151.97, 0.57%, 0.42%

LAB 61.42, -46.6, 20.12

 

CMYK 73 / 0 / 14 / 34

HEX #2EA890

RGB 46 168 144

HSL 168.2, 0.57%, 0.42%

LAB 62.17, -38.73, 2.88

 

CMYK 73 / 5 / 0 / 34

HEX #2EA0A8

RGB 46 160 168

HSL 183.93, 0.57%, 0.42%

LAB 60.38, -28.09, -13.27

 

CMYK 73 / 24 / 0 / 34

HEX #2E7FA8

RGB 46 127 168

HSL 200.16, 0.57%, 0.42%

LAB 50.2, -10.52, -28.86

 

CMYK 73 / 0 / 14 / 60

HEX #1C6759

RGB 28 103 89

HSL 168.8, 0.57%, 0.26%

LAB 39.02, -26.25, 1.33

 

CMYK 73 / 0 / 14 / 47

HEX #258875

RGB 37 136 117

HSL 168.48, 0.57%, 0.34%

LAB 51.02, -32.74, 2.09

 

CMYK 73 / 0 / 14 / 34

HEX #2EA891

RGB 46 168 145

HSL 168.69, 0.57%, 0.42%

LAB 62.19, -38.46, 2.36

 

CMYK 73 / 0 / 14 / 22

HEX #37C8AD

RGB 55 200 173

HSL 168.83, 0.57%, 0.5%

LAB 72.98, -43.98, 2.61

 

CMYK 58 / 0 / 11 / 18

HEX #58D1BA

RGB 88 209 186

HSL 168.6, 0.57%, 0.58%

LAB 76.81, -39.34, 1.26

 

CMYK 73 / 0 / 14 / 34

HEX #2EA992

RGB 46 169 146

HSL 168.78, 0.57%, 0.42%

LAB 62.53, -38.64, 2.29

 

CMYK 73 / 73 / 0 / 34

HEX #2E2EA8

RGB 46 46 168

HSL 240, 0.57%, 0.42%

LAB 27.74, 40.79, -64.89

 

CMYK 0 / 43 / 73 / 34

HEX #A85F2E

RGB 168 95 46

HSL 24.1, 0.57%, 0.42%

LAB 47.89, 25.61, 39.91

 

CMYK 73 / 0 / 14 / 34

HEX #2EA992

RGB 46 169 146

HSL 168.78, 0.57%, 0.42%

LAB 62.53, -38.64, 2.29

 

CMYK 14 / 73 / 0 / 34

HEX #902EA8

RGB 144 46 168

HSL 288.2, 0.57%, 0.42%

LAB 39.09, 57.68, -45.93

 

CMYK 0 / 14 / 73 / 34

HEX #A8902E

RGB 168 144 46

HSL 48.2, 0.57%, 0.42%

LAB 60.31, -1.81, 52.7

 

CMYK 73 / 0 / 14 / 34

HEX #2EA992

RGB 46 169 146

HSL 168.78, 0.57%, 0.42%

LAB 62.53, -38.64, 2.29

 

CMYK 73 / 73 / 0 / 34

HEX #2E2EA8

RGB 46 46 168

HSL 240, 0.57%, 0.42%

LAB 27.74, 40.79, -64.89

 

CMYK 0 / 73 / 58 / 34

HEX #A82E46

RGB 168 46 70

HSL 348.2, 0.57%, 0.42%

LAB 39.11, 50.83, 15.26

 

CMYK 0 / 0 / 73 / 34

HEX #A8A82E

RGB 168 168 46

HSL 60, 0.57%, 0.42%

LAB 66.92, -14.57, 59.13

 

CMYK 73 / 0 / 14 / 34

HEX #2EA992

RGB 46 169 146

HSL 168.78, 0.57%, 0.42%

LAB 62.53, -38.64, 2.29

 

CMYK 51 / 73 / 0 / 34

HEX #532EA8

RGB 83 46 168

HSL 258.2, 0.57%, 0.42%

LAB 30.93, 45.83, -59.55

 

CMYK 0 / 73 / 58 / 34

HEX #A82E46

RGB 168 46 70

HSL 348.2, 0.57%, 0.42%

LAB 39.11, 50.83, 15.26

 

CMYK 21 / 0 / 73 / 34

HEX #84A82E

RGB 132 168 46

HSL 77.7, 0.57%, 0.42%

LAB 64.25, -29.82, 55.62

 

Description

Color code: HEX #2EA992 | qconv.com Color code: HEX #2EA992 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 169 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 169 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 14 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 14% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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