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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA722 it is the complementary color #D158DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA722 shade: #33A71D, #44B930, #55CB43, #66DD56 and #77EF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA722 shade: #2EA722, #1D950F, #0C8300, #007100 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA722 shade: #2EA522, #51A522, #74A522, #98A522 and #A58F22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA722 shade: #2EA522, #22A539, #22A55D, #22A580 and #22A5A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA722 shade matches the following richer shades: #2EA522, #20B512 and #13C502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA722 shade: #2EA522, #3B9532, #488542, #557552 and #626562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA722 shade: #75A522, #52A522, #2FA522, #22A538 and #22A55B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA722 shade: #1B6114, #24831B, #2EA522, #37C729 and #4FD841

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA722 shade: #2EA722, #2298A5 and #A52263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA722 shade: #2EA722, #222FA5 and #A5222F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA722 shade: #2EA722, #2298A5, #9822A5 and #A52F22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA722 shade: #2EA722, #2271A5, #9822A5 and #A55622

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 80 / 35

HEX #2EA722

RGB 46 167 34

HSL 114.59, 0.66%, 0.39%

LAB 60.19, -56.8, 54.5

 

Complementary color

CMYK 5 / 60 / 0 / 13

HEX #D158DD

RGB 209 88 221

HSL 294.59, 0.66%, 0.61%

LAB 57.8, 65.23, -46.28

 

CMYK 69 / 0 / 83 / 35

HEX #33A71D

RGB 51 167 29

HSL 110.43, 0.7%, 0.38%

LAB 60.28, -56.16, 56.09

 

CMYK 63 / 0 / 74 / 27

HEX #44B930

RGB 68 185 48

HSL 111.24, 0.59%, 0.46%

LAB 66.63, -57.44, 56.31

 

CMYK 58 / 0 / 67 / 20

HEX #55CB43

RGB 85 203 67

HSL 112.06, 0.57%, 0.53%

LAB 72.92, -58.24, 55.78

 

CMYK 54 / 0 / 61 / 13

HEX #66DD56

RGB 102 221 86

HSL 112.89, 0.67%, 0.6%

LAB 79.16, -58.7, 54.88

 

CMYK 50 / 0 / 56 / 6

HEX #77EF69

RGB 119 239 105

HSL 113.73, 0.81%, 0.67%

LAB 85.34, -58.94, 53.79

 

CMYK 72 / 0 / 80 / 35

HEX #2EA722

RGB 46 167 34

HSL 114.59, 0.66%, 0.39%

LAB 60.19, -56.8, 54.5

 

CMYK 81 / 0 / 90 / 42

HEX #1D950F

RGB 29 149 15

HSL 113.73, 0.82%, 0.32%

LAB 53.8, -54.73, 53.53

 

CMYK 91 / 0 / 100 / 49

HEX #0C8300

RGB 12 131 0

HSL 114.5, 1%, 0.26%

LAB 47.38, -51.65, 50.86

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 72 / 0 / 79 / 35

HEX #2EA522

RGB 46 165 34

HSL 114.5, 0.66%, 0.39%

LAB 59.53, -56.15, 53.87

 

CMYK 51 / 0 / 79 / 35

HEX #51A522

RGB 81 165 34

HSL 98.47, 0.66%, 0.39%

LAB 60.58, -47.63, 55.24

 

CMYK 30 / 0 / 79 / 35

HEX #74A522

RGB 116 165 34

HSL 82.44, 0.66%, 0.39%

LAB 62.29, -35.43, 57.45

 

CMYK 8 / 0 / 79 / 35

HEX #98A522

RGB 152 165 34

HSL 65.95, 0.66%, 0.39%

LAB 64.72, -20.52, 60.57

 

CMYK 0 / 13 / 79 / 35

HEX #A58F22

RGB 165 143 34

HSL 49.92, 0.66%, 0.39%

LAB 59.67, -3.15, 56.44

 

CMYK 72 / 0 / 79 / 35

HEX #2EA522

RGB 46 165 34

HSL 114.5, 0.66%, 0.39%

LAB 59.53, -56.15, 53.87

 

CMYK 79 / 0 / 65 / 35

HEX #22A539

RGB 34 165 57

HSL 130.53, 0.66%, 0.39%

LAB 59.48, -56.01, 44.97

 

CMYK 79 / 0 / 44 / 35

HEX #22A55D

RGB 34 165 93

HSL 147.02, 0.66%, 0.39%

LAB 59.93, -50.67, 27.8

 

CMYK 79 / 0 / 22 / 35

HEX #22A580

RGB 34 165 128

HSL 163.05, 0.66%, 0.39%

LAB 60.61, -43.04, 9.57

 

CMYK 79 / 0 / 1 / 35

HEX #22A5A4

RGB 34 165 164

HSL 179.54, 0.66%, 0.39%

LAB 61.59, -33.07, -9.22

 

CMYK 72 / 0 / 79 / 35

HEX #2EA522

RGB 46 165 34

HSL 114.5, 0.66%, 0.39%

LAB 59.53, -56.15, 53.87

 

CMYK 82 / 0 / 90 / 29

HEX #20B512

RGB 32 181 18

HSL 114.85, 0.82%, 0.39%

LAB 64.48, -63.94, 62.19

 

CMYK 90 / 0 / 99 / 23

HEX #13C502

RGB 19 197 2

HSL 114.77, 0.98%, 0.39%

LAB 69.52, -70.03, 68.39

 

CMYK 72 / 0 / 79 / 35

HEX #2EA522

RGB 46 165 34

HSL 114.5, 0.66%, 0.39%

LAB 59.53, -56.15, 53.87

 

CMYK 60 / 0 / 66 / 42

HEX #3B9532

RGB 59 149 50

HSL 114.55, 0.5%, 0.39%

LAB 54.72, -46.36, 42.97

 

CMYK 46 / 0 / 50 / 48

HEX #488542

RGB 72 133 66

HSL 114.63, 0.34%, 0.39%

LAB 50.15, -34, 29.94

 

CMYK 27 / 0 / 30 / 54

HEX #557552

RGB 85 117 82

HSL 114.86, 0.18%, 0.39%

LAB 45.99, -18.98, 15.71

 

CMYK 3 / 0 / 3 / 60

HEX #626562

RGB 98 101 98

HSL 120, 0.02%, 0.39%

LAB 42.44, -1.79, 1.28

 

CMYK 29 / 0 / 79 / 35

HEX #75A522

RGB 117 165 34

HSL 81.98, 0.66%, 0.39%

LAB 62.34, -35.04, 57.52

 

CMYK 50 / 0 / 79 / 35

HEX #52A522

RGB 82 165 34

HSL 98.02, 0.66%, 0.39%

LAB 60.62, -47.33, 55.29

 

CMYK 72 / 0 / 79 / 35

HEX #2FA522

RGB 47 165 34

HSL 114.05, 0.66%, 0.39%

LAB 59.55, -55.96, 53.9

 

CMYK 79 / 0 / 66 / 35

HEX #22A538

RGB 34 165 56

HSL 130.08, 0.66%, 0.39%

LAB 59.47, -56.12, 45.4

 

CMYK 79 / 0 / 45 / 35

HEX #22A55B

RGB 34 165 91

HSL 146.11, 0.66%, 0.39%

LAB 59.89, -51.03, 28.81

 

CMYK 72 / 0 / 79 / 62

HEX #1B6114

RGB 27 97 20

HSL 114.55, 0.66%, 0.23%

LAB 35.66, -37.18, 35.34

 

CMYK 73 / 0 / 79 / 49

HEX #24831B

RGB 36 131 27

HSL 114.81, 0.66%, 0.31%

LAB 47.86, -47.02, 44.86

 

CMYK 72 / 0 / 79 / 35

HEX #2EA522

RGB 46 165 34

HSL 114.5, 0.66%, 0.39%

LAB 59.53, -56.15, 53.87

 

CMYK 72 / 0 / 79 / 22

HEX #37C729

RGB 55 199 41

HSL 114.68, 0.66%, 0.47%

LAB 70.75, -65.06, 62.48

 

CMYK 63 / 0 / 70 / 15

HEX #4FD841

RGB 79 216 65

HSL 114.44, 0.66%, 0.55%

LAB 76.77, -64.31, 60.57

 

CMYK 72 / 0 / 80 / 35

HEX #2EA722

RGB 46 167 34

HSL 114.59, 0.66%, 0.39%

LAB 60.19, -56.8, 54.5

 

CMYK 79 / 8 / 0 / 35

HEX #2298A5

RGB 34 152 165

HSL 185.95, 0.66%, 0.39%

LAB 57.57, -26.42, -15.84

 

CMYK 0 / 79 / 40 / 35

HEX #A52263

RGB 165 34 99

HSL 330.23, 0.66%, 0.39%

LAB 37.92, 56.51, -4.95

 

CMYK 72 / 0 / 80 / 35

HEX #2EA722

RGB 46 167 34

HSL 114.59, 0.66%, 0.39%

LAB 60.19, -56.8, 54.5

 

CMYK 79 / 72 / 0 / 35

HEX #222FA5

RGB 34 47 165

HSL 234.05, 0.66%, 0.39%

LAB 26.99, 38.02, -64.35

 

CMYK 0 / 79 / 72 / 35

HEX #A5222F

RGB 165 34 47

HSL 354.05, 0.66%, 0.39%

LAB 36.65, 52.57, 26.47

 

CMYK 72 / 0 / 80 / 35

HEX #2EA722

RGB 46 167 34

HSL 114.59, 0.66%, 0.39%

LAB 60.19, -56.8, 54.5

 

CMYK 79 / 8 / 0 / 35

HEX #2298A5

RGB 34 152 165

HSL 185.95, 0.66%, 0.39%

LAB 57.57, -26.42, -15.84

 

CMYK 8 / 79 / 0 / 35

HEX #9822A5

RGB 152 34 165

HSL 294.05, 0.66%, 0.39%

LAB 38.79, 62.78, -44.55

 

CMYK 0 / 72 / 79 / 35

HEX #A52F22

RGB 165 47 34

HSL 5.95, 0.66%, 0.39%

LAB 38.11, 47.51, 35.8

 

CMYK 72 / 0 / 80 / 35

HEX #2EA722

RGB 46 167 34

HSL 114.59, 0.66%, 0.39%

LAB 60.19, -56.8, 54.5

 

CMYK 79 / 32 / 0 / 35

HEX #2271A5

RGB 34 113 165

HSL 203.82, 0.66%, 0.39%

LAB 45.45, -4.93, -34.57

 

CMYK 8 / 79 / 0 / 35

HEX #9822A5

RGB 152 34 165

HSL 294.05, 0.66%, 0.39%

LAB 38.79, 62.78, -44.55

 

CMYK 0 / 48 / 79 / 35

HEX #A55622

RGB 165 86 34

HSL 23.82, 0.66%, 0.39%

LAB 45.32, 28.73, 43.01

 

Description

Color code: HEX #2EA722 | qconv.com Color code: HEX #2EA722 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 167 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 167 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 80 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 80% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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