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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA69C it is the complementary color #D15963. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA69C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA69C shade: #33A697, #44B8AA, #55CABD, #66DCD0 and #77EEE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA69C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA69C shade: #2EA69C, #1D9489, #0C8276, #007063 and #005E50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA69C shade: #2EA89E, #2EA87D, #2EA85C, #2EA83B and #42A82E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA69C shade: #2EA89E, #2E91A8, #2E70A8, #2E50A8 and #2E2FA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA69C shade matches the following richer shades: #2EA89E, #1DB9AC and #0BCBBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA69C shade: #2EA89E, #3F9790, #518581, #627473 and #736364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA69C shade: #2EA85D, #2EA87D, #2EA89E, #2E92A8 and #2E71A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA69C shade: #1C6761, #258880, #2EA89E, #37C8BC and #58D1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA69C shade: #2EA69C, #3C2EA8 and #A86D2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA69C shade: #2EA69C, #9E2EA8 and #A89E2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA69C shade: #2EA69C, #3C2EA8, #A82E38 and #9AA82E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA69C shade: #2EA69C, #612EA8, #A82E38 and #75A82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 6 / 35

HEX #2EA69C

RGB 46 166 156

HSL 175, 0.57%, 0.42%

LAB 61.87, -34.52, -4.29

 

Complementary color

CMYK 0 / 57 / 53 / 18

HEX #D15963

RGB 209 89 99

HSL 355, 0.57%, 0.58%

LAB 53.6, 48.26, 18.39

 

CMYK 69 / 0 / 9 / 35

HEX #33A697

RGB 51 166 151

HSL 172.17, 0.53%, 0.43%

LAB 61.84, -35.22, -1.52

 

CMYK 63 / 0 / 8 / 28

HEX #44B8AA

RGB 68 184 170

HSL 172.76, 0.46%, 0.49%

LAB 68.32, -35.67, -2.52

 

CMYK 58 / 0 / 6 / 21

HEX #55CABD

RGB 85 202 189

HSL 173.33, 0.52%, 0.56%

LAB 74.73, -35.95, -3.42

 

CMYK 54 / 0 / 5 / 14

HEX #66DCD0

RGB 102 220 208

HSL 173.9, 0.63%, 0.63%

LAB 81.05, -36.11, -4.24

 

CMYK 50 / 0 / 5 / 7

HEX #77EEE3

RGB 119 238 227

HSL 174.45, 0.78%, 0.7%

LAB 87.3, -36.19, -5.01

 

CMYK 72 / 0 / 6 / 35

HEX #2EA69C

RGB 46 166 156

HSL 175, 0.57%, 0.42%

LAB 61.87, -34.52, -4.29

 

CMYK 80 / 0 / 7 / 42

HEX #1D9489

RGB 29 148 137

HSL 174.45, 0.67%, 0.35%

LAB 55.33, -33.61, -3.19

 

CMYK 91 / 0 / 9 / 49

HEX #0C8276

RGB 12 130 118

HSL 173.9, 0.83%, 0.28%

LAB 48.7, -32.27, -1.92

 

CMYK 100 / 0 / 12 / 56

HEX #007063

RGB 0 112 99

HSL 173.04, 1%, 0.22%

LAB 41.98, -30.38, -0.47

 

CMYK 100 / 0 / 15 / 63

HEX #005E50

RGB 0 94 80

HSL 171.06, 1%, 0.18%

LAB 35.17, -27.75, 1.24

 

CMYK 73 / 0 / 6 / 34

HEX #2EA89E

RGB 46 168 158

HSL 175.08, 0.57%, 0.42%

LAB 62.55, -34.89, -4.4

 

CMYK 73 / 0 / 26 / 34

HEX #2EA87D

RGB 46 168 125

HSL 158.85, 0.57%, 0.42%

LAB 61.71, -43.48, 12.82

 

CMYK 73 / 0 / 45 / 34

HEX #2EA85C

RGB 46 168 92

HSL 142.62, 0.57%, 0.42%

LAB 61.1, -50.26, 29.88

 

CMYK 73 / 0 / 65 / 34

HEX #2EA83B

RGB 46 168 59

HSL 126.39, 0.57%, 0.42%

LAB 60.69, -54.97, 45.51

 

CMYK 61 / 0 / 73 / 34

HEX #42A82E

RGB 66 168 46

HSL 110.16, 0.57%, 0.42%

LAB 61.1, -52.04, 51.42

 

CMYK 73 / 0 / 6 / 34

HEX #2EA89E

RGB 46 168 158

HSL 175.08, 0.57%, 0.42%

LAB 62.55, -34.89, -4.4

 

CMYK 73 / 14 / 0 / 34

HEX #2E91A8

RGB 46 145 168

HSL 191.31, 0.57%, 0.42%

LAB 55.74, -20.42, -20.31

 

CMYK 73 / 33 / 0 / 34

HEX #2E70A8

RGB 46 112 168

HSL 207.54, 0.57%, 0.42%

LAB 45.63, -1.66, -36.02

 

CMYK 73 / 52 / 0 / 34

HEX #2E50A8

RGB 46 80 168

HSL 223.28, 0.57%, 0.42%

LAB 36.26, 18.86, -50.98

 

CMYK 73 / 72 / 0 / 34

HEX #2E2FA8

RGB 46 47 168

HSL 239.51, 0.57%, 0.42%

LAB 27.96, 40.2, -64.54

 

CMYK 73 / 0 / 6 / 34

HEX #2EA89E

RGB 46 168 158

HSL 175.08, 0.57%, 0.42%

LAB 62.55, -34.89, -4.4

 

CMYK 84 / 0 / 7 / 27

HEX #1DB9AC

RGB 29 185 172

HSL 175, 0.73%, 0.42%

LAB 67.97, -40.32, -4.21

 

CMYK 95 / 0 / 8 / 20

HEX #0BCBBB

RGB 11 203 187

HSL 175, 0.9%, 0.42%

LAB 73.79, -44.83, -3.86

 

CMYK 73 / 0 / 6 / 34

HEX #2EA89E

RGB 46 168 158

HSL 175.08, 0.57%, 0.42%

LAB 62.55, -34.89, -4.4

 

CMYK 58 / 0 / 5 / 41

HEX #3F9790

RGB 63 151 144

HSL 175.23, 0.41%, 0.42%

LAB 57.27, -27.9, -4.23

 

CMYK 39 / 0 / 3 / 48

HEX #518581

RGB 81 133 129

HSL 175.38, 0.24%, 0.42%

LAB 51.96, -18.34, -3.34

 

CMYK 16 / 0 / 1 / 55

HEX #627473

RGB 98 116 115

HSL 176.67, 0.08%, 0.42%

LAB 47.4, -6.86, -1.69

 

CMYK 0 / 14 / 13 / 55

HEX #736364

RGB 115 99 100

HSL 356.25, 0.07%, 0.42%

LAB 43.49, 6.58, 1.79

 

CMYK 73 / 0 / 45 / 34

HEX #2EA85D

RGB 46 168 93

HSL 143.11, 0.57%, 0.42%

LAB 61.11, -50.09, 29.37

 

CMYK 73 / 0 / 26 / 34

HEX #2EA87D

RGB 46 168 125

HSL 158.85, 0.57%, 0.42%

LAB 61.71, -43.48, 12.82

 

CMYK 73 / 0 / 6 / 34

HEX #2EA89E

RGB 46 168 158

HSL 175.08, 0.57%, 0.42%

LAB 62.55, -34.89, -4.4

 

CMYK 73 / 13 / 0 / 34

HEX #2E92A8

RGB 46 146 168

HSL 190.82, 0.57%, 0.42%

LAB 56.05, -20.95, -19.84

 

CMYK 73 / 33 / 0 / 34

HEX #2E71A8

RGB 46 113 168

HSL 207.05, 0.57%, 0.42%

LAB 45.93, -2.26, -35.55

 

CMYK 73 / 0 / 6 / 60

HEX #1C6761

RGB 28 103 97

HSL 175.2, 0.57%, 0.26%

LAB 39.26, -23.85, -3.21

 

CMYK 73 / 0 / 6 / 47

HEX #258880

RGB 37 136 128

HSL 175.15, 0.57%, 0.34%

LAB 51.34, -29.6, -3.85

 

CMYK 73 / 0 / 6 / 34

HEX #2EA89E

RGB 46 168 158

HSL 175.08, 0.57%, 0.42%

LAB 62.55, -34.89, -4.4

 

CMYK 73 / 0 / 6 / 22

HEX #37C8BC

RGB 55 200 188

HSL 175.03, 0.57%, 0.5%

LAB 73.38, -39.97, -4.94

 

CMYK 58 / 0 / 5 / 18

HEX #58D1C7

RGB 88 209 199

HSL 175.04, 0.57%, 0.58%

LAB 77.16, -36.03, -5.21

 

CMYK 72 / 0 / 6 / 35

HEX #2EA69C

RGB 46 166 156

HSL 175, 0.57%, 0.42%

LAB 61.87, -34.52, -4.29

 

CMYK 64 / 73 / 0 / 34

HEX #3C2EA8

RGB 60 46 168

HSL 246.89, 0.57%, 0.42%

LAB 28.75, 42.43, -63.2

 

CMYK 0 / 35 / 73 / 34

HEX #A86D2E

RGB 168 109 46

HSL 30.98, 0.57%, 0.42%

LAB 51.22, 17.76, 43.45

 

CMYK 72 / 0 / 6 / 35

HEX #2EA69C

RGB 46 166 156

HSL 175, 0.57%, 0.42%

LAB 61.87, -34.52, -4.29

 

CMYK 6 / 73 / 0 / 34

HEX #9E2EA8

RGB 158 46 168

HSL 295.08, 0.57%, 0.42%

LAB 41.3, 60.71, -42.28

 

CMYK 0 / 6 / 73 / 34

HEX #A89E2E

RGB 168 158 46

HSL 55.08, 0.57%, 0.42%

LAB 64.14, -9.34, 56.45

 

CMYK 72 / 0 / 6 / 35

HEX #2EA69C

RGB 46 166 156

HSL 175, 0.57%, 0.42%

LAB 61.87, -34.52, -4.29

 

CMYK 64 / 73 / 0 / 34

HEX #3C2EA8

RGB 60 46 168

HSL 246.89, 0.57%, 0.42%

LAB 28.75, 42.43, -63.2

 

CMYK 0 / 73 / 67 / 34

HEX #A82E38

RGB 168 46 56

HSL 355.08, 0.57%, 0.42%

LAB 38.84, 49.91, 23.7

 

CMYK 8 / 0 / 73 / 34

HEX #9AA82E

RGB 154 168 46

HSL 66.89, 0.57%, 0.42%

LAB 65.81, -20.62, 57.67

 

CMYK 72 / 0 / 6 / 35

HEX #2EA69C

RGB 46 166 156

HSL 175, 0.57%, 0.42%

LAB 61.87, -34.52, -4.29

 

CMYK 42 / 73 / 0 / 34

HEX #612EA8

RGB 97 46 168

HSL 265.08, 0.57%, 0.42%

LAB 32.53, 48.27, -56.86

 

CMYK 0 / 73 / 67 / 34

HEX #A82E38

RGB 168 46 56

HSL 355.08, 0.57%, 0.42%

LAB 38.84, 49.91, 23.7

 

CMYK 30 / 0 / 73 / 34

HEX #75A82E

RGB 117 168 46

HSL 85.08, 0.57%, 0.42%

LAB 63.33, -35.73, 54.4

 

Description

Color code: HEX #2EA69C | qconv.com Color code: HEX #2EA69C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 166 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 166 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 6 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 6% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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