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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EA3C0 it is the complementary color #D15C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EA3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2EA3C0 shade: #33A3BB, #44B5CE, #55C7E1, #66D9F4 and #77EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EA3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2EA3C0 shade: #2EA3C0, #1D91AD, #0C7F9A, #006D87 and #005B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2EA3C0 shade: #2FA4C1, #2F7CC1, #2F55C1, #302FC1 and #572FC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2EA3C0 shade: #2FA4C1, #2F7CC1, #2F55C1 and #2F2FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2EA3C0 shade matches the following richer shades: #2FA4C1, #1BB0D4 and #08BBE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2EA3C0 shade: #2FA4C1, #4298AE, #568D9A, #698187 and #7C7573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2EA3C0 shade: #2FC18E, #2FC1B5, #2FA6C1, #2F7FC1 and #2F58C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2EA3C0 shade: #1F6B7F, #2788A0, #2FA4C1, #47B7D2 and #68C4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2EA3C0 shade: #2EA3C0, #672FC1 and #C1A12F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2EA3C0 shade: #2EA3C0, #C12FA6 and #A6C12F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2EA3C0 shade: #2EA3C0, #672FC1, #C14A2F and #89C12F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2EA3C0 shade: #2EA3C0, #932FC1, #C14A2F and #5DC12F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

Complementary color

CMYK 0 / 56 / 70 / 18

HEX #D15C3F

RGB 209 92 63

HSL 11.92, 0.61%, 0.53%

LAB 53.57, 44.39, 38.95

 

CMYK 73 / 13 / 0 / 27

HEX #33A3BB

RGB 51 163 187

HSL 190.59, 0.57%, 0.47%

LAB 62.07, -23, -21.39

 

CMYK 67 / 12 / 0 / 19

HEX #44B5CE

RGB 68 181 206

HSL 190.87, 0.58%, 0.54%

LAB 68.56, -23.86, -21.99

 

CMYK 62 / 12 / 0 / 12

HEX #55C7E1

RGB 85 199 225

HSL 191.14, 0.7%, 0.61%

LAB 74.96, -24.5, -22.55

 

CMYK 58 / 11 / 0 / 4

HEX #66D9F4

RGB 102 217 244

HSL 191.41, 0.87%, 0.68%

LAB 81.28, -24.99, -23.06

 

CMYK 53 / 8 / 0 / 0

HEX #77EBFF

RGB 119 235 255

HSL 188.82, 1%, 0.73%

LAB 87.27, -27.55, -19.74

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 83 / 16 / 0 / 32

HEX #1D91AD

RGB 29 145 173

HSL 191.67, 0.71%, 0.4%

LAB 55.61, -20.62, -23.4

 

CMYK 92 / 18 / 0 / 40

HEX #0C7F9A

RGB 12 127 154

HSL 191.41, 0.86%, 0.33%

LAB 48.99, -18.8, -22.62

 

CMYK 100 / 19 / 0 / 47

HEX #006D87

RGB 0 109 135

HSL 191.56, 1%, 0.26%

LAB 42.29, -16.45, -21.73

 

CMYK 100 / 22 / 0 / 55

HEX #005B74

RGB 0 91 116

HSL 192.93, 1%, 0.23%

LAB 35.48, -13.4, -20.69

 

CMYK 76 / 15 / 0 / 24

HEX #2FA4C1

RGB 47 164 193

HSL 191.92, 0.61%, 0.47%

LAB 62.51, -22.06, -24.08

 

CMYK 76 / 36 / 0 / 24

HEX #2F7CC1

RGB 47 124 193

HSL 208.36, 0.61%, 0.47%

LAB 50.53, 0.37, -42.76

 

CMYK 76 / 56 / 0 / 24

HEX #2F55C1

RGB 47 85 193

HSL 224.38, 0.61%, 0.47%

LAB 39.5, 25.13, -60.47

 

CMYK 75 / 76 / 0 / 24

HEX #302FC1

RGB 48 47 193

HSL 240.41, 0.61%, 0.47%

LAB 30.67, 48.7, -74.94

 

CMYK 55 / 76 / 0 / 24

HEX #572FC1

RGB 87 47 193

HSL 256.44, 0.61%, 0.47%

LAB 33.79, 52.98, -69.68

 

CMYK 76 / 15 / 0 / 24

HEX #2FA4C1

RGB 47 164 193

HSL 191.92, 0.61%, 0.47%

LAB 62.51, -22.06, -24.08

 

CMYK 76 / 36 / 0 / 24

HEX #2F7CC1

RGB 47 124 193

HSL 208.36, 0.61%, 0.47%

LAB 50.53, 0.37, -42.76

 

CMYK 76 / 56 / 0 / 24

HEX #2F55C1

RGB 47 85 193

HSL 224.38, 0.61%, 0.47%

LAB 39.5, 25.13, -60.47

 

CMYK 76 / 76 / 0 / 24

HEX #2F2FC1

RGB 47 47 193

HSL 240, 0.61%, 0.47%

LAB 30.61, 48.62, -75.04

 

CMYK 76 / 15 / 0 / 24

HEX #2FA4C1

RGB 47 164 193

HSL 191.92, 0.61%, 0.47%

LAB 62.51, -22.06, -24.08

 

CMYK 87 / 17 / 0 / 17

HEX #1BB0D4

RGB 27 176 212

HSL 191.68, 0.77%, 0.47%

LAB 66.55, -23.67, -28.44

 

CMYK 97 / 19 / 0 / 9

HEX #08BBE8

RGB 8 187 232

HSL 192.05, 0.93%, 0.47%

LAB 70.47, -23.3, -33.34

 

CMYK 76 / 15 / 0 / 24

HEX #2FA4C1

RGB 47 164 193

HSL 191.92, 0.61%, 0.47%

LAB 62.51, -22.06, -24.08

 

CMYK 62 / 13 / 0 / 32

HEX #4298AE

RGB 66 152 174

HSL 192.22, 0.45%, 0.47%

LAB 58.67, -19.02, -19.21

 

CMYK 44 / 8 / 0 / 40

HEX #568D9A

RGB 86 141 154

HSL 191.47, 0.28%, 0.47%

LAB 55.44, -14.59, -12.6

 

CMYK 22 / 4 / 0 / 47

HEX #698187

RGB 105 129 135

HSL 192, 0.13%, 0.47%

LAB 52.35, -7.2, -6.11

 

CMYK 0 / 6 / 7 / 51

HEX #7C7573

RGB 124 117 115

HSL 13.33, 0.04%, 0.47%

LAB 49.79, 2.3, 2.06

 

CMYK 76 / 0 / 26 / 24

HEX #2FC18E

RGB 47 193 142

HSL 159.04, 0.61%, 0.47%

LAB 69.96, -49.64, 15.07

 

CMYK 76 / 0 / 6 / 24

HEX #2FC1B5

RGB 47 193 181

HSL 175.07, 0.61%, 0.47%

LAB 70.93, -39.7, -4.77

 

CMYK 76 / 14 / 0 / 24

HEX #2FA6C1

RGB 47 166 193

HSL 191.1, 0.61%, 0.47%

LAB 63.12, -23.1, -23.15

 

CMYK 76 / 34 / 0 / 24

HEX #2F7FC1

RGB 47 127 193

HSL 207.12, 0.61%, 0.47%

LAB 51.42, -1.43, -41.35

 

CMYK 76 / 54 / 0 / 24

HEX #2F58C1

RGB 47 88 193

HSL 223.15, 0.61%, 0.47%

LAB 40.3, 23.17, -59.16

 

CMYK 76 / 16 / 0 / 50

HEX #1F6B7F

RGB 31 107 127

HSL 192.5, 0.61%, 0.31%

LAB 41.75, -15.64, -17.7

 

CMYK 76 / 15 / 0 / 37

HEX #2788A0

RGB 39 136 160

HSL 191.9, 0.61%, 0.39%

LAB 52.48, -19.19, -20.71

 

CMYK 76 / 15 / 0 / 24

HEX #2FA4C1

RGB 47 164 193

HSL 191.92, 0.61%, 0.47%

LAB 62.51, -22.06, -24.08

 

CMYK 66 / 13 / 0 / 18

HEX #47B7D2

RGB 71 183 210

HSL 191.65, 0.61%, 0.55%

LAB 69.37, -23.19, -22.94

 

CMYK 52 / 10 / 0 / 15

HEX #68C4DA

RGB 104 196 218

HSL 191.58, 0.61%, 0.63%

LAB 74.5, -21.4, -19.4

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 47 / 76 / 0 / 24

HEX #672FC1

RGB 103 47 193

HSL 263.01, 0.61%, 0.47%

LAB 35.53, 55.31, -66.77

 

CMYK 0 / 17 / 76 / 24

HEX #C1A12F

RGB 193 161 47

HSL 46.85, 0.61%, 0.47%

LAB 67.3, 0.18, 59.93

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 0 / 76 / 14 / 24

HEX #C12FA6

RGB 193 47 166

HSL 311.1, 0.61%, 0.47%

LAB 47.14, 67.88, -31.48

 

CMYK 14 / 0 / 76 / 24

HEX #A6C12F

RGB 166 193 47

HSL 71.1, 0.61%, 0.47%

LAB 73.84, -27.8, 65.28

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 47 / 76 / 0 / 24

HEX #672FC1

RGB 103 47 193

HSL 263.01, 0.61%, 0.47%

LAB 35.53, 55.31, -66.77

 

CMYK 0 / 62 / 76 / 24

HEX #C14A2F

RGB 193 74 47

HSL 11.1, 0.61%, 0.47%

LAB 47.55, 46.25, 40.17

 

CMYK 29 / 0 / 76 / 24

HEX #89C12F

RGB 137 193 47

HSL 83.01, 0.61%, 0.47%

LAB 72, -39.27, 62.9

 

CMYK 76 / 15 / 0 / 25

HEX #2EA3C0

RGB 46 163 192

HSL 191.92, 0.61%, 0.47%

LAB 62.15, -21.99, -24.07

 

CMYK 24 / 76 / 0 / 24

HEX #932FC1

RGB 147 47 193

HSL 281.1, 0.61%, 0.47%

LAB 41.35, 62.89, -57.03

 

CMYK 0 / 62 / 76 / 24

HEX #C14A2F

RGB 193 74 47

HSL 11.1, 0.61%, 0.47%

LAB 47.55, 46.25, 40.17

 

CMYK 52 / 0 / 76 / 24

HEX #5DC12F

RGB 93 193 47

HSL 101.1, 0.61%, 0.47%

LAB 69.95, -54, 60.2

 

Description

Color code: HEX #2EA3C0 | qconv.com Color code: HEX #2EA3C0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 163 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 163 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 15 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 15% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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