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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E9EB6 it is the complementary color #D16149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E9EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E9EB6 shade: #339EB1, #44B0C4, #55C2D7, #66D4EA and #77E6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E9EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E9EB6 shade: #2E9EB6, #1D8CA3, #0C7A90, #00687D and #00566A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E9EB6 shade: #2E9FB8, #2E7AB8, #2E55B8, #2E30B8 and #512EB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E9EB6 shade: #2E9FB8, #2E7AB8, #2E55B8, #2E30B8 and #2E2EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E9EB6 shade matches the following richer shades: #2E9FB8, #1BABCA and #09B7DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E9EB6 shade: #2E9FB8, #4093A5, #538792, #667B80 and #786F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E9EB6 shade: #2EB885, #2EB8AA, #2EA1B8, #2E7CB8 and #2E57B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E9EB6 shade: #1D6676, #268397, #2E9FB8, #40B6CF and #61C2D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E9EB6 shade: #2E9EB6, #602EB8 and #B8972E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E9EB6 shade: #2E9EB6, #B82EA1 and #A1B82E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E9EB6 shade: #2E9EB6, #602EB8, #B8452E and #85B82E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E9EB6 shade: #2E9EB6, #8A2EB8, #B8452E and #5CB82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 13 / 0 / 29

HEX #2E9EB6

RGB 46 158 182

HSL 190.59, 0.6%, 0.45%

LAB 60.26, -22.65, -21.36

 

Complementary color

CMYK 0 / 54 / 65 / 18

HEX #D16149

RGB 209 97 73

HSL 10.59, 0.6%, 0.55%

LAB 54.64, 42.51, 34.72

 

CMYK 71 / 11 / 0 / 31

HEX #339EB1

RGB 51 158 177

HSL 189.05, 0.55%, 0.45%

LAB 60.19, -23.61, -18.64

 

CMYK 65 / 10 / 0 / 23

HEX #44B0C4

RGB 68 176 196

HSL 189.38, 0.52%, 0.52%

LAB 66.72, -24.37, -19.27

 

CMYK 60 / 10 / 0 / 16

HEX #55C2D7

RGB 85 194 215

HSL 189.69, 0.62%, 0.59%

LAB 73.17, -24.93, -19.85

 

CMYK 56 / 9 / 0 / 8

HEX #66D4EA

RGB 102 212 234

HSL 190, 0.76%, 0.66%

LAB 79.53, -25.35, -20.39

 

CMYK 53 / 9 / 0 / 1

HEX #77E6FD

RGB 119 230 253

HSL 190.3, 0.97%, 0.73%

LAB 85.81, -25.66, -20.89

 

CMYK 75 / 13 / 0 / 29

HEX #2E9EB6

RGB 46 158 182

HSL 190.59, 0.6%, 0.45%

LAB 60.26, -22.65, -21.36

 

CMYK 82 / 14 / 0 / 36

HEX #1D8CA3

RGB 29 140 163

HSL 190.3, 0.7%, 0.38%

LAB 53.67, -21.39, -20.65

 

CMYK 92 / 15 / 0 / 44

HEX #0C7A90

RGB 12 122 144

HSL 190, 0.85%, 0.31%

LAB 46.99, -19.66, -19.83

 

CMYK 100 / 17 / 0 / 51

HEX #00687D

RGB 0 104 125

HSL 190.08, 1%, 0.25%

LAB 40.22, -17.39, -18.89

 

CMYK 100 / 19 / 0 / 58

HEX #00566A

RGB 0 86 106

HSL 191.32, 1%, 0.21%

LAB 33.34, -14.38, -17.78

 

CMYK 75 / 14 / 0 / 28

HEX #2E9FB8

RGB 46 159 184

HSL 190.87, 0.6%, 0.45%

LAB 60.64, -22.52, -21.9

 

CMYK 75 / 34 / 0 / 28

HEX #2E7AB8

RGB 46 122 184

HSL 206.96, 0.6%, 0.45%

LAB 49.45, -1.85, -39.3

 

CMYK 75 / 54 / 0 / 28

HEX #2E55B8

RGB 46 85 184

HSL 223.04, 0.6%, 0.45%

LAB 38.79, 21.62, -56.35

 

CMYK 75 / 74 / 0 / 28

HEX #2E30B8

RGB 46 48 184

HSL 239.13, 0.6%, 0.45%

LAB 29.8, 45.02, -71.06

 

CMYK 56 / 75 / 0 / 28

HEX #512EB8

RGB 81 46 184

HSL 255.22, 0.6%, 0.45%

LAB 32.18, 50.1, -67.05

 

CMYK 75 / 14 / 0 / 28

HEX #2E9FB8

RGB 46 159 184

HSL 190.87, 0.6%, 0.45%

LAB 60.64, -22.52, -21.9

 

CMYK 75 / 34 / 0 / 28

HEX #2E7AB8

RGB 46 122 184

HSL 206.96, 0.6%, 0.45%

LAB 49.45, -1.85, -39.3

 

CMYK 75 / 54 / 0 / 28

HEX #2E55B8

RGB 46 85 184

HSL 223.04, 0.6%, 0.45%

LAB 38.79, 21.62, -56.35

 

CMYK 75 / 74 / 0 / 28

HEX #2E30B8

RGB 46 48 184

HSL 239.13, 0.6%, 0.45%

LAB 29.8, 45.02, -71.06

 

CMYK 75 / 75 / 0 / 28

HEX #2E2EB8

RGB 46 46 184

HSL 240, 0.6%, 0.45%

LAB 29.4, 46.15, -71.73

 

CMYK 75 / 14 / 0 / 28

HEX #2E9FB8

RGB 46 159 184

HSL 190.87, 0.6%, 0.45%

LAB 60.64, -22.52, -21.9

 

CMYK 87 / 15 / 0 / 21

HEX #1BABCA

RGB 27 171 202

HSL 190.63, 0.76%, 0.45%

LAB 64.66, -24.46, -25.81

 

CMYK 96 / 17 / 0 / 13

HEX #09B7DD

RGB 9 183 221

HSL 190.75, 0.92%, 0.45%

LAB 68.86, -24.96, -29.83

 

CMYK 75 / 14 / 0 / 28

HEX #2E9FB8

RGB 46 159 184

HSL 190.87, 0.6%, 0.45%

LAB 60.64, -22.52, -21.9

 

CMYK 61 / 11 / 0 / 35

HEX #4093A5

RGB 64 147 165

HSL 190.69, 0.44%, 0.45%

LAB 56.76, -19.52, -17.01

 

CMYK 43 / 8 / 0 / 43

HEX #538792

RGB 83 135 146

HSL 190.48, 0.28%, 0.45%

LAB 53.21, -14.32, -11.35

 

CMYK 20 / 4 / 0 / 50

HEX #667B80

RGB 102 123 128

HSL 191.54, 0.11%, 0.45%

LAB 50.16, -6.46, -5.28

 

CMYK 0 / 8 / 9 / 53

HEX #786F6D

RGB 120 111 109

HSL 10.91, 0.05%, 0.45%

LAB 47.58, 3.12, 2.37

 

CMYK 75 / 0 / 28 / 28

HEX #2EB885

RGB 46 184 133

HSL 157.83, 0.6%, 0.45%

LAB 66.94, -48.2, 15.73

 

CMYK 75 / 0 / 8 / 28

HEX #2EB8AA

RGB 46 184 170

HSL 173.91, 0.6%, 0.45%

LAB 67.85, -38.83, -3.27

 

CMYK 75 / 13 / 0 / 28

HEX #2EA1B8

RGB 46 161 184

HSL 190, 0.6%, 0.45%

LAB 61.25, -23.55, -20.97

 

CMYK 75 / 33 / 0 / 28

HEX #2E7CB8

RGB 46 124 184

HSL 206.09, 0.6%, 0.45%

LAB 50.05, -3.04, -38.36

 

CMYK 75 / 53 / 0 / 28

HEX #2E57B8

RGB 46 87 184

HSL 222.17, 0.6%, 0.45%

LAB 39.34, 20.31, -55.47

 

CMYK 75 / 14 / 0 / 54

HEX #1D6676

RGB 29 102 118

HSL 190.79, 0.61%, 0.29%

LAB 39.7, -16.25, -15.39

 

CMYK 75 / 13 / 0 / 41

HEX #268397

RGB 38 131 151

HSL 190.62, 0.6%, 0.37%

LAB 50.55, -19.66, -18.46

 

CMYK 75 / 14 / 0 / 28

HEX #2E9FB8

RGB 46 159 184

HSL 190.87, 0.6%, 0.45%

LAB 60.64, -22.52, -21.9

 

CMYK 69 / 12 / 0 / 19

HEX #40B6CF

RGB 64 182 207

HSL 190.49, 0.6%, 0.53%

LAB 68.79, -24.64, -22.2

 

CMYK 55 / 10 / 0 / 16

HEX #61C2D7

RGB 97 194 215

HSL 190.68, 0.6%, 0.61%

LAB 73.57, -22.67, -19.21

 

CMYK 75 / 13 / 0 / 29

HEX #2E9EB6

RGB 46 158 182

HSL 190.59, 0.6%, 0.45%

LAB 60.26, -22.65, -21.36

 

CMYK 48 / 75 / 0 / 28

HEX #602EB8

RGB 96 46 184

HSL 261.74, 0.6%, 0.45%

LAB 33.78, 52.32, -64.37

 

CMYK 0 / 18 / 75 / 28

HEX #B8972E

RGB 184 151 46

HSL 45.65, 0.6%, 0.45%

LAB 63.77, 1.54, 56.62

 

CMYK 75 / 13 / 0 / 29

HEX #2E9EB6

RGB 46 158 182

HSL 190.59, 0.6%, 0.45%

LAB 60.26, -22.65, -21.36

 

CMYK 0 / 75 / 13 / 28

HEX #B82EA1

RGB 184 46 161

HSL 310, 0.6%, 0.45%

LAB 45.24, 65.41, -31.57

 

CMYK 13 / 0 / 75 / 28

HEX #A1B82E

RGB 161 184 46

HSL 70, 0.6%, 0.45%

LAB 70.91, -25.58, 62.73

 

CMYK 75 / 13 / 0 / 29

HEX #2E9EB6

RGB 46 158 182

HSL 190.59, 0.6%, 0.45%

LAB 60.26, -22.65, -21.36

 

CMYK 48 / 75 / 0 / 28

HEX #602EB8

RGB 96 46 184

HSL 261.74, 0.6%, 0.45%

LAB 33.78, 52.32, -64.37

 

CMYK 0 / 63 / 75 / 28

HEX #B8452E

RGB 184 69 46

HSL 10, 0.6%, 0.45%

LAB 45.14, 45.25, 37.67

 

CMYK 28 / 0 / 75 / 28

HEX #85B82E

RGB 133 184 46

HSL 82.17, 0.6%, 0.45%

LAB 69.09, -36.83, 60.35

 

CMYK 75 / 13 / 0 / 29

HEX #2E9EB6

RGB 46 158 182

HSL 190.59, 0.6%, 0.45%

LAB 60.26, -22.65, -21.36

 

CMYK 25 / 75 / 0 / 28

HEX #8A2EB8

RGB 138 46 184

HSL 280, 0.6%, 0.45%

LAB 39.27, 59.7, -55.18

 

CMYK 0 / 63 / 75 / 28

HEX #B8452E

RGB 184 69 46

HSL 10, 0.6%, 0.45%

LAB 45.14, 45.25, 37.67

 

CMYK 50 / 0 / 75 / 28

HEX #5CB82E

RGB 92 184 46

HSL 100, 0.6%, 0.45%

LAB 67.09, -50.94, 57.73

 

Description

Color code: HEX #2E9EB6 | qconv.com Color code: HEX #2E9EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 158 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 158 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 13 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 13% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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