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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E9564 it is the complementary color #D16A9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E9564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E9564 shade: #33955F, #44A772, #55B985, #66CB98 and #77DDAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E9564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E9564 shade: #2E9564, #1D8351, #0C713E, #005F2B and #004D18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E9564 shade: #2E9463, #2E9448, #2F942E, #4B942E and #66942E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E9564 shade: #2E9463, #2E947F, #2E8E94, #2E7294 and #2E5694

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E9564 shade matches the following richer shades: #2E9463, #1EA464 and #0EB465

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E9564 shade: #2E9463, #3D8563, #4D7562, #5D6561 and #6C5660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E9564 shade: #2F942E, #2E9447, #2E9463, #2E947E and #2E8F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E9564 shade: #1A5539, #24754E, #2E9463, #37B479 and #4CC88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E9564 shade: #2E9564, #2E4B94 and #943A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E9564 shade: #2E9564, #632E94 and #94632E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E9564 shade: #2E9564, #2E4B94, #942E5F and #94772E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E9564 shade: #2E9564, #2F2E94, #942E5F and #93942E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 33 / 42

HEX #2E9564

RGB 46 149 100

HSL 151.46, 0.53%, 0.38%

LAB 55.07, -41.18, 17.55

 

Complementary color

CMYK 0 / 49 / 26 / 18

HEX #D16A9B

RGB 209 106 155

HSL 331.46, 0.53%, 0.62%

LAB 58.25, 46.22, -7.8

 

CMYK 66 / 0 / 36 / 42

HEX #33955F

RGB 51 149 95

HSL 146.94, 0.49%, 0.39%

LAB 55.1, -41.28, 20.39

 

CMYK 59 / 0 / 32 / 35

HEX #44A772

RGB 68 167 114

HSL 147.88, 0.42%, 0.46%

LAB 61.72, -41.44, 18.98

 

CMYK 54 / 0 / 28 / 27

HEX #55B985

RGB 85 185 133

HSL 148.8, 0.42%, 0.53%

LAB 68.26, -41.42, 17.71

 

CMYK 50 / 0 / 25 / 20

HEX #66CB98

RGB 102 203 152

HSL 149.7, 0.49%, 0.6%

LAB 74.7, -41.3, 16.54

 

CMYK 46 / 0 / 23 / 13

HEX #77DDAB

RGB 119 221 171

HSL 150.59, 0.6%, 0.67%

LAB 81.06, -41.13, 15.46

 

CMYK 69 / 0 / 33 / 42

HEX #2E9564

RGB 46 149 100

HSL 151.46, 0.53%, 0.38%

LAB 55.07, -41.18, 17.55

 

CMYK 78 / 0 / 38 / 49

HEX #1D8351

RGB 29 131 81

HSL 150.59, 0.64%, 0.31%

LAB 48.37, -40.57, 19.12

 

CMYK 89 / 0 / 45 / 56

HEX #0C713E

RGB 12 113 62

HSL 149.7, 0.81%, 0.25%

LAB 41.59, -39.38, 20.91

 

CMYK 100 / 0 / 55 / 63

HEX #005F2B

RGB 0 95 43

HSL 147.16, 1%, 0.19%

LAB 34.72, -37.36, 22.9

 

CMYK 100 / 0 / 69 / 70

HEX #004D18

RGB 0 77 24

HSL 138.7, 1%, 0.15%

LAB 27.77, -33.91, 24.97

 

CMYK 69 / 0 / 33 / 42

HEX #2E9463

RGB 46 148 99

HSL 151.18, 0.53%, 0.38%

LAB 54.72, -40.97, 17.64

 

CMYK 69 / 0 / 51 / 42

HEX #2E9448

RGB 46 148 72

HSL 135.29, 0.53%, 0.38%

LAB 54.27, -46.02, 31.7

 

CMYK 68 / 0 / 69 / 42

HEX #2F942E

RGB 47 148 46

HSL 119.41, 0.53%, 0.38%

LAB 54.01, -49.16, 43.83

 

CMYK 49 / 0 / 69 / 42

HEX #4B942E

RGB 75 148 46

HSL 102.94, 0.53%, 0.38%

LAB 54.94, -41.82, 45.11

 

CMYK 31 / 0 / 69 / 42

HEX #66942E

RGB 102 148 46

HSL 87.06, 0.53%, 0.38%

LAB 56.29, -32.32, 46.94

 

CMYK 69 / 0 / 33 / 42

HEX #2E9463

RGB 46 148 99

HSL 151.18, 0.53%, 0.38%

LAB 54.72, -40.97, 17.64

 

CMYK 69 / 0 / 14 / 42

HEX #2E947F

RGB 46 148 127

HSL 167.65, 0.53%, 0.38%

LAB 55.37, -34.19, 2.66

 

CMYK 69 / 4 / 0 / 42

HEX #2E8E94

RGB 46 142 148

HSL 183.53, 0.53%, 0.38%

LAB 54.1, -25.23, -11.32

 

CMYK 69 / 23 / 0 / 42

HEX #2E7294

RGB 46 114 148

HSL 200, 0.53%, 0.38%

LAB 45.29, -10.01, -24.76

 

CMYK 69 / 42 / 0 / 42

HEX #2E5694

RGB 46 86 148

HSL 216.47, 0.53%, 0.38%

LAB 36.7, 7.32, -38.28

 

CMYK 69 / 0 / 33 / 42

HEX #2E9463

RGB 46 148 99

HSL 151.18, 0.53%, 0.38%

LAB 54.72, -40.97, 17.64

 

CMYK 82 / 0 / 39 / 36

HEX #1EA464

RGB 30 164 100

HSL 151.34, 0.69%, 0.38%

LAB 59.66, -49.4, 23.68

 

CMYK 92 / 0 / 44 / 29

HEX #0EB465

RGB 14 180 101

HSL 151.45, 0.86%, 0.38%

LAB 64.7, -56.27, 29.75

 

CMYK 69 / 0 / 33 / 42

HEX #2E9463

RGB 46 148 99

HSL 151.18, 0.53%, 0.38%

LAB 54.72, -40.97, 17.64

 

CMYK 54 / 0 / 26 / 48

HEX #3D8563

RGB 61 133 99

HSL 151.67, 0.37%, 0.38%

LAB 50.3, -31.06, 11.6

 

CMYK 34 / 0 / 16 / 54

HEX #4D7562

RGB 77 117 98

HSL 151.5, 0.21%, 0.38%

LAB 45.88, -18.53, 6.06

 

CMYK 8 / 0 / 4 / 60

HEX #5D6561

RGB 93 101 97

HSL 150, 0.04%, 0.38%

LAB 42, -3.94, 1.2

 

CMYK 0 / 20 / 11 / 58

HEX #6C5660

RGB 108 86 96

HSL 332.73, 0.11%, 0.38%

LAB 39.05, 10.9, -2.33

 

CMYK 68 / 0 / 69 / 42

HEX #2F942E

RGB 47 148 46

HSL 119.41, 0.53%, 0.38%

LAB 54.01, -49.16, 43.83

 

CMYK 69 / 0 / 52 / 42

HEX #2E9447

RGB 46 148 71

HSL 134.71, 0.53%, 0.38%

LAB 54.25, -46.18, 32.2

 

CMYK 69 / 0 / 33 / 42

HEX #2E9463

RGB 46 148 99

HSL 151.18, 0.53%, 0.38%

LAB 54.72, -40.97, 17.64

 

CMYK 69 / 0 / 15 / 42

HEX #2E947E

RGB 46 148 126

HSL 167.06, 0.53%, 0.38%

LAB 55.35, -34.46, 3.19

 

CMYK 69 / 3 / 0 / 42

HEX #2E8F94

RGB 46 143 148

HSL 182.94, 0.53%, 0.38%

LAB 54.41, -25.74, -10.84

 

CMYK 69 / 0 / 33 / 67

HEX #1A5539

RGB 26 85 57

HSL 151.53, 0.53%, 0.22%

LAB 31.83, -26.47, 10.89

 

CMYK 69 / 0 / 33 / 54

HEX #24754E

RGB 36 117 78

HSL 151.11, 0.53%, 0.3%

LAB 43.72, -34.15, 14.59

 

CMYK 69 / 0 / 33 / 42

HEX #2E9463

RGB 46 148 99

HSL 151.18, 0.53%, 0.38%

LAB 54.72, -40.97, 17.64

 

CMYK 69 / 0 / 33 / 29

HEX #37B479

RGB 55 180 121

HSL 151.68, 0.53%, 0.46%

LAB 65.62, -47.88, 20.44

 

CMYK 62 / 0 / 30 / 22

HEX #4CC88D

RGB 76 200 141

HSL 151.45, 0.53%, 0.54%

LAB 72.74, -48.06, 19.56

 

CMYK 69 / 0 / 33 / 42

HEX #2E9564

RGB 46 149 100

HSL 151.46, 0.53%, 0.38%

LAB 55.07, -41.18, 17.55

 

CMYK 69 / 49 / 0 / 42

HEX #2E4B94

RGB 46 75 148

HSL 222.94, 0.53%, 0.38%

LAB 33.46, 14.61, -43.46

 

CMYK 0 / 61 / 69 / 42

HEX #943A2E

RGB 148 58 46

HSL 7.06, 0.53%, 0.38%

LAB 36.97, 37.13, 26.7

 

CMYK 69 / 0 / 33 / 42

HEX #2E9564

RGB 46 149 100

HSL 151.46, 0.53%, 0.38%

LAB 55.07, -41.18, 17.55

 

CMYK 33 / 69 / 0 / 42

HEX #632E94

RGB 99 46 148

HSL 271.18, 0.53%, 0.38%

LAB 31.22, 43.54, -46.84

 

CMYK 0 / 33 / 69 / 42

HEX #94632E

RGB 148 99 46

HSL 31.18, 0.53%, 0.38%

LAB 46.2, 14.53, 37.3

 

CMYK 69 / 0 / 33 / 42

HEX #2E9564

RGB 46 149 100

HSL 151.46, 0.53%, 0.38%

LAB 55.07, -41.18, 17.55

 

CMYK 69 / 49 / 0 / 42

HEX #2E4B94

RGB 46 75 148

HSL 222.94, 0.53%, 0.38%

LAB 33.46, 14.61, -43.46

 

CMYK 0 / 69 / 36 / 42

HEX #942E5F

RGB 148 46 95

HSL 331.18, 0.53%, 0.38%

LAB 36.13, 47.03, -5.4

 

CMYK 0 / 20 / 69 / 42

HEX #94772E

RGB 148 119 46

HSL 42.94, 0.53%, 0.38%

LAB 51.48, 3.03, 43.01

 

CMYK 69 / 0 / 33 / 42

HEX #2E9564

RGB 46 149 100

HSL 151.46, 0.53%, 0.38%

LAB 55.07, -41.18, 17.55

 

CMYK 68 / 69 / 0 / 42

HEX #2F2E94

RGB 47 46 148

HSL 240.59, 0.53%, 0.38%

LAB 25.85, 34.01, -55.82

 

CMYK 0 / 69 / 36 / 42

HEX #942E5F

RGB 148 46 95

HSL 331.18, 0.53%, 0.38%

LAB 36.13, 47.03, -5.4

 

CMYK 1 / 0 / 69 / 42

HEX #93942E

RGB 147 148 46

HSL 60.59, 0.53%, 0.38%

LAB 59.51, -13.36, 51.27

 

Description

Color code: HEX #2E9564 | qconv.com Color code: HEX #2E9564 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 149 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 149 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 33 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 33% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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