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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E93AC00 it is the complementary color #D16C5300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E93AC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E93AC00 shade: #3393A700, #44A5BA00, #55B7CD00, #66C9E000 and #77DBF300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E93AC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E93AC00 shade: #2E93AC00, #1D819900, #0C6F8600, #005D7300 and #004B6000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E93AC00 shade: #2E94AD, #2E72AD, #2E4FAD, #2F2EAD and #512EAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E93AC00 shade: #2E94AD, #2E72AD, #2E4FAD and #2E2EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E93AC00 shade matches the following richer shades: #2E94AD, #1C9FBF and #0BA9D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E93AC00 shade: #2E94AD, #40899C, #527F8A, #637478 and #756966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E93AC00 shade: #2EAD81, #2EADA3, #2E96AD, #2E74AD and #2E52AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E93AC00 shade: #1D5C6C, #25788D, #2E94AD, #3AAECB and #5BBBD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E93AC00 shade: #2E93AC, #5F2EAD and #AD922E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E93AC00 shade: #2E93AC, #AD2E96 and #96AD2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E93AC00 shade: #2E93AC, #5F2EAD, #AD452E and #7CAD2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E93AC00 shade: #2E93AC, #852EAD, #AD452E and #56AD2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #2E93AC00

RGBA 46 147 172 0

HSLA 191.9, 0.58%, 0.43%, 0

LABA 56.51, -20.17, -21.42, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D16C5300

RGBA 209 108 83 0

HSLA 11.9, 0.58%, 0.57%, 0

LABA 56.98, 37.61, 32.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3393A700

RGBA 51 147 167 0

HSLA 190.34, 0.53%, 0.43%, 0

LABA 56.45, -21.08, -18.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #44A5BA00

RGBA 68 165 186 0

HSLA 190.68, 0.46%, 0.5%, 0

LABA 63.08, -21.79, -19.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #55B7CD00

RGBA 85 183 205 0

HSLA 191, 0.55%, 0.57%, 0

LABA 69.62, -22.29, -19.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #66C9E000

RGBA 102 201 224 0

HSLA 191.31, 0.66%, 0.64%, 0

LABA 76.06, -22.66, -20.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #77DBF300

RGBA 119 219 243 0

HSLA 191.61, 0.84%, 0.71%, 0

LABA 82.41, -22.94, -20.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E93AC00

RGBA 46 147 172 0

HSLA 191.9, 0.58%, 0.43%, 0

LABA 56.51, -20.17, -21.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1D819900

RGBA 29 129 153 0

HSLA 191.61, 0.68%, 0.36%, 0

LABA 49.81, -18.94, -20.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0C6F8600

RGBA 12 111 134 0

HSLA 191.31, 0.84%, 0.29%, 0

LABA 43.02, -17.25, -20, 0

 

CMYK 0 / 0 / 0 / 0

HEX #005D7300

RGBA 0 93 115 0

HSLA 191.48, 1%, 0.23%, 0

LABA 36.11, -14.95, -19.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #004B6000

RGBA 0 75 96 0

HSLA 193.13, 1%, 0.19%, 0

LABA 29.1, -11.82, -18.02, 0

 

CMYK 73 / 14 / 0 / 32

HEX #2E94AD

RGB 46 148 173

HSL 191.81, 0.58%, 0.43%

LAB 56.86, -20.37, -21.46

 

CMYK 73 / 34 / 0 / 32

HEX #2E72AD

RGB 46 114 173

HSL 207.87, 0.58%, 0.43%

LAB 46.49, -1.04, -37.59

 

CMYK 73 / 54 / 0 / 32

HEX #2E4FAD

RGB 46 79 173

HSL 224.41, 0.58%, 0.43%

LAB 36.35, 21.42, -53.82

 

CMYK 73 / 73 / 0 / 32

HEX #2F2EAD

RGB 47 46 173

HSL 240.47, 0.58%, 0.43%

LAB 28.32, 42.58, -66.95

 

CMYK 53 / 73 / 0 / 32

HEX #512EAD

RGB 81 46 173

HSL 256.54, 0.58%, 0.43%

LAB 31.16, 46.94, -62.17

 

CMYK 73 / 14 / 0 / 32

HEX #2E94AD

RGB 46 148 173

HSL 191.81, 0.58%, 0.43%

LAB 56.86, -20.37, -21.46

 

CMYK 73 / 34 / 0 / 32

HEX #2E72AD

RGB 46 114 173

HSL 207.87, 0.58%, 0.43%

LAB 46.49, -1.04, -37.59

 

CMYK 73 / 54 / 0 / 32

HEX #2E4FAD

RGB 46 79 173

HSL 224.41, 0.58%, 0.43%

LAB 36.35, 21.42, -53.82

 

CMYK 73 / 73 / 0 / 32

HEX #2E2EAD

RGB 46 46 173

HSL 240, 0.58%, 0.43%

LAB 28.25, 42.48, -67.06

 

CMYK 73 / 14 / 0 / 32

HEX #2E94AD

RGB 46 148 173

HSL 191.81, 0.58%, 0.43%

LAB 56.86, -20.37, -21.46

 

CMYK 85 / 17 / 0 / 25

HEX #1C9FBF

RGB 28 159 191

HSL 191.78, 0.74%, 0.43%

LAB 60.61, -21.91, -25.91

 

CMYK 95 / 19 / 0 / 18

HEX #0BA9D1

RGB 11 169 209

HSL 192.12, 0.9%, 0.43%

LAB 64.2, -21.81, -30.42

 

CMYK 73 / 14 / 0 / 32

HEX #2E94AD

RGB 46 148 173

HSL 191.81, 0.58%, 0.43%

LAB 56.86, -20.37, -21.46

 

CMYK 59 / 12 / 0 / 39

HEX #40899C

RGB 64 137 156

HSL 192.39, 0.42%, 0.43%

LAB 53.36, -16.94, -16.99

 

CMYK 41 / 8 / 0 / 46

HEX #527F8A

RGB 82 127 138

HSL 191.79, 0.25%, 0.43%

LAB 50.46, -12.38, -10.83

 

CMYK 18 / 3 / 0 / 53

HEX #637478

RGB 99 116 120

HSL 191.43, 0.1%, 0.43%

LAB 47.62, -5.36, -4.32

 

CMYK 0 / 10 / 13 / 54

HEX #756966

RGB 117 105 102

HSL 12, 0.07%, 0.43%

LAB 45.42, 4.17, 3.4

 

CMYK 73 / 0 / 25 / 32

HEX #2EAD81

RGB 46 173 129

HSL 159.21, 0.58%, 0.43%

LAB 63.39, -44.63, 12.95

 

CMYK 73 / 0 / 6 / 32

HEX #2EADA3

RGB 46 173 163

HSL 175.28, 0.58%, 0.43%

LAB 64.25, -35.78, -4.69

 

CMYK 73 / 13 / 0 / 32

HEX #2E96AD

RGB 46 150 173

HSL 190.87, 0.58%, 0.43%

LAB 57.47, -21.42, -20.52

 

CMYK 73 / 33 / 0 / 32

HEX #2E74AD

RGB 46 116 173

HSL 206.93, 0.58%, 0.43%

LAB 47.09, -2.25, -36.64

 

CMYK 73 / 53 / 0 / 32

HEX #2E52AD

RGB 46 82 173

HSL 222.99, 0.58%, 0.43%

LAB 37.17, 19.43, -52.48

 

CMYK 73 / 15 / 0 / 58

HEX #1D5C6C

RGB 29 92 108

HSL 192.15, 0.58%, 0.27%

LAB 35.98, -14.07, -14.93

 

CMYK 74 / 15 / 0 / 45

HEX #25788D

RGB 37 120 141

HSL 192.12, 0.58%, 0.35%

LAB 46.64, -17.2, -18.56

 

CMYK 73 / 14 / 0 / 32

HEX #2E94AD

RGB 46 148 173

HSL 191.81, 0.58%, 0.43%

LAB 56.86, -20.37, -21.46

 

CMYK 71 / 14 / 0 / 20

HEX #3AAECB

RGB 58 174 203

HSL 192, 0.58%, 0.51%

LAB 66.12, -22.64, -24.08

 

CMYK 57 / 11 / 0 / 17

HEX #5BBBD3

RGB 91 187 211

HSL 192, 0.58%, 0.59%

LAB 71.19, -21.44, -20.66

 

CMYK 73 / 15 / 0 / 33

HEX #2E93AC

RGB 46 147 172

HSL 191.9, 0.58%, 0.43%

LAB 56.51, -20.17, -21.42

 

CMYK 45 / 73 / 0 / 32

HEX #5F2EAD

RGB 95 46 173

HSL 263.15, 0.58%, 0.43%

LAB 32.71, 49.23, -59.58

 

CMYK 0 / 16 / 73 / 32

HEX #AD922E

RGB 173 146 46

HSL 47.24, 0.58%, 0.43%

LAB 61.34, -0.65, 53.88

 

CMYK 73 / 15 / 0 / 33

HEX #2E93AC

RGB 46 147 172

HSL 191.9, 0.58%, 0.43%

LAB 56.51, -20.17, -21.42

 

CMYK 0 / 73 / 13 / 32

HEX #AD2E96

RGB 173 46 150

HSL 310.87, 0.58%, 0.43%

LAB 42.82, 61.23, -28.9

 

CMYK 13 / 0 / 73 / 32

HEX #96AD2E

RGB 150 173 46

HSL 70.87, 0.58%, 0.43%

LAB 66.95, -24.8, 58.68

 

CMYK 73 / 15 / 0 / 33

HEX #2E93AC

RGB 46 147 172

HSL 191.9, 0.58%, 0.43%

LAB 56.51, -20.17, -21.42

 

CMYK 45 / 73 / 0 / 32

HEX #5F2EAD

RGB 95 46 173

HSL 263.15, 0.58%, 0.43%

LAB 32.71, 49.23, -59.58

 

CMYK 0 / 60 / 73 / 32

HEX #AD452E

RGB 173 69 46

HSL 10.87, 0.58%, 0.43%

LAB 43.27, 41.21, 35.08

 

CMYK 28 / 0 / 73 / 32

HEX #7CAD2E

RGB 124 173 46

HSL 83.15, 0.58%, 0.43%

LAB 65.25, -35.31, 56.44

 

CMYK 73 / 15 / 0 / 33

HEX #2E93AC

RGB 46 147 172

HSL 191.9, 0.58%, 0.43%

LAB 56.51, -20.17, -21.42

 

CMYK 23 / 73 / 0 / 32

HEX #852EAD

RGB 133 46 173

HSL 281.1, 0.58%, 0.43%

LAB 37.77, 56.4, -51.13

 

CMYK 0 / 60 / 73 / 32

HEX #AD452E

RGB 173 69 46

HSL 10.87, 0.58%, 0.43%

LAB 43.27, 41.21, 35.08

 

CMYK 50 / 0 / 73 / 32

HEX #56AD2E

RGB 86 173 46

HSL 101.1, 0.58%, 0.43%

LAB 63.39, -48.46, 53.98

 

Description

Color code: HEX #2E93AC00 | qconv.com Color code: HEX #2E93AC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 147 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 147 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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