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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E89A7 it is the complementary color #D17658. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E89A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E89A7 shade: #3389A2, #449BB5, #55ADC8, #66BFDB and #77D1EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E89A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E89A7 shade: #2E89A7, #1D7794, #0C6581, #00536E and #00415B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E89A7 shade: #2E8AA8, #2E69A8, #2E48A8, #352EA8 and #562EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E89A7 shade: #2E8AA8, #2E69A8, #2E48A8 and #2E2EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E89A7 shade matches the following richer shades: #2E8AA8, #1D93B9 and #0B9BCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E89A7 shade: #2E8AA8, #3F8197, #517885, #627074 and #736763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E89A7 shade: #2EA884, #2EA8A4, #2E8CA8, #2E6BA8 and #2E4BA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E89A7 shade: #1C5567, #256F88, #2E8AA8, #37A4C8 and #58B3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E89A7 shade: #2E89A7, #632EA8 and #A8942E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E89A7 shade: #2E89A7, #A82E8C and #8CA82E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E89A7 shade: #2E89A7, #632EA8, #A84B2E and #73A82E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E89A7 shade: #2E89A7, #882EA8, #A84B2E and #4FA82E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 18 / 0 / 35

HEX #2E89A7

RGB 46 137 167

HSL 194.88, 0.57%, 0.42%

LAB 53.24, -16.45, -23.59

 

Complementary color

CMYK 0 / 44 / 58 / 18

HEX #D17658

RGB 209 118 88

HSL 14.88, 0.57%, 0.58%

LAB 59.17, 32.76, 31.98

 

CMYK 69 / 15 / 0 / 36

HEX #3389A2

RGB 51 137 162

HSL 193.51, 0.52%, 0.42%

LAB 53.17, -17.37, -20.79

 

CMYK 62 / 14 / 0 / 29

HEX #449BB5

RGB 68 155 181

HSL 193.81, 0.45%, 0.49%

LAB 59.9, -18.08, -21.3

 

CMYK 58 / 14 / 0 / 22

HEX #55ADC8

RGB 85 173 200

HSL 194.09, 0.51%, 0.56%

LAB 66.51, -18.6, -21.76

 

CMYK 53 / 13 / 0 / 14

HEX #66BFDB

RGB 102 191 219

HSL 194.36, 0.62%, 0.63%

LAB 73.02, -18.98, -22.19

 

CMYK 50 / 12 / 0 / 7

HEX #77D1EE

RGB 119 209 238

HSL 194.62, 0.78%, 0.7%

LAB 79.44, -19.27, -22.6

 

CMYK 72 / 18 / 0 / 35

HEX #2E89A7

RGB 46 137 167

HSL 194.88, 0.57%, 0.42%

LAB 53.24, -16.45, -23.59

 

CMYK 80 / 20 / 0 / 42

HEX #1D7794

RGB 29 119 148

HSL 194.62, 0.67%, 0.35%

LAB 46.44, -15.2, -23.03

 

CMYK 91 / 22 / 0 / 49

HEX #0C6581

RGB 12 101 129

HSL 194.36, 0.83%, 0.28%

LAB 39.53, -13.44, -22.37

 

CMYK 100 / 25 / 0 / 57

HEX #00536E

RGB 0 83 110

HSL 194.73, 1%, 0.22%

LAB 32.51, -11.02, -21.58

 

CMYK 100 / 29 / 0 / 64

HEX #00415B

RGB 0 65 91

HSL 197.14, 1%, 0.18%

LAB 25.37, -7.67, -20.6

 

CMYK 73 / 18 / 0 / 34

HEX #2E8AA8

RGB 46 138 168

HSL 194.75, 0.57%, 0.42%

LAB 53.58, -16.66, -23.63

 

CMYK 73 / 38 / 0 / 34

HEX #2E69A8

RGB 46 105 168

HSL 210.98, 0.57%, 0.42%

LAB 43.52, 2.66, -39.36

 

CMYK 73 / 57 / 0 / 34

HEX #2E48A8

RGB 46 72 168

HSL 227.21, 0.57%, 0.42%

LAB 34.07, 24.18, -54.54

 

CMYK 68 / 73 / 0 / 34

HEX #352EA8

RGB 53 46 168

HSL 243.44, 0.57%, 0.42%

LAB 28.22, 41.56, -64.1

 

CMYK 49 / 73 / 0 / 34

HEX #562EA8

RGB 86 46 168

HSL 259.67, 0.57%, 0.42%

LAB 31.25, 46.33, -59

 

CMYK 73 / 18 / 0 / 34

HEX #2E8AA8

RGB 46 138 168

HSL 194.75, 0.57%, 0.42%

LAB 53.58, -16.66, -23.63

 

CMYK 73 / 38 / 0 / 34

HEX #2E69A8

RGB 46 105 168

HSL 210.98, 0.57%, 0.42%

LAB 43.52, 2.66, -39.36

 

CMYK 73 / 57 / 0 / 34

HEX #2E48A8

RGB 46 72 168

HSL 227.21, 0.57%, 0.42%

LAB 34.07, 24.18, -54.54

 

CMYK 73 / 73 / 0 / 34

HEX #2E2EA8

RGB 46 46 168

HSL 240, 0.57%, 0.42%

LAB 27.74, 40.79, -64.89

 

CMYK 73 / 18 / 0 / 34

HEX #2E8AA8

RGB 46 138 168

HSL 194.75, 0.57%, 0.42%

LAB 53.58, -16.66, -23.63

 

CMYK 84 / 21 / 0 / 27

HEX #1D93B9

RGB 29 147 185

HSL 194.62, 0.73%, 0.42%

LAB 56.71, -17.54, -28.53

 

CMYK 95 / 24 / 0 / 20

HEX #0B9BCB

RGB 11 155 203

HSL 195, 0.9%, 0.42%

LAB 59.73, -16.49, -34.01

 

CMYK 73 / 18 / 0 / 34

HEX #2E8AA8

RGB 46 138 168

HSL 194.75, 0.57%, 0.42%

LAB 53.58, -16.66, -23.63

 

CMYK 58 / 15 / 0 / 41

HEX #3F8197

RGB 63 129 151

HSL 195, 0.41%, 0.42%

LAB 50.68, -14.31, -18.19

 

CMYK 39 / 10 / 0 / 48

HEX #517885

RGB 81 120 133

HSL 195, 0.24%, 0.42%

LAB 48.1, -10.11, -11.44

 

CMYK 16 / 3 / 0 / 55

HEX #627074

RGB 98 112 116

HSL 193.33, 0.08%, 0.42%

LAB 46.24, -4.32, -4

 

CMYK 0 / 10 / 14 / 55

HEX #736763

RGB 115 103 99

HSL 15, 0.07%, 0.42%

LAB 44.58, 4, 3.98

 

CMYK 73 / 0 / 21 / 34

HEX #2EA884

RGB 46 168 132

HSL 162.3, 0.57%, 0.42%

LAB 61.87, -41.8, 9.15

 

CMYK 73 / 0 / 2 / 34

HEX #2EA8A4

RGB 46 168 164

HSL 178.03, 0.57%, 0.42%

LAB 62.73, -33.16, -7.5

 

CMYK 73 / 17 / 0 / 34

HEX #2E8CA8

RGB 46 140 168

HSL 193.77, 0.57%, 0.42%

LAB 54.2, -17.75, -22.68

 

CMYK 73 / 36 / 0 / 34

HEX #2E6BA8

RGB 46 107 168

HSL 210, 0.57%, 0.42%

LAB 44.12, 1.42, -38.41

 

CMYK 73 / 55 / 0 / 34

HEX #2E4BA8

RGB 46 75 168

HSL 225.74, 0.57%, 0.42%

LAB 34.88, 22.18, -53.22

 

CMYK 73 / 17 / 0 / 60

HEX #1C5567

RGB 28 85 103

HSL 194.4, 0.57%, 0.26%

LAB 33.4, -11.92, -15.77

 

CMYK 73 / 18 / 0 / 47

HEX #256F88

RGB 37 111 136

HSL 195.15, 0.57%, 0.34%

LAB 43.57, -13.89, -20.31

 

CMYK 73 / 18 / 0 / 34

HEX #2E8AA8

RGB 46 138 168

HSL 194.75, 0.57%, 0.42%

LAB 53.58, -16.66, -23.63

 

CMYK 73 / 18 / 0 / 22

HEX #37A4C8

RGB 55 164 200

HSL 194.9, 0.57%, 0.5%

LAB 62.96, -18.79, -27.29

 

CMYK 58 / 14 / 0 / 18

HEX #58B3D1

RGB 88 179 209

HSL 194.88, 0.57%, 0.58%

LAB 68.69, -18.48, -23.38

 

CMYK 72 / 18 / 0 / 35

HEX #2E89A7

RGB 46 137 167

HSL 194.88, 0.57%, 0.42%

LAB 53.24, -16.45, -23.59

 

CMYK 41 / 73 / 0 / 34

HEX #632EA8

RGB 99 46 168

HSL 266.07, 0.57%, 0.42%

LAB 32.77, 48.63, -56.45

 

CMYK 0 / 12 / 73 / 34

HEX #A8942E

RGB 168 148 46

HSL 50.16, 0.57%, 0.42%

LAB 61.4, -3.98, 53.77

 

CMYK 72 / 18 / 0 / 35

HEX #2E89A7

RGB 46 137 167

HSL 194.88, 0.57%, 0.42%

LAB 53.24, -16.45, -23.59

 

CMYK 0 / 73 / 17 / 34

HEX #A82E8C

RGB 168 46 140

HSL 313.77, 0.57%, 0.42%

LAB 41.49, 58.54, -24.97

 

CMYK 17 / 0 / 73 / 34

HEX #8CA82E

RGB 140 168 46

HSL 73.77, 0.57%, 0.42%

LAB 64.79, -26.53, 56.33

 

CMYK 72 / 18 / 0 / 35

HEX #2E89A7

RGB 46 137 167

HSL 194.88, 0.57%, 0.42%

LAB 53.24, -16.45, -23.59

 

CMYK 41 / 73 / 0 / 34

HEX #632EA8

RGB 99 46 168

HSL 266.07, 0.57%, 0.42%

LAB 32.77, 48.63, -56.45

 

CMYK 0 / 55 / 73 / 34

HEX #A84B2E

RGB 168 75 46

HSL 14.26, 0.57%, 0.42%

LAB 43.59, 36.32, 35.21

 

CMYK 32 / 0 / 73 / 34

HEX #73A82E

RGB 115 168 46

HSL 86.07, 0.57%, 0.42%

LAB 63.22, -36.49, 54.25

 

CMYK 72 / 18 / 0 / 35

HEX #2E89A7

RGB 46 137 167

HSL 194.88, 0.57%, 0.42%

LAB 53.24, -16.45, -23.59

 

CMYK 19 / 73 / 0 / 34

HEX #882EA8

RGB 136 46 168

HSL 284.26, 0.57%, 0.42%

LAB 37.87, 55.98, -47.96

 

CMYK 0 / 55 / 73 / 34

HEX #A84B2E

RGB 168 75 46

HSL 14.26, 0.57%, 0.42%

LAB 43.59, 36.32, 35.21

 

CMYK 53 / 0 / 73 / 34

HEX #4FA82E

RGB 79 168 46

HSL 103.77, 0.57%, 0.42%

LAB 61.54, -48.58, 52.01

 

Description

Color code: HEX #2E89A7 | qconv.com Color code: HEX #2E89A7 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 137 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 137 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 18 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 18% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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