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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E871F it is the complementary color #D178E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E871F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E871F shade: #33871A, #44992D, #55AB40, #66BD53 and #77CF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E871F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E871F shade: #2E871F, #1D750C, #0C6300, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E871F shade: #2E891F, #4B891F, #68891F, #84891F and #89721F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E871F shade: #2E891F, #1F892C, #1F8949, #1F8966 and #1F8982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E871F shade matches the following richer shades: #2E891F, #259712 and #1BA404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E871F shade: #2E891F, #387C2D, #426E3A, #4B6048 and #555356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E871F shade: #68891F, #4B891F, #2F891F, #1F892C and #1F8948

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E871F shade: #184610, #236818, #2E891F, #3AAB27 and #45CC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E871F shade: #2E871F, #1F8489 and #891F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E871F shade: #2E871F, #1F2F89 and #891F2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E871F shade: #2E871F, #1F8489, #791F89 and #89241F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E871F shade: #2E871F, #1F6489, #791F89 and #89441F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 77 / 47

HEX #2E871F

RGB 46 135 31

HSL 111.35, 0.63%, 0.33%

LAB 49.51, -46.01, 45.13

 

Complementary color

CMYK 7 / 46 / 0 / 12

HEX #D178E0

RGB 209 120 224

HSL 291.35, 0.63%, 0.67%

LAB 63.65, 50.57, -38.77

 

CMYK 62 / 0 / 81 / 47

HEX #33871A

RGB 51 135 26

HSL 106.24, 0.68%, 0.32%

LAB 49.62, -45.14, 47.03

 

CMYK 56 / 0 / 71 / 40

HEX #44992D

RGB 68 153 45

HSL 107.22, 0.55%, 0.39%

LAB 56.29, -45.97, 46.86

 

CMYK 50 / 0 / 63 / 33

HEX #55AB40

RGB 85 171 64

HSL 108.22, 0.46%, 0.46%

LAB 62.87, -46.39, 46.04

 

CMYK 46 / 0 / 56 / 26

HEX #66BD53

RGB 102 189 83

HSL 109.25, 0.45%, 0.53%

LAB 69.36, -46.55, 44.93

 

CMYK 43 / 0 / 51 / 19

HEX #77CF66

RGB 119 207 102

HSL 110.29, 0.52%, 0.61%

LAB 75.77, -46.55, 43.73

 

CMYK 66 / 0 / 77 / 47

HEX #2E871F

RGB 46 135 31

HSL 111.35, 0.63%, 0.33%

LAB 49.51, -46.01, 45.13

 

CMYK 75 / 0 / 90 / 54

HEX #1D750C

RGB 29 117 12

HSL 110.29, 0.81%, 0.25%

LAB 42.78, -44.43, 44.55

 

CMYK 88 / 0 / 100 / 61

HEX #0C6300

RGB 12 99 0

HSL 112.73, 1%, 0.19%

LAB 35.99, -41.7, 41.75

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 66 / 0 / 77 / 46

HEX #2E891F

RGB 46 137 31

HSL 111.51, 0.63%, 0.33%

LAB 50.18, -46.73, 45.8

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 24 / 0 / 77 / 46

HEX #68891F

RGB 104 137 31

HSL 78.68, 0.63%, 0.33%

LAB 52.88, -27.27, 49.34

 

CMYK 4 / 0 / 77 / 46

HEX #84891F

RGB 132 137 31

HSL 62.83, 0.63%, 0.33%

LAB 54.96, -15.03, 52.05

 

CMYK 0 / 17 / 77 / 46

HEX #89721F

RGB 137 114 31

HSL 46.98, 0.63%, 0.33%

LAB 48.82, -0.04, 46.46

 

CMYK 66 / 0 / 77 / 46

HEX #2E891F

RGB 46 137 31

HSL 111.51, 0.63%, 0.33%

LAB 50.18, -46.73, 45.8

 

CMYK 77 / 0 / 68 / 46

HEX #1F892C

RGB 31 137 44

HSL 127.36, 0.63%, 0.33%

LAB 49.94, -48.43, 40.19

 

CMYK 77 / 0 / 47 / 46

HEX #1F8949

RGB 31 137 73

HSL 143.77, 0.63%, 0.33%

LAB 50.29, -44.21, 26.09

 

CMYK 77 / 0 / 26 / 46

HEX #1F8966

RGB 31 137 102

HSL 160.19, 0.63%, 0.33%

LAB 50.85, -37.96, 10.53

 

CMYK 77 / 0 / 5 / 46

HEX #1F8982

RGB 31 137 130

HSL 176.04, 0.63%, 0.33%

LAB 51.6, -30.26, -4.63

 

CMYK 66 / 0 / 77 / 46

HEX #2E891F

RGB 46 137 31

HSL 111.51, 0.63%, 0.33%

LAB 50.18, -46.73, 45.8

 

CMYK 75 / 0 / 88 / 41

HEX #259712

RGB 37 151 18

HSL 111.43, 0.79%, 0.33%

LAB 54.63, -54.02, 53.66

 

CMYK 84 / 0 / 98 / 36

HEX #1BA404

RGB 27 164 4

HSL 111.38, 0.95%, 0.33%

LAB 58.78, -59.86, 59.47

 

CMYK 66 / 0 / 77 / 46

HEX #2E891F

RGB 46 137 31

HSL 111.51, 0.63%, 0.33%

LAB 50.18, -46.73, 45.8

 

CMYK 55 / 0 / 64 / 51

HEX #387C2D

RGB 56 124 45

HSL 111.65, 0.47%, 0.33%

LAB 46.24, -37.77, 35.82

 

CMYK 40 / 0 / 47 / 57

HEX #426E3A

RGB 66 110 58

HSL 110.77, 0.31%, 0.33%

LAB 42.18, -26.42, 24.26

 

CMYK 22 / 0 / 25 / 62

HEX #4B6048

RGB 75 96 72

HSL 112.5, 0.14%, 0.33%

LAB 38.43, -13.18, 11.17

 

CMYK 1 / 3 / 0 / 66

HEX #555356

RGB 85 83 86

HSL 280, 0.02%, 0.33%

LAB 35.58, 1.45, -1.47

 

CMYK 24 / 0 / 77 / 46

HEX #68891F

RGB 104 137 31

HSL 78.68, 0.63%, 0.33%

LAB 52.88, -27.27, 49.34

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 66 / 0 / 77 / 46

HEX #2F891F

RGB 47 137 31

HSL 110.94, 0.63%, 0.33%

LAB 50.21, -46.5, 45.84

 

CMYK 77 / 0 / 68 / 46

HEX #1F892C

RGB 31 137 44

HSL 127.36, 0.63%, 0.33%

LAB 49.94, -48.43, 40.19

 

CMYK 77 / 0 / 47 / 46

HEX #1F8948

RGB 31 137 72

HSL 143.21, 0.63%, 0.33%

LAB 50.28, -44.39, 26.61

 

CMYK 66 / 0 / 77 / 73

HEX #184610

RGB 24 70 16

HSL 111.11, 0.63%, 0.17%

LAB 25.6, -27.5, 26.72

 

CMYK 66 / 0 / 77 / 59

HEX #236818

RGB 35 104 24

HSL 111.75, 0.63%, 0.25%

LAB 38.42, -37.62, 36.6

 

CMYK 66 / 0 / 77 / 46

HEX #2E891F

RGB 46 137 31

HSL 111.51, 0.63%, 0.33%

LAB 50.18, -46.73, 45.8

 

CMYK 66 / 0 / 77 / 33

HEX #3AAB27

RGB 58 171 39

HSL 111.36, 0.63%, 0.41%

LAB 61.8, -55.45, 54.54

 

CMYK 66 / 0 / 77 / 20

HEX #45CC2E

RGB 69 204 46

HSL 111.27, 0.63%, 0.49%

LAB 72.66, -63.77, 62.9

 

CMYK 66 / 0 / 77 / 47

HEX #2E871F

RGB 46 135 31

HSL 111.35, 0.63%, 0.33%

LAB 49.51, -46.01, 45.13

 

CMYK 77 / 4 / 0 / 46

HEX #1F8489

RGB 31 132 137

HSL 182.83, 0.63%, 0.33%

LAB 50.22, -25.63, -10.79

 

CMYK 0 / 77 / 35 / 46

HEX #891F59

RGB 137 31 89

HSL 327.17, 0.63%, 0.33%

LAB 31.85, 48.75, -8.16

 

CMYK 66 / 0 / 77 / 47

HEX #2E871F

RGB 46 135 31

HSL 111.35, 0.63%, 0.33%

LAB 49.51, -46.01, 45.13

 

CMYK 77 / 66 / 0 / 46

HEX #1F2F89

RGB 31 47 137

HSL 230.94, 0.63%, 0.33%

LAB 24.1, 27.32, -51.92

 

CMYK 0 / 77 / 66 / 46

HEX #891F2F

RGB 137 31 47

HSL 350.94, 0.63%, 0.33%

LAB 30.65, 44.93, 17.77

 

CMYK 66 / 0 / 77 / 47

HEX #2E871F

RGB 46 135 31

HSL 111.35, 0.63%, 0.33%

LAB 49.51, -46.01, 45.13

 

CMYK 77 / 4 / 0 / 46

HEX #1F8489

RGB 31 132 137

HSL 182.83, 0.63%, 0.33%

LAB 50.22, -25.63, -10.79

 

CMYK 12 / 77 / 0 / 46

HEX #791F89

RGB 121 31 137

HSL 290.94, 0.63%, 0.33%

LAB 31.47, 52.3, -39.49

 

CMYK 0 / 74 / 77 / 46

HEX #89241F

RGB 137 36 31

HSL 2.83, 0.63%, 0.33%

LAB 31.06, 42.23, 28.42

 

CMYK 66 / 0 / 77 / 47

HEX #2E871F

RGB 46 135 31

HSL 111.35, 0.63%, 0.33%

LAB 49.51, -46.01, 45.13

 

CMYK 77 / 27 / 0 / 46

HEX #1F6489

RGB 31 100 137

HSL 200.94, 0.63%, 0.33%

LAB 39.93, -7.94, -26.55

 

CMYK 12 / 77 / 0 / 46

HEX #791F89

RGB 121 31 137

HSL 290.94, 0.63%, 0.33%

LAB 31.47, 52.3, -39.49

 

CMYK 0 / 50 / 77 / 46

HEX #89441F

RGB 137 68 31

HSL 20.94, 0.63%, 0.33%

LAB 37.03, 26.6, 34.77

 

Description

Color code: HEX #2E871F | qconv.com Color code: HEX #2E871F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 135 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 135 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 77 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 77% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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