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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E8214 it is the complementary color #D17DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E8214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E8214 shade: #33820F, #449422, #55A635, #66B848 and #77CA5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E8214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E8214 shade: #2E8214, #1D7001, #0C5E00, #004C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E8214 shade: #2D8014, #4B8014, #688014, #807B14 and #805E14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E8214 shade: #2D8014, #148018, #148035, #148052 and #14806F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E8214 shade matches the following richer shades: #2D8014 and #278C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E8214 shade: #2D8014, #347420, #3A682C, #405C38 and #475044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E8214 shade: #698014, #4C8014, #2F8014, #148016 and #148033

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E8214 shade: #143909, #215C0E, #2D8014, #3AA41A and #47C71F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E8214 shade: #2E8214, #14807B and #80145A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E8214 shade: #2E8214, #142F80 and #80142F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E8214 shade: #2E8214, #14807B, #651480 and #801419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E8214 shade: #2E8214, #146580, #651480 and #802F14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 85 / 49

HEX #2E8214

RGB 46 130 20

HSL 105.82, 0.73%, 0.29%

LAB 47.75, -44.91, 47.06

 

Complementary color

CMYK 11 / 47 / 0 / 8

HEX #D17DEB

RGB 209 125 235

HSL 285.82, 0.73%, 0.71%

LAB 65.14, 50.16, -42.54

 

CMYK 61 / 0 / 88 / 49

HEX #33820F

RGB 51 130 15

HSL 101.22, 0.79%, 0.28%

LAB 47.88, -43.86, 48.56

 

CMYK 54 / 0 / 77 / 42

HEX #449422

RGB 68 148 34

HSL 102.11, 0.63%, 0.36%

LAB 54.58, -44.88, 49.3

 

CMYK 49 / 0 / 68 / 35

HEX #55A635

RGB 85 166 53

HSL 103.01, 0.52%, 0.43%

LAB 61.19, -45.43, 48.95

 

CMYK 45 / 0 / 61 / 28

HEX #66B848

RGB 102 184 72

HSL 103.93, 0.44%, 0.5%

LAB 67.71, -45.69, 48.09

 

CMYK 41 / 0 / 55 / 21

HEX #77CA5B

RGB 119 202 91

HSL 104.86, 0.51%, 0.57%

LAB 74.14, -45.77, 47

 

CMYK 65 / 0 / 85 / 49

HEX #2E8214

RGB 46 130 20

HSL 105.82, 0.73%, 0.29%

LAB 47.75, -44.91, 47.06

 

CMYK 74 / 0 / 99 / 56

HEX #1D7001

RGB 29 112 1

HSL 104.86, 0.98%, 0.22%

LAB 40.98, -43.18, 45.61

 

CMYK 87 / 0 / 100 / 63

HEX #0C5E00

RGB 12 94 0

HSL 112.34, 1%, 0.18%

LAB 34.16, -40.06, 40.29

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 65 / 0 / 84 / 50

HEX #2D8014

RGB 45 128 20

HSL 106.11, 0.73%, 0.29%

LAB 47.04, -44.42, 46.4

 

CMYK 41 / 0 / 84 / 50

HEX #4B8014

RGB 75 128 20

HSL 89.44, 0.73%, 0.29%

LAB 48.24, -35.12, 47.94

 

CMYK 19 / 0 / 84 / 50

HEX #688014

RGB 104 128 20

HSL 73.33, 0.73%, 0.29%

LAB 50.02, -23.32, 50.2

 

CMYK 0 / 4 / 84 / 50

HEX #807B14

RGB 128 123 20

HSL 57.22, 0.73%, 0.29%

LAB 50.46, -9.75, 51.34

 

CMYK 0 / 27 / 84 / 50

HEX #805E14

RGB 128 94 20

HSL 41.11, 0.73%, 0.29%

LAB 42.22, 6.86, 44.19

 

CMYK 65 / 0 / 84 / 50

HEX #2D8014

RGB 45 128 20

HSL 106.11, 0.73%, 0.29%

LAB 47.04, -44.42, 46.4

 

CMYK 84 / 0 / 81 / 50

HEX #148018

RGB 20 128 24

HSL 122.22, 0.73%, 0.29%

LAB 46.52, -48.78, 44.47

 

CMYK 84 / 0 / 59 / 50

HEX #148035

RGB 20 128 53

HSL 138.33, 0.73%, 0.29%

LAB 46.77, -45.65, 32.24

 

CMYK 84 / 0 / 36 / 50

HEX #148052

RGB 20 128 82

HSL 154.44, 0.73%, 0.29%

LAB 47.23, -40.26, 16.99

 

CMYK 84 / 0 / 13 / 50

HEX #14806F

RGB 20 128 111

HSL 170.56, 0.73%, 0.29%

LAB 47.92, -32.78, 1.07

 

CMYK 65 / 0 / 84 / 50

HEX #2D8014

RGB 45 128 20

HSL 106.11, 0.73%, 0.29%

LAB 47.04, -44.42, 46.4

 

CMYK 72 / 0 / 94 / 45

HEX #278C08

RGB 39 140 8

HSL 105.91, 0.89%, 0.29%

LAB 50.93, -50.41, 52.43

 

CMYK 65 / 0 / 84 / 50

HEX #2D8014

RGB 45 128 20

HSL 106.11, 0.73%, 0.29%

LAB 47.04, -44.42, 46.4

 

CMYK 55 / 0 / 72 / 55

HEX #347420

RGB 52 116 32

HSL 105.71, 0.57%, 0.29%

LAB 43.25, -36.97, 38.44

 

CMYK 44 / 0 / 58 / 59

HEX #3A682C

RGB 58 104 44

HSL 106, 0.41%, 0.29%

LAB 39.55, -28.37, 28.6

 

CMYK 30 / 0 / 39 / 64

HEX #405C38

RGB 64 92 56

HSL 106.67, 0.24%, 0.29%

LAB 36.04, -18.23, 17.48

 

CMYK 11 / 0 / 15 / 69

HEX #475044

RGB 71 80 68

HSL 105, 0.08%, 0.29%

LAB 32.91, -6.22, 5.87

 

CMYK 18 / 0 / 84 / 50

HEX #698014

RGB 105 128 20

HSL 72.78, 0.73%, 0.29%

LAB 50.09, -22.89, 50.29

 

CMYK 41 / 0 / 84 / 50

HEX #4C8014

RGB 76 128 20

HSL 88.89, 0.73%, 0.29%

LAB 48.29, -34.75, 48.01

 

CMYK 63 / 0 / 84 / 50

HEX #2F8014

RGB 47 128 20

HSL 105, 0.73%, 0.29%

LAB 47.1, -43.92, 46.48

 

CMYK 84 / 0 / 83 / 50

HEX #148016

RGB 20 128 22

HSL 121.11, 0.73%, 0.29%

LAB 46.51, -48.91, 45.1

 

CMYK 84 / 0 / 60 / 50

HEX #148033

RGB 20 128 51

HSL 137.22, 0.73%, 0.29%

LAB 46.75, -45.94, 33.22

 

CMYK 65 / 0 / 84 / 78

HEX #143909

RGB 20 57 9

HSL 106.25, 0.73%, 0.13%

LAB 20.42, -23.68, 24.32

 

CMYK 64 / 0 / 85 / 64

HEX #215C0E

RGB 33 92 14

HSL 105.38, 0.74%, 0.21%

LAB 34, -34.2, 36

 

CMYK 65 / 0 / 84 / 50

HEX #2D8014

RGB 45 128 20

HSL 106.11, 0.73%, 0.29%

LAB 47.04, -44.42, 46.4

 

CMYK 65 / 0 / 84 / 36

HEX #3AA41A

RGB 58 164 26

HSL 106.09, 0.73%, 0.37%

LAB 59.46, -53.81, 56.22

 

CMYK 64 / 0 / 84 / 22

HEX #47C71F

RGB 71 199 31

HSL 105.71, 0.73%, 0.45%

LAB 71.07, -62.5, 65.55

 

CMYK 65 / 0 / 85 / 49

HEX #2E8214

RGB 46 130 20

HSL 105.82, 0.73%, 0.29%

LAB 47.75, -44.91, 47.06

 

CMYK 84 / 0 / 4 / 50

HEX #14807B

RGB 20 128 123

HSL 177.22, 0.73%, 0.29%

LAB 48.28, -29.18, -5.48

 

CMYK 0 / 84 / 30 / 50

HEX #80145A

RGB 128 20 90

HSL 321.11, 0.73%, 0.29%

LAB 28.97, 49.79, -13.35

 

CMYK 65 / 0 / 85 / 49

HEX #2E8214

RGB 46 130 20

HSL 105.82, 0.73%, 0.29%

LAB 47.75, -44.91, 47.06

 

CMYK 84 / 63 / 0 / 50

HEX #142F80

RGB 20 47 128

HSL 225, 0.73%, 0.29%

LAB 22.79, 22.61, -48.43

 

CMYK 0 / 84 / 63 / 50

HEX #80142F

RGB 128 20 47

HSL 345, 0.73%, 0.29%

LAB 27.56, 45.63, 13.37

 

CMYK 65 / 0 / 85 / 49

HEX #2E8214

RGB 46 130 20

HSL 105.82, 0.73%, 0.29%

LAB 47.75, -44.91, 47.06

 

CMYK 84 / 0 / 4 / 50

HEX #14807B

RGB 20 128 123

HSL 177.22, 0.73%, 0.29%

LAB 48.28, -29.18, -5.48

 

CMYK 21 / 84 / 0 / 50

HEX #651480

RGB 101 20 128

HSL 285, 0.73%, 0.29%

LAB 26.23, 50.12, -42.47

 

CMYK 0 / 84 / 80 / 50

HEX #801419

RGB 128 20 25

HSL 357.22, 0.73%, 0.29%

LAB 27.18, 44.49, 27.34

 

CMYK 65 / 0 / 85 / 49

HEX #2E8214

RGB 46 130 20

HSL 105.82, 0.73%, 0.29%

LAB 47.75, -44.91, 47.06

 

CMYK 84 / 21 / 0 / 50

HEX #146580

RGB 20 101 128

HSL 195, 0.73%, 0.29%

LAB 39.61, -13.15, -21.63

 

CMYK 21 / 84 / 0 / 50

HEX #651480

RGB 101 20 128

HSL 285, 0.73%, 0.29%

LAB 26.23, 50.12, -42.47

 

CMYK 0 / 63 / 84 / 50

HEX #802F14

RGB 128 47 20

HSL 15, 0.73%, 0.29%

LAB 31.05, 33.59, 34.04

 

Description

Color code: HEX #2E8214 | qconv.com Color code: HEX #2E8214 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 130 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 130 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 85 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 85% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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