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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E7715 it is the complementary color #D188EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E7715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E7715 shade: #337710, #448923, #559B36, #66AD49 and #77BF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E7715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E7715 shade: #2E7715, #1D6502, #0C5300, #004100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E7715 shade: #2D7515, #477515, #617515, #756F15 and #755515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E7715 shade: #2D7515, #157516, #157530, #15754A and #157564

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E7715 shade matches the following richer shades: #2D7515 and #28800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E7715 shade: #2D7515, #336A20, #385F2B, #3E5436 and #434841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E7715 shade: #627515, #487515, #2E7515, #157515 and #15752E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E7715 shade: #122F08, #20520E, #2D7515, #3B981B and #48BB21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E7715 shade: #2E7715, #15756F and #751555

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E7715 shade: #2E7715, #152E75 and #75152E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E7715 shade: #2E7715, #15756F, #5B1575 and #75151B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E7715 shade: #2E7715, #155F75, #5B1575 and #752B15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 82 / 53

HEX #2E7715

RGB 46 119 21

HSL 104.69, 0.7%, 0.27%

LAB 43.99, -40.73, 43.26

 

Complementary color

CMYK 11 / 42 / 0 / 8

HEX #D188EA

RGB 209 136 234

HSL 284.69, 0.7%, 0.73%

LAB 67.36, 44.2, -38.52

 

CMYK 57 / 0 / 87 / 53

HEX #337710

RGB 51 119 16

HSL 99.61, 0.76%, 0.26%

LAB 44.14, -39.59, 44.97

 

CMYK 50 / 0 / 74 / 46

HEX #448923

RGB 68 137 35

HSL 100.59, 0.59%, 0.34%

LAB 50.97, -40.41, 45.35

 

CMYK 45 / 0 / 65 / 39

HEX #559B36

RGB 85 155 54

HSL 101.58, 0.48%, 0.41%

LAB 57.69, -40.8, 44.75

 

CMYK 41 / 0 / 58 / 32

HEX #66AD49

RGB 102 173 73

HSL 102.6, 0.41%, 0.48%

LAB 64.32, -40.95, 43.75

 

CMYK 38 / 0 / 52 / 25

HEX #77BF5C

RGB 119 191 92

HSL 103.64, 0.44%, 0.55%

LAB 70.84, -40.95, 42.59

 

CMYK 61 / 0 / 82 / 53

HEX #2E7715

RGB 46 119 21

HSL 104.69, 0.7%, 0.27%

LAB 43.99, -40.73, 43.26

 

CMYK 71 / 0 / 98 / 60

HEX #1D6502

RGB 29 101 2

HSL 103.64, 0.96%, 0.2%

LAB 37.06, -39.26, 42.17

 

CMYK 86 / 0 / 100 / 67

HEX #0C5300

RGB 12 83 0

HSL 111.33, 1%, 0.16%

LAB 30.07, -36.38, 37.02

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 62 / 0 / 82 / 54

HEX #2D7515

RGB 45 117 21

HSL 105, 0.7%, 0.27%

LAB 43.26, -40.24, 42.56

 

CMYK 39 / 0 / 82 / 54

HEX #477515

RGB 71 117 21

HSL 88.75, 0.7%, 0.27%

LAB 44.4, -31.64, 44.03

 

CMYK 17 / 0 / 82 / 54

HEX #617515

RGB 97 117 21

HSL 72.5, 0.7%, 0.27%

LAB 46.07, -20.76, 46.18

 

CMYK 0 / 5 / 82 / 54

HEX #756F15

RGB 117 111 21

HSL 56.25, 0.7%, 0.27%

LAB 45.91, -8.23, 46.67

 

CMYK 0 / 27 / 82 / 54

HEX #755515

RGB 117 85 21

HSL 40, 0.7%, 0.27%

LAB 38.43, 6.95, 39.89

 

CMYK 62 / 0 / 82 / 54

HEX #2D7515

RGB 45 117 21

HSL 105, 0.7%, 0.27%

LAB 43.26, -40.24, 42.56

 

CMYK 82 / 0 / 81 / 54

HEX #157516

RGB 21 117 22

HSL 120.63, 0.7%, 0.27%

LAB 42.67, -45.18, 41.45

 

CMYK 82 / 0 / 59 / 54

HEX #157530

RGB 21 117 48

HSL 136.88, 0.7%, 0.27%

LAB 42.91, -42.31, 30.21

 

CMYK 82 / 0 / 37 / 54

HEX #15754A

RGB 21 117 74

HSL 153.13, 0.7%, 0.27%

LAB 43.33, -37.44, 16.33

 

CMYK 82 / 0 / 15 / 54

HEX #157564

RGB 21 117 100

HSL 169.38, 0.7%, 0.27%

LAB 43.95, -30.75, 1.82

 

CMYK 62 / 0 / 82 / 54

HEX #2D7515

RGB 45 117 21

HSL 105, 0.7%, 0.27%

LAB 43.26, -40.24, 42.56

 

CMYK 69 / 0 / 92 / 50

HEX #28800A

RGB 40 128 10

HSL 104.75, 0.86%, 0.27%

LAB 46.86, -46.04, 48.63

 

CMYK 62 / 0 / 82 / 54

HEX #2D7515

RGB 45 117 21

HSL 105, 0.7%, 0.27%

LAB 43.26, -40.24, 42.56

 

CMYK 52 / 0 / 70 / 58

HEX #336A20

RGB 51 106 32

HSL 104.59, 0.54%, 0.27%

LAB 39.78, -33.05, 34.74

 

CMYK 41 / 0 / 55 / 63

HEX #385F2B

RGB 56 95 43

HSL 105, 0.38%, 0.27%

LAB 36.37, -24.88, 25.29

 

CMYK 26 / 0 / 36 / 67

HEX #3E5436

RGB 62 84 54

HSL 104, 0.22%, 0.27%

LAB 33.2, -14.97, 14.89

 

CMYK 7 / 0 / 10 / 72

HEX #434841

RGB 67 72 65

HSL 102.86, 0.05%, 0.27%

LAB 29.94, -3.6, 3.49

 

CMYK 16 / 0 / 82 / 54

HEX #627515

RGB 98 117 21

HSL 71.88, 0.7%, 0.27%

LAB 46.14, -20.31, 46.27

 

CMYK 38 / 0 / 82 / 54

HEX #487515

RGB 72 117 21

HSL 88.13, 0.7%, 0.27%

LAB 44.45, -31.26, 44.11

 

CMYK 61 / 0 / 82 / 54

HEX #2E7515

RGB 46 117 21

HSL 104.38, 0.7%, 0.27%

LAB 43.3, -39.96, 42.61

 

CMYK 82 / 0 / 82 / 54

HEX #157515

RGB 21 117 21

HSL 120, 0.7%, 0.27%

LAB 42.67, -45.25, 41.78

 

CMYK 82 / 0 / 61 / 54

HEX #15752E

RGB 21 117 46

HSL 135.63, 0.7%, 0.27%

LAB 42.88, -42.6, 31.21

 

CMYK 62 / 0 / 83 / 82

HEX #122F08

RGB 18 47 8

HSL 104.62, 0.71%, 0.11%

LAB 16.4, -19.78, 19.96

 

CMYK 61 / 0 / 83 / 68

HEX #20520E

RGB 32 82 14

HSL 104.12, 0.71%, 0.19%

LAB 30.34, -30.38, 32.47

 

CMYK 62 / 0 / 82 / 54

HEX #2D7515

RGB 45 117 21

HSL 105, 0.7%, 0.27%

LAB 43.26, -40.24, 42.56

 

CMYK 61 / 0 / 82 / 40

HEX #3B981B

RGB 59 152 27

HSL 104.64, 0.7%, 0.35%

LAB 55.55, -49.28, 52.37

 

CMYK 61 / 0 / 82 / 27

HEX #48BB21

RGB 72 187 33

HSL 104.81, 0.7%, 0.43%

LAB 67.3, -58.13, 61.65

 

CMYK 61 / 0 / 82 / 53

HEX #2E7715

RGB 46 119 21

HSL 104.69, 0.7%, 0.27%

LAB 43.99, -40.73, 43.26

 

CMYK 82 / 0 / 5 / 54

HEX #15756F

RGB 21 117 111

HSL 176.25, 0.7%, 0.27%

LAB 44.28, -27.44, -4.28

 

CMYK 0 / 82 / 27 / 54

HEX #751555

RGB 117 21 85

HSL 320, 0.7%, 0.27%

LAB 26.66, 46.05, -13.78

 

CMYK 61 / 0 / 82 / 53

HEX #2E7715

RGB 46 119 21

HSL 104.69, 0.7%, 0.27%

LAB 43.99, -40.73, 43.26

 

CMYK 82 / 61 / 0 / 54

HEX #152E75

RGB 21 46 117

HSL 224.38, 0.7%, 0.27%

LAB 21.57, 18.9, -43.44

 

CMYK 0 / 82 / 61 / 54

HEX #75152E

RGB 117 21 46

HSL 344.38, 0.7%, 0.27%

LAB 25.31, 41.96, 10.62

 

CMYK 61 / 0 / 82 / 53

HEX #2E7715

RGB 46 119 21

HSL 104.69, 0.7%, 0.27%

LAB 43.99, -40.73, 43.26

 

CMYK 82 / 0 / 5 / 54

HEX #15756F

RGB 21 117 111

HSL 176.25, 0.7%, 0.27%

LAB 44.28, -27.44, -4.28

 

CMYK 22 / 82 / 0 / 54

HEX #5B1575

RGB 91 21 117

HSL 283.75, 0.7%, 0.27%

LAB 23.82, 45.59, -39.46

 

CMYK 0 / 82 / 77 / 54

HEX #75151B

RGB 117 21 27

HSL 356.25, 0.7%, 0.27%

LAB 24.94, 40.82, 22.92

 

CMYK 61 / 0 / 82 / 53

HEX #2E7715

RGB 46 119 21

HSL 104.69, 0.7%, 0.27%

LAB 43.99, -40.73, 43.26

 

CMYK 82 / 19 / 0 / 54

HEX #155F75

RGB 21 95 117

HSL 193.75, 0.7%, 0.27%

LAB 37.17, -13.64, -18.68

 

CMYK 22 / 82 / 0 / 54

HEX #5B1575

RGB 91 21 117

HSL 283.75, 0.7%, 0.27%

LAB 23.82, 45.59, -39.46

 

CMYK 0 / 63 / 82 / 54

HEX #752B15

RGB 117 43 21

HSL 13.75, 0.7%, 0.27%

LAB 28.28, 31.26, 30.13

 

Description

Color code: HEX #2E7715 | qconv.com Color code: HEX #2E7715 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 119 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 119 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 82 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 82% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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