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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E75DC it is the complementary color #D18A23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E75DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E75DC shade: #3375D7, #4487EA, #5599FD, #66ABFF and #77BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E75DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E75DC shade: #2E75DC, #1D63C9, #0C51B6, #003FA3 and #002D90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E75DC shade: #2E75DC, #2E46DC, #452EDC, #732EDC and #A22EDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E75DC shade: #2E75DC, #2E46DC and #2E2EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E75DC shade matches the following richer shades: #2E75DC and #1A71EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E75DC shade: #2E75DC, #4278C8, #557CB4, #6980A0 and #7D838C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E75DC shade: #2ED3DC, #2EA4DC, #2E76DC, #2E48DC and #422EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E75DC shade: #1A4F9C, #2061BF, #2E75DC, #518CE1 and #74A3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E75DC shade: #2E75DC, #B62EDC and #BCDC2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E75DC shade: #2E75DC, #DC2E76 and #76DC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E75DC shade: #2E75DC, #B62EDC, #DC932E and #53DC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E75DC shade: #2E75DC, #DC2ECD, #DC932E and #2EDC3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

Complementary color

CMYK 0 / 34 / 83 / 18

HEX #D18A23

RGB 209 138 35

HSL 35.52, 0.71%, 0.48%

LAB 63.22, 19.24, 61.09

 

CMYK 76 / 46 / 0 / 16

HEX #3375D7

RGB 51 117 215

HSL 215.85, 0.67%, 0.52%

LAB 49.9, 13.32, -56.31

 

CMYK 71 / 42 / 0 / 8

HEX #4487EA

RGB 68 135 234

HSL 215.78, 0.8%, 0.59%

LAB 56.58, 11.3, -56.23

 

CMYK 66 / 40 / 0 / 1

HEX #5599FD

RGB 85 153 253

HSL 215.71, 0.98%, 0.66%

LAB 63.18, 9.65, -56.14

 

CMYK 60 / 33 / 0 / 0

HEX #66ABFF

RGB 102 171 255

HSL 212.94, 1%, 0.7%

LAB 68.87, 2.8, -48.17

 

CMYK 53 / 26 / 0 / 0

HEX #77BDFF

RGB 119 189 255

HSL 209.12, 1%, 0.73%

LAB 74.53, -3.86, -39.27

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 86 / 51 / 0 / 21

HEX #1D63C9

RGB 29 99 201

HSL 215.58, 0.75%, 0.45%

LAB 43.36, 17.36, -58.87

 

CMYK 93 / 55 / 0 / 29

HEX #0C51B6

RGB 12 81 182

HSL 215.65, 0.88%, 0.38%

LAB 36.63, 20.71, -58.73

 

CMYK 100 / 61 / 0 / 36

HEX #003FA3

RGB 0 63 163

HSL 216.81, 1%, 0.32%

LAB 29.91, 24.72, -58.37

 

CMYK 100 / 69 / 0 / 44

HEX #002D90

RGB 0 45 144

HSL 221.25, 1%, 0.28%

LAB 23.31, 29.36, -57.6

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 79 / 68 / 0 / 14

HEX #2E46DC

RGB 46 70 220

HSL 231.72, 0.71%, 0.52%

LAB 38.07, 44.35, -78.4

 

CMYK 69 / 79 / 0 / 14

HEX #452EDC

RGB 69 46 220

HSL 247.93, 0.71%, 0.52%

LAB 34.78, 59.21, -83.8

 

CMYK 48 / 79 / 0 / 14

HEX #732EDC

RGB 115 46 220

HSL 263.79, 0.71%, 0.52%

LAB 39.18, 64.24, -76.38

 

CMYK 26 / 79 / 0 / 14

HEX #A22EDC

RGB 162 46 220

HSL 280, 0.71%, 0.52%

LAB 45.36, 71.32, -66.03

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 79 / 68 / 0 / 14

HEX #2E46DC

RGB 46 70 220

HSL 231.72, 0.71%, 0.52%

LAB 38.07, 44.35, -78.4

 

CMYK 79 / 79 / 0 / 14

HEX #2E2EDC

RGB 46 46 220

HSL 240, 0.71%, 0.52%

LAB 33.35, 57.6, -86.2

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 89 / 53 / 0 / 6

HEX #1A71EF

RGB 26 113 239

HSL 215.49, 0.87%, 0.52%

LAB 49.81, 22.91, -69.98

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 67 / 40 / 0 / 22

HEX #4278C8

RGB 66 120 200

HSL 215.82, 0.55%, 0.52%

LAB 50.41, 8.1, -46.92

 

CMYK 53 / 31 / 0 / 29

HEX #557CB4

RGB 85 124 180

HSL 215.37, 0.39%, 0.52%

LAB 51.43, 2.69, -33.77

 

CMYK 34 / 20 / 0 / 37

HEX #6980A0

RGB 105 128 160

HSL 214.91, 0.22%, 0.52%

LAB 52.93, -0.25, -19.79

 

CMYK 11 / 6 / 0 / 45

HEX #7D838C

RGB 125 131 140

HSL 216, 0.06%, 0.52%

LAB 54.54, -0.31, -5.61

 

CMYK 79 / 4 / 0 / 14

HEX #2ED3DC

RGB 46 211 220

HSL 183.1, 0.71%, 0.52%

LAB 77.48, -36.74, -16.11

 

CMYK 79 / 25 / 0 / 14

HEX #2EA4DC

RGB 46 164 220

HSL 199.31, 0.71%, 0.52%

LAB 63.59, -13.08, -37.43

 

CMYK 79 / 46 / 0 / 14

HEX #2E76DC

RGB 46 118 220

HSL 215.17, 0.71%, 0.52%

LAB 50.34, 14.02, -58.43

 

CMYK 79 / 67 / 0 / 14

HEX #2E48DC

RGB 46 72 220

HSL 231.03, 0.71%, 0.52%

LAB 38.52, 43.14, -77.66

 

CMYK 70 / 79 / 0 / 14

HEX #422EDC

RGB 66 46 220

HSL 246.9, 0.71%, 0.52%

LAB 34.56, 58.97, -84.17

 

CMYK 83 / 49 / 0 / 39

HEX #1A4F9C

RGB 26 79 156

HSL 215.54, 0.71%, 0.36%

LAB 34.42, 12.43, -46.8

 

CMYK 83 / 49 / 0 / 25

HEX #2061BF

RGB 32 97 191

HSL 215.47, 0.71%, 0.44%

LAB 42.18, 14.99, -54.98

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 64 / 38 / 0 / 12

HEX #518CE1

RGB 81 140 225

HSL 215.42, 0.71%, 0.6%

LAB 57.98, 7.19, -48.96

 

CMYK 50 / 29 / 0 / 9

HEX #74A3E7

RGB 116 163 231

HSL 215.48, 0.71%, 0.68%

LAB 66.27, 2.81, -39.11

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 17 / 79 / 0 / 14

HEX #B62EDC

RGB 182 46 220

HSL 286.9, 0.71%, 0.52%

LAB 48.34, 74.74, -61.06

 

CMYK 15 / 0 / 79 / 14

HEX #BCDC2E

RGB 188 220 46

HSL 71.03, 0.71%, 0.52%

LAB 82.95, -31.63, 74.46

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 0 / 79 / 46 / 14

HEX #DC2E76

RGB 220 46 118

HSL 335.17, 0.71%, 0.52%

LAB 50.07, 69.32, 2.3

 

CMYK 46 / 0 / 79 / 14

HEX #76DC2E

RGB 118 220 46

HSL 95.17, 0.71%, 0.52%

LAB 79.18, -56.85, 69.62

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 17 / 79 / 0 / 14

HEX #B62EDC

RGB 182 46 220

HSL 286.9, 0.71%, 0.52%

LAB 48.34, 74.74, -61.06

 

CMYK 0 / 33 / 79 / 14

HEX #DC932E

RGB 220 147 46

HSL 34.83, 0.71%, 0.52%

LAB 66.73, 19.46, 60.82

 

CMYK 62 / 0 / 79 / 14

HEX #53DC2E

RGB 83 220 46

HSL 107.24, 0.71%, 0.52%

LAB 78.01, -66.08, 68.11

 

CMYK 79 / 47 / 0 / 14

HEX #2E75DC

RGB 46 117 220

HSL 215.52, 0.71%, 0.52%

LAB 50.06, 14.64, -58.88

 

CMYK 0 / 79 / 7 / 14

HEX #DC2ECD

RGB 220 46 205

HSL 305.17, 0.71%, 0.52%

LAB 53.58, 79.46, -43.77

 

CMYK 0 / 33 / 79 / 14

HEX #DC932E

RGB 220 147 46

HSL 34.83, 0.71%, 0.52%

LAB 66.73, 19.46, 60.82

 

CMYK 79 / 0 / 73 / 14

HEX #2EDC3C

RGB 46 220 60

HSL 124.83, 0.71%, 0.52%

LAB 77.34, -71.47, 62.75

 

Description

Color code: HEX #2E75DC | qconv.com Color code: HEX #2E75DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 117 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 117 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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