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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E7110 it is the complementary color #D18EEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E7110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E7110 shade: #33710B, #44831E, #559531, #66A744 and #77B957

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E7110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E7110 shade: #2E7110, #1D5F00, #0C4D00, #003B00 and #002900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E7110 shade: #2E7010, #477010, #617010, #706410 and #704A10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E7110 shade: #2E7010, #147010, #107026, #107040 and #10705A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E7110 shade matches the following richer shades: #2E7010 and #2A7A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E7110 shade: #2E7010, #31651A, #355B25, #39512F and #3D4639

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E7110 shade: #617010, #487010, #2E7010, #157010 and #107025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E7110 shade: #102706, #1F4B0B, #2E7010, #3C9415 and #4BB81A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E7110 shade: #2E7110, #107064 and #701054

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E7110 shade: #2E7110, #102E70 and #70102E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E7110 shade: #2E7110, #107064, #511070 and #70101B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E7110 shade: #2E7110, #105E70, #511070 and #702110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 86 / 56

HEX #2E7110

RGB 46 113 16

HSL 101.44, 0.75%, 0.25%

LAB 41.89, -38.7, 42.86

 

Complementary color

CMYK 13 / 41 / 0 / 6

HEX #D18EEF

RGB 209 142 239

HSL 281.44, 0.75%, 0.75%

LAB 68.85, 42.03, -38.94

 

CMYK 55 / 0 / 90 / 56

HEX #33710B

RGB 51 113 11

HSL 96.47, 0.82%, 0.24%

LAB 42.06, -37.42, 44.41

 

CMYK 48 / 0 / 77 / 49

HEX #44831E

RGB 68 131 30

HSL 97.43, 0.63%, 0.32%

LAB 48.95, -38.28, 45.22

 

CMYK 43 / 0 / 67 / 42

HEX #559531

RGB 85 149 49

HSL 98.4, 0.51%, 0.39%

LAB 55.73, -38.71, 44.81

 

CMYK 39 / 0 / 59 / 35

HEX #66A744

RGB 102 167 68

HSL 99.39, 0.42%, 0.46%

LAB 62.41, -38.88, 43.89

 

CMYK 36 / 0 / 53 / 27

HEX #77B957

RGB 119 185 87

HSL 100.41, 0.41%, 0.53%

LAB 68.97, -38.9, 42.76

 

CMYK 59 / 0 / 86 / 56

HEX #2E7110

RGB 46 113 16

HSL 101.44, 0.75%, 0.25%

LAB 41.89, -38.7, 42.86

 

CMYK 69 / 0 / 100 / 63

HEX #1D5F00

RGB 29 95 0

HSL 101.68, 1%, 0.19%

LAB 34.89, -37.17, 41.03

 

CMYK 84 / 0 / 100 / 70

HEX #0C4D00

RGB 12 77 0

HSL 110.65, 1%, 0.15%

LAB 27.81, -34.3, 35.19

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 59 / 0 / 86 / 56

HEX #2E7010

RGB 46 112 16

HSL 101.25, 0.75%, 0.25%

LAB 41.54, -38.3, 42.54

 

CMYK 37 / 0 / 86 / 56

HEX #477010

RGB 71 112 16

HSL 85.63, 0.75%, 0.25%

LAB 42.71, -29.59, 44.04

 

CMYK 13 / 0 / 86 / 56

HEX #617010

RGB 97 112 16

HSL 69.38, 0.75%, 0.25%

LAB 44.47, -18.35, 46.27

 

CMYK 0 / 11 / 86 / 56

HEX #706410

RGB 112 100 16

HSL 52.5, 0.75%, 0.25%

LAB 42.15, -4.55, 44.78

 

CMYK 0 / 34 / 86 / 56

HEX #704A10

RGB 112 74 16

HSL 36.25, 0.75%, 0.25%

LAB 34.76, 10.98, 38.31

 

CMYK 59 / 0 / 86 / 56

HEX #2E7010

RGB 46 112 16

HSL 101.25, 0.75%, 0.25%

LAB 41.54, -38.3, 42.54

 

CMYK 82 / 0 / 86 / 56

HEX #147010

RGB 20 112 16

HSL 117.5, 0.75%, 0.25%

LAB 40.86, -44.05, 41.66

 

CMYK 86 / 0 / 66 / 56

HEX #107026

RGB 16 112 38

HSL 133.75, 0.75%, 0.25%

LAB 40.96, -42.54, 32.94

 

CMYK 86 / 0 / 43 / 56

HEX #107040

RGB 16 112 64

HSL 150, 0.75%, 0.25%

LAB 41.33, -38.18, 19.43

 

CMYK 86 / 0 / 20 / 56

HEX #10705A

RGB 16 112 90

HSL 166.25, 0.75%, 0.25%

LAB 41.9, -31.8, 4.86

 

CMYK 59 / 0 / 86 / 56

HEX #2E7010

RGB 46 112 16

HSL 101.25, 0.75%, 0.25%

LAB 41.54, -38.3, 42.54

 

CMYK 66 / 0 / 95 / 52

HEX #2A7A06

RGB 42 122 6

HSL 101.38, 0.91%, 0.25%

LAB 44.84, -43.58, 47.76

 

CMYK 59 / 0 / 86 / 56

HEX #2E7010

RGB 46 112 16

HSL 101.25, 0.75%, 0.25%

LAB 41.54, -38.3, 42.54

 

CMYK 51 / 0 / 74 / 60

HEX #31651A

RGB 49 101 26

HSL 101.6, 0.59%, 0.25%

LAB 37.91, -32.09, 35.4

 

CMYK 42 / 0 / 59 / 64

HEX #355B25

RGB 53 91 37

HSL 102.22, 0.42%, 0.25%

LAB 34.75, -24.84, 26.59

 

CMYK 30 / 0 / 42 / 68

HEX #39512F

RGB 57 81 47

HSL 102.35, 0.27%, 0.25%

LAB 31.72, -16.56, 17.13

 

CMYK 13 / 0 / 19 / 73

HEX #3D4639

RGB 61 70 57

HSL 101.54, 0.1%, 0.25%

LAB 28.56, -6.57, 6.62

 

CMYK 13 / 0 / 86 / 56

HEX #617010

RGB 97 112 16

HSL 69.38, 0.75%, 0.25%

LAB 44.47, -18.35, 46.27

 

CMYK 36 / 0 / 86 / 56

HEX #487010

RGB 72 112 16

HSL 85, 0.75%, 0.25%

LAB 42.77, -29.19, 44.11

 

CMYK 59 / 0 / 86 / 56

HEX #2E7010

RGB 46 112 16

HSL 101.25, 0.75%, 0.25%

LAB 41.54, -38.3, 42.54

 

CMYK 81 / 0 / 86 / 56

HEX #157010

RGB 21 112 16

HSL 116.88, 0.75%, 0.25%

LAB 40.87, -43.9, 41.68

 

CMYK 86 / 0 / 67 / 56

HEX #107025

RGB 16 112 37

HSL 133.13, 0.75%, 0.25%

LAB 40.95, -42.67, 33.41

 

CMYK 59 / 0 / 85 / 85

HEX #102706

RGB 16 39 6

HSL 101.82, 0.73%, 0.09%

LAB 13.07, -16.78, 16.46

 

CMYK 59 / 0 / 85 / 71

HEX #1F4B0B

RGB 31 75 11

HSL 101.25, 0.74%, 0.17%

LAB 27.7, -27.91, 31.05

 

CMYK 59 / 0 / 86 / 56

HEX #2E7010

RGB 46 112 16

HSL 101.25, 0.75%, 0.25%

LAB 41.54, -38.3, 42.54

 

CMYK 59 / 0 / 86 / 42

HEX #3C9415

RGB 60 148 21

HSL 101.57, 0.75%, 0.33%

LAB 54.23, -47.86, 52.83

 

CMYK 59 / 0 / 86 / 28

HEX #4BB81A

RGB 75 184 26

HSL 101.39, 0.75%, 0.41%

LAB 66.41, -56.68, 62.61

 

CMYK 59 / 0 / 86 / 56

HEX #2E7110

RGB 46 113 16

HSL 101.44, 0.75%, 0.25%

LAB 41.89, -38.7, 42.86

 

CMYK 86 / 0 / 11 / 56

HEX #107064

RGB 16 112 100

HSL 172.5, 0.75%, 0.25%

LAB 42.18, -28.89, -0.76

 

CMYK 0 / 86 / 25 / 56

HEX #701054

RGB 112 16 84

HSL 317.5, 0.75%, 0.25%

LAB 25.12, 46.06, -15.57

 

CMYK 59 / 0 / 86 / 56

HEX #2E7110

RGB 46 113 16

HSL 101.44, 0.75%, 0.25%

LAB 41.89, -38.7, 42.86

 

CMYK 86 / 59 / 0 / 56

HEX #102E70

RGB 16 46 112

HSL 221.25, 0.75%, 0.25%

LAB 20.96, 16.27, -41.24

 

CMYK 0 / 86 / 59 / 56

HEX #70102E

RGB 112 16 46

HSL 341.25, 0.75%, 0.25%

LAB 23.71, 41.94, 8.26

 

CMYK 59 / 0 / 86 / 56

HEX #2E7110

RGB 46 113 16

HSL 101.44, 0.75%, 0.25%

LAB 41.89, -38.7, 42.86

 

CMYK 86 / 0 / 11 / 56

HEX #107064

RGB 16 112 100

HSL 172.5, 0.75%, 0.25%

LAB 42.18, -28.89, -0.76

 

CMYK 28 / 86 / 0 / 56

HEX #511070

RGB 81 16 112

HSL 280.63, 0.75%, 0.25%

LAB 21.17, 44.29, -40.62

 

CMYK 0 / 86 / 76 / 56

HEX #70101B

RGB 112 16 27

HSL 353.13, 0.75%, 0.25%

LAB 23.32, 40.75, 20.76

 

CMYK 59 / 0 / 86 / 56

HEX #2E7110

RGB 46 113 16

HSL 101.44, 0.75%, 0.25%

LAB 41.89, -38.7, 42.86

 

CMYK 86 / 16 / 0 / 56

HEX #105E70

RGB 16 94 112

HSL 191.25, 0.75%, 0.25%

LAB 36.53, -15.43, -16.59

 

CMYK 28 / 86 / 0 / 56

HEX #511070

RGB 81 16 112

HSL 280.63, 0.75%, 0.25%

LAB 21.17, 44.29, -40.62

 

CMYK 0 / 71 / 86 / 56

HEX #702110

RGB 112 33 16

HSL 10.63, 0.75%, 0.25%

LAB 25.47, 33.96, 29.81

 

Description

Color code: HEX #2E7110 | qconv.com Color code: HEX #2E7110 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 113 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 113 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 86 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 86% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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