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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E6FCACE it is the complementary color #D19035CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E6FCACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E6FCACE shade: #336FC5CE, #4481D8CE, #5593EBCE, #66A5FECE and #77B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E6FCACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E6FCACE shade: #2E6FCACE, #1D5DB7CE, #0C4BA4CE, #003991CE and #00277ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E6FCACE shade: #2E70CC, #2E45CC, #422ECC, #6C2ECC and #962ECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E6FCACE shade: #2E70CC, #2E45CC and #2E2ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E6FCACE shade matches the following richer shades: #2E70CC, #1A6CE0 and #0669F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E6FCACE shade: #2E70CC, #4273B7, #5777A3, #6B7A8F and #7F7D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E6FCACE shade: #2EC4CC, #2E9ACC, #2E70CC, #2E46CC and #412ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E6FCACE shade: #1F4B88, #275DAA, #2E70CC, #4D86D7 and #6E9DDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E6FCACE shade: #2E6FCA, #AA2ECC and #AFCC2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E6FCACE shade: #2E6FCA, #CC2E70 and #70CC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E6FCACE shade: #2E6FCA, #AA2ECC, #CC8A2E and #50CC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E6FCACE shade: #2E6FCA, #CC2EBF, #CC8A2E and #2ECC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 36 / 0 / 17

HEX #2E6FCACE

RGBA 46 111 202 0.81

HSLA 215, 0.63%, 0.49%, 0.81

LABA 47.25, 11.65, -53.15, 0.81

 

Complementary color

CMYK 0 / 25 / 60 / 15

HEX #D19035CE

RGBA 209 144 53 0.81

HSLA 35, 0.63%, 0.51%, 0.81

LABA 64.77, 16.64, 55.71, 0.81

 

CMYK 60 / 35 / 0 / 18

HEX #336FC5CE

RGBA 51 111 197 0.81

HSLA 215.34, 0.59%, 0.49%, 0.81

LABA 47.11, 10.39, -50.5, 0.81

 

CMYK 56 / 33 / 0 / 12

HEX #4481D8CE

RGBA 68 129 216 0.81

HSLA 215.27, 0.65%, 0.56%, 0.81

LABA 53.91, 8.57, -50.42, 0.81

 

CMYK 52 / 30 / 0 / 6

HEX #5593EBCE

RGBA 85 147 235 0.81

HSLA 215.2, 0.79%, 0.63%, 0.81

LABA 60.6, 7.1, -50.35, 0.81

 

CMYK 48 / 28 / 0 / 0

HEX #66A5FECE

RGBA 102 165 254 0.81

HSLA 215.13, 0.99%, 0.7%, 0.81

LABA 67.2, 5.9, -50.28, 0.81

 

CMYK 43 / 23 / 0 / 0

HEX #77B7FFCE

RGBA 119 183 255 0.81

HSLA 211.76, 1%, 0.73%, 0.81

LABA 72.9, -0.56, -41.81, 0.81

 

CMYK 63 / 36 / 0 / 17

HEX #2E6FCACE

RGBA 46 111 202 0.81

HSLA 215, 0.63%, 0.49%, 0.81

LABA 47.25, 11.65, -53.15, 0.81

 

CMYK 68 / 40 / 0 / 23

HEX #1D5DB7CE

RGBA 29 93 183 0.81

HSLA 215.06, 0.73%, 0.42%, 0.81

LABA 40.42, 14.2, -53.15, 0.81

 

CMYK 75 / 44 / 0 / 29

HEX #0C4BA4CE

RGBA 12 75 164 0.81

HSLA 215.13, 0.86%, 0.35%, 0.81

LABA 33.54, 17.42, -53.05, 0.81

 

CMYK 81 / 49 / 0 / 35

HEX #003991CE

RGBA 0 57 145 0.81

HSLA 216.41, 1%, 0.28%, 0.81

LABA 26.65, 21.4, -52.73, 0.81

 

CMYK 81 / 56 / 0 / 41

HEX #00277ECE

RGBA 0 39 126 0.81

HSLA 221.43, 1%, 0.25%, 0.81

LABA 19.87, 26.14, -51.98, 0.81

 

CMYK 77 / 45 / 0 / 20

HEX #2E70CC

RGB 46 112 204

HSL 214.94, 0.63%, 0.49%

LAB 47.66, 11.77, -53.64

 

CMYK 77 / 66 / 0 / 20

HEX #2E45CC

RGB 46 69 204

HSL 231.27, 0.63%, 0.49%

LAB 36.36, 39.33, -71.99

 

CMYK 68 / 77 / 0 / 20

HEX #422ECC

RGB 66 46 204

HSL 247.59, 0.63%, 0.49%

LAB 32.86, 54.23, -77.72

 

CMYK 47 / 77 / 0 / 20

HEX #6C2ECC

RGB 108 46 204

HSL 263.54, 0.63%, 0.49%

LAB 36.93, 59.29, -70.87

 

CMYK 26 / 77 / 0 / 20

HEX #962ECC

RGB 150 46 204

HSL 279.49, 0.63%, 0.49%

LAB 42.46, 66.04, -61.63

 

CMYK 77 / 45 / 0 / 20

HEX #2E70CC

RGB 46 112 204

HSL 214.94, 0.63%, 0.49%

LAB 47.66, 11.77, -53.64

 

CMYK 77 / 66 / 0 / 20

HEX #2E45CC

RGB 46 69 204

HSL 231.27, 0.63%, 0.49%

LAB 36.36, 39.33, -71.99

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECC

RGB 46 46 204

HSL 240, 0.63%, 0.49%

LAB 31.57, 52.61, -79.9

 

CMYK 77 / 45 / 0 / 20

HEX #2E70CC

RGB 46 112 204

HSL 214.94, 0.63%, 0.49%

LAB 47.66, 11.77, -53.64

 

CMYK 88 / 52 / 0 / 12

HEX #1A6CE0

RGB 26 108 224

HSL 215.15, 0.79%, 0.49%

LAB 47.4, 20.32, -65.46

 

CMYK 98 / 57 / 0 / 4

HEX #0669F4

RGB 6 105 244

HSL 215.04, 0.95%, 0.49%

LAB 47.85, 29.24, -75.99

 

CMYK 77 / 45 / 0 / 20

HEX #2E70CC

RGB 46 112 204

HSL 214.94, 0.63%, 0.49%

LAB 47.66, 11.77, -53.64

 

CMYK 64 / 37 / 0 / 28

HEX #4273B7

RGB 66 115 183

HSL 214.87, 0.47%, 0.49%

LAB 48.06, 5.19, -40.88

 

CMYK 47 / 27 / 0 / 36

HEX #5777A3

RGB 87 119 163

HSL 214.74, 0.3%, 0.49%

LAB 49.33, 0.87, -27.17

 

CMYK 25 / 15 / 0 / 44

HEX #6B7A8F

RGB 107 122 143

HSL 215, 0.14%, 0.49%

LAB 50.72, -0.56, -13.22

 

CMYK 0 / 2 / 3 / 50

HEX #7F7D7B

RGB 127 125 123

HSL 30, 0.02%, 0.49%

LAB 52.52, 0.36, 1.35

 

CMYK 77 / 4 / 0 / 20

HEX #2EC4CC

RGB 46 196 204

HSL 183.04, 0.63%, 0.49%

LAB 72.51, -34.52, -14.96

 

CMYK 77 / 25 / 0 / 20

HEX #2E9ACC

RGB 46 154 204

HSL 198.99, 0.63%, 0.49%

LAB 59.94, -13.13, -34.22

 

CMYK 77 / 45 / 0 / 20

HEX #2E70CC

RGB 46 112 204

HSL 214.94, 0.63%, 0.49%

LAB 47.66, 11.77, -53.64

 

CMYK 77 / 66 / 0 / 20

HEX #2E46CC

RGB 46 70 204

HSL 230.89, 0.63%, 0.49%

LAB 36.59, 38.71, -71.61

 

CMYK 68 / 77 / 0 / 20

HEX #412ECC

RGB 65 46 204

HSL 247.22, 0.63%, 0.49%

LAB 32.78, 54.14, -77.85

 

CMYK 77 / 45 / 0 / 47

HEX #1F4B88

RGB 31 75 136

HSL 214.86, 0.63%, 0.33%

LAB 32.04, 7.65, -38.44

 

CMYK 77 / 45 / 0 / 33

HEX #275DAA

RGB 39 93 170

HSL 215.27, 0.63%, 0.41%

LAB 39.85, 10.14, -46.41

 

CMYK 77 / 45 / 0 / 20

HEX #2E70CC

RGB 46 112 204

HSL 214.94, 0.63%, 0.49%

LAB 47.66, 11.77, -53.64

 

CMYK 64 / 38 / 0 / 16

HEX #4D86D7

RGB 77 134 215

HSL 215.22, 0.63%, 0.57%

LAB 55.62, 6.68, -47.12

 

CMYK 50 / 29 / 0 / 13

HEX #6E9DDE

RGB 110 157 222

HSL 214.82, 0.63%, 0.65%

LAB 63.92, 2.16, -37.85

 

CMYK 77 / 45 / 0 / 21

HEX #2E6FCA

RGB 46 111 202

HSL 215, 0.63%, 0.49%

LAB 47.25, 11.65, -53.15

 

CMYK 17 / 77 / 0 / 20

HEX #AA2ECC

RGB 170 46 204

HSL 287.09, 0.63%, 0.49%

LAB 45.44, 69.65, -56.65

 

CMYK 14 / 0 / 77 / 20

HEX #AFCC2E

RGB 175 204 46

HSL 71.01, 0.63%, 0.49%

LAB 77.58, -29.39, 69.27

 

CMYK 77 / 45 / 0 / 21

HEX #2E6FCA

RGB 46 111 202

HSL 215, 0.63%, 0.49%

LAB 47.25, 11.65, -53.15

 

CMYK 0 / 77 / 45 / 20

HEX #CC2E70

RGB 204 46 112

HSL 334.94, 0.63%, 0.49%

LAB 46.92, 64.62, 1.02

 

CMYK 45 / 0 / 77 / 20

HEX #70CC2E

RGB 112 204 46

HSL 94.94, 0.63%, 0.49%

LAB 74.08, -52.57, 64.75

 

CMYK 77 / 45 / 0 / 21

HEX #2E6FCA

RGB 46 111 202

HSL 215, 0.63%, 0.49%

LAB 47.25, 11.65, -53.15

 

CMYK 17 / 77 / 0 / 20

HEX #AA2ECC

RGB 170 46 204

HSL 287.09, 0.63%, 0.49%

LAB 45.44, 69.65, -56.65

 

CMYK 0 / 32 / 77 / 20

HEX #CC8A2E

RGB 204 138 46

HSL 34.94, 0.63%, 0.49%

LAB 62.69, 17.45, 56.35

 

CMYK 61 / 0 / 77 / 20

HEX #50CC2E

RGB 80 204 46

HSL 107.09, 0.63%, 0.49%

LAB 72.95, -61.37, 63.28

 

CMYK 77 / 45 / 0 / 21

HEX #2E6FCA

RGB 46 111 202

HSL 215, 0.63%, 0.49%

LAB 47.25, 11.65, -53.15

 

CMYK 0 / 77 / 6 / 20

HEX #CC2EBF

RGB 204 46 191

HSL 304.94, 0.63%, 0.49%

LAB 50.16, 74.17, -41.26

 

CMYK 0 / 32 / 77 / 20

HEX #CC8A2E

RGB 204 138 46

HSL 34.94, 0.63%, 0.49%

LAB 62.69, 17.45, 56.35

 

CMYK 77 / 0 / 71 / 20

HEX #2ECC3B

RGB 46 204 59

HSL 124.94, 0.63%, 0.49%

LAB 72.28, -66.67, 57.93

 

Description

Color code: HEX #2E6FCACE | qconv.com Color code: HEX #2E6FCACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 111 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 111 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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