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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E652B it is the complementary color #D19AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E652B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E652B shade: #336526, #447739, #55894C, #669B5F and #77AD72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E652B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E652B shade: #2E652B, #1D5318, #0C4105, #002F00 and #001D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E652B shade: #2E642B, #3D642B, #4D642B, #5C642B and #645D2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E652B shade: #2E642B, #2B6437, #2B6447, #2B6456 and #2B6264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E652B shade matches the following richer shades: #2E642B, #23701F, #197B14 and #0F8708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E652B shade: #2E642B, #385836, #434D42, #4D414D and #573659

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E652B shade: #4D642B, #3E642B, #2F642B, #2B6436 and #2B6445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E652B shade: #132A12, #21471E, #2E642B, #3B8137 and #489E44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E652B shade: #2E652B, #2B5C64 and #642B45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E652B shade: #2E652B, #2B2F64 and #642B2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E652B shade: #2E652B, #2B5C64, #602B64 and #64322B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E652B shade: #2E652B, #2B4B64, #602B64 and #64442B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 57 / 60

HEX #2E652B

RGB 46 101 43

HSL 116.9, 0.4%, 0.28%

LAB 37.95, -31.11, 27.1

 

Complementary color

CMYK 1 / 27 / 0 / 17

HEX #D19AD4

RGB 209 154 212

HSL 296.9, 0.4%, 0.72%

LAB 70.47, 30.2, -21.58

 

CMYK 50 / 0 / 62 / 60

HEX #336526

RGB 51 101 38

HSL 107.62, 0.45%, 0.27%

LAB 38.11, -30.16, 29.96

 

CMYK 43 / 0 / 52 / 53

HEX #447739

RGB 68 119 57

HSL 109.35, 0.35%, 0.35%

LAB 45.25, -30.18, 28.65

 

CMYK 38 / 0 / 45 / 46

HEX #55894C

RGB 85 137 76

HSL 111.15, 0.29%, 0.42%

LAB 52.22, -30.03, 27.31

 

CMYK 34 / 0 / 39 / 39

HEX #669B5F

RGB 102 155 95

HSL 113, 0.24%, 0.49%

LAB 59.06, -29.83, 26.03

 

CMYK 31 / 0 / 34 / 32

HEX #77AD72

RGB 119 173 114

HSL 114.92, 0.26%, 0.56%

LAB 65.77, -29.59, 24.82

 

CMYK 54 / 0 / 57 / 60

HEX #2E652B

RGB 46 101 43

HSL 116.9, 0.4%, 0.28%

LAB 37.95, -31.11, 27.1

 

CMYK 65 / 0 / 71 / 67

HEX #1D5318

RGB 29 83 24

HSL 114.92, 0.55%, 0.21%

LAB 30.67, -30.74, 28.39

 

CMYK 82 / 0 / 92 / 75

HEX #0C4105

RGB 12 65 5

HSL 113, 0.86%, 0.14%

LAB 23.24, -29.51, 28.88

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 54 / 0 / 57 / 61

HEX #2E642B

RGB 46 100 43

HSL 116.84, 0.4%, 0.28%

LAB 37.61, -30.66, 26.68

 

CMYK 39 / 0 / 57 / 61

HEX #3D642B

RGB 61 100 43

HSL 101.05, 0.4%, 0.28%

LAB 38.34, -25.47, 27.74

 

CMYK 23 / 0 / 57 / 61

HEX #4D642B

RGB 77 100 43

HSL 84.21, 0.4%, 0.28%

LAB 39.35, -18.99, 29.18

 

CMYK 8 / 0 / 57 / 61

HEX #5C642B

RGB 92 100 43

HSL 68.42, 0.4%, 0.28%

LAB 40.51, -12.32, 30.83

 

CMYK 0 / 7 / 57 / 61

HEX #645D2B

RGB 100 93 43

HSL 52.63, 0.4%, 0.28%

LAB 39.09, -4.56, 29.36

 

CMYK 54 / 0 / 57 / 61

HEX #2E642B

RGB 46 100 43

HSL 116.84, 0.4%, 0.28%

LAB 37.61, -30.66, 26.68

 

CMYK 57 / 0 / 45 / 61

HEX #2B6437

RGB 43 100 55

HSL 132.63, 0.4%, 0.28%

LAB 37.67, -29.59, 19.98

 

CMYK 57 / 0 / 29 / 61

HEX #2B6447

RGB 43 100 71

HSL 149.47, 0.4%, 0.28%

LAB 37.99, -26.27, 10.9

 

CMYK 57 / 0 / 14 / 61

HEX #2B6456

RGB 43 100 86

HSL 165.26, 0.4%, 0.28%

LAB 38.38, -22.49, 2.3

 

CMYK 57 / 2 / 0 / 61

HEX #2B6264

RGB 43 98 100

HSL 182.11, 0.4%, 0.28%

LAB 38.14, -17.37, -6.66

 

CMYK 54 / 0 / 57 / 61

HEX #2E642B

RGB 46 100 43

HSL 116.84, 0.4%, 0.28%

LAB 37.61, -30.66, 26.68

 

CMYK 69 / 0 / 72 / 56

HEX #23701F

RGB 35 112 31

HSL 117.04, 0.57%, 0.28%

LAB 41.29, -40.03, 36.63

 

CMYK 80 / 0 / 84 / 52

HEX #197B14

RGB 25 123 20

HSL 117.09, 0.72%, 0.28%

LAB 44.83, -46.71, 44.18

 

CMYK 89 / 0 / 94 / 47

HEX #0F8708

RGB 15 135 8

HSL 116.69, 0.89%, 0.28%

LAB 48.82, -52.3, 50.5

 

CMYK 54 / 0 / 57 / 61

HEX #2E642B

RGB 46 100 43

HSL 116.84, 0.4%, 0.28%

LAB 37.61, -30.66, 26.68

 

CMYK 36 / 0 / 39 / 65

HEX #385836

RGB 56 88 54

HSL 116.47, 0.24%, 0.28%

LAB 34.16, -19.52, 16.1

 

CMYK 13 / 0 / 14 / 70

HEX #434D42

RGB 67 77 66

HSL 114.55, 0.08%, 0.28%

LAB 31.57, -6.47, 5.18

 

CMYK 0 / 16 / 0 / 70

HEX #4D414D

RGB 77 65 77

HSL 300, 0.08%, 0.28%

LAB 29.14, 7.66, -5.33

 

CMYK 2 / 39 / 0 / 65

HEX #573659

RGB 87 54 89

HSL 296.57, 0.24%, 0.28%

LAB 27.81, 21.29, -15.06

 

CMYK 23 / 0 / 57 / 61

HEX #4D642B

RGB 77 100 43

HSL 84.21, 0.4%, 0.28%

LAB 39.35, -18.99, 29.18

 

CMYK 38 / 0 / 57 / 61

HEX #3E642B

RGB 62 100 43

HSL 100, 0.4%, 0.28%

LAB 38.4, -25.09, 27.82

 

CMYK 53 / 0 / 57 / 61

HEX #2F642B

RGB 47 100 43

HSL 115.79, 0.4%, 0.28%

LAB 37.65, -30.35, 26.74

 

CMYK 57 / 0 / 46 / 61

HEX #2B6436

RGB 43 100 54

HSL 131.58, 0.4%, 0.28%

LAB 37.65, -29.78, 20.54

 

CMYK 57 / 0 / 31 / 61

HEX #2B6445

RGB 43 100 69

HSL 147.37, 0.4%, 0.28%

LAB 37.95, -26.73, 12.05

 

CMYK 55 / 0 / 57 / 84

HEX #132A12

RGB 19 42 18

HSL 117.5, 0.4%, 0.12%

LAB 14.61, -15.34, 12.84

 

CMYK 54 / 0 / 58 / 72

HEX #21471E

RGB 33 71 30

HSL 115.61, 0.41%, 0.2%

LAB 26.52, -23.25, 20.41

 

CMYK 54 / 0 / 57 / 61

HEX #2E642B

RGB 46 100 43

HSL 116.84, 0.4%, 0.28%

LAB 37.61, -30.66, 26.68

 

CMYK 54 / 0 / 57 / 49

HEX #3B8137

RGB 59 129 55

HSL 116.76, 0.4%, 0.36%

LAB 48.14, -37.76, 33.1

 

CMYK 54 / 0 / 57 / 38

HEX #489E44

RGB 72 158 68

HSL 117.33, 0.4%, 0.44%

LAB 58.27, -44.39, 38.75

 

CMYK 54 / 0 / 57 / 60

HEX #2E652B

RGB 46 101 43

HSL 116.9, 0.4%, 0.28%

LAB 37.95, -31.11, 27.1

 

CMYK 57 / 8 / 0 / 61

HEX #2B5C64

RGB 43 92 100

HSL 188.42, 0.4%, 0.28%

LAB 36.15, -13.99, -9.65

 

CMYK 0 / 57 / 31 / 61

HEX #642B45

RGB 100 43 69

HSL 332.63, 0.4%, 0.28%

LAB 26.35, 28.95, -3.88

 

CMYK 54 / 0 / 57 / 60

HEX #2E652B

RGB 46 101 43

HSL 116.9, 0.4%, 0.28%

LAB 37.95, -31.11, 27.1

 

CMYK 57 / 53 / 0 / 61

HEX #2B2F64

RGB 43 47 100

HSL 235.79, 0.4%, 0.28%

LAB 21.82, 15.31, -31.99

 

CMYK 0 / 57 / 53 / 61

HEX #642B2F

RGB 100 43 47

HSL 355.79, 0.4%, 0.28%

LAB 25.69, 26.15, 9.93

 

CMYK 54 / 0 / 57 / 60

HEX #2E652B

RGB 46 101 43

HSL 116.9, 0.4%, 0.28%

LAB 37.95, -31.11, 27.1

 

CMYK 57 / 8 / 0 / 61

HEX #2B5C64

RGB 43 92 100

HSL 188.42, 0.4%, 0.28%

LAB 36.15, -13.99, -9.65

 

CMYK 4 / 57 / 0 / 61

HEX #602B64

RGB 96 43 100

HSL 295.79, 0.4%, 0.28%

LAB 27.11, 33.17, -23.19

 

CMYK 0 / 50 / 57 / 61

HEX #64322B

RGB 100 50 43

HSL 7.37, 0.4%, 0.28%

LAB 27.2, 21.69, 14.6

 

CMYK 54 / 0 / 57 / 60

HEX #2E652B

RGB 46 101 43

HSL 116.9, 0.4%, 0.28%

LAB 37.95, -31.11, 27.1

 

CMYK 57 / 25 / 0 / 61

HEX #2B4B64

RGB 43 75 100

HSL 206.32, 0.4%, 0.28%

LAB 30.56, -3.69, -18.2

 

CMYK 4 / 57 / 0 / 61

HEX #602B64

RGB 96 43 100

HSL 295.79, 0.4%, 0.28%

LAB 27.11, 33.17, -23.19

 

CMYK 0 / 32 / 57 / 61

HEX #64442B

RGB 100 68 43

HSL 26.32, 0.4%, 0.28%

LAB 31.85, 10.66, 20.58

 

Description

Color code: HEX #2E652B | qconv.com Color code: HEX #2E652B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 101 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 101 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 57 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 57% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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