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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E5ECACE it is the complementary color #D1A135CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E5ECACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E5ECACE shade: #335EC5CE, #4470D8CE, #5582EBCE, #6694FECE and #77A6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E5ECACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E5ECACE shade: #2E5ECACE, #1D4CB7CE, #0C3AA4CE, #002891CE and #00167ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E5ECACE shade: #2E5FCC, #2E34CC, #532ECC, #7D2ECC and #A82ECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E5ECACE shade: #2E5FCC, #2E34CC and #2E2ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E5ECACE shade matches the following richer shades: #2E5FCC, #1A57E0 and #064FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E5ECACE shade: #2E5FCC, #4266B7, #576EA3, #6B768F and #7F7E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E5ECACE shade: #2EB4CC, #2E8ACC, #2E60CC, #2E36CC and #502ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E5ECACE shade: #1F3F88, #274FAA, #2E5FCC, #4D77D7 and #6E91DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E5ECACE shade: #2E5ECA, #B92ECC and #9FCC2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E5ECACE shade: #2E5ECA, #CC2E60 and #60CC2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E5ECACE shade: #2E5ECA, #B92ECC, #CC9A2E and #41CC2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E5ECACE shade: #2E5ECA, #CC2EAF, #CC9A2E and #2ECC4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 43 / 0 / 17

HEX #2E5ECACE

RGBA 46 94 202 0.81

HSLA 221.54, 0.63%, 0.49%, 0.81

LABA 42.54, 22.55, -60.76, 0.81

 

Complementary color

CMYK 0 / 19 / 60 / 15

HEX #D1A135CE

RGBA 209 161 53 0.81

HSLA 41.54, 0.63%, 0.51%, 0.81

LABA 68.97, 7.45, 59.82, 0.81

 

CMYK 60 / 42 / 0 / 18

HEX #335EC5CE

RGBA 51 94 197 0.81

HSLA 222.33, 0.59%, 0.49%, 0.81

LABA 42.37, 21.26, -58.13, 0.81

 

CMYK 56 / 39 / 0 / 12

HEX #4470D8CE

RGBA 68 112 216 0.81

HSLA 222.16, 0.65%, 0.56%, 0.81

LABA 49.22, 19.08, -57.92, 0.81

 

CMYK 52 / 36 / 0 / 6

HEX #5582EBCE

RGBA 85 130 235 0.81

HSLA 222, 0.79%, 0.63%, 0.81

LABA 55.98, 17.29, -57.71, 0.81

 

CMYK 48 / 34 / 0 / 0

HEX #6694FECE

RGBA 102 148 254 0.81

HSLA 221.84, 0.99%, 0.7%, 0.81

LABA 62.64, 15.82, -57.5, 0.81

 

CMYK 43 / 28 / 0 / 0

HEX #77A6FFCE

RGBA 119 166 255 0.81

HSLA 219.26, 1%, 0.73%, 0.81

LABA 68.32, 9.01, -48.99, 0.81

 

CMYK 63 / 43 / 0 / 17

HEX #2E5ECACE

RGBA 46 94 202 0.81

HSLA 221.54, 0.63%, 0.49%, 0.81

LABA 42.54, 22.55, -60.76, 0.81

 

CMYK 68 / 47 / 0 / 23

HEX #1D4CB7CE

RGBA 29 76 183 0.81

HSLA 221.69, 0.73%, 0.42%, 0.81

LABA 35.69, 25.48, -60.83, 0.81

 

CMYK 75 / 52 / 0 / 29

HEX #0C3AA4CE

RGBA 12 58 164 0.81

HSLA 221.84, 0.86%, 0.35%, 0.81

LABA 28.86, 29.04, -60.69, 0.81

 

CMYK 81 / 59 / 0 / 35

HEX #002891CE

RGBA 0 40 145 0.81

HSLA 223.45, 1%, 0.28%, 0.81

LABA 22.17, 33.12, -60.1, 0.81

 

CMYK 81 / 67 / 0 / 41

HEX #00167ECE

RGBA 0 22 126 0.81

HSLA 229.52, 1%, 0.25%, 0.81

LABA 15.9, 37.17, -58.55, 0.81

 

CMYK 77 / 53 / 0 / 20

HEX #2E5FCC

RGB 46 95 204

HSL 221.39, 0.63%, 0.49%

LAB 42.95, 22.66, -61.24

 

CMYK 77 / 75 / 0 / 20

HEX #2E34CC

RGB 46 52 204

HSL 237.72, 0.63%, 0.49%

LAB 32.69, 49.4, -78.04

 

CMYK 59 / 77 / 0 / 20

HEX #532ECC

RGB 83 46 204

HSL 254.05, 0.63%, 0.49%

LAB 34.3, 56.03, -75.3

 

CMYK 39 / 77 / 0 / 20

HEX #7D2ECC

RGB 125 46 204

HSL 270, 0.63%, 0.49%

LAB 39.03, 61.86, -67.36

 

CMYK 18 / 77 / 0 / 20

HEX #A82ECC

RGB 168 46 204

HSL 286.33, 0.63%, 0.49%

LAB 45.13, 69.28, -57.16

 

CMYK 77 / 53 / 0 / 20

HEX #2E5FCC

RGB 46 95 204

HSL 221.39, 0.63%, 0.49%

LAB 42.95, 22.66, -61.24

 

CMYK 77 / 75 / 0 / 20

HEX #2E34CC

RGB 46 52 204

HSL 237.72, 0.63%, 0.49%

LAB 32.69, 49.4, -78.04

 

CMYK 77 / 77 / 0 / 20

HEX #2E2ECC

RGB 46 46 204

HSL 240, 0.63%, 0.49%

LAB 31.57, 52.61, -79.9

 

CMYK 77 / 53 / 0 / 20

HEX #2E5FCC

RGB 46 95 204

HSL 221.39, 0.63%, 0.49%

LAB 42.95, 22.66, -61.24

 

CMYK 88 / 61 / 0 / 12

HEX #1A57E0

RGB 26 87 224

HSL 221.52, 0.79%, 0.49%

LAB 41.87, 33.85, -74.47

 

CMYK 98 / 68 / 0 / 4

HEX #064FF4

RGB 6 79 244

HSL 221.6, 0.95%, 0.49%

LAB 41.47, 45.65, -86.44

 

CMYK 77 / 53 / 0 / 20

HEX #2E5FCC

RGB 46 95 204

HSL 221.39, 0.63%, 0.49%

LAB 42.95, 22.66, -61.24

 

CMYK 64 / 44 / 0 / 28

HEX #4266B7

RGB 66 102 183

HSL 221.54, 0.47%, 0.49%

LAB 44.35, 13.32, -46.78

 

CMYK 47 / 33 / 0 / 36

HEX #576EA3

RGB 87 110 163

HSL 221.84, 0.3%, 0.49%

LAB 46.74, 6.32, -31.21

 

CMYK 25 / 17 / 0 / 44

HEX #6B768F

RGB 107 118 143

HSL 221.67, 0.14%, 0.49%

LAB 49.58, 1.79, -14.95

 

CMYK 0 / 1 / 3 / 50

HEX #7F7E7B

RGB 127 126 123

HSL 45, 0.02%, 0.49%

LAB 52.8, -0.21, 1.76

 

CMYK 77 / 12 / 0 / 20

HEX #2EB4CC

RGB 46 180 204

HSL 189.11, 0.63%, 0.49%

LAB 67.71, -26.77, -22.23

 

CMYK 77 / 32 / 0 / 20

HEX #2E8ACC

RGB 46 138 204

HSL 205.06, 0.63%, 0.49%

LAB 55.19, -4.05, -41.65

 

CMYK 77 / 53 / 0 / 20

HEX #2E60CC

RGB 46 96 204

HSL 221.01, 0.63%, 0.49%

LAB 43.22, 22.01, -60.8

 

CMYK 77 / 74 / 0 / 20

HEX #2E36CC

RGB 46 54 204

HSL 236.96, 0.63%, 0.49%

LAB 33.09, 48.28, -77.38

 

CMYK 61 / 77 / 0 / 20

HEX #502ECC

RGB 80 46 204

HSL 252.91, 0.63%, 0.49%

LAB 34.02, 55.69, -75.76

 

CMYK 77 / 54 / 0 / 47

HEX #1F3F88

RGB 31 63 136

HSL 221.71, 0.63%, 0.33%

LAB 28.44, 15.87, -44.22

 

CMYK 77 / 54 / 0 / 33

HEX #274FAA

RGB 39 79 170

HSL 221.68, 0.63%, 0.41%

LAB 35.84, 19.38, -52.87

 

CMYK 77 / 53 / 0 / 20

HEX #2E5FCC

RGB 46 95 204

HSL 221.39, 0.63%, 0.49%

LAB 42.95, 22.66, -61.24

 

CMYK 64 / 45 / 0 / 16

HEX #4D77D7

RGB 77 119 215

HSL 221.74, 0.63%, 0.57%

LAB 51.47, 15.81, -53.73

 

CMYK 50 / 35 / 0 / 13

HEX #6E91DE

RGB 110 145 222

HSL 221.25, 0.63%, 0.65%

LAB 60.64, 9.1, -42.99

 

CMYK 77 / 53 / 0 / 21

HEX #2E5ECA

RGB 46 94 202

HSL 221.54, 0.63%, 0.49%

LAB 42.54, 22.55, -60.76

 

CMYK 9 / 77 / 0 / 20

HEX #B92ECC

RGB 185 46 204

HSL 292.78, 0.63%, 0.49%

LAB 47.79, 72.47, -52.76

 

CMYK 22 / 0 / 77 / 20

HEX #9FCC2E

RGB 159 204 46

HSL 77.09, 0.63%, 0.49%

LAB 76.53, -35.79, 67.93

 

CMYK 77 / 53 / 0 / 21

HEX #2E5ECA

RGB 46 94 202

HSL 221.54, 0.63%, 0.49%

LAB 42.54, 22.55, -60.76

 

CMYK 0 / 77 / 53 / 20

HEX #CC2E60

RGB 204 46 96

HSL 341.01, 0.63%, 0.49%

LAB 46.49, 63.29, 10.26

 

CMYK 53 / 0 / 77 / 20

HEX #60CC2E

RGB 96 204 46

HSL 101.01, 0.63%, 0.49%

LAB 73.46, -57.29, 63.95

 

CMYK 77 / 53 / 0 / 21

HEX #2E5ECA

RGB 46 94 202

HSL 221.54, 0.63%, 0.49%

LAB 42.54, 22.55, -60.76

 

CMYK 9 / 77 / 0 / 20

HEX #B92ECC

RGB 185 46 204

HSL 292.78, 0.63%, 0.49%

LAB 47.79, 72.47, -52.76

 

CMYK 0 / 25 / 77 / 20

HEX #CC9A2E

RGB 204 154 46

HSL 41.01, 0.63%, 0.49%

LAB 66.63, 8.75, 60.07

 

CMYK 68 / 0 / 77 / 20

HEX #41CC2E

RGB 65 204 46

HSL 112.78, 0.63%, 0.49%

LAB 72.57, -64.56, 62.78

 

CMYK 77 / 53 / 0 / 21

HEX #2E5ECA

RGB 46 94 202

HSL 221.54, 0.63%, 0.49%

LAB 42.54, 22.55, -60.76

 

CMYK 0 / 77 / 14 / 20

HEX #CC2EAF

RGB 204 46 175

HSL 311.01, 0.63%, 0.49%

LAB 49.36, 71.88, -33.18

 

CMYK 0 / 25 / 77 / 20

HEX #CC9A2E

RGB 204 154 46

HSL 41.01, 0.63%, 0.49%

LAB 66.63, 8.75, 60.07

 

CMYK 77 / 0 / 63 / 20

HEX #2ECC4B

RGB 46 204 75

HSL 131.01, 0.63%, 0.49%

LAB 72.41, -65.1, 51.64

 

Description

Color code: HEX #2E5ECACE | qconv.com Color code: HEX #2E5ECACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 94 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 94 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 43 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 43% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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