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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E4B95 it is the complementary color #D1B46A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E4B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E4B95 shade: #334B90, #445DA3, #556FB6, #6681C9 and #7793DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E4B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E4B95 shade: #2E4B95, #1D3982, #0C276F, #00155C and #000349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E4B95 shade: #2E4A94, #2E2F94, #482E94, #642E94 and #7F2E94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E4B95 shade: #2E4A94, #2E2F94 and #2E2E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E4B95 shade matches the following richer shades: #2E4A94, #1E44A4 and #0E3DB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E4B95 shade: #2E4A94, #3D5185, #4D5875, #5D5F65 and #6C6656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E4B95 shade: #2E8194, #2E6694, #2E4B94, #2E2F94 and #472E94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E4B95 shade: #1A2B55, #243B75, #2E4A94, #375AB4 and #4C6FC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E4B95 shade: #2E4B95, #8C2E94 and #74942E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E4B95 shade: #2E4B95, #942E4B and #4B942E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E4B95 shade: #2E4B95, #8C2E94, #94772E and #36942E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E4B95 shade: #2E4B95, #942E7E, #94772E and #2E9444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 50 / 0 / 42

HEX #2E4B95

RGB 46 75 149

HSL 223.11, 0.53%, 0.38%

LAB 33.53, 14.99, -43.96

 

Complementary color

CMYK 0 / 14 / 49 / 18

HEX #D1B46A

RGB 209 180 106

HSL 43.11, 0.53%, 0.62%

LAB 74.34, 0.92, 41.38

 

CMYK 65 / 48 / 0 / 44

HEX #334B90

RGB 51 75 144

HSL 224.52, 0.48%, 0.38%

LAB 33.46, 14.01, -41.02

 

CMYK 58 / 43 / 0 / 36

HEX #445DA3

RGB 68 93 163

HSL 224.21, 0.41%, 0.45%

LAB 40.74, 12.45, -40.76

 

CMYK 53 / 39 / 0 / 29

HEX #556FB6

RGB 85 111 182

HSL 223.92, 0.4%, 0.52%

LAB 47.85, 11.24, -40.56

 

CMYK 49 / 36 / 0 / 21

HEX #6681C9

RGB 102 129 201

HSL 223.64, 0.48%, 0.59%

LAB 54.81, 10.27, -40.41

 

CMYK 46 / 33 / 0 / 14

HEX #7793DC

RGB 119 147 220

HSL 223.37, 0.59%, 0.66%

LAB 61.62, 9.47, -40.31

 

CMYK 69 / 50 / 0 / 42

HEX #2E4B95

RGB 46 75 149

HSL 223.11, 0.53%, 0.38%

LAB 33.53, 14.99, -43.96

 

CMYK 78 / 56 / 0 / 49

HEX #1D3982

RGB 29 57 130

HSL 223.37, 0.64%, 0.31%

LAB 26.15, 17.37, -44.2

 

CMYK 89 / 65 / 0 / 56

HEX #0C276F

RGB 12 39 111

HSL 223.64, 0.8%, 0.24%

LAB 18.7, 20.59, -44.28

 

CMYK 100 / 77 / 0 / 64

HEX #00155C

RGB 0 21 92

HSL 226.3, 1%, 0.18%

LAB 11.34, 24.65, -43.88

 

CMYK 100 / 96 / 0 / 71

HEX #000349

RGB 0 3 73

HSL 237.53, 1%, 0.14%

LAB 4.93, 27.32, -41.44

 

CMYK 69 / 50 / 0 / 42

HEX #2E4A94

RGB 46 74 148

HSL 223.53, 0.53%, 0.38%

LAB 33.17, 15.28, -43.93

 

CMYK 69 / 68 / 0 / 42

HEX #2E2F94

RGB 46 47 148

HSL 239.41, 0.53%, 0.38%

LAB 26.02, 33.25, -55.55

 

CMYK 51 / 69 / 0 / 42

HEX #482E94

RGB 72 46 148

HSL 255.29, 0.53%, 0.38%

LAB 28.03, 38.05, -52.16

 

CMYK 32 / 69 / 0 / 42

HEX #642E94

RGB 100 46 148

HSL 271.76, 0.53%, 0.38%

LAB 31.35, 43.76, -46.62

 

CMYK 14 / 69 / 0 / 42

HEX #7F2E94

RGB 127 46 148

HSL 287.65, 0.53%, 0.38%

LAB 35.21, 49.91, -40.21

 

CMYK 69 / 50 / 0 / 42

HEX #2E4A94

RGB 46 74 148

HSL 223.53, 0.53%, 0.38%

LAB 33.17, 15.28, -43.93

 

CMYK 69 / 68 / 0 / 42

HEX #2E2F94

RGB 46 47 148

HSL 239.41, 0.53%, 0.38%

LAB 26.02, 33.25, -55.55

 

CMYK 69 / 69 / 0 / 42

HEX #2E2E94

RGB 46 46 148

HSL 240, 0.53%, 0.38%

LAB 25.78, 33.88, -55.94

 

CMYK 69 / 50 / 0 / 42

HEX #2E4A94

RGB 46 74 148

HSL 223.53, 0.53%, 0.38%

LAB 33.17, 15.28, -43.93

 

CMYK 82 / 59 / 0 / 36

HEX #1E44A4

RGB 30 68 164

HSL 222.99, 0.69%, 0.38%

LAB 32.01, 23.48, -55.52

 

CMYK 92 / 66 / 0 / 29

HEX #0E3DB4

RGB 14 61 180

HSL 223.01, 0.86%, 0.38%

LAB 31.18, 33.39, -66.47

 

CMYK 69 / 50 / 0 / 42

HEX #2E4A94

RGB 46 74 148

HSL 223.53, 0.53%, 0.38%

LAB 33.17, 15.28, -43.93

 

CMYK 54 / 39 / 0 / 48

HEX #3D5185

RGB 61 81 133

HSL 223.33, 0.37%, 0.38%

LAB 35.14, 8.3, -31.56

 

CMYK 34 / 25 / 0 / 54

HEX #4D5875

RGB 77 88 117

HSL 223.5, 0.21%, 0.38%

LAB 37.56, 3.3, -17.86

 

CMYK 8 / 6 / 0 / 60

HEX #5D5F65

RGB 93 95 101

HSL 225, 0.04%, 0.38%

LAB 40.33, 0.53, -3.69

 

CMYK 0 / 6 / 20 / 58

HEX #6C6656

RGB 108 102 86

HSL 43.64, 0.11%, 0.38%

LAB 43.3, -0.57, 9.9

 

CMYK 69 / 13 / 0 / 42

HEX #2E8194

RGB 46 129 148

HSL 191.18, 0.53%, 0.38%

LAB 50, -18.42, -17.52

 

CMYK 69 / 31 / 0 / 42

HEX #2E6694

RGB 46 102 148

HSL 207.06, 0.53%, 0.38%

LAB 41.57, -2.83, -30.58

 

CMYK 69 / 49 / 0 / 42

HEX #2E4B94

RGB 46 75 148

HSL 222.94, 0.53%, 0.38%

LAB 33.46, 14.61, -43.46

 

CMYK 69 / 68 / 0 / 42

HEX #2E2F94

RGB 46 47 148

HSL 239.41, 0.53%, 0.38%

LAB 26.02, 33.25, -55.55

 

CMYK 52 / 69 / 0 / 42

HEX #472E94

RGB 71 46 148

HSL 254.71, 0.53%, 0.38%

LAB 27.93, 37.87, -52.34

 

CMYK 69 / 49 / 0 / 67

HEX #1A2B55

RGB 26 43 85

HSL 222.71, 0.53%, 0.22%

LAB 18.38, 8.58, -27.66

 

CMYK 69 / 50 / 0 / 54

HEX #243B75

RGB 36 59 117

HSL 222.96, 0.53%, 0.3%

LAB 26.12, 11.87, -36.04

 

CMYK 69 / 50 / 0 / 42

HEX #2E4A94

RGB 46 74 148

HSL 223.53, 0.53%, 0.38%

LAB 33.17, 15.28, -43.93

 

CMYK 69 / 50 / 0 / 29

HEX #375AB4

RGB 55 90 180

HSL 223.2, 0.53%, 0.46%

LAB 40.28, 18.1, -51.58

 

CMYK 62 / 45 / 0 / 22

HEX #4C6FC8

RGB 76 111 200

HSL 223.06, 0.53%, 0.54%

LAB 48.36, 15.42, -50.17

 

CMYK 69 / 50 / 0 / 42

HEX #2E4B95

RGB 46 75 149

HSL 223.11, 0.53%, 0.38%

LAB 33.53, 14.99, -43.96

 

CMYK 5 / 69 / 0 / 42

HEX #8C2E94

RGB 140 46 148

HSL 295.29, 0.53%, 0.38%

LAB 37.24, 52.99, -36.86

 

CMYK 22 / 0 / 69 / 42

HEX #74942E

RGB 116 148 46

HSL 78.82, 0.53%, 0.38%

LAB 57.16, -26.72, 48.12

 

CMYK 69 / 50 / 0 / 42

HEX #2E4B95

RGB 46 75 149

HSL 223.11, 0.53%, 0.38%

LAB 33.53, 14.99, -43.96

 

CMYK 0 / 69 / 49 / 42

HEX #942E4B

RGB 148 46 75

HSL 342.94, 0.53%, 0.38%

LAB 35.51, 44.87, 6.52

 

CMYK 49 / 0 / 69 / 42

HEX #4B942E

RGB 75 148 46

HSL 102.94, 0.53%, 0.38%

LAB 54.94, -41.82, 45.11

 

CMYK 69 / 50 / 0 / 42

HEX #2E4B95

RGB 46 75 149

HSL 223.11, 0.53%, 0.38%

LAB 33.53, 14.99, -43.96

 

CMYK 5 / 69 / 0 / 42

HEX #8C2E94

RGB 140 46 148

HSL 295.29, 0.53%, 0.38%

LAB 37.24, 52.99, -36.86

 

CMYK 0 / 20 / 69 / 42

HEX #94772E

RGB 148 119 46

HSL 42.94, 0.53%, 0.38%

LAB 51.48, 3.03, 43.01

 

CMYK 64 / 0 / 69 / 42

HEX #36942E

RGB 54 148 46

HSL 115.29, 0.53%, 0.38%

LAB 54.2, -47.6, 44.1

 

CMYK 69 / 50 / 0 / 42

HEX #2E4B95

RGB 46 75 149

HSL 223.11, 0.53%, 0.38%

LAB 33.53, 14.99, -43.96

 

CMYK 0 / 69 / 15 / 42

HEX #942E7E

RGB 148 46 126

HSL 312.94, 0.53%, 0.38%

LAB 37.4, 51.29, -22.98

 

CMYK 0 / 20 / 69 / 42

HEX #94772E

RGB 148 119 46

HSL 42.94, 0.53%, 0.38%

LAB 51.48, 3.03, 43.01

 

CMYK 69 / 0 / 54 / 42

HEX #2E9444

RGB 46 148 68

HSL 132.94, 0.53%, 0.38%

LAB 54.22, -46.63, 33.69

 

Description

Color code: HEX #2E4B95 | qconv.com Color code: HEX #2E4B95 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 75 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 75 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 50 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 50% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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