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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E4A8C it is the complementary color #D1B573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E4A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E4A8C shade: #334A87, #445C9A, #556EAD, #6680C0 and #7792D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E4A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E4A8C shade: #2E4A8C, #1D3879, #0C2666, #001453 and #000240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E4A8C shade: #2D498B, #2D308B, #442D8B, #5D2D8B and #762D8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E4A8C shade: #2D498B, #2D308B and #2D2D8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E4A8C shade matches the following richer shades: #2D498B, #1E4399, #0F3DA8 and #0037B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E4A8C shade: #2D498B, #3C4F7C, #4B556D, #5A5B5E and #68614F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E4A8C shade: #2D7B8B, #2D628B, #2D498B, #2D308B and #432D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E4A8C shade: #19284C, #23386B, #2D498B, #3759AA and #476CC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E4A8C shade: #2E4A8C, #812D8B and #6F8B2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E4A8C shade: #2E4A8C, #8B2D49 and #498B2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E4A8C shade: #2E4A8C, #812D8B, #8B6F2D and #368B2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E4A8C shade: #2E4A8C, #8B2D78, #8B6F2D and #2D8B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 47 / 0 / 45

HEX #2E4A8C

RGB 46 74 140

HSL 222.13, 0.51%, 0.36%

LAB 32.64, 12.26, -39.89

 

Complementary color

CMYK 0 / 13 / 45 / 18

HEX #D1B573

RGB 209 181 115

HSL 42.13, 0.51%, 0.64%

LAB 74.72, 1.26, 37.25

 

CMYK 62 / 45 / 0 / 47

HEX #334A87

RGB 51 74 135

HSL 223.57, 0.45%, 0.36%

LAB 32.59, 11.37, -36.88

 

CMYK 56 / 40 / 0 / 40

HEX #445C9A

RGB 68 92 154

HSL 223.26, 0.39%, 0.44%

LAB 39.94, 10.01, -36.66

 

CMYK 51 / 36 / 0 / 32

HEX #556EAD

RGB 85 110 173

HSL 222.95, 0.35%, 0.51%

LAB 47.11, 8.96, -36.5

 

CMYK 47 / 33 / 0 / 25

HEX #6680C0

RGB 102 128 192

HSL 222.67, 0.42%, 0.58%

LAB 54.1, 8.12, -36.4

 

CMYK 44 / 31 / 0 / 17

HEX #7792D3

RGB 119 146 211

HSL 222.39, 0.51%, 0.65%

LAB 60.94, 7.43, -36.34

 

CMYK 67 / 47 / 0 / 45

HEX #2E4A8C

RGB 46 74 140

HSL 222.13, 0.51%, 0.36%

LAB 32.64, 12.26, -39.89

 

CMYK 76 / 54 / 0 / 53

HEX #1D3879

RGB 29 56 121

HSL 222.39, 0.61%, 0.29%

LAB 25.17, 14.43, -40.13

 

CMYK 88 / 63 / 0 / 60

HEX #0C2666

RGB 12 38 102

HSL 222.67, 0.79%, 0.22%

LAB 17.57, 17.47, -40.27

 

CMYK 100 / 76 / 0 / 67

HEX #001453

RGB 0 20 83

HSL 225.54, 1%, 0.16%

LAB 9.99, 21.53, -40.01

 

CMYK 100 / 97 / 0 / 75

HEX #000240

RGB 0 2 64

HSL 238.13, 1%, 0.13%

LAB 3.74, 22.53, -37.02

 

CMYK 68 / 47 / 0 / 45

HEX #2D498B

RGB 45 73 139

HSL 222.13, 0.51%, 0.36%

LAB 32.23, 12.37, -39.94

 

CMYK 68 / 65 / 0 / 45

HEX #2D308B

RGB 45 48 139

HSL 238.09, 0.51%, 0.36%

LAB 25.37, 29.25, -51.05

 

CMYK 51 / 68 / 0 / 45

HEX #442D8B

RGB 68 45 139

HSL 254.68, 0.51%, 0.36%

LAB 26.65, 35.13, -48.88

 

CMYK 33 / 68 / 0 / 45

HEX #5D2D8B

RGB 93 45 139

HSL 270.64, 0.51%, 0.36%

LAB 29.58, 40.45, -43.98

 

CMYK 15 / 68 / 0 / 45

HEX #762D8B

RGB 118 45 139

HSL 286.6, 0.51%, 0.36%

LAB 33.12, 46.35, -38.11

 

CMYK 68 / 47 / 0 / 45

HEX #2D498B

RGB 45 73 139

HSL 222.13, 0.51%, 0.36%

LAB 32.23, 12.37, -39.94

 

CMYK 68 / 65 / 0 / 45

HEX #2D308B

RGB 45 48 139

HSL 238.09, 0.51%, 0.36%

LAB 25.37, 29.25, -51.05

 

CMYK 68 / 68 / 0 / 45

HEX #2D2D8B

RGB 45 45 139

HSL 240, 0.51%, 0.36%

LAB 24.64, 31.19, -52.25

 

CMYK 68 / 47 / 0 / 45

HEX #2D498B

RGB 45 73 139

HSL 222.13, 0.51%, 0.36%

LAB 32.23, 12.37, -39.94

 

CMYK 80 / 56 / 0 / 40

HEX #1E4399

RGB 30 67 153

HSL 221.95, 0.67%, 0.36%

LAB 30.86, 19.8, -50.75

 

CMYK 91 / 64 / 0 / 34

HEX #0F3DA8

RGB 15 61 168

HSL 221.96, 0.84%, 0.36%

LAB 30.07, 28.74, -61.11

 

CMYK 100 / 70 / 0 / 28

HEX #0037B7

RGB 0 55 183

HSL 221.97, 1%, 0.36%

LAB 29.79, 37.98, -70.54

 

CMYK 68 / 47 / 0 / 45

HEX #2D498B

RGB 45 73 139

HSL 222.13, 0.51%, 0.36%

LAB 32.23, 12.37, -39.94

 

CMYK 52 / 36 / 0 / 51

HEX #3C4F7C

RGB 60 79 124

HSL 222.19, 0.35%, 0.36%

LAB 34, 6.29, -27.82

 

CMYK 31 / 22 / 0 / 57

HEX #4B556D

RGB 75 85 109

HSL 222.35, 0.18%, 0.36%

LAB 36.17, 2.27, -15.05

 

CMYK 4 / 3 / 0 / 63

HEX #5A5B5E

RGB 90 91 94

HSL 225, 0.02%, 0.36%

LAB 38.66, 0.25, -1.87

 

CMYK 0 / 7 / 24 / 59

HEX #68614F

RGB 104 97 79

HSL 43.2, 0.14%, 0.36%

LAB 41.31, -0.47, 11.29

 

CMYK 68 / 12 / 0 / 45

HEX #2D7B8B

RGB 45 123 139

HSL 190.21, 0.51%, 0.36%

LAB 47.74, -18.27, -15.69

 

CMYK 68 / 29 / 0 / 45

HEX #2D628B

RGB 45 98 139

HSL 206.17, 0.51%, 0.36%

LAB 39.84, -3.8, -27.87

 

CMYK 68 / 47 / 0 / 45

HEX #2D498B

RGB 45 73 139

HSL 222.13, 0.51%, 0.36%

LAB 32.23, 12.37, -39.94

 

CMYK 68 / 65 / 0 / 45

HEX #2D308B

RGB 45 48 139

HSL 238.09, 0.51%, 0.36%

LAB 25.37, 29.25, -51.05

 

CMYK 52 / 68 / 0 / 45

HEX #432D8B

RGB 67 45 139

HSL 254.04, 0.51%, 0.36%

LAB 26.55, 34.94, -49.05

 

CMYK 67 / 47 / 0 / 70

HEX #19284C

RGB 25 40 76

HSL 222.35, 0.5%, 0.2%

LAB 16.73, 6.91, -24.23

 

CMYK 67 / 48 / 0 / 58

HEX #23386B

RGB 35 56 107

HSL 222.5, 0.51%, 0.28%

LAB 24.47, 9.87, -32.3

 

CMYK 68 / 47 / 0 / 45

HEX #2D498B

RGB 45 73 139

HSL 222.13, 0.51%, 0.36%

LAB 32.23, 12.37, -39.94

 

CMYK 68 / 48 / 0 / 33

HEX #3759AA

RGB 55 89 170

HSL 222.26, 0.51%, 0.44%

LAB 39.34, 15.07, -47.19

 

CMYK 64 / 45 / 0 / 24

HEX #476CC3

RGB 71 108 195

HSL 222.1, 0.51%, 0.52%

LAB 46.98, 14.66, -49.51

 

CMYK 67 / 47 / 0 / 45

HEX #2E4A8C

RGB 46 74 140

HSL 222.13, 0.51%, 0.36%

LAB 32.64, 12.26, -39.89

 

CMYK 7 / 68 / 0 / 45

HEX #812D8B

RGB 129 45 139

HSL 293.62, 0.51%, 0.36%

LAB 34.82, 49.05, -35.3

 

CMYK 20 / 0 / 68 / 45

HEX #6F8B2D

RGB 111 139 45

HSL 77.87, 0.51%, 0.36%

LAB 54.06, -24.42, 45.21

 

CMYK 67 / 47 / 0 / 45

HEX #2E4A8C

RGB 46 74 140

HSL 222.13, 0.51%, 0.36%

LAB 32.64, 12.26, -39.89

 

CMYK 0 / 68 / 47 / 45

HEX #8B2D49

RGB 139 45 73

HSL 342.13, 0.51%, 0.36%

LAB 33.66, 42.15, 4.96

 

CMYK 47 / 0 / 68 / 45

HEX #498B2D

RGB 73 139 45

HSL 102.13, 0.51%, 0.36%

LAB 51.92, -38.79, 42.28

 

CMYK 67 / 47 / 0 / 45

HEX #2E4A8C

RGB 46 74 140

HSL 222.13, 0.51%, 0.36%

LAB 32.64, 12.26, -39.89

 

CMYK 7 / 68 / 0 / 45

HEX #812D8B

RGB 129 45 139

HSL 293.62, 0.51%, 0.36%

LAB 34.82, 49.05, -35.3

 

CMYK 0 / 20 / 68 / 45

HEX #8B6F2D

RGB 139 111 45

HSL 42.13, 0.51%, 0.36%

LAB 48.32, 3.4, 39.82

 

CMYK 61 / 0 / 68 / 45

HEX #368B2D

RGB 54 139 45

HSL 114.26, 0.51%, 0.36%

LAB 51.2, -44.31, 41.29

 

CMYK 67 / 47 / 0 / 45

HEX #2E4A8C

RGB 46 74 140

HSL 222.13, 0.51%, 0.36%

LAB 32.64, 12.26, -39.89

 

CMYK 0 / 68 / 14 / 45

HEX #8B2D78

RGB 139 45 120

HSL 312.13, 0.51%, 0.36%

LAB 35.44, 48.32, -22.4

 

CMYK 0 / 20 / 68 / 45

HEX #8B6F2D

RGB 139 111 45

HSL 42.13, 0.51%, 0.36%

LAB 48.32, 3.4, 39.82

 

CMYK 68 / 0 / 54 / 45

HEX #2D8B40

RGB 45 139 64

HSL 132.13, 0.51%, 0.36%

LAB 51.14, -43.99, 31.99

 

Description

Color code: HEX #2E4A8C | qconv.com Color code: HEX #2E4A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 74 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 74 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 47 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 47% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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