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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E3F71 it is the complementary color #D1C08E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E3F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E3F71 shade: #333F6C, #44517F, #556392, #6675A5 and #7787B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E3F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E3F71 shade: #2E3F71, #1D2D5E, #0C1B4B, #000938 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E3F71 shade: #2E3F70, #2F2E70, #412E70, #532E70 and #652E70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E3F71 shade: #2E3F70 and #2E2E70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E3F71 shade matches the following richer shades: #2E3F70, #21387D, #14328A and #072C97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E3F71 shade: #2E3F70, #3B4563, #474B57, #54524A and #61583D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E3F71 shade: #2E6370, #2E5170, #2E4070, #2E2E70 and #402E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E3F71 shade: #161E36, #222E53, #2E3F70, #3A4F8E and #465FAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E3F71 shade: #2E3F71, #6C2E70 and #5A702E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E3F71 shade: #2E3F71, #702E40 and #40702E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E3F71 shade: #2E3F71, #6C2E70, #705F2E and #32702E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E3F71 shade: #2E3F71, #702E61, #705F2E and #2E703D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 44 / 0 / 56

HEX #2E3F71

RGB 46 63 113

HSL 224.78, 0.42%, 0.31%

LAB 27.65, 9.66, -31.03

 

Complementary color

CMYK 0 / 8 / 32 / 18

HEX #D1C08E

RGB 209 192 142

HSL 44.78, 0.42%, 0.69%

LAB 78, -1.46, 27.42

 

CMYK 53 / 42 / 0 / 58

HEX #333F6C

RGB 51 63 108

HSL 227.37, 0.36%, 0.31%

LAB 27.69, 9.1, -27.77

 

CMYK 46 / 36 / 0 / 50

HEX #44517F

RGB 68 81 127

HSL 226.78, 0.3%, 0.38%

LAB 35.29, 8.12, -27.6

 

CMYK 42 / 32 / 0 / 43

HEX #556392

RGB 85 99 146

HSL 226.23, 0.26%, 0.45%

LAB 42.66, 7.37, -27.52

 

CMYK 38 / 29 / 0 / 35

HEX #6675A5

RGB 102 117 165

HSL 225.71, 0.26%, 0.52%

LAB 49.81, 6.77, -27.51

 

CMYK 35 / 27 / 0 / 28

HEX #7787B8

RGB 119 135 184

HSL 225.23, 0.31%, 0.59%

LAB 56.79, 6.27, -27.56

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F71

RGB 46 63 113

HSL 224.78, 0.42%, 0.31%

LAB 27.65, 9.66, -31.03

 

CMYK 69 / 52 / 0 / 63

HEX #1D2D5E

RGB 29 45 94

HSL 225.23, 0.53%, 0.24%

LAB 19.83, 11.37, -31.31

 

CMYK 84 / 64 / 0 / 71

HEX #0C1B4B

RGB 12 27 75

HSL 225.71, 0.72%, 0.17%

LAB 11.76, 13.97, -31.59

 

CMYK 100 / 84 / 0 / 78

HEX #000938

RGB 0 9 56

HSL 230.36, 1%, 0.11%

LAB 4.34, 14.52, -30.23

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F70

RGB 46 63 112

HSL 224.55, 0.42%, 0.31%

LAB 27.59, 9.29, -30.49

 

CMYK 58 / 59 / 0 / 56

HEX #2F2E70

RGB 47 46 112

HSL 240.91, 0.42%, 0.31%

LAB 22.75, 21.23, -38.24

 

CMYK 42 / 59 / 0 / 56

HEX #412E70

RGB 65 46 112

HSL 257.27, 0.42%, 0.31%

LAB 24.47, 25.53, -35.38

 

CMYK 26 / 59 / 0 / 56

HEX #532E70

RGB 83 46 112

HSL 273.64, 0.42%, 0.31%

LAB 26.63, 30.42, -31.81

 

CMYK 10 / 59 / 0 / 56

HEX #652E70

RGB 101 46 112

HSL 290, 0.42%, 0.31%

LAB 29.13, 35.59, -27.67

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F70

RGB 46 63 112

HSL 224.55, 0.42%, 0.31%

LAB 27.59, 9.29, -30.49

 

CMYK 59 / 59 / 0 / 56

HEX #2E2E70

RGB 46 46 112

HSL 240, 0.42%, 0.31%

LAB 22.67, 21.02, -38.38

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F70

RGB 46 63 112

HSL 224.55, 0.42%, 0.31%

LAB 27.59, 9.29, -30.49

 

CMYK 74 / 55 / 0 / 51

HEX #21387D

RGB 33 56 125

HSL 225, 0.58%, 0.31%

LAB 25.66, 16.63, -41.85

 

CMYK 86 / 64 / 0 / 46

HEX #14328A

RGB 20 50 138

HSL 224.75, 0.75%, 0.31%

LAB 24.53, 24.58, -51.85

 

CMYK 95 / 71 / 0 / 41

HEX #072C97

RGB 7 44 151

HSL 224.58, 0.91%, 0.31%

LAB 23.94, 33.1, -60.88

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F70

RGB 46 63 112

HSL 224.55, 0.42%, 0.31%

LAB 27.59, 9.29, -30.49

 

CMYK 40 / 30 / 0 / 61

HEX #3B4563

RGB 59 69 99

HSL 225, 0.25%, 0.31%

LAB 29.63, 4.42, -18.93

 

CMYK 18 / 14 / 0 / 66

HEX #474B57

RGB 71 75 87

HSL 225, 0.1%, 0.31%

LAB 31.94, 1.27, -7.63

 

CMYK 0 / 2 / 12 / 67

HEX #54524A

RGB 84 82 74

HSL 48, 0.06%, 0.31%

LAB 34.83, -0.8, 4.98

 

CMYK 0 / 9 / 37 / 62

HEX #61583D

RGB 97 88 61

HSL 45, 0.23%, 0.31%

LAB 37.59, -0.89, 17.01

 

CMYK 59 / 12 / 0 / 56

HEX #2E6370

RGB 46 99 112

HSL 191.82, 0.42%, 0.31%

LAB 39.03, -13.47, -12.7

 

CMYK 59 / 28 / 0 / 56

HEX #2E5170

RGB 46 81 112

HSL 208.18, 0.42%, 0.31%

LAB 33.21, -2.6, -21.64

 

CMYK 59 / 43 / 0 / 56

HEX #2E4070

RGB 46 64 112

HSL 223.64, 0.42%, 0.31%

LAB 27.89, 8.61, -30.01

 

CMYK 59 / 59 / 0 / 56

HEX #2E2E70

RGB 46 46 112

HSL 240, 0.42%, 0.31%

LAB 22.67, 21.02, -38.38

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 59 / 44 / 0 / 79

HEX #161E36

RGB 22 30 54

HSL 225, 0.42%, 0.15%

LAB 11.73, 4.81, -16.84

 

CMYK 59 / 45 / 0 / 67

HEX #222E53

RGB 34 46 83

HSL 225.31, 0.42%, 0.23%

LAB 19.71, 7.47, -24.16

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F70

RGB 46 63 112

HSL 224.55, 0.42%, 0.31%

LAB 27.59, 9.29, -30.49

 

CMYK 59 / 44 / 0 / 44

HEX #3A4F8E

RGB 58 79 142

HSL 225, 0.42%, 0.39%

LAB 34.89, 12.05, -37.48

 

CMYK 59 / 44 / 0 / 33

HEX #465FAB

RGB 70 95 171

HSL 225.15, 0.42%, 0.47%

LAB 41.89, 14.35, -43.66

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F71

RGB 46 63 113

HSL 224.78, 0.42%, 0.31%

LAB 27.65, 9.66, -31.03

 

CMYK 4 / 59 / 0 / 56

HEX #6C2E70

RGB 108 46 112

HSL 296.36, 0.42%, 0.31%

LAB 30.19, 37.64, -25.94

 

CMYK 20 / 0 / 59 / 56

HEX #5A702E

RGB 90 112 46

HSL 80, 0.42%, 0.31%

LAB 44.17, -19.43, 33.46

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F71

RGB 46 63 113

HSL 224.78, 0.42%, 0.31%

LAB 27.65, 9.66, -31.03

 

CMYK 0 / 59 / 43 / 56

HEX #702E40

RGB 112 46 64

HSL 343.64, 0.42%, 0.31%

LAB 28.82, 31.14, 3.3

 

CMYK 43 / 0 / 59 / 56

HEX #40702E

RGB 64 112 46

HSL 103.64, 0.42%, 0.31%

LAB 42.58, -29.75, 31.2

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F71

RGB 46 63 113

HSL 224.78, 0.42%, 0.31%

LAB 27.65, 9.66, -31.03

 

CMYK 4 / 59 / 0 / 56

HEX #6C2E70

RGB 108 46 112

HSL 296.36, 0.42%, 0.31%

LAB 30.19, 37.64, -25.94

 

CMYK 0 / 15 / 59 / 56

HEX #705F2E

RGB 112 95 46

HSL 44.55, 0.42%, 0.31%

LAB 40.94, 0.19, 30.2

 

CMYK 55 / 0 / 59 / 56

HEX #32702E

RGB 50 112 46

HSL 116.36, 0.42%, 0.31%

LAB 41.94, -34.32, 30.3

 

CMYK 59 / 44 / 0 / 56

HEX #2E3F71

RGB 46 63 113

HSL 224.78, 0.42%, 0.31%

LAB 27.65, 9.66, -31.03

 

CMYK 0 / 59 / 13 / 56

HEX #702E61

RGB 112 46 97

HSL 313.64, 0.42%, 0.31%

LAB 30.06, 36.04, -16.47

 

CMYK 0 / 15 / 59 / 56

HEX #705F2E

RGB 112 95 46

HSL 44.55, 0.42%, 0.31%

LAB 40.94, 0.19, 30.2

 

CMYK 59 / 0 / 46 / 56

HEX #2E703D

RGB 46 112 61

HSL 133.64, 0.42%, 0.31%

LAB 42.01, -33.1, 22.17

 

Description

Color code: HEX #2E3F71 | qconv.com Color code: HEX #2E3F71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 63 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 63 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 44 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 44% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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