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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E17514C it is the complementary color #D1E8AE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E17514C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E17514C shade: #33174C4C, #44295F4C, #553B724C, #664D854C and #775F984C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E17514C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E17514C shade: #2E17514C, #1D053E4C, #0C002B4C, #0000184C and #0000054C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E17514C shade: #2D1650, #3C1650, #4C1650, #501644 and #501634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E17514C shade: #2D1650, #1E1650 and #161650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E17514C shade matches the following richer shades: #2D1650, #2B0E58 and #2A0660

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E17514C shade: #2D1650, #2F1F47, #31273F, #322F37 and #34372F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E17514C shade: #161F50, #1D1650, #2C1650, #3C1650 and #4B1650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E17514C shade: #09040F, #1B0D2F, #2D1650, #3F2070 and #522990

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E17514C shade: #2E1751, #50162E and #175016

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E17514C shade: #2E1751, #502C16 and #16502C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E17514C shade: #2E1751, #50162E, #3A5016 and #165038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E17514C shade: #2E1751, #50161D, #3A5016 and #165049

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 21 / 0 / 20

HEX #2E17514C

RGBA 46 23 81 0.3

HSLA 263.79, 0.56%, 0.2%, 0.3

LABA 14.33, 25.83, -31.39, 0.3

 

Complementary color

CMYK 3 / 0 / 8 / 3

HEX #D1E8AE4C

RGBA 209 232 174 0.3

HSLA 83.79, 0.56%, 0.8%, 0.3

LABA 89.08, -17.44, 25.76, 0.3

 

CMYK 10 / 21 / 0 / 21

HEX #33174C4C

RGBA 51 23 76 0.3

HSLA 271.7, 0.54%, 0.19%, 0.3

LABA 14.62, 25.63, -27.47, 0.3

 

CMYK 9 / 17 / 0 / 19

HEX #44295F4C

RGBA 68 41 95 0.3

HSLA 270, 0.4%, 0.27%, 0.3

LABA 22.45, 24.61, -27.57, 0.3

 

CMYK 8 / 14 / 0 / 17

HEX #553B724C

RGBA 85 59 114 0.3

HSLA 268.36, 0.32%, 0.34%, 0.3

LABA 30.09, 23.57, -27.57, 0.3

 

CMYK 7 / 13 / 0 / 14

HEX #664D854C

RGBA 102 77 133 0.3

HSLA 266.79, 0.27%, 0.41%, 0.3

LABA 37.53, 22.64, -27.57, 0.3

 

CMYK 7 / 11 / 0 / 12

HEX #775F984C

RGBA 119 95 152 0.3

HSLA 265.26, 0.23%, 0.48%, 0.3

LABA 44.76, 21.82, -27.6, 0.3

 

CMYK 13 / 21 / 0 / 20

HEX #2E17514C

RGBA 46 23 81 0.3

HSLA 263.79, 0.56%, 0.2%, 0.3

LABA 14.33, 25.83, -31.39, 0.3

 

CMYK 16 / 28 / 0 / 23

HEX #1D053E4C

RGBA 29 5 62 0.3

HSLA 265.26, 0.85%, 0.13%, 0.3

LABA 6.48, 26.54, -31, 0.3

 

CMYK 22 / 30 / 0 / 25

HEX #0C002B4C

RGBA 12 0 43 0.3

HSLA 256.74, 1%, 0.08%, 0.3

LABA 2.28, 14.24, -23.79, 0.3

 

CMYK 30 / 30 / 0 / 27

HEX #0000184C

RGBA 0 0 24 0.3

HSLA 240, 1%, 0.05%, 0.3

LABA 0.6, 4.19, -11.39, 0.3

 

CMYK 30 / 30 / 0 / 29

HEX #0000054C

RGBA 0 0 5 0.3

HSLA 240, 1%, 0.01%, 0.3

LABA 0.1, 0.7, -1.89, 0.3

 

CMYK 44 / 73 / 0 / 69

HEX #2D1650

RGB 45 22 80

HSL 263.79, 0.57%, 0.2%

LAB 13.89, 25.9, -31.43

 

CMYK 25 / 73 / 0 / 69

HEX #3C1650

RGB 60 22 80

HSL 279.31, 0.57%, 0.2%

LAB 16.07, 29.65, -27.79

 

CMYK 5 / 73 / 0 / 69

HEX #4C1650

RGB 76 22 80

HSL 295.86, 0.57%, 0.2%

LAB 18.75, 33.92, -23.35

 

CMYK 0 / 73 / 15 / 69

HEX #501644

RGB 80 22 68

HSL 312.41, 0.57%, 0.2%

LAB 18.79, 32.78, -15.04

 

CMYK 0 / 73 / 35 / 69

HEX #501634

RGB 80 22 52

HSL 328.97, 0.57%, 0.2%

LAB 18.04, 30.25, -4.99

 

CMYK 44 / 73 / 0 / 69

HEX #2D1650

RGB 45 22 80

HSL 263.79, 0.57%, 0.2%

LAB 13.89, 25.9, -31.43

 

CMYK 63 / 73 / 0 / 69

HEX #1E1650

RGB 30 22 80

HSL 248.28, 0.57%, 0.2%

LAB 12.15, 22.66, -34.34

 

CMYK 73 / 73 / 0 / 69

HEX #161650

RGB 22 22 80

HSL 240, 0.57%, 0.2%

LAB 11.44, 21.26, -35.53

 

CMYK 44 / 73 / 0 / 69

HEX #2D1650

RGB 45 22 80

HSL 263.79, 0.57%, 0.2%

LAB 13.89, 25.9, -31.43

 

CMYK 51 / 84 / 0 / 65

HEX #2B0E58

RGB 43 14 88

HSL 263.51, 0.73%, 0.2%

LAB 12.81, 32.32, -38.64

 

CMYK 56 / 94 / 0 / 62

HEX #2A0660

RGB 42 6 96

HSL 264, 0.88%, 0.2%

LAB 12.4, 37.89, -44.71

 

CMYK 44 / 73 / 0 / 69

HEX #2D1650

RGB 45 22 80

HSL 263.79, 0.57%, 0.2%

LAB 13.89, 25.9, -31.43

 

CMYK 34 / 56 / 0 / 72

HEX #2F1F47

RGB 47 31 71

HSL 264, 0.39%, 0.2%

LAB 15.69, 17.81, -22.33

 

CMYK 22 / 38 / 0 / 75

HEX #31273F

RGB 49 39 63

HSL 265, 0.24%, 0.2%

LAB 17.75, 10.57, -13.55

 

CMYK 9 / 15 / 0 / 78

HEX #322F37

RGB 50 47 55

HSL 262.5, 0.08%, 0.2%

LAB 19.99, 3.25, -4.61

 

CMYK 5 / 0 / 15 / 78

HEX #34372F

RGB 52 55 47

HSL 82.5, 0.08%, 0.2%

LAB 22.54, -3.08, 4.58

 

CMYK 73 / 61 / 0 / 69

HEX #161F50

RGB 22 31 80

HSL 230.69, 0.57%, 0.2%

LAB 14, 14.66, -31.35

 

CMYK 64 / 73 / 0 / 69

HEX #1D1650

RGB 29 22 80

HSL 247.24, 0.57%, 0.2%

LAB 12.05, 22.47, -34.5

 

CMYK 45 / 73 / 0 / 69

HEX #2C1650

RGB 44 22 80

HSL 262.76, 0.57%, 0.2%

LAB 13.76, 25.66, -31.64

 

CMYK 25 / 73 / 0 / 69

HEX #3C1650

RGB 60 22 80

HSL 279.31, 0.57%, 0.2%

LAB 16.07, 29.65, -27.79

 

CMYK 6 / 73 / 0 / 69

HEX #4B1650

RGB 75 22 80

HSL 294.83, 0.57%, 0.2%

LAB 18.58, 33.65, -23.64

 

CMYK 40 / 73 / 0 / 94

HEX #09040F

RGB 9 4 15

HSL 267.27, 0.58%, 0.04%

LAB 1.62, 2.94, -3.98

 

CMYK 43 / 72 / 0 / 82

HEX #1B0D2F

RGB 27 13 47

HSL 264.71, 0.57%, 0.12%

LAB 6.56, 16.17, -19.93

 

CMYK 44 / 73 / 0 / 69

HEX #2D1650

RGB 45 22 80

HSL 263.79, 0.57%, 0.2%

LAB 13.89, 25.9, -31.43

 

CMYK 44 / 71 / 0 / 56

HEX #3F2070

RGB 63 32 112

HSL 263.25, 0.56%, 0.28%

LAB 21.06, 33.57, -40.92

 

CMYK 43 / 72 / 0 / 44

HEX #522990

RGB 82 41 144

HSL 263.88, 0.56%, 0.36%

LAB 27.83, 41.55, -49.99

 

CMYK 43 / 72 / 0 / 68

HEX #2E1751

RGB 46 23 81

HSL 263.79, 0.56%, 0.2%

LAB 14.33, 25.83, -31.39

 

CMYK 0 / 73 / 43 / 69

HEX #50162E

RGB 80 22 46

HSL 335.17, 0.57%, 0.2%

LAB 17.81, 29.45, -1.07

 

CMYK 71 / 0 / 73 / 69

HEX #175016

RGB 23 80 22

HSL 118.97, 0.57%, 0.2%

LAB 29.36, -31.29, 27.87

 

CMYK 43 / 72 / 0 / 68

HEX #2E1751

RGB 46 23 81

HSL 263.79, 0.56%, 0.2%

LAB 14.33, 25.83, -31.39

 

CMYK 0 / 45 / 73 / 69

HEX #502C16

RGB 80 44 22

HSL 22.76, 0.57%, 0.2%

LAB 22.18, 14.34, 21.1

 

CMYK 73 / 0 / 45 / 69

HEX #16502C

RGB 22 80 44

HSL 142.76, 0.57%, 0.2%

LAB 29.64, -27.96, 15.92

 

CMYK 43 / 72 / 0 / 68

HEX #2E1751

RGB 46 23 81

HSL 263.79, 0.56%, 0.2%

LAB 14.33, 25.83, -31.39

 

CMYK 0 / 73 / 43 / 69

HEX #50162E

RGB 80 22 46

HSL 335.17, 0.57%, 0.2%

LAB 17.81, 29.45, -1.07

 

CMYK 28 / 0 / 73 / 69

HEX #3A5016

RGB 58 80 22

HSL 82.76, 0.57%, 0.2%

LAB 31.1, -18.75, 30.26

 

CMYK 73 / 0 / 30 / 69

HEX #165038

RGB 22 80 56

HSL 155.17, 0.57%, 0.2%

LAB 29.9, -25.17, 8.82

 

CMYK 43 / 72 / 0 / 68

HEX #2E1751

RGB 46 23 81

HSL 263.79, 0.56%, 0.2%

LAB 14.33, 25.83, -31.39

 

CMYK 0 / 73 / 64 / 69

HEX #50161D

RGB 80 22 29

HSL 352.76, 0.57%, 0.2%

LAB 17.31, 27.64, 10.37

 

CMYK 28 / 0 / 73 / 69

HEX #3A5016

RGB 58 80 22

HSL 82.76, 0.57%, 0.2%

LAB 31.1, -18.75, 30.26

 

CMYK 73 / 0 / 9 / 69

HEX #165049

RGB 22 80 73

HSL 172.76, 0.57%, 0.2%

LAB 30.37, -20.32, -1.31

 

Description

Color code: HEX #2E17514C | qconv.com Color code: HEX #2E17514C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 23 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 23 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 21 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 21% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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