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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DFD43 it is the complementary color #D202BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DFD43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DFD43 shade: #32FD3E, #43FF51, #54FF64, #65FF77 and #76FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DFD43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DFD43 shade: #2DFD43, #1CEB30, #0BD91D, #00C70A and #00B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DFD43 shade: #2BFD41, #4DFD2B, #86FD2B, #BFFD2B and #F7FD2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DFD43 shade: #2BFD41, #2BFD7A, #2BFDB2, #2BFDEB and #2BD6FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DFD43 shade matches the following richer shades: #2BFD41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DFD43 shade: #2BFD41, #3CEC4F, #4EDA5C, #5FC96A and #70B878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DFD43 shade: #86FD2B, #4EFD2B, #2BFD40, #2BFD78 and #2BFDB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DFD43 shade: #02D318, #03FC1D, #2BFD41, #54FD66 and #7DFE8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DFD43 shade: #2DFD43, #2BBEFD and #FD2B6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DFD43 shade: #2DFD43, #402BFD and #FD402B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DFD43 shade: #2DFD43, #2BBEFD, #FD2BE8 and #FD6A2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DFD43 shade: #2DFD43, #2B7FFD, #FD2BE8 and #FDA92B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 74 / 1

HEX #2DFD43

RGB 45 253 67

HSL 126.35, 0.98%, 0.58%

LAB 87.59, -80.7, 70.71

 

Complementary color

CMYK 0 / 99 / 10 / 18

HEX #D202BC

RGB 210 2 188

HSL 306.35, 0.98%, 0.42%

LAB 48.73, 81.67, -41.71

 

CMYK 80 / 0 / 75 / 1

HEX #32FD3E

RGB 50 253 62

HSL 123.55, 0.98%, 0.59%

LAB 87.62, -80.53, 72.35

 

CMYK 74 / 0 / 68 / 0

HEX #43FF51

RGB 67 255 81

HSL 124.47, 1%, 0.63%

LAB 88.59, -77.52, 66.93

 

CMYK 67 / 0 / 61 / 0

HEX #54FF64

RGB 84 255 100

HSL 125.61, 1%, 0.66%

LAB 89.08, -72.93, 60.01

 

CMYK 60 / 0 / 53 / 0

HEX #65FF77

RGB 101 255 119

HSL 127.01, 1%, 0.7%

LAB 89.68, -67.4, 52.5

 

CMYK 54 / 0 / 46 / 0

HEX #76FF8A

RGB 118 255 138

HSL 128.76, 1%, 0.73%

LAB 90.42, -61.02, 44.64

 

CMYK 82 / 0 / 74 / 1

HEX #2DFD43

RGB 45 253 67

HSL 126.35, 0.98%, 0.58%

LAB 87.59, -80.7, 70.71

 

CMYK 88 / 0 / 80 / 8

HEX #1CEB30

RGB 28 235 48

HSL 125.8, 0.84%, 0.52%

LAB 81.77, -78.29, 70.76

 

CMYK 95 / 0 / 87 / 15

HEX #0BD91D

RGB 11 217 29

HSL 125.24, 0.9%, 0.45%

LAB 75.94, -75.19, 69.98

 

CMYK 100 / 0 / 95 / 22

HEX #00C70A

RGB 0 199 10

HSL 123.02, 1%, 0.39%

LAB 70.08, -71.3, 67.93

 

CMYK 100 / 0 / 100 / 29

HEX #00B500

RGB 0 181 0

HSL 120, 1%, 0.35%

LAB 64.2, -66.63, 64.31

 

CMYK 83 / 0 / 74 / 1

HEX #2BFD41

RGB 43 253 65

HSL 126.29, 0.98%, 0.58%

LAB 87.56, -81.03, 71.32

 

CMYK 70 / 0 / 83 / 1

HEX #4DFD2B

RGB 77 253 43

HSL 110.29, 0.98%, 0.58%

LAB 87.97, -77.81, 77.96

 

CMYK 47 / 0 / 83 / 1

HEX #86FD2B

RGB 134 253 43

HSL 94, 0.98%, 0.58%

LAB 89.62, -64.45, 80.06

 

CMYK 25 / 0 / 83 / 1

HEX #BFFD2B

RGB 191 253 43

HSL 77.71, 0.98%, 0.58%

LAB 92.35, -45.28, 83.5

 

CMYK 2 / 0 / 83 / 1

HEX #F7FD2B

RGB 247 253 43

HSL 61.71, 0.98%, 0.58%

LAB 96.08, -23.29, 88.14

 

CMYK 83 / 0 / 74 / 1

HEX #2BFD41

RGB 43 253 65

HSL 126.29, 0.98%, 0.58%

LAB 87.56, -81.03, 71.32

 

CMYK 83 / 0 / 52 / 1

HEX #2BFD7A

RGB 43 253 122

HSL 142.57, 0.98%, 0.58%

LAB 88.05, -74.94, 48.89

 

CMYK 83 / 0 / 30 / 1

HEX #2BFDB2

RGB 43 253 178

HSL 158.57, 0.98%, 0.58%

LAB 88.91, -64.96, 22.5

 

CMYK 83 / 0 / 7 / 1

HEX #2BFDEB

RGB 43 253 235

HSL 174.86, 0.98%, 0.58%

LAB 90.21, -51.2, -5.07

 

CMYK 83 / 15 / 0 / 1

HEX #2BD6FD

RGB 43 214 253

HSL 191.14, 0.98%, 0.58%

LAB 79.44, -28.23, -30.77

 

CMYK 83 / 0 / 74 / 1

HEX #2BFD41

RGB 43 253 65

HSL 126.29, 0.98%, 0.58%

LAB 87.56, -81.03, 71.32

 

CMYK 83 / 0 / 74 / 1

HEX #2BFD41

RGB 43 253 65

HSL 126.29, 0.98%, 0.58%

LAB 87.56, -81.03, 71.32

 

CMYK 75 / 0 / 67 / 7

HEX #3CEC4F

RGB 60 236 79

HSL 126.48, 0.82%, 0.58%

LAB 82.66, -72.86, 61.32

 

CMYK 64 / 0 / 58 / 15

HEX #4EDA5C

RGB 78 218 92

HSL 126, 0.65%, 0.58%

LAB 77.6, -62.47, 50.25

 

CMYK 53 / 0 / 47 / 21

HEX #5FC96A

RGB 95 201 106

HSL 126.23, 0.5%, 0.58%

LAB 73.05, -50.34, 38.2

 

CMYK 39 / 0 / 35 / 28

HEX #70B878

RGB 112 184 120

HSL 126.67, 0.34%, 0.58%

LAB 68.81, -36.02, 25.62

 

CMYK 47 / 0 / 83 / 1

HEX #86FD2B

RGB 134 253 43

HSL 94, 0.98%, 0.58%

LAB 89.62, -64.45, 80.06

 

CMYK 69 / 0 / 83 / 1

HEX #4EFD2B

RGB 78 253 43

HSL 110, 0.98%, 0.58%

LAB 87.99, -77.63, 77.98

 

CMYK 83 / 0 / 75 / 1

HEX #2BFD40

RGB 43 253 64

HSL 126, 0.98%, 0.58%

LAB 87.55, -81.1, 71.63

 

CMYK 83 / 0 / 53 / 1

HEX #2BFD78

RGB 43 253 120

HSL 142, 0.98%, 0.58%

LAB 88.03, -75.23, 49.78

 

CMYK 83 / 0 / 30 / 1

HEX #2BFDB0

RGB 43 253 176

HSL 158, 0.98%, 0.58%

LAB 88.87, -65.38, 23.47

 

CMYK 99 / 0 / 89 / 17

HEX #02D318

RGB 2 211 24

HSL 126.32, 0.98%, 0.42%

LAB 73.98, -74.08, 69.21

 

CMYK 99 / 0 / 88 / 1

HEX #03FC1D

RGB 3 252 29

HSL 126.27, 0.98%, 0.5%

LAB 86.86, -84.76, 79.45

 

CMYK 83 / 0 / 74 / 1

HEX #2BFD41

RGB 43 253 65

HSL 126.29, 0.98%, 0.58%

LAB 87.56, -81.03, 71.32

 

CMYK 67 / 0 / 60 / 1

HEX #54FD66

RGB 84 253 102

HSL 126.39, 0.98%, 0.66%

LAB 88.49, -72.06, 58.5

 

CMYK 51 / 0 / 46 / 0

HEX #7DFE8A

RGB 125 254 138

HSL 126.05, 0.98%, 0.74%

LAB 90.36, -58.93, 44.61

 

CMYK 82 / 0 / 74 / 1

HEX #2DFD43

RGB 45 253 67

HSL 126.35, 0.98%, 0.58%

LAB 87.59, -80.7, 70.71

 

CMYK 83 / 25 / 0 / 1

HEX #2BBEFD

RGB 43 190 253

HSL 198, 0.98%, 0.58%

LAB 72.52, -16, -41.5

 

CMYK 0 / 83 / 58 / 1

HEX #FD2B6A

RGB 253 43 106

HSL 342, 0.98%, 0.58%

LAB 55.74, 77.5, 18.4

 

CMYK 82 / 0 / 74 / 1

HEX #2DFD43

RGB 45 253 67

HSL 126.35, 0.98%, 0.58%

LAB 87.59, -80.7, 70.71

 

CMYK 75 / 83 / 0 / 1

HEX #402BFD

RGB 64 43 253

HSL 246, 0.98%, 0.58%

LAB 37.68, 69.49, -97.72

 

CMYK 0 / 75 / 83 / 1

HEX #FD402B

RGB 253 64 43

HSL 6, 0.98%, 0.58%

LAB 56.81, 69.36, 54.86

 

CMYK 82 / 0 / 74 / 1

HEX #2DFD43

RGB 45 253 67

HSL 126.35, 0.98%, 0.58%

LAB 87.59, -80.7, 70.71

 

CMYK 83 / 25 / 0 / 1

HEX #2BBEFD

RGB 43 190 253

HSL 198, 0.98%, 0.58%

LAB 72.52, -16, -41.5

 

CMYK 0 / 83 / 8 / 1

HEX #FD2BE8

RGB 253 43 232

HSL 306, 0.98%, 0.58%

LAB 60.28, 90.21, -48.11

 

CMYK 0 / 58 / 83 / 1

HEX #FD6A2B

RGB 253 106 43

HSL 18, 0.98%, 0.58%

LAB 62.81, 53.12, 60.16

 

CMYK 82 / 0 / 74 / 1

HEX #2DFD43

RGB 45 253 67

HSL 126.35, 0.98%, 0.58%

LAB 87.59, -80.7, 70.71

 

CMYK 83 / 50 / 0 / 1

HEX #2B7FFD

RGB 43 127 253

HSL 216, 0.98%, 0.58%

LAB 54.85, 20.5, -69.58

 

CMYK 0 / 83 / 8 / 1

HEX #FD2BE8

RGB 253 43 232

HSL 306, 0.98%, 0.58%

LAB 60.28, 90.21, -48.11

 

CMYK 0 / 33 / 83 / 1

HEX #FDA92B

RGB 253 169 43

HSL 36, 0.98%, 0.58%

LAB 75.72, 21.65, 71.27

 

Description

Color code: HEX #2DFD43 | qconv.com Color code: HEX #2DFD43 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 253 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 253 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 74 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 74% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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