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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DFB9A it is the complementary color #D20465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DFB9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DFB9A shade: #32FB95, #43FFA8, #54FFBB, #65FFCE and #76FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DFB9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DFB9A shade: #2DFB9A, #1CE987, #0BD774, #00C561 and #00B34E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DFB9A shade: #2DFB9A, #2DFB62, #2FFB2D, #67FB2D and #9EFB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DFB9A shade: #2DFB9A, #2DFBD1, #2DEDFB, #2DB5FB and #2D7EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DFB9A shade matches the following richer shades: #2DFB9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DFB9A shade: #2DFB9A, #3EE999, #50D898, #61C797 and #72B596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DFB9A shade: #31FB2D, #2DFB60, #2DFB97, #2DFBCE and #2DF0FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DFB9A shade: #04D171, #05F986, #2DFB9A, #56FCAD and #7EFCC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DFB9A shade: #2DFB9A, #2D67FB and #FB452D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DFB9A shade: #2DFB9A, #972DFB and #FB972D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DFB9A shade: #2DFB9A, #2D67FB, #FB2D90 and #FBC02D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DFB9A shade: #2DFB9A, #312DFB, #FB2D90 and #F7FB2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

Complementary color

CMYK 0 / 98 / 52 / 18

HEX #D20465

RGB 210 4 101

HSL 331.75, 0.96%, 0.42%

LAB 45.26, 72.44, 5.58

 

CMYK 80 / 0 / 41 / 2

HEX #32FB95

RGB 50 251 149

HSL 149.55, 0.96%, 0.59%

LAB 87.89, -69.29, 35.73

 

CMYK 74 / 0 / 34 / 0

HEX #43FFA8

RGB 67 255 168

HSL 152.23, 1%, 0.63%

LAB 89.65, -65.26, 28.63

 

CMYK 67 / 0 / 27 / 0

HEX #54FFBB

RGB 84 255 187

HSL 156.14, 1%, 0.66%

LAB 90.32, -59.03, 19.96

 

CMYK 60 / 0 / 19 / 0

HEX #65FFCE

RGB 101 255 206

HSL 160.91, 1%, 0.7%

LAB 91.12, -52.08, 11.39

 

CMYK 54 / 0 / 12 / 0

HEX #76FFE1

RGB 118 255 225

HSL 166.86, 1%, 0.73%

LAB 92.05, -44.51, 2.98

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 88 / 0 / 42 / 9

HEX #1CE987

RGB 28 233 135

HSL 151.32, 0.82%, 0.51%

LAB 81.99, -67.45, 34.92

 

CMYK 95 / 0 / 46 / 16

HEX #0BD774

RGB 11 215 116

HSL 150.88, 0.9%, 0.44%

LAB 76.03, -65.61, 36.68

 

CMYK 100 / 0 / 51 / 23

HEX #00C561

RGB 0 197 97

HSL 149.54, 1%, 0.39%

LAB 70.03, -63.26, 38.53

 

CMYK 100 / 0 / 56 / 30

HEX #00B34E

RGB 0 179 78

HSL 146.15, 1%, 0.35%

LAB 63.99, -60.37, 40.42

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 82 / 0 / 61 / 2

HEX #2DFB62

RGB 45 251 98

HSL 135.44, 0.96%, 0.58%

LAB 87.21, -77.22, 58.56

 

CMYK 81 / 0 / 82 / 2

HEX #2FFB2D

RGB 47 251 45

HSL 119.42, 0.96%, 0.58%

LAB 86.89, -81.26, 76.34

 

CMYK 59 / 0 / 82 / 2

HEX #67FB2D

RGB 103 251 45

HSL 103.11, 0.96%, 0.58%

LAB 88, -71.83, 77.76

 

CMYK 37 / 0 / 82 / 2

HEX #9EFB2D

RGB 158 251 45

HSL 87.09, 0.96%, 0.58%

LAB 90.07, -56.08, 80.39

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 82 / 0 / 17 / 2

HEX #2DFBD1

RGB 45 251 209

HSL 167.77, 0.96%, 0.58%

LAB 89, -56.93, 6.66

 

CMYK 82 / 6 / 0 / 2

HEX #2DEDFB

RGB 45 237 251

HSL 184.08, 0.96%, 0.58%

LAB 86.05, -39.57, -19.64

 

CMYK 82 / 28 / 0 / 2

HEX #2DB5FB

RGB 45 181 251

HSL 200.39, 0.96%, 0.58%

LAB 69.87, -11.7, -44.55

 

CMYK 82 / 50 / 0 / 2

HEX #2D7EFB

RGB 45 126 251

HSL 216.41, 0.96%, 0.58%

LAB 54.5, 20.53, -69.05

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 73 / 0 / 34 / 9

HEX #3EE999

RGB 62 233 153

HSL 151.93, 0.8%, 0.58%

LAB 82.7, -60.76, 26.83

 

CMYK 63 / 0 / 30 / 15

HEX #50D898

RGB 80 216 152

HSL 151.76, 0.64%, 0.58%

LAB 77.92, -51.55, 20.9

 

CMYK 51 / 0 / 24 / 22

HEX #61C797

RGB 97 199 151

HSL 151.76, 0.48%, 0.58%

LAB 73.3, -40.97, 15.09

 

CMYK 37 / 0 / 17 / 29

HEX #72B596

RGB 114 181 150

HSL 152.24, 0.31%, 0.58%

LAB 68.63, -28.28, 9.14

 

CMYK 80 / 0 / 82 / 2

HEX #31FB2D

RGB 49 251 45

HSL 118.83, 0.96%, 0.58%

LAB 86.92, -81.05, 76.37

 

CMYK 82 / 0 / 62 / 2

HEX #2DFB60

RGB 45 251 96

HSL 134.85, 0.96%, 0.58%

LAB 87.19, -77.45, 59.38

 

CMYK 82 / 0 / 40 / 2

HEX #2DFB97

RGB 45 251 151

HSL 150.87, 0.96%, 0.58%

LAB 87.87, -69.4, 34.7

 

CMYK 82 / 0 / 18 / 2

HEX #2DFBCE

RGB 45 251 206

HSL 166.89, 0.96%, 0.58%

LAB 88.93, -57.67, 8.12

 

CMYK 82 / 4 / 0 / 2

HEX #2DF0FB

RGB 45 240 251

HSL 183.2, 0.96%, 0.58%

LAB 86.92, -40.92, -18.33

 

CMYK 98 / 0 / 46 / 18

HEX #04D171

RGB 4 209 113

HSL 151.9, 0.96%, 0.42%

LAB 74.07, -64.38, 35.68

 

CMYK 98 / 0 / 46 / 2

HEX #05F986

RGB 5 249 134

HSL 151.72, 0.96%, 0.5%

LAB 86.75, -73.78, 41.54

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 66 / 0 / 31 / 1

HEX #56FCAD

RGB 86 252 173

HSL 151.45, 0.97%, 0.66%

LAB 89.21, -60.4, 25.57

 

CMYK 50 / 0 / 23 / 1

HEX #7EFCC1

RGB 126 252 193

HSL 151.9, 0.95%, 0.74%

LAB 90.74, -48.43, 17.64

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 82 / 59 / 0 / 2

HEX #2D67FB

RGB 45 103 251

HSL 223.11, 0.96%, 0.58%

LAB 48.54, 34.94, -78.73

 

CMYK 0 / 73 / 82 / 2

HEX #FB452D

RGB 251 69 45

HSL 6.99, 0.96%, 0.58%

LAB 57.03, 67.21, 53.99

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 40 / 82 / 0 / 2

HEX #972DFB

RGB 151 45 251

HSL 270.87, 0.96%, 0.58%

LAB 46.21, 76.47, -82.24

 

CMYK 0 / 40 / 82 / 2

HEX #FB972D

RGB 251 151 45

HSL 30.87, 0.96%, 0.58%

LAB 71.44, 30.26, 66.84

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 82 / 59 / 0 / 2

HEX #2D67FB

RGB 45 103 251

HSL 223.11, 0.96%, 0.58%

LAB 48.54, 34.94, -78.73

 

CMYK 0 / 82 / 43 / 2

HEX #FB2D90

RGB 251 45 144

HSL 331.17, 0.96%, 0.58%

LAB 56.49, 79.43, -3.23

 

CMYK 0 / 24 / 82 / 2

HEX #FBC02D

RGB 251 192 45

HSL 42.82, 0.96%, 0.58%

LAB 80.96, 8.85, 75.05

 

CMYK 82 / 0 / 39 / 2

HEX #2DFB9A

RGB 45 251 154

HSL 151.75, 0.96%, 0.58%

LAB 87.91, -68.85, 33.27

 

CMYK 80 / 82 / 0 / 2

HEX #312DFB

RGB 49 45 251

HSL 241.17, 0.96%, 0.58%

LAB 36.92, 67.38, -97.88

 

CMYK 0 / 82 / 43 / 2

HEX #FB2D90

RGB 251 45 144

HSL 331.17, 0.96%, 0.58%

LAB 56.49, 79.43, -3.23

 

CMYK 2 / 0 / 82 / 2

HEX #F7FB2D

RGB 247 251 45

HSL 61.17, 0.96%, 0.58%

LAB 95.56, -22.29, 87.28

 

Description

Color code: HEX #2DFB9A | qconv.com Color code: HEX #2DFB9A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 251 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 251 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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