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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DFB5D it is the complementary color #D204A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DFB5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DFB5D shade: #32FB58, #43FF6B, #54FF7E, #65FF91 and #76FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DFB5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DFB5D shade: #2DFB5D, #1CE94A, #0BD737, #00C524 and #00B311

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DFB5D shade: #2DFB5D, #35FB2D, #6CFB2D, #A4FB2D and #DBFB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DFB5D shade: #2DFB5D, #2DFB94, #2DFBCC, #2DF2FB and #2DBBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DFB5D shade matches the following richer shades: #2DFB5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DFB5D shade: #2DFB5D, #3EE966, #50D870, #61C779 and #72B582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DFB5D shade: #6EFB2D, #37FB2D, #2DFB5A, #2DFB90 and #2DFBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DFB5D shade: #04D134, #05F93E, #2DFB5D, #56FC7C and #7EFC9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DFB5D shade: #2DFB5D, #2DA5FB and #FB2D53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DFB5D shade: #2DFB5D, #5A2DFB and #FB5A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DFB5D shade: #2DFB5D, #2DA5FB, #FB2DCE and #FB832D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DFB5D shade: #2DFB5D, #2D67FB, #FB2DCE and #FBC02D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

Complementary color

CMYK 0 / 98 / 23 / 18

HEX #D204A2

RGB 210 4 162

HSL 313.98, 0.96%, 0.42%

LAB 47.49, 78.26, -28.32

 

CMYK 80 / 0 / 65 / 2

HEX #32FB58

RGB 50 251 88

HSL 131.34, 0.96%, 0.59%

LAB 87.18, -77.79, 62.65

 

CMYK 74 / 0 / 58 / 0

HEX #43FF6B

RGB 67 255 107

HSL 132.77, 1%, 0.63%

LAB 88.82, -74.84, 56.63

 

CMYK 67 / 0 / 51 / 0

HEX #54FF7E

RGB 84 255 126

HSL 134.74, 1%, 0.66%

LAB 89.35, -69.72, 48.78

 

CMYK 60 / 0 / 43 / 0

HEX #65FF91

RGB 101 255 145

HSL 137.14, 1%, 0.7%

LAB 90.01, -63.71, 40.64

 

CMYK 54 / 0 / 36 / 0

HEX #76FFA4

RGB 118 255 164

HSL 140.15, 1%, 0.73%

LAB 90.8, -56.92, 32.4

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 88 / 0 / 68 / 9

HEX #1CE94A

RGB 28 233 74

HSL 133.46, 0.82%, 0.51%

LAB 81.3, -75.77, 61.69

 

CMYK 95 / 0 / 74 / 16

HEX #0BD737

RGB 11 215 55

HSL 132.94, 0.9%, 0.44%

LAB 75.42, -73.14, 62.43

 

CMYK 100 / 0 / 82 / 23

HEX #00C524

RGB 0 197 36

HSL 130.96, 1%, 0.39%

LAB 69.51, -69.79, 62.52

 

CMYK 100 / 0 / 91 / 30

HEX #00B311

RGB 0 179 17

HSL 125.7, 1%, 0.35%

LAB 63.57, -65.65, 61.49

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 79 / 0 / 82 / 2

HEX #35FB2D

RGB 53 251 45

HSL 117.67, 0.96%, 0.58%

LAB 86.97, -80.6, 76.44

 

CMYK 57 / 0 / 82 / 2

HEX #6CFB2D

RGB 108 251 45

HSL 101.65, 0.96%, 0.58%

LAB 88.15, -70.64, 77.94

 

CMYK 35 / 0 / 82 / 2

HEX #A4FB2D

RGB 164 251 45

HSL 85.34, 0.96%, 0.58%

LAB 90.36, -54.05, 80.75

 

CMYK 13 / 0 / 82 / 2

HEX #DBFB2D

RGB 219 251 45

HSL 69.32, 0.96%, 0.58%

LAB 93.56, -33.56, 84.78

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 82 / 0 / 41 / 2

HEX #2DFB94

RGB 45 251 148

HSL 150, 0.96%, 0.58%

LAB 87.82, -69.94, 36.12

 

CMYK 82 / 0 / 19 / 2

HEX #2DFBCC

RGB 45 251 204

HSL 166.31, 0.96%, 0.58%

LAB 88.88, -58.15, 9.09

 

CMYK 82 / 4 / 0 / 2

HEX #2DF2FB

RGB 45 242 251

HSL 182.62, 0.96%, 0.58%

LAB 87.5, -41.82, -17.46

 

CMYK 82 / 25 / 0 / 2

HEX #2DBBFB

RGB 45 187 251

HSL 198.64, 0.96%, 0.58%

LAB 71.6, -14.93, -41.85

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 73 / 0 / 56 / 9

HEX #3EE966

RGB 62 233 102

HSL 134.04, 0.8%, 0.58%

LAB 81.98, -69.06, 50.8

 

CMYK 63 / 0 / 48 / 15

HEX #50D870

RGB 80 216 112

HSL 134.12, 0.64%, 0.58%

LAB 77.27, -58.65, 40.44

 

CMYK 51 / 0 / 39 / 22

HEX #61C779

RGB 97 199 121

HSL 134.12, 0.48%, 0.58%

LAB 72.74, -46.65, 30.19

 

CMYK 37 / 0 / 28 / 29

HEX #72B582

RGB 114 181 130

HSL 134.33, 0.31%, 0.58%

LAB 68.19, -32.24, 19.43

 

CMYK 56 / 0 / 82 / 2

HEX #6EFB2D

RGB 110 251 45

HSL 101.07, 0.96%, 0.58%

LAB 88.21, -70.15, 78.02

 

CMYK 78 / 0 / 82 / 2

HEX #37FB2D

RGB 55 251 45

HSL 117.09, 0.96%, 0.58%

LAB 86.99, -80.36, 76.47

 

CMYK 82 / 0 / 64 / 2

HEX #2DFB5A

RGB 45 251 90

HSL 133.11, 0.96%, 0.58%

LAB 87.14, -78.09, 61.78

 

CMYK 82 / 0 / 43 / 2

HEX #2DFB90

RGB 45 251 144

HSL 148.83, 0.96%, 0.58%

LAB 87.76, -70.64, 38.01

 

CMYK 82 / 0 / 21 / 2

HEX #2DFBC7

RGB 45 251 199

HSL 164.85, 0.96%, 0.58%

LAB 88.77, -59.35, 11.52

 

CMYK 98 / 0 / 75 / 18

HEX #04D134

RGB 4 209 52

HSL 134.05, 0.96%, 0.42%

LAB 73.46, -71.93, 61.48

 

CMYK 98 / 0 / 75 / 2

HEX #05F93E

RGB 5 249 62

HSL 134.02, 0.96%, 0.5%

LAB 86.07, -82.24, 70.73

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 66 / 0 / 51 / 1

HEX #56FC7C

RGB 86 252 124

HSL 133.73, 0.97%, 0.66%

LAB 88.47, -68.62, 48.64

 

CMYK 50 / 0 / 38 / 1

HEX #7EFC9B

RGB 126 252 155

HSL 133.81, 0.95%, 0.74%

LAB 90.06, -55.32, 35.94

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 82 / 34 / 0 / 2

HEX #2DA5FB

RGB 45 165 251

HSL 205.05, 0.96%, 0.58%

LAB 65.3, -2.8, -51.75

 

CMYK 0 / 82 / 67 / 2

HEX #FB2D53

RGB 251 45 83

HSL 348.93, 0.96%, 0.58%

LAB 55.08, 75.3, 31.14

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 64 / 82 / 0 / 2

HEX #5A2DFB

RGB 90 45 251

HSL 253.11, 0.96%, 0.58%

LAB 39.61, 69.93, -93.34

 

CMYK 0 / 64 / 82 / 2

HEX #FB5A2D

RGB 251 90 45

HSL 13.11, 0.96%, 0.58%

LAB 59.9, 59.39, 56.59

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 82 / 34 / 0 / 2

HEX #2DA5FB

RGB 45 165 251

HSL 205.05, 0.96%, 0.58%

LAB 65.3, -2.8, -51.75

 

CMYK 0 / 82 / 18 / 2

HEX #FB2DCE

RGB 251 45 206

HSL 313.11, 0.96%, 0.58%

LAB 58.83, 86.04, -35.72

 

CMYK 0 / 48 / 82 / 2

HEX #FB832D

RGB 251 131 45

HSL 25.05, 0.96%, 0.58%

LAB 67.23, 40.47, 63.14

 

CMYK 82 / 0 / 63 / 2

HEX #2DFB5D

RGB 45 251 93

HSL 133.98, 0.96%, 0.58%

LAB 87.16, -77.78, 60.59

 

CMYK 82 / 59 / 0 / 2

HEX #2D67FB

RGB 45 103 251

HSL 223.11, 0.96%, 0.58%

LAB 48.54, 34.94, -78.73

 

CMYK 0 / 82 / 18 / 2

HEX #FB2DCE

RGB 251 45 206

HSL 313.11, 0.96%, 0.58%

LAB 58.83, 86.04, -35.72

 

CMYK 0 / 24 / 82 / 2

HEX #FBC02D

RGB 251 192 45

HSL 42.82, 0.96%, 0.58%

LAB 80.96, 8.85, 75.05

 

Description

Color code: HEX #2DFB5D | qconv.com Color code: HEX #2DFB5D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 251 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 251 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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