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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DF777 it is the complementary color #D20888. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DF777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DF777 shade: #32F772, #43FF85, #54FF98, #65FFAB and #76FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DF777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DF777 shade: #2DF777, #1CE564, #0BD351, #00C13E and #00AF2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DF777 shade: #2BF776, #2BF73F, #4FF72B, #86F72B and #BDF72B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DF777 shade: #2BF776, #2BF7AD, #2BF7E4, #2BD4F7 and #2B9DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DF777 shade matches the following richer shades: #2BF776

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DF777 shade: #2BF776, #3DE67B, #4FD480, #61C284 and #72B089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DF777 shade: #51F72B, #2BF73C, #2BF773, #2BF7A9 and #2BF7E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DF777 shade: #07C94E, #09F15E, #2BF776, #53F990 and #7BFAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DF777 shade: #2DF777, #2B87F7 and #F72B36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DF777 shade: #2DF777, #732BF7 and #F7732B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DF777 shade: #2DF777, #2B87F7, #F72BB0 and #F79C2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DF777 shade: #2DF777, #2B4AF7, #F72BB0 and #F7D92B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 52 / 3

HEX #2DF777

RGB 45 247 119

HSL 141.98, 0.93%, 0.57%

LAB 86.21, -73.29, 48.03

 

Complementary color

CMYK 0 / 96 / 35 / 18

HEX #D20888

RGB 210 8 136

HSL 321.98, 0.93%, 0.43%

LAB 46.52, 75.11, -14.15

 

CMYK 80 / 0 / 54 / 3

HEX #32F772

RGB 50 247 114

HSL 139.49, 0.92%, 0.58%

LAB 86.21, -73.49, 50.36

 

CMYK 74 / 0 / 48 / 0

HEX #43FF85

RGB 67 255 133

HSL 141.06, 1%, 0.63%

LAB 89.11, -71.31, 45.12

 

CMYK 67 / 0 / 40 / 0

HEX #54FF98

RGB 84 255 152

HSL 143.86, 1%, 0.66%

LAB 89.71, -65.69, 36.74

 

CMYK 60 / 0 / 33 / 0

HEX #65FFAB

RGB 101 255 171

HSL 147.27, 1%, 0.7%

LAB 90.43, -59.24, 28.29

 

CMYK 54 / 0 / 25 / 0

HEX #76FFBE

RGB 118 255 190

HSL 151.53, 1%, 0.73%

LAB 91.27, -52.08, 19.89

 

CMYK 82 / 0 / 52 / 3

HEX #2DF777

RGB 45 247 119

HSL 141.98, 0.93%, 0.57%

LAB 86.21, -73.29, 48.03

 

CMYK 88 / 0 / 56 / 10

HEX #1CE564

RGB 28 229 100

HSL 141.49, 0.79%, 0.5%

LAB 80.3, -71.64, 49.61

 

CMYK 95 / 0 / 62 / 17

HEX #0BD351

RGB 11 211 81

HSL 141, 0.9%, 0.44%

LAB 74.35, -69.44, 51.14

 

CMYK 100 / 0 / 68 / 24

HEX #00C13E

RGB 0 193 62

HSL 139.27, 1%, 0.38%

LAB 68.38, -66.61, 52.51

 

CMYK 100 / 0 / 75 / 31

HEX #00AF2B

RGB 0 175 43

HSL 134.74, 1%, 0.34%

LAB 62.37, -63.07, 53.48

 

CMYK 83 / 0 / 52 / 3

HEX #2BF776

RGB 43 247 118

HSL 142.06, 0.93%, 0.57%

LAB 86.18, -73.61, 48.45

 

CMYK 83 / 0 / 74 / 3

HEX #2BF73F

RGB 43 247 63

HSL 125.88, 0.93%, 0.57%

LAB 85.7, -79.47, 70.12

 

CMYK 68 / 0 / 83 / 3

HEX #4FF72B

RGB 79 247 43

HSL 109.41, 0.93%, 0.57%

LAB 86.19, -75.63, 76.37

 

CMYK 46 / 0 / 83 / 3

HEX #86F72B

RGB 134 247 43

HSL 93.24, 0.93%, 0.57%

LAB 87.86, -62.25, 78.49

 

CMYK 23 / 0 / 83 / 3

HEX #BDF72B

RGB 189 247 43

HSL 77.06, 0.93%, 0.57%

LAB 90.56, -43.45, 81.91

 

CMYK 83 / 0 / 52 / 3

HEX #2BF776

RGB 43 247 118

HSL 142.06, 0.93%, 0.57%

LAB 86.18, -73.61, 48.45

 

CMYK 83 / 0 / 30 / 3

HEX #2BF7AD

RGB 43 247 173

HSL 158.24, 0.93%, 0.57%

LAB 87.02, -63.83, 22.45

 

CMYK 83 / 0 / 8 / 3

HEX #2BF7E4

RGB 43 247 228

HSL 174.41, 0.93%, 0.57%

LAB 88.27, -50.57, -4.28

 

CMYK 83 / 14 / 0 / 3

HEX #2BD4F7

RGB 43 212 247

HSL 190.29, 0.93%, 0.57%

LAB 78.65, -29.16, -28.8

 

CMYK 83 / 36 / 0 / 3

HEX #2B9DF7

RGB 43 157 247

HSL 206.47, 0.93%, 0.57%

LAB 62.8, 0.19, -53.55

 

CMYK 83 / 0 / 52 / 3

HEX #2BF776

RGB 43 247 118

HSL 142.06, 0.93%, 0.57%

LAB 86.18, -73.61, 48.45

 

CMYK 83 / 0 / 52 / 3

HEX #2BF776

RGB 43 247 118

HSL 142.06, 0.93%, 0.57%

LAB 86.18, -73.61, 48.45

 

CMYK 73 / 0 / 47 / 10

HEX #3DE67B

RGB 61 230 123

HSL 142.01, 0.77%, 0.57%

LAB 81.3, -65.17, 40.05

 

CMYK 63 / 0 / 40 / 17

HEX #4FD480

RGB 79 212 128

HSL 142.11, 0.61%, 0.57%

LAB 76.26, -54.74, 31.11

 

CMYK 50 / 0 / 32 / 24

HEX #61C284

RGB 97 194 132

HSL 141.65, 0.44%, 0.57%

LAB 71.41, -42.56, 22.64

 

CMYK 35 / 0 / 22 / 31

HEX #72B089

RGB 114 176 137

HSL 142.26, 0.28%, 0.57%

LAB 66.85, -28.51, 13.76

 

CMYK 67 / 0 / 83 / 3

HEX #51F72B

RGB 81 247 43

HSL 108.82, 0.93%, 0.57%

LAB 86.23, -75.26, 76.42

 

CMYK 83 / 0 / 76 / 3

HEX #2BF73C

RGB 43 247 60

HSL 125, 0.93%, 0.57%

LAB 85.69, -79.67, 71.05

 

CMYK 83 / 0 / 53 / 3

HEX #2BF773

RGB 43 247 115

HSL 141.18, 0.93%, 0.57%

LAB 86.14, -74.04, 49.8

 

CMYK 83 / 0 / 32 / 3

HEX #2BF7A9

RGB 43 247 169

HSL 157.06, 0.93%, 0.57%

LAB 86.95, -64.67, 24.39

 

CMYK 83 / 0 / 9 / 3

HEX #2BF7E0

RGB 43 247 224

HSL 173.24, 0.93%, 0.57%

LAB 88.17, -51.63, -2.35

 

CMYK 97 / 0 / 61 / 21

HEX #07C94E

RGB 7 201 78

HSL 141.96, 0.93%, 0.41%

LAB 71.12, -66.92, 48.77

 

CMYK 96 / 0 / 61 / 5

HEX #09F15E

RGB 9 241 94

HSL 141.98, 0.93%, 0.49%

LAB 83.85, -76.89, 56.36

 

CMYK 83 / 0 / 52 / 3

HEX #2BF776

RGB 43 247 118

HSL 142.06, 0.93%, 0.57%

LAB 86.18, -73.61, 48.45

 

CMYK 67 / 0 / 42 / 2

HEX #53F990

RGB 83 249 144

HSL 142.05, 0.93%, 0.65%

LAB 87.78, -65.04, 38.16

 

CMYK 51 / 0 / 32 / 2

HEX #7BFAAA

RGB 123 250 170

HSL 142.2, 0.93%, 0.73%

LAB 89.62, -52.68, 27.82

 

CMYK 82 / 0 / 52 / 3

HEX #2DF777

RGB 45 247 119

HSL 141.98, 0.93%, 0.57%

LAB 86.21, -73.29, 48.03

 

CMYK 83 / 45 / 0 / 3

HEX #2B87F7

RGB 43 135 247

HSL 212.94, 0.93%, 0.57%

LAB 56.64, 13.32, -63.38

 

CMYK 0 / 83 / 78 / 3

HEX #F72B36

RGB 247 43 54

HSL 356.76, 0.93%, 0.57%

LAB 53.78, 73.57, 45.98

 

CMYK 82 / 0 / 52 / 3

HEX #2DF777

RGB 45 247 119

HSL 141.98, 0.93%, 0.57%

LAB 86.21, -73.29, 48.03

 

CMYK 53 / 83 / 0 / 3

HEX #732BF7

RGB 115 43 247

HSL 261.18, 0.93%, 0.57%

LAB 41.36, 71.95, -88.13

 

CMYK 0 / 53 / 83 / 3

HEX #F7732B

RGB 247 115 43

HSL 21.18, 0.93%, 0.57%

LAB 63.52, 46.74, 60.42

 

CMYK 82 / 0 / 52 / 3

HEX #2DF777

RGB 45 247 119

HSL 141.98, 0.93%, 0.57%

LAB 86.21, -73.29, 48.03

 

CMYK 83 / 45 / 0 / 3

HEX #2B87F7

RGB 43 135 247

HSL 212.94, 0.93%, 0.57%

LAB 56.64, 13.32, -63.38

 

CMYK 0 / 83 / 29 / 3

HEX #F72BB0

RGB 247 43 176

HSL 320.88, 0.93%, 0.57%

LAB 56.72, 82.1, -21.75

 

CMYK 0 / 37 / 83 / 3

HEX #F79C2B

RGB 247 156 43

HSL 33.24, 0.93%, 0.57%

LAB 72.04, 25.95, 67.85

 

CMYK 82 / 0 / 52 / 3

HEX #2DF777

RGB 45 247 119

HSL 141.98, 0.93%, 0.57%

LAB 86.21, -73.29, 48.03

 

CMYK 83 / 70 / 0 / 3

HEX #2B4AF7

RGB 43 74 247

HSL 230.88, 0.93%, 0.57%

LAB 41.42, 51.06, -88.19

 

CMYK 0 / 83 / 29 / 3

HEX #F72BB0

RGB 247 43 176

HSL 320.88, 0.93%, 0.57%

LAB 56.72, 82.1, -21.75

 

CMYK 0 / 12 / 83 / 3

HEX #F7D92B

RGB 247 217 43

HSL 51.18, 0.93%, 0.57%

LAB 86.79, -5.7, 80.38

 

Description

Color code: HEX #2DF777 | qconv.com Color code: HEX #2DF777 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 247 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 247 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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