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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DF528 it is the complementary color #D20AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DF528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DF528 shade: #32F523, #43FF36, #54FF49, #65FF5C and #76FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DF528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DF528 shade: #2DF528, #1CE315, #0BD102, #00BF00 and #00AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DF528 shade: #2EF529, #65F529, #9CF529, #D3F529 and #F5E029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DF528 shade: #2EF529, #29F55B, #29F592, #29F5C9 and #29EAF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DF528 shade matches the following richer shades: #2EF529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DF528 shade: #2EF529, #3FE33B, #50D14D, #61BE5F and #73AC71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DF528 shade: #9CF529, #66F529, #30F529, #29F558 and #29F58F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DF528 shade: #0EC209, #10E90B, #2EF529, #54F750 and #7BF978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DF528 shade: #2DF528, #29D3F5 and #F52981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DF528 shade: #2DF528, #2930F5 and #F52930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DF528 shade: #2DF528, #29D3F5, #EE29F5 and #F54B29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DF528 shade: #2DF528, #2996F5, #EE29F5 and #F58829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 84 / 4

HEX #2DF528

RGB 45 245 40

HSL 118.54, 0.91%, 0.56%

LAB 85, -80.02, 75.79

 

Complementary color

CMYK 2 / 95 / 0 / 16

HEX #D20AD7

RGB 210 10 215

HSL 298.54, 0.91%, 0.44%

LAB 50.48, 84.84, -54.53

 

CMYK 80 / 0 / 86 / 4

HEX #32F523

RGB 50 245 35

HSL 115.71, 0.91%, 0.55%

LAB 85.05, -79.68, 76.91

 

CMYK 74 / 0 / 79 / 0

HEX #43FF36

RGB 67 255 54

HSL 116.12, 1%, 0.61%

LAB 88.44, -79.44, 75.56

 

CMYK 67 / 0 / 71 / 0

HEX #54FF49

RGB 84 255 73

HSL 116.37, 1%, 0.64%

LAB 88.87, -75.4, 70.19

 

CMYK 60 / 0 / 64 / 0

HEX #65FF5C

RGB 101 255 92

HSL 116.69, 1%, 0.68%

LAB 89.42, -70.39, 63.79

 

CMYK 54 / 0 / 56 / 0

HEX #76FF6F

RGB 118 255 111

HSL 117.08, 1%, 0.72%

LAB 90.1, -64.48, 56.7

 

CMYK 82 / 0 / 84 / 4

HEX #2DF528

RGB 45 245 40

HSL 118.54, 0.91%, 0.56%

LAB 85, -80.02, 75.79

 

CMYK 88 / 0 / 91 / 11

HEX #1CE315

RGB 28 227 21

HSL 117.96, 0.83%, 0.49%

LAB 79.18, -77.23, 74.19

 

CMYK 95 / 0 / 99 / 18

HEX #0BD102

RGB 11 209 2

HSL 117.39, 0.98%, 0.41%

LAB 73.34, -73.72, 71.45

 

CMYK 100 / 0 / 100 / 25

HEX #00BF00

RGB 0 191 0

HSL 120, 1%, 0.37%

LAB 67.47, -69.35, 66.93

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 81 / 0 / 83 / 4

HEX #2EF529

RGB 46 245 41

HSL 118.53, 0.91%, 0.56%

LAB 85.02, -79.87, 75.58

 

CMYK 59 / 0 / 83 / 4

HEX #65F529

RGB 101 245 41

HSL 102.35, 0.91%, 0.56%

LAB 86.12, -70.49, 76.98

 

CMYK 36 / 0 / 83 / 4

HEX #9CF529

RGB 156 245 41

HSL 86.18, 0.91%, 0.56%

LAB 88.22, -54.52, 79.64

 

CMYK 14 / 0 / 83 / 4

HEX #D3F529

RGB 211 245 41

HSL 70, 0.91%, 0.56%

LAB 91.38, -34.11, 83.59

 

CMYK 0 / 9 / 83 / 4

HEX #F5E029

RGB 245 224 41

HSL 53.82, 0.91%, 0.56%

LAB 88.39, -10.1, 82.13

 

CMYK 81 / 0 / 83 / 4

HEX #2EF529

RGB 46 245 41

HSL 118.53, 0.91%, 0.56%

LAB 85.02, -79.87, 75.58

 

CMYK 83 / 0 / 63 / 4

HEX #29F55B

RGB 41 245 91

HSL 134.71, 0.91%, 0.56%

LAB 85.27, -76.57, 59.28

 

CMYK 83 / 0 / 40 / 4

HEX #29F592

RGB 41 245 146

HSL 150.88, 0.91%, 0.56%

LAB 85.93, -68.6, 34.63

 

CMYK 83 / 0 / 18 / 4

HEX #29F5C9

RGB 41 245 201

HSL 167.06, 0.91%, 0.56%

LAB 86.99, -56.83, 7.94

 

CMYK 83 / 4 / 0 / 4

HEX #29EAF5

RGB 41 234 245

HSL 183.24, 0.91%, 0.56%

LAB 84.95, -40.25, -18.15

 

CMYK 81 / 0 / 83 / 4

HEX #2EF529

RGB 46 245 41

HSL 118.53, 0.91%, 0.56%

LAB 85.02, -79.87, 75.58

 

CMYK 81 / 0 / 83 / 4

HEX #2EF529

RGB 46 245 41

HSL 118.53, 0.91%, 0.56%

LAB 85.02, -79.87, 75.58

 

CMYK 72 / 0 / 74 / 11

HEX #3FE33B

RGB 63 227 59

HSL 118.57, 0.75%, 0.56%

LAB 79.79, -71.29, 65.65

 

CMYK 62 / 0 / 63 / 18

HEX #50D14D

RGB 80 209 77

HSL 118.64, 0.59%, 0.56%

LAB 74.73, -60.56, 53.57

 

CMYK 49 / 0 / 50 / 25

HEX #61BE5F

RGB 97 190 95

HSL 118.74, 0.42%, 0.56%

LAB 69.61, -46.9, 39.39

 

CMYK 33 / 0 / 34 / 33

HEX #73AC71

RGB 115 172 113

HSL 117.97, 0.26%, 0.56%

LAB 65.23, -30.63, 24.61

 

CMYK 36 / 0 / 83 / 4

HEX #9CF529

RGB 156 245 41

HSL 86.18, 0.91%, 0.56%

LAB 88.22, -54.52, 79.64

 

CMYK 58 / 0 / 83 / 4

HEX #66F529

RGB 102 245 41

HSL 102.06, 0.91%, 0.56%

LAB 86.15, -70.25, 77.02

 

CMYK 80 / 0 / 83 / 4

HEX #30F529

RGB 48 245 41

HSL 117.94, 0.91%, 0.56%

LAB 85.04, -79.66, 75.61

 

CMYK 83 / 0 / 64 / 4

HEX #29F558

RGB 41 245 88

HSL 133.82, 0.91%, 0.56%

LAB 85.24, -76.88, 60.48

 

CMYK 83 / 0 / 42 / 4

HEX #29F58F

RGB 41 245 143

HSL 150, 0.91%, 0.56%

LAB 85.89, -69.13, 36.06

 

CMYK 93 / 0 / 95 / 24

HEX #0EC209

RGB 14 194 9

HSL 118.38, 0.91%, 0.4%

LAB 68.53, -69.35, 66.79

 

CMYK 93 / 0 / 95 / 9

HEX #10E90B

RGB 16 233 11

HSL 118.65, 0.91%, 0.48%

LAB 80.97, -79.77, 76.83

 

CMYK 81 / 0 / 83 / 4

HEX #2EF529

RGB 46 245 41

HSL 118.53, 0.91%, 0.56%

LAB 85.02, -79.87, 75.58

 

CMYK 66 / 0 / 68 / 3

HEX #54F750

RGB 84 247 80

HSL 118.56, 0.91%, 0.64%

LAB 86.5, -72.28, 65.19

 

CMYK 51 / 0 / 52 / 2

HEX #7BF978

RGB 123 249 120

HSL 118.6, 0.91%, 0.72%

LAB 88.6, -59.91, 50.89

 

CMYK 82 / 0 / 84 / 4

HEX #2DF528

RGB 45 245 40

HSL 118.54, 0.91%, 0.56%

LAB 85, -80.02, 75.79

 

CMYK 83 / 14 / 0 / 4

HEX #29D3F5

RGB 41 211 245

HSL 190, 0.91%, 0.56%

LAB 78.26, -29.45, -28.33

 

CMYK 0 / 83 / 47 / 4

HEX #F52981

RGB 245 41 129

HSL 334.12, 0.91%, 0.56%

LAB 54.64, 77.59, 2.87

 

CMYK 82 / 0 / 84 / 4

HEX #2DF528

RGB 45 245 40

HSL 118.54, 0.91%, 0.56%

LAB 85, -80.02, 75.79

 

CMYK 83 / 80 / 0 / 4

HEX #2930F5

RGB 41 48 245

HSL 237.94, 0.91%, 0.56%

LAB 36.32, 63.98, -95.5

 

CMYK 0 / 83 / 80 / 4

HEX #F52930

RGB 245 41 48

HSL 357.94, 0.91%, 0.56%

LAB 53.18, 73.3, 48.45

 

CMYK 82 / 0 / 84 / 4

HEX #2DF528

RGB 45 245 40

HSL 118.54, 0.91%, 0.56%

LAB 85, -80.02, 75.79

 

CMYK 83 / 14 / 0 / 4

HEX #29D3F5

RGB 41 211 245

HSL 190, 0.91%, 0.56%

LAB 78.26, -29.45, -28.33

 

CMYK 3 / 83 / 0 / 4

HEX #EE29F5

RGB 238 41 245

HSL 297.94, 0.91%, 0.56%

LAB 58.37, 89.76, -58.56

 

CMYK 0 / 69 / 83 / 4

HEX #F54B29

RGB 245 75 41

HSL 10, 0.91%, 0.56%

LAB 56.69, 63.16, 55.12

 

CMYK 82 / 0 / 84 / 4

HEX #2DF528

RGB 45 245 40

HSL 118.54, 0.91%, 0.56%

LAB 85, -80.02, 75.79

 

CMYK 83 / 39 / 0 / 4

HEX #2996F5

RGB 41 150 245

HSL 207.94, 0.91%, 0.56%

LAB 60.67, 3.4, -55.83

 

CMYK 3 / 83 / 0 / 4

HEX #EE29F5

RGB 238 41 245

HSL 297.94, 0.91%, 0.56%

LAB 58.37, 89.76, -58.56

 

CMYK 0 / 44 / 83 / 4

HEX #F58829

RGB 245 136 41

HSL 27.94, 0.91%, 0.56%

LAB 67.41, 35.46, 64.45

 

Description

Color code: HEX #2DF528 | qconv.com Color code: HEX #2DF528 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 245 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 245 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 84% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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