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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DF397 it is the complementary color #D20C68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DF397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DF397 shade: #32F392, #43FFA5, #54FFB8, #65FFCB and #76FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DF397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DF397 shade: #2DF397, #1CE184, #0BCF71, #00BD5E and #00AB4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DF397 shade: #2BF396, #2BF360, #2CF32B, #62F32B and #97F32B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DF397 shade: #2BF396, #2BF3CC, #2BE4F3, #2BAEF3 and #2B78F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DF397 shade matches the following richer shades: #2BF396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DF397 shade: #2BF396, #3DE195, #4FCE93, #61BC92 and #74AA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DF397 shade: #2BF32B, #2BF360, #2BF395, #2BF3CB and #2BE5F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DF397 shade: #0BC06C, #0DE782, #2BF396, #52F5A9 and #79F7BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DF397 shade: #2DF397, #2B60F3 and #F3462B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DF397 shade: #2DF397, #952BF3 and #F3952B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DF397 shade: #2DF397, #2B60F3, #F32B88 and #F3BD2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DF397 shade: #2DF397, #322BF3, #F32B88 and #ECF32B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 38 / 5

HEX #2DF397

RGB 45 243 151

HSL 152.12, 0.89%, 0.56%

LAB 85.45, -66.63, 31.5

 

Complementary color

CMYK 0 / 94 / 50 / 18

HEX #D20C68

RGB 210 12 104

HSL 332.12, 0.89%, 0.44%

LAB 45.58, 71.96, 4.18

 

CMYK 79 / 0 / 40 / 5

HEX #32F392

RGB 50 243 146

HSL 149.84, 0.89%, 0.57%

LAB 85.43, -67.08, 33.99

 

CMYK 74 / 0 / 35 / 0

HEX #43FFA5

RGB 67 255 165

HSL 151.28, 1%, 0.63%

LAB 89.59, -65.84, 30.06

 

CMYK 67 / 0 / 28 / 0

HEX #54FFB8

RGB 84 255 184

HSL 155.09, 1%, 0.66%

LAB 90.26, -59.66, 21.41

 

CMYK 60 / 0 / 20 / 0

HEX #65FFCB

RGB 101 255 203

HSL 159.74, 1%, 0.7%

LAB 91.05, -52.74, 12.84

 

CMYK 54 / 0 / 13 / 0

HEX #76FFDE

RGB 118 255 222

HSL 165.55, 1%, 0.73%

LAB 91.97, -45.2, 4.42

 

CMYK 81 / 0 / 38 / 5

HEX #2DF397

RGB 45 243 151

HSL 152.12, 0.89%, 0.56%

LAB 85.45, -66.63, 31.5

 

CMYK 88 / 0 / 41 / 12

HEX #1CE184

RGB 28 225 132

HSL 151.68, 0.78%, 0.5%

LAB 79.48, -65.28, 33.15

 

CMYK 95 / 0 / 45 / 19

HEX #0BCF71

RGB 11 207 113

HSL 151.22, 0.9%, 0.43%

LAB 73.47, -63.47, 34.91

 

CMYK 100 / 0 / 50 / 26

HEX #00BD5E

RGB 0 189 94

HSL 149.84, 1%, 0.37%

LAB 67.43, -61.14, 36.78

 

CMYK 100 / 0 / 56 / 33

HEX #00AB4B

RGB 0 171 75

HSL 146.32, 1%, 0.34%

LAB 61.34, -58.24, 38.69

 

CMYK 82 / 0 / 38 / 5

HEX #2BF396

RGB 43 243 150

HSL 152.1, 0.89%, 0.56%

LAB 85.41, -67, 31.94

 

CMYK 82 / 0 / 60 / 5

HEX #2BF360

RGB 43 243 96

HSL 135.9, 0.89%, 0.56%

LAB 84.72, -75.22, 56.57

 

CMYK 82 / 0 / 82 / 5

HEX #2CF32B

RGB 44 243 43

HSL 119.7, 0.89%, 0.56%

LAB 84.39, -79.42, 74.53

 

CMYK 60 / 0 / 82 / 5

HEX #62F32B

RGB 98 243 43

HSL 103.5, 0.89%, 0.56%

LAB 85.44, -70.44, 75.87

 

CMYK 38 / 0 / 82 / 5

HEX #97F32B

RGB 151 243 43

HSL 87.6, 0.89%, 0.56%

LAB 87.41, -55.34, 78.38

 

CMYK 82 / 0 / 38 / 5

HEX #2BF396

RGB 43 243 150

HSL 152.1, 0.89%, 0.56%

LAB 85.41, -67, 31.94

 

CMYK 82 / 0 / 16 / 5

HEX #2BF3CC

RGB 43 243 204

HSL 168.3, 0.89%, 0.56%

LAB 86.49, -55.14, 5.65

 

CMYK 82 / 6 / 0 / 5

HEX #2BE4F3

RGB 43 228 243

HSL 184.5, 0.89%, 0.56%

LAB 83.16, -37.97, -19.79

 

CMYK 82 / 28 / 0 / 5

HEX #2BAEF3

RGB 43 174 243

HSL 200.7, 0.89%, 0.56%

LAB 67.47, -10.83, -43.98

 

CMYK 82 / 51 / 0 / 5

HEX #2B78F3

RGB 43 120 243

HSL 216.9, 0.89%, 0.56%

LAB 52.31, 21.12, -68.16

 

CMYK 82 / 0 / 38 / 5

HEX #2BF396

RGB 43 243 150

HSL 152.1, 0.89%, 0.56%

LAB 85.41, -67, 31.94

 

CMYK 82 / 0 / 38 / 5

HEX #2BF396

RGB 43 243 150

HSL 152.1, 0.89%, 0.56%

LAB 85.41, -67, 31.94

 

CMYK 73 / 0 / 34 / 12

HEX #3DE195

RGB 61 225 149

HSL 152.2, 0.73%, 0.56%

LAB 80.19, -58.71, 25.48

 

CMYK 62 / 0 / 29 / 19

HEX #4FCE93

RGB 79 206 147

HSL 152.13, 0.56%, 0.56%

LAB 74.77, -48.7, 19.18

 

CMYK 48 / 0 / 22 / 26

HEX #61BC92

RGB 97 188 146

HSL 152.31, 0.4%, 0.56%

LAB 69.88, -37.09, 12.99

 

CMYK 32 / 0 / 15 / 33

HEX #74AA91

RGB 116 170 145

HSL 152.22, 0.24%, 0.56%

LAB 65.36, -23.29, 7.25

 

CMYK 82 / 0 / 82 / 5

HEX #2BF32B

RGB 43 243 43

HSL 120, 0.89%, 0.56%

LAB 84.37, -79.52, 74.51

 

CMYK 82 / 0 / 60 / 5

HEX #2BF360

RGB 43 243 96

HSL 135.9, 0.89%, 0.56%

LAB 84.72, -75.22, 56.57

 

CMYK 82 / 0 / 39 / 5

HEX #2BF395

RGB 43 243 149

HSL 151.8, 0.89%, 0.56%

LAB 85.4, -67.19, 32.42

 

CMYK 82 / 0 / 16 / 5

HEX #2BF3CB

RGB 43 243 203

HSL 168, 0.89%, 0.56%

LAB 86.47, -55.39, 6.14

 

CMYK 82 / 6 / 0 / 5

HEX #2BE5F3

RGB 43 229 243

HSL 184.2, 0.89%, 0.56%

LAB 83.45, -38.43, -19.35

 

CMYK 94 / 0 / 44 / 25

HEX #0BC06C

RGB 11 192 108

HSL 152.15, 0.89%, 0.4%

LAB 68.64, -59.28, 31.23

 

CMYK 94 / 0 / 44 / 9

HEX #0DE782

RGB 13 231 130

HSL 152.2, 0.89%, 0.48%

LAB 81.21, -68.4, 36.38

 

CMYK 82 / 0 / 38 / 5

HEX #2BF396

RGB 43 243 150

HSL 152.1, 0.89%, 0.56%

LAB 85.41, -67, 31.94

 

CMYK 67 / 0 / 31 / 4

HEX #52F5A9

RGB 82 245 169

HSL 152.02, 0.89%, 0.64%

LAB 86.98, -59.17, 24.54

 

CMYK 51 / 0 / 23 / 3

HEX #79F7BD

RGB 121 247 189

HSL 152.38, 0.89%, 0.72%

LAB 89.05, -48.27, 17.3

 

CMYK 81 / 0 / 38 / 5

HEX #2DF397

RGB 45 243 151

HSL 152.12, 0.89%, 0.56%

LAB 85.45, -66.63, 31.5

 

CMYK 82 / 60 / 0 / 5

HEX #2B60F3

RGB 43 96 243

HSL 224.1, 0.89%, 0.56%

LAB 46.11, 36.26, -78.24

 

CMYK 0 / 71 / 82 / 5

HEX #F3462B

RGB 243 70 43

HSL 8.1, 0.89%, 0.56%

LAB 55.69, 64.38, 53.18

 

CMYK 81 / 0 / 38 / 5

HEX #2DF397

RGB 45 243 151

HSL 152.12, 0.89%, 0.56%

LAB 85.45, -66.63, 31.5

 

CMYK 39 / 82 / 0 / 5

HEX #952BF3

RGB 149 43 243

HSL 271.8, 0.89%, 0.56%

LAB 45.07, 75.07, -79.63

 

CMYK 0 / 39 / 82 / 5

HEX #F3952B

RGB 243 149 43

HSL 31.8, 0.89%, 0.56%

LAB 69.98, 27.96, 65.87

 

CMYK 81 / 0 / 38 / 5

HEX #2DF397

RGB 45 243 151

HSL 152.12, 0.89%, 0.56%

LAB 85.45, -66.63, 31.5

 

CMYK 82 / 60 / 0 / 5

HEX #2B60F3

RGB 43 96 243

HSL 224.1, 0.89%, 0.56%

LAB 46.11, 36.26, -78.24

 

CMYK 0 / 82 / 44 / 5

HEX #F32B88

RGB 243 43 136

HSL 332.1, 0.89%, 0.56%

LAB 54.62, 77.27, -1.4

 

CMYK 0 / 22 / 82 / 5

HEX #F3BD2B

RGB 243 189 43

HSL 43.8, 0.89%, 0.56%

LAB 79.4, 6.95, 73.97

 

CMYK 81 / 0 / 38 / 5

HEX #2DF397

RGB 45 243 151

HSL 152.12, 0.89%, 0.56%

LAB 85.45, -66.63, 31.5

 

CMYK 79 / 82 / 0 / 5

HEX #322BF3

RGB 50 43 243

HSL 242.1, 0.89%, 0.56%

LAB 35.75, 65.97, -95.33

 

CMYK 0 / 82 / 44 / 5

HEX #F32B88

RGB 243 43 136

HSL 332.1, 0.89%, 0.56%

LAB 54.62, 77.27, -1.4

 

CMYK 3 / 0 / 82 / 5

HEX #ECF32B

RGB 236 243 43

HSL 62.1, 0.89%, 0.56%

LAB 92.62, -23.04, 84.92

 

Description

Color code: HEX #2DF397 | qconv.com Color code: HEX #2DF397 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 243 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 243 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 38% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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