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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DF10B it is the complementary color #D20EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DF10B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DF10B shade: #32F106, #43FF19, #54FF2C, #65FF3F and #76FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DF10B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DF10B shade: #2DF10B, #1CDF00, #0BCD00, #00BB00 and #00A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DF10B shade: #2DEF0B, #6AEF0B, #A8EF0B, #E5EF0B and #EFBB0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DF10B shade: #2DEF0B, #0BEF27, #0BEF64, #0BEFA2 and #0BEFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DF10B shade matches the following richer shades: #2DEF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DF10B shade: #2DEF0B, #3BDA1F, #49C634, #58B248 and #669E5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DF10B shade: #A7EF0B, #6AEF0B, #2DEF0B, #0BEF26 and #0BEF62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DF10B shade: #1EA008, #25C709, #2DEF0B, #4BF52E and #6DF755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DF10B shade: #2DF10B, #0BE3EF and #EF0B88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DF10B shade: #2DF10B, #0B2DEF and #EF0B2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DF10B shade: #2DF10B, #0BE3EF, #CD0BEF and #EF170B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DF10B shade: #2DF10B, #0B9FEF, #CD0BEF and #EF5B0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 95 / 5

HEX #2DF10B

RGB 45 241 11

HSL 111.13, 0.91%, 0.49%

LAB 83.7, -79.76, 79.16

 

Complementary color

CMYK 14 / 94 / 0 / 4

HEX #D20EF4

RGB 210 14 244

HSL 291.13, 0.91%, 0.51%

LAB 52.45, 88.98, -67.77

 

CMYK 79 / 0 / 98 / 5

HEX #32F106

RGB 50 241 6

HSL 108.77, 0.95%, 0.48%

LAB 83.76, -79.27, 79.65

 

CMYK 74 / 0 / 90 / 0

HEX #43FF19

RGB 67 255 25

HSL 109.04, 1%, 0.55%

LAB 88.34, -80.61, 81.54

 

CMYK 67 / 0 / 83 / 0

HEX #54FF2C

RGB 84 255 44

HSL 108.63, 1%, 0.59%

LAB 88.73, -77.12, 78.47

 

CMYK 60 / 0 / 75 / 0

HEX #65FF3F

RGB 101 255 63

HSL 108.13, 1%, 0.62%

LAB 89.23, -72.65, 73.95

 

CMYK 54 / 0 / 68 / 0

HEX #76FF52

RGB 118 255 82

HSL 107.51, 1%, 0.66%

LAB 89.85, -67.26, 68.27

 

CMYK 81 / 0 / 95 / 5

HEX #2DF10B

RGB 45 241 11

HSL 111.13, 0.91%, 0.49%

LAB 83.7, -79.76, 79.16

 

CMYK 87 / 0 / 100 / 13

HEX #1CDF00

RGB 28 223 0

HSL 112.47, 1%, 0.44%

LAB 77.89, -76.55, 75.35

 

CMYK 95 / 0 / 100 / 20

HEX #0BCD00

RGB 11 205 0

HSL 116.78, 1%, 0.4%

LAB 72.05, -72.67, 70.62

 

CMYK 100 / 0 / 100 / 27

HEX #00BB00

RGB 0 187 0

HSL 120, 1%, 0.37%

LAB 66.17, -68.26, 65.89

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 81 / 0 / 95 / 6

HEX #2DEF0B

RGB 45 239 11

HSL 111.05, 0.91%, 0.49%

LAB 83.08, -79.2, 78.66

 

CMYK 56 / 0 / 95 / 6

HEX #6AEF0B

RGB 106 239 11

HSL 95, 0.91%, 0.49%

LAB 84.39, -68.07, 80.27

 

CMYK 30 / 0 / 95 / 6

HEX #A8EF0B

RGB 168 239 11

HSL 78.68, 0.91%, 0.49%

LAB 87.04, -48.53, 83.49

 

CMYK 4 / 0 / 95 / 6

HEX #E5EF0B

RGB 229 239 11

HSL 62.63, 0.91%, 0.49%

LAB 90.97, -24.57, 88.22

 

CMYK 0 / 22 / 95 / 6

HEX #EFBB0B

RGB 239 187 11

HSL 46.32, 0.91%, 0.49%

LAB 78.41, 5.7, 79.34

 

CMYK 81 / 0 / 95 / 6

HEX #2DEF0B

RGB 45 239 11

HSL 111.05, 0.91%, 0.49%

LAB 83.08, -79.2, 78.66

 

CMYK 95 / 0 / 84 / 6

HEX #0BEF27

RGB 11 239 39

HSL 127.37, 0.91%, 0.49%

LAB 82.89, -80.7, 74.01

 

CMYK 95 / 0 / 58 / 6

HEX #0BEF64

RGB 11 239 100

HSL 143.42, 0.91%, 0.49%

LAB 83.3, -75.5, 53.12

 

CMYK 95 / 0 / 32 / 6

HEX #0BEFA2

RGB 11 239 162

HSL 159.74, 0.91%, 0.49%

LAB 84.18, -65.01, 24.15

 

CMYK 95 / 0 / 7 / 6

HEX #0BEFDF

RGB 11 239 223

HSL 175.79, 0.91%, 0.49%

LAB 85.57, -50.07, -5.67

 

CMYK 81 / 0 / 95 / 6

HEX #2DEF0B

RGB 45 239 11

HSL 111.05, 0.91%, 0.49%

LAB 83.08, -79.2, 78.66

 

CMYK 81 / 0 / 95 / 6

HEX #2DEF0B

RGB 45 239 11

HSL 111.05, 0.91%, 0.49%

LAB 83.08, -79.2, 78.66

 

CMYK 73 / 0 / 86 / 15

HEX #3BDA1F

RGB 59 218 31

HSL 111.02, 0.75%, 0.49%

LAB 76.78, -70.75, 70.51

 

CMYK 63 / 0 / 74 / 22

HEX #49C634

RGB 73 198 52

HSL 111.37, 0.58%, 0.49%

LAB 70.91, -60.51, 59.23

 

CMYK 51 / 0 / 60 / 30

HEX #58B248

RGB 88 178 72

HSL 110.94, 0.42%, 0.49%

LAB 65.27, -47.46, 45.15

 

CMYK 35 / 0 / 42 / 38

HEX #669E5C

RGB 102 158 92

HSL 110.91, 0.26%, 0.49%

LAB 59.93, -31.72, 28.78

 

CMYK 30 / 0 / 95 / 6

HEX #A7EF0B

RGB 167 239 11

HSL 78.95, 0.91%, 0.49%

LAB 86.98, -48.89, 83.42

 

CMYK 56 / 0 / 95 / 6

HEX #6AEF0B

RGB 106 239 11

HSL 95, 0.91%, 0.49%

LAB 84.39, -68.07, 80.27

 

CMYK 81 / 0 / 95 / 6

HEX #2DEF0B

RGB 45 239 11

HSL 111.05, 0.91%, 0.49%

LAB 83.08, -79.2, 78.66

 

CMYK 95 / 0 / 84 / 6

HEX #0BEF26

RGB 11 239 38

HSL 127.11, 0.91%, 0.49%

LAB 82.88, -80.74, 74.23

 

CMYK 95 / 0 / 59 / 6

HEX #0BEF62

RGB 11 239 98

HSL 142.89, 0.91%, 0.49%

LAB 83.28, -75.76, 53.98

 

CMYK 81 / 0 / 95 / 37

HEX #1EA008

RGB 30 160 8

HSL 111.32, 0.9%, 0.33%

LAB 57.5, -58.19, 57.85

 

CMYK 81 / 0 / 95 / 22

HEX #25C709

RGB 37 199 9

HSL 111.16, 0.91%, 0.41%

LAB 70.36, -68.83, 68.38

 

CMYK 81 / 0 / 95 / 6

HEX #2DEF0B

RGB 45 239 11

HSL 111.05, 0.91%, 0.49%

LAB 83.08, -79.2, 78.66

 

CMYK 69 / 0 / 81 / 4

HEX #4BF52E

RGB 75 245 46

HSL 111.26, 0.91%, 0.57%

LAB 85.5, -75.59, 74.99

 

CMYK 56 / 0 / 66 / 3

HEX #6DF755

RGB 109 247 85

HSL 111.11, 0.91%, 0.65%

LAB 87.21, -66.43, 64.22

 

CMYK 81 / 0 / 95 / 5

HEX #2DF10B

RGB 45 241 11

HSL 111.13, 0.91%, 0.49%

LAB 83.7, -79.76, 79.16

 

CMYK 95 / 5 / 0 / 6

HEX #0BE3EF

RGB 11 227 239

HSL 183.16, 0.91%, 0.49%

LAB 82.51, -40.21, -18.69

 

CMYK 0 / 95 / 43 / 6

HEX #EF0B88

RGB 239 11 136

HSL 327.11, 0.91%, 0.49%

LAB 52.25, 81.01, -4.97

 

CMYK 81 / 0 / 95 / 5

HEX #2DF10B

RGB 45 241 11

HSL 111.13, 0.91%, 0.49%

LAB 83.7, -79.76, 79.16

 

CMYK 95 / 81 / 0 / 6

HEX #0B2DEF

RGB 11 45 239

HSL 231.05, 0.91%, 0.49%

LAB 34.35, 62.76, -95.41

 

CMYK 0 / 95 / 81 / 6

HEX #EF0B2D

RGB 239 11 45

HSL 351.05, 0.91%, 0.49%

LAB 50.43, 76.07, 46.96

 

CMYK 81 / 0 / 95 / 5

HEX #2DF10B

RGB 45 241 11

HSL 111.13, 0.91%, 0.49%

LAB 83.7, -79.76, 79.16

 

CMYK 95 / 5 / 0 / 6

HEX #0BE3EF

RGB 11 227 239

HSL 183.16, 0.91%, 0.49%

LAB 82.51, -40.21, -18.69

 

CMYK 14 / 95 / 0 / 6

HEX #CD0BEF

RGB 205 11 239

HSL 291.05, 0.91%, 0.49%

LAB 51.21, 87.71, -67.01

 

CMYK 0 / 90 / 95 / 6

HEX #EF170B

RGB 239 23 11

HSL 3.16, 0.91%, 0.49%

LAB 50.67, 74.26, 61.44

 

CMYK 81 / 0 / 95 / 5

HEX #2DF10B

RGB 45 241 11

HSL 111.13, 0.91%, 0.49%

LAB 83.7, -79.76, 79.16

 

CMYK 95 / 33 / 0 / 6

HEX #0B9FEF

RGB 11 159 239

HSL 201.05, 0.91%, 0.49%

LAB 62.59, -5.6, -49.5

 

CMYK 14 / 95 / 0 / 6

HEX #CD0BEF

RGB 205 11 239

HSL 291.05, 0.91%, 0.49%

LAB 51.21, 87.71, -67.01

 

CMYK 0 / 62 / 95 / 6

HEX #EF5B0B

RGB 239 91 11

HSL 21.05, 0.91%, 0.49%

LAB 57.9, 54.27, 65.5

 

Description

Color code: HEX #2DF10B | qconv.com Color code: HEX #2DF10B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 241 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 241 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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