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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DEE6E it is the complementary color #D21191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DEE6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DEE6E shade: #32EE69, #43FF7C, #54FF8F, #65FFA2 and #76FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DEE6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DEE6E shade: #2DEE6E, #1CDC5B, #0BCA48, #00B835 and #00A622

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DEE6E shade: #2BEE6C, #2BEE38, #52EE2B, #87EE2B and #BBEE2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DEE6E shade: #2BEE6C, #2BEEA1, #2BEED6, #2BD1EE and #2B9DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DEE6E shade matches the following richer shades: #2BEE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DEE6E shade: #2BEE6C, #3DDB72, #50C979, #62B67F and #75A485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DEE6E shade: #52EE2B, #2BEE38, #2BEE6C, #2BEEA0 and #2BEED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DEE6E shade: #0FB748, #12DD56, #2BEE6C, #51F187 and #77F4A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DEE6E shade: #2DEE6E, #2B86EE and #EE2B38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DEE6E shade: #2DEE6E, #6C2BEE and #EE6C2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DEE6E shade: #2DEE6E, #2B86EE, #EE2BAD and #EE932B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DEE6E shade: #2DEE6E, #2B4BEE, #EE2BAD and #EECD2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 54 / 7

HEX #2DEE6E

RGB 45 238 110

HSL 140.21, 0.85%, 0.55%

LAB 83.35, -71.68, 48.73

 

Complementary color

CMYK 0 / 92 / 31 / 18

HEX #D21191

RGB 210 17 145

HSL 320.21, 0.85%, 0.45%

LAB 47.17, 75.17, -18.61

 

CMYK 79 / 0 / 56 / 7

HEX #32EE69

RGB 50 238 105

HSL 137.55, 0.85%, 0.56%

LAB 83.36, -71.82, 51.04

 

CMYK 74 / 0 / 51 / 0

HEX #43FF7C

RGB 67 255 124

HSL 138.19, 1%, 0.63%

LAB 89, -72.63, 49.2

 

CMYK 67 / 0 / 44 / 0

HEX #54FF8F

RGB 84 255 143

HSL 140.7, 1%, 0.66%

LAB 89.57, -67.18, 40.97

 

CMYK 60 / 0 / 36 / 0

HEX #65FFA2

RGB 101 255 162

HSL 143.77, 1%, 0.7%

LAB 90.27, -60.88, 32.6

 

CMYK 54 / 0 / 29 / 0

HEX #76FFB5

RGB 118 255 181

HSL 147.59, 1%, 0.73%

LAB 91.1, -53.83, 24.24

 

CMYK 81 / 0 / 54 / 7

HEX #2DEE6E

RGB 45 238 110

HSL 140.21, 0.85%, 0.55%

LAB 83.35, -71.68, 48.73

 

CMYK 87 / 0 / 59 / 14

HEX #1CDC5B

RGB 28 220 91

HSL 139.69, 0.77%, 0.49%

LAB 77.39, -70.02, 50.26

 

CMYK 95 / 0 / 64 / 21

HEX #0BCA48

RGB 11 202 72

HSL 139.16, 0.9%, 0.42%

LAB 71.41, -67.77, 51.7

 

CMYK 100 / 0 / 71 / 28

HEX #00B835

RGB 0 184 53

HSL 137.28, 1%, 0.36%

LAB 65.39, -64.83, 52.89

 

CMYK 100 / 0 / 80 / 35

HEX #00A622

RGB 0 166 34

HSL 132.29, 1%, 0.33%

LAB 59.33, -61.12, 53.5

 

CMYK 82 / 0 / 55 / 7

HEX #2BEE6C

RGB 43 238 108

HSL 140, 0.85%, 0.55%

LAB 83.31, -72.15, 49.59

 

CMYK 82 / 0 / 76 / 7

HEX #2BEE38

RGB 43 238 56

HSL 124, 0.85%, 0.55%

LAB 82.89, -77.37, 69.55

 

CMYK 66 / 0 / 82 / 7

HEX #52EE2B

RGB 82 238 43

HSL 108, 0.85%, 0.55%

LAB 83.5, -72.26, 73.97

 

CMYK 43 / 0 / 82 / 7

HEX #87EE2B

RGB 135 238 43

HSL 91.69, 0.85%, 0.55%

LAB 85.24, -58.57, 76.18

 

CMYK 21 / 0 / 82 / 7

HEX #BBEE2B

RGB 187 238 43

HSL 75.69, 0.85%, 0.55%

LAB 87.91, -40.27, 79.57

 

CMYK 82 / 0 / 55 / 7

HEX #2BEE6C

RGB 43 238 108

HSL 140, 0.85%, 0.55%

LAB 83.31, -72.15, 49.59

 

CMYK 82 / 0 / 32 / 7

HEX #2BEEA1

RGB 43 238 161

HSL 156.31, 0.85%, 0.55%

LAB 84.09, -63.06, 24.58

 

CMYK 82 / 0 / 10 / 7

HEX #2BEED6

RGB 43 238 214

HSL 172.62, 0.85%, 0.55%

LAB 85.26, -50.53, -1.38

 

CMYK 82 / 12 / 0 / 7

HEX #2BD1EE

RGB 43 209 238

HSL 188.92, 0.85%, 0.55%

LAB 77.45, -30.54, -25.81

 

CMYK 82 / 34 / 0 / 7

HEX #2B9DEE

RGB 43 157 238

HSL 204.92, 0.85%, 0.55%

LAB 62.34, -3.06, -49.33

 

CMYK 82 / 0 / 55 / 7

HEX #2BEE6C

RGB 43 238 108

HSL 140, 0.85%, 0.55%

LAB 83.31, -72.15, 49.59

 

CMYK 82 / 0 / 55 / 7

HEX #2BEE6C

RGB 43 238 108

HSL 140, 0.85%, 0.55%

LAB 83.31, -72.15, 49.59

 

CMYK 72 / 0 / 48 / 14

HEX #3DDB72

RGB 61 219 114

HSL 140.13, 0.69%, 0.55%

LAB 77.8, -62.76, 40.03

 

CMYK 60 / 0 / 40 / 21

HEX #50C979

RGB 80 201 121

HSL 140.33, 0.53%, 0.55%

LAB 72.8, -51.47, 30.16

 

CMYK 46 / 0 / 30 / 29

HEX #62B67F

RGB 98 182 127

HSL 140.71, 0.37%, 0.55%

LAB 67.71, -37.95, 20.28

 

CMYK 29 / 0 / 19 / 36

HEX #75A485

RGB 117 164 133

HSL 140.43, 0.21%, 0.55%

LAB 63.36, -22.39, 11.09

 

CMYK 66 / 0 / 82 / 7

HEX #52EE2B

RGB 82 238 43

HSL 108, 0.85%, 0.55%

LAB 83.5, -72.26, 73.97

 

CMYK 82 / 0 / 76 / 7

HEX #2BEE38

RGB 43 238 56

HSL 124, 0.85%, 0.55%

LAB 82.89, -77.37, 69.55

 

CMYK 82 / 0 / 55 / 7

HEX #2BEE6C

RGB 43 238 108

HSL 140, 0.85%, 0.55%

LAB 83.31, -72.15, 49.59

 

CMYK 82 / 0 / 33 / 7

HEX #2BEEA0

RGB 43 238 160

HSL 156, 0.85%, 0.55%

LAB 84.07, -63.27, 25.06

 

CMYK 82 / 0 / 11 / 7

HEX #2BEED4

RGB 43 238 212

HSL 172, 0.85%, 0.55%

LAB 85.21, -51.06, -0.4

 

CMYK 92 / 0 / 61 / 28

HEX #0FB748

RGB 15 183 72

HSL 140.36, 0.85%, 0.39%

LAB 65.31, -61.74, 44.8

 

CMYK 92 / 0 / 61 / 13

HEX #12DD56

RGB 18 221 86

HSL 140.1, 0.85%, 0.47%

LAB 77.59, -71.55, 52.67

 

CMYK 82 / 0 / 55 / 7

HEX #2BEE6C

RGB 43 238 108

HSL 140, 0.85%, 0.55%

LAB 83.31, -72.15, 49.59

 

CMYK 66 / 0 / 44 / 5

HEX #51F187

RGB 81 241 135

HSL 140.25, 0.85%, 0.63%

LAB 85.2, -63.98, 39.24

 

CMYK 51 / 0 / 34 / 4

HEX #77F4A1

RGB 119 244 161

HSL 140.16, 0.85%, 0.71%

LAB 87.58, -52.79, 29.59

 

CMYK 81 / 0 / 54 / 7

HEX #2DEE6E

RGB 45 238 110

HSL 140.21, 0.85%, 0.55%

LAB 83.35, -71.68, 48.73

 

CMYK 82 / 44 / 0 / 7

HEX #2B86EE

RGB 43 134 238

HSL 212, 0.85%, 0.55%

LAB 55.82, 10.58, -59.71

 

CMYK 0 / 82 / 76 / 7

HEX #EE2B38

RGB 238 43 56

HSL 356, 0.85%, 0.55%

LAB 52.05, 71.22, 42.53

 

CMYK 81 / 0 / 54 / 7

HEX #2DEE6E

RGB 45 238 110

HSL 140.21, 0.85%, 0.55%

LAB 83.35, -71.68, 48.73

 

CMYK 55 / 82 / 0 / 7

HEX #6C2BEE

RGB 108 43 238

HSL 260, 0.85%, 0.55%

LAB 39.73, 69, -85.76

 

CMYK 0 / 55 / 82 / 7

HEX #EE6C2B

RGB 238 108 43

HSL 20, 0.85%, 0.55%

LAB 60.85, 46.72, 57.53

 

CMYK 81 / 0 / 54 / 7

HEX #2DEE6E

RGB 45 238 110

HSL 140.21, 0.85%, 0.55%

LAB 83.35, -71.68, 48.73

 

CMYK 82 / 44 / 0 / 7

HEX #2B86EE

RGB 43 134 238

HSL 212, 0.85%, 0.55%

LAB 55.82, 10.58, -59.71

 

CMYK 0 / 82 / 27 / 7

HEX #EE2BAD

RGB 238 43 173

HSL 320, 0.85%, 0.55%

LAB 54.99, 79.81, -22.79

 

CMYK 0 / 38 / 82 / 7

HEX #EE932B

RGB 238 147 43

HSL 32, 0.85%, 0.55%

LAB 68.91, 26.94, 64.69

 

CMYK 81 / 0 / 54 / 7

HEX #2DEE6E

RGB 45 238 110

HSL 140.21, 0.85%, 0.55%

LAB 83.35, -71.68, 48.73

 

CMYK 82 / 68 / 0 / 7

HEX #2B4BEE

RGB 43 75 238

HSL 230.15, 0.85%, 0.55%

LAB 40.77, 47.39, -84.2

 

CMYK 0 / 82 / 27 / 7

HEX #EE2BAD

RGB 238 43 173

HSL 320, 0.85%, 0.55%

LAB 54.99, 79.81, -22.79

 

CMYK 0 / 14 / 82 / 7

HEX #EECD2B

RGB 238 205 43

HSL 49.85, 0.85%, 0.55%

LAB 82.92, -3.44, 76.78

 

Description

Color code: HEX #2DEE6E | qconv.com Color code: HEX #2DEE6E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 238 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 238 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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