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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DEE4E it is the complementary color #D211B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DEE4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DEE4E shade: #32EE49, #43FF5C, #54FF6F, #65FF82 and #76FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DEE4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DEE4E shade: #2DEE4E, #1CDC3B, #0BCA28, #00B815 and #00A602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DEE4E shade: #2BEE4C, #3EEE2B, #73EE2B, #A7EE2B and #DCEE2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DEE4E shade: #2BEE4C, #2BEE81, #2BEEB5, #2BEEEA and #2BBDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DEE4E shade matches the following richer shades: #2BEE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DEE4E shade: #2BEE4C, #3DDB58, #50C965, #62B671 and #75A47D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DEE4E shade: #72EE2B, #3EEE2B, #2BEE4B, #2BEE7F and #2BEEB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DEE4E shade: #0FB72C, #12DD35, #2BEE4C, #51F16C and #77F48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DEE4E shade: #2DEE4E, #2BA6EE and #EE2B58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DEE4E shade: #2DEE4E, #4B2BEE and #EE4B2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DEE4E shade: #2DEE4E, #2BA6EE, #EE2BCD and #EE722B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DEE4E shade: #2DEE4E, #2B6CEE, #EE2BCD and #EEAD2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 67 / 7

HEX #2DEE4E

RGB 45 238 78

HSL 130.26, 0.85%, 0.55%

LAB 83.05, -75.4, 62.07

 

Complementary color

CMYK 0 / 92 / 16 / 18

HEX #D211B1

RGB 210 17 177

HSL 310.26, 0.85%, 0.45%

LAB 48.61, 78.93, -35.46

 

CMYK 79 / 0 / 69 / 7

HEX #32EE49

RGB 50 238 73

HSL 127.34, 0.85%, 0.56%

LAB 83.08, -75.31, 64.01

 

CMYK 74 / 0 / 64 / 0

HEX #43FF5C

RGB 67 255 92

HSL 127.98, 1%, 0.63%

LAB 88.68, -76.49, 62.77

 

CMYK 67 / 0 / 56 / 0

HEX #54FF6F

RGB 84 255 111

HSL 129.47, 1%, 0.66%

LAB 89.18, -71.68, 55.39

 

CMYK 60 / 0 / 49 / 0

HEX #65FF82

RGB 101 255 130

HSL 131.3, 1%, 0.7%

LAB 89.81, -65.94, 47.57

 

CMYK 54 / 0 / 42 / 0

HEX #76FF95

RGB 118 255 149

HSL 133.58, 1%, 0.73%

LAB 90.57, -59.38, 39.51

 

CMYK 81 / 0 / 67 / 7

HEX #2DEE4E

RGB 45 238 78

HSL 130.26, 0.85%, 0.55%

LAB 83.05, -75.4, 62.07

 

CMYK 87 / 0 / 73 / 14

HEX #1CDC3B

RGB 28 220 59

HSL 129.69, 0.77%, 0.49%

LAB 77.13, -73.3, 62.82

 

CMYK 95 / 0 / 80 / 21

HEX #0BCA28

RGB 11 202 40

HSL 129.11, 0.9%, 0.42%

LAB 71.19, -70.5, 63

 

CMYK 100 / 0 / 89 / 28

HEX #00B815

RGB 0 184 21

HSL 126.85, 1%, 0.36%

LAB 65.23, -66.89, 62.18

 

CMYK 100 / 0 / 99 / 35

HEX #00A602

RGB 0 166 2

HSL 120.72, 1%, 0.33%

LAB 59.23, -62.44, 60.03

 

CMYK 82 / 0 / 68 / 7

HEX #2BEE4C

RGB 43 238 76

HSL 130.15, 0.85%, 0.55%

LAB 83.01, -75.79, 62.79

 

CMYK 74 / 0 / 82 / 7

HEX #3EEE2B

RGB 62 238 43

HSL 114.15, 0.85%, 0.55%

LAB 83.1, -75.73, 73.45

 

CMYK 52 / 0 / 82 / 7

HEX #73EE2B

RGB 115 238 43

HSL 97.85, 0.85%, 0.55%

LAB 84.47, -64.45, 75.2

 

CMYK 30 / 0 / 82 / 7

HEX #A7EE2B

RGB 167 238 43

HSL 81.85, 0.85%, 0.55%

LAB 86.77, -47.74, 78.12

 

CMYK 8 / 0 / 82 / 7

HEX #DCEE2B

RGB 220 238 43

HSL 65.54, 0.85%, 0.55%

LAB 90.11, -27.2, 82.32

 

CMYK 82 / 0 / 68 / 7

HEX #2BEE4C

RGB 43 238 76

HSL 130.15, 0.85%, 0.55%

LAB 83.01, -75.79, 62.79

 

CMYK 82 / 0 / 46 / 7

HEX #2BEE81

RGB 43 238 129

HSL 146.46, 0.85%, 0.55%

LAB 83.57, -69, 39.96

 

CMYK 82 / 0 / 24 / 7

HEX #2BEEB5

RGB 43 238 181

HSL 162.46, 0.85%, 0.55%

LAB 84.48, -58.7, 14.78

 

CMYK 82 / 0 / 2 / 7

HEX #2BEEEA

RGB 43 238 234

HSL 178.77, 0.85%, 0.55%

LAB 85.81, -45.07, -11.08

 

CMYK 82 / 21 / 0 / 7

HEX #2BBDEE

RGB 43 189 238

HSL 195.08, 0.85%, 0.55%

LAB 71.61, -20.53, -34.8

 

CMYK 82 / 0 / 68 / 7

HEX #2BEE4C

RGB 43 238 76

HSL 130.15, 0.85%, 0.55%

LAB 83.01, -75.79, 62.79

 

CMYK 82 / 0 / 68 / 7

HEX #2BEE4C

RGB 43 238 76

HSL 130.15, 0.85%, 0.55%

LAB 83.01, -75.79, 62.79

 

CMYK 72 / 0 / 60 / 14

HEX #3DDB58

RGB 61 219 88

HSL 130.25, 0.69%, 0.55%

LAB 77.5, -66.32, 51.82

 

CMYK 60 / 0 / 50 / 21

HEX #50C965

RGB 80 201 101

HSL 130.41, 0.53%, 0.55%

LAB 72.51, -54.67, 39.89

 

CMYK 46 / 0 / 38 / 29

HEX #62B671

RGB 98 182 113

HSL 130.71, 0.37%, 0.55%

LAB 67.46, -40.47, 27.42

 

CMYK 29 / 0 / 24 / 36

HEX #75A47D

RGB 117 164 125

HSL 130.21, 0.21%, 0.55%

LAB 63.19, -23.93, 15.28

 

CMYK 52 / 0 / 82 / 7

HEX #72EE2B

RGB 114 238 43

HSL 98.15, 0.85%, 0.55%

LAB 84.43, -64.72, 75.15

 

CMYK 74 / 0 / 82 / 7

HEX #3EEE2B

RGB 62 238 43

HSL 114.15, 0.85%, 0.55%

LAB 83.1, -75.73, 73.45

 

CMYK 82 / 0 / 68 / 7

HEX #2BEE4B

RGB 43 238 75

HSL 129.85, 0.85%, 0.55%

LAB 83, -75.89, 63.16

 

CMYK 82 / 0 / 47 / 7

HEX #2BEE7F

RGB 43 238 127

HSL 145.85, 0.85%, 0.55%

LAB 83.54, -69.32, 40.9

 

CMYK 82 / 0 / 25 / 7

HEX #2BEEB3

RGB 43 238 179

HSL 161.85, 0.85%, 0.55%

LAB 84.44, -59.16, 15.76

 

CMYK 92 / 0 / 76 / 28

HEX #0FB72C

RGB 15 183 44

HSL 130.36, 0.85%, 0.39%

LAB 65.08, -64.58, 55.86

 

CMYK 92 / 0 / 76 / 13

HEX #12DD35

RGB 18 221 53

HSL 130.34, 0.85%, 0.47%

LAB 77.34, -74.67, 65

 

CMYK 82 / 0 / 68 / 7

HEX #2BEE4C

RGB 43 238 76

HSL 130.15, 0.85%, 0.55%

LAB 83.01, -75.79, 62.79

 

CMYK 66 / 0 / 55 / 5

HEX #51F16C

RGB 81 241 108

HSL 130.13, 0.85%, 0.63%

LAB 84.86, -67.86, 51.6

 

CMYK 51 / 0 / 43 / 4

HEX #77F48C

RGB 119 244 140

HSL 130.08, 0.85%, 0.71%

LAB 87.25, -56.23, 39.64

 

CMYK 81 / 0 / 67 / 7

HEX #2DEE4E

RGB 45 238 78

HSL 130.26, 0.85%, 0.55%

LAB 83.05, -75.4, 62.07

 

CMYK 82 / 30 / 0 / 7

HEX #2BA6EE

RGB 43 166 238

HSL 202.15, 0.85%, 0.55%

LAB 64.93, -8.16, -45.24

 

CMYK 0 / 82 / 63 / 7

HEX #EE2B58

RGB 238 43 88

HSL 346.15, 0.85%, 0.55%

LAB 52.52, 72.63, 24.39

 

CMYK 81 / 0 / 67 / 7

HEX #2DEE4E

RGB 45 238 78

HSL 130.26, 0.85%, 0.55%

LAB 83.05, -75.4, 62.07

 

CMYK 68 / 82 / 0 / 7

HEX #4B2BEE

RGB 75 43 238

HSL 249.85, 0.85%, 0.55%

LAB 36.74, 66.05, -90.81

 

CMYK 0 / 68 / 82 / 7

HEX #EE4B2B

RGB 238 75 43

HSL 9.85, 0.85%, 0.55%

LAB 55.47, 60.99, 52.64

 

CMYK 81 / 0 / 67 / 7

HEX #2DEE4E

RGB 45 238 78

HSL 130.26, 0.85%, 0.55%

LAB 83.05, -75.4, 62.07

 

CMYK 82 / 30 / 0 / 7

HEX #2BA6EE

RGB 43 166 238

HSL 202.15, 0.85%, 0.55%

LAB 64.93, -8.16, -45.24

 

CMYK 0 / 82 / 14 / 7

HEX #EE2BCD

RGB 238 43 205

HSL 310.15, 0.85%, 0.55%

LAB 56.4, 83.72, -39.11

 

CMYK 0 / 52 / 82 / 7

HEX #EE722B

RGB 238 114 43

HSL 21.85, 0.85%, 0.55%

LAB 61.99, 43.82, 58.55

 

CMYK 81 / 0 / 67 / 7

HEX #2DEE4E

RGB 45 238 78

HSL 130.26, 0.85%, 0.55%

LAB 83.05, -75.4, 62.07

 

CMYK 82 / 55 / 0 / 7

HEX #2B6CEE

RGB 43 108 238

HSL 220, 0.85%, 0.55%

LAB 48.77, 26.82, -71.09

 

CMYK 0 / 82 / 14 / 7

HEX #EE2BCD

RGB 238 43 205

HSL 310.15, 0.85%, 0.55%

LAB 56.4, 83.72, -39.11

 

CMYK 0 / 27 / 82 / 7

HEX #EEAD2B

RGB 238 173 43

HSL 40, 0.85%, 0.55%

LAB 74.98, 13.21, 69.97

 

Description

Color code: HEX #2DEE4E | qconv.com Color code: HEX #2DEE4E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 238 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 238 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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