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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DEB3C it is the complementary color #D214C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DEB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DEB3C shade: #32EB37, #43FD4A, #54FF5D, #65FF70 and #76FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DEB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DEB3C shade: #2DEB3C, #1CD929, #0BC716, #00B503 and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DEB3C shade: #2DEB3C, #51EB2D, #84EB2D, #B8EB2D and #EBEB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DEB3C shade: #2DEB3C, #2DEB6F, #2DEBA2, #2DEBD6 and #2DCDEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DEB3C shade matches the following richer shades: #2DEB3C and #1AFE2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DEB3C shade: #2DEB3C, #3FD84B, #52C65B, #64B36A and #77A17A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DEB3C shade: #85EB2D, #53EB2D, #2DEB39, #2DEB6C and #2DEB9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DEB3C shade: #10B51D, #14DA24, #2DEB3C, #52EE5F and #78F282

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DEB3C shade: #2DEB3C, #2DB8EB and #EB2D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DEB3C shade: #2DEB3C, #392DEB and #EB392D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DEB3C shade: #2DEB3C, #2DB8EB, #EB2DDE and #EB5F2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DEB3C shade: #2DEB3C, #2D7FEB, #EB2DDE and #EB982D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

Complementary color

CMYK 0 / 90 / 7 / 18

HEX #D214C3

RGB 210 20 195

HSL 304.74, 0.83%, 0.45%

LAB 49.67, 80.97, -44.3

 

CMYK 79 / 0 / 77 / 8

HEX #32EB37

RGB 50 235 55

HSL 121.62, 0.82%, 0.56%

LAB 82.04, -75.79, 69.07

 

CMYK 74 / 0 / 71 / 1

HEX #43FD4A

RGB 67 253 74

HSL 122.26, 0.98%, 0.63%

LAB 87.94, -77.5, 68.78

 

CMYK 67 / 0 / 64 / 0

HEX #54FF5D

RGB 84 255 93

HSL 123.16, 1%, 0.66%

LAB 89.01, -73.66, 62.83

 

CMYK 60 / 0 / 56 / 0

HEX #65FF70

RGB 101 255 112

HSL 124.29, 1%, 0.7%

LAB 89.61, -68.26, 55.55

 

CMYK 54 / 0 / 49 / 0

HEX #76FF83

RGB 118 255 131

HSL 125.69, 1%, 0.73%

LAB 90.33, -62, 47.84

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 87 / 0 / 81 / 15

HEX #1CD929

RGB 28 217 41

HSL 124.13, 0.77%, 0.48%

LAB 76.09, -73.65, 67.35

 

CMYK 94 / 0 / 89 / 22

HEX #0BC716

RGB 11 199 22

HSL 123.51, 0.9%, 0.41%

LAB 70.16, -70.52, 66.29

 

CMYK 100 / 0 / 98 / 29

HEX #00B503

RGB 0 181 3

HSL 120.99, 1%, 0.35%

LAB 64.2, -66.56, 63.93

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 66 / 0 / 81 / 8

HEX #51EB2D

RGB 81 235 45

HSL 108.63, 0.83%, 0.55%

LAB 82.57, -71.42, 72.6

 

CMYK 44 / 0 / 81 / 8

HEX #84EB2D

RGB 132 235 45

HSL 92.53, 0.83%, 0.55%

LAB 84.23, -58.28, 74.73

 

CMYK 22 / 0 / 81 / 8

HEX #B8EB2D

RGB 184 235 45

HSL 76.11, 0.83%, 0.55%

LAB 86.9, -40.03, 78.12

 

CMYK 0 / 0 / 81 / 8

HEX #EBEB2D

RGB 235 235 45

HSL 60, 0.83%, 0.55%

LAB 90.44, -19.56, 82.58

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 81 / 0 / 53 / 8

HEX #2DEB6F

RGB 45 235 111

HSL 140.84, 0.83%, 0.55%

LAB 82.44, -70.58, 47.16

 

CMYK 81 / 0 / 31 / 8

HEX #2DEBA2

RGB 45 235 162

HSL 156.95, 0.83%, 0.55%

LAB 83.22, -61.58, 22.88

 

CMYK 81 / 0 / 9 / 8

HEX #2DEBD6

RGB 45 235 214

HSL 173.37, 0.83%, 0.55%

LAB 84.4, -49.12, -2.64

 

CMYK 81 / 13 / 0 / 8

HEX #2DCDEB

RGB 45 205 235

HSL 189.47, 0.83%, 0.55%

LAB 76.2, -29.38, -26.11

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 90 / 0 / 83 / 0

HEX #1AFE2C

RGB 26 254 44

HSL 124.74, 0.99%, 0.55%

LAB 87.62, -83.81, 77.17

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 71 / 0 / 65 / 15

HEX #3FD84B

RGB 63 216 75

HSL 124.71, 0.66%, 0.55%

LAB 76.48, -66.43, 56.23

 

CMYK 59 / 0 / 54 / 22

HEX #52C65B

RGB 82 198 91

HSL 124.66, 0.5%, 0.55%

LAB 71.51, -54.47, 43.53

 

CMYK 44 / 0 / 41 / 30

HEX #64B36A

RGB 100 179 106

HSL 124.56, 0.34%, 0.55%

LAB 66.51, -39.73, 29.88

 

CMYK 26 / 0 / 24 / 37

HEX #77A17A

RGB 119 161 122

HSL 124.29, 0.18%, 0.55%

LAB 62.35, -22.29, 15.8

 

CMYK 43 / 0 / 81 / 8

HEX #85EB2D

RGB 133 235 45

HSL 92.21, 0.83%, 0.55%

LAB 84.27, -57.97, 74.78

 

CMYK 65 / 0 / 81 / 8

HEX #53EB2D

RGB 83 235 45

HSL 108, 0.83%, 0.55%

LAB 82.62, -71.01, 72.66

 

CMYK 81 / 0 / 76 / 8

HEX #2DEB39

RGB 45 235 57

HSL 123.79, 0.83%, 0.55%

LAB 81.98, -76.23, 68.37

 

CMYK 81 / 0 / 54 / 8

HEX #2DEB6C

RGB 45 235 108

HSL 139.89, 0.83%, 0.55%

LAB 82.41, -71, 48.51

 

CMYK 81 / 0 / 32 / 8

HEX #2DEB9F

RGB 45 235 159

HSL 156, 0.83%, 0.55%

LAB 83.17, -62.2, 24.35

 

CMYK 91 / 0 / 84 / 29

HEX #10B51D

RGB 16 181 29

HSL 124.73, 0.84%, 0.39%

LAB 64.36, -64.89, 59.65

 

CMYK 91 / 0 / 83 / 15

HEX #14DA24

RGB 20 218 36

HSL 124.85, 0.83%, 0.47%

LAB 76.33, -74.72, 68.8

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 66 / 0 / 60 / 7

HEX #52EE5F

RGB 82 238 95

HSL 125, 0.82%, 0.63%

LAB 83.85, -68.2, 56.17

 

CMYK 50 / 0 / 46 / 5

HEX #78F282

RGB 120 242 130

HSL 124.92, 0.82%, 0.71%

LAB 86.56, -56.66, 43.62

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 81 / 22 / 0 / 8

HEX #2DB8EB

RGB 45 184 235

HSL 196.11, 0.83%, 0.55%

LAB 70.06, -18.76, -35.58

 

CMYK 0 / 81 / 54 / 8

HEX #EB2D6C

RGB 235 45 108

HSL 340.11, 0.83%, 0.55%

LAB 52.53, 72.64, 12.25

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 76 / 81 / 0 / 8

HEX #392DEB

RGB 57 45 235

HSL 243.79, 0.83%, 0.55%

LAB 35.49, 63.17, -91.21

 

CMYK 0 / 76 / 81 / 8

HEX #EB392D

RGB 235 57 45

HSL 3.79, 0.83%, 0.55%

LAB 52.71, 66.28, 48.88

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 81 / 22 / 0 / 8

HEX #2DB8EB

RGB 45 184 235

HSL 196.11, 0.83%, 0.55%

LAB 70.06, -18.76, -35.58

 

CMYK 0 / 81 / 6 / 8

HEX #EB2DDE

RGB 235 45 222

HSL 304.11, 0.83%, 0.55%

LAB 56.89, 85.04, -48.04

 

CMYK 0 / 60 / 81 / 8

HEX #EB5F2D

RGB 235 95 45

HSL 15.79, 0.83%, 0.55%

LAB 58.07, 51.72, 53.95

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3C

RGB 45 235 60

HSL 124.74, 0.83%, 0.55%

LAB 82, -76.02, 67.43

 

CMYK 81 / 46 / 0 / 8

HEX #2D7FEB

RGB 45 127 235

HSL 214.11, 0.83%, 0.55%

LAB 53.74, 13.94, -61.38

 

CMYK 0 / 81 / 6 / 8

HEX #EB2DDE

RGB 235 45 222

HSL 304.11, 0.83%, 0.55%

LAB 56.89, 85.04, -48.04

 

CMYK 0 / 35 / 81 / 8

HEX #EB982D

RGB 235 152 45

HSL 33.79, 0.83%, 0.55%

LAB 69.69, 23.11, 64.53

 

Description

Color code: HEX #2DEB3C | qconv.com Color code: HEX #2DEB3C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 235 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 235 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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