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Color name
HEX #2DDF0F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DDF0F it is the complementary color #D220F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DDF0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DDF0F shade: #32DF0A, #43F11D, #54FF30, #65FF43 and #76FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DDF0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DDF0F shade: #2DDF0F, #1CCD00, #0BBB00, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DDF0F shade: #2EE010, #66E010, #9EE010, #D6E010 and #E0B210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DDF0F shade: #2EE010, #10E02A, #10E062, #10E09A and #10E0D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DDF0F shade matches the following richer shades: #2EE010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DDF0F shade: #2EE010, #3BCD23, #49B936, #57A64A and #65935D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DDF0F shade: #9EE010, #66E010, #2FE010, #10E028 and #10E060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DDF0F shade: #1E930A, #26BA0D, #2EE010, #46F029 and #67F34F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DDF0F shade: #2DDF0F, #10D6E0 and #E01082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DDF0F shade: #2DDF0F, #102FE0 and #E0102F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DDF0F shade: #2DDF0F, #10D6E0, #C110E0 and #E01A10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DDF0F shade: #2DDF0F, #1097E0, #C110E0 and #E05910

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 93 / 13

HEX #2DDF0F

RGB 45 223 15

HSL 111.35, 0.87%, 0.47%

LAB 78.09, -74.64, 74.15

 

Complementary color

CMYK 13 / 87 / 0 / 6

HEX #D220F0

RGB 210 32 240

HSL 291.35, 0.87%, 0.53%

LAB 52.98, 85.99, -64.68

 

CMYK 78 / 0 / 96 / 13

HEX #32DF0A

RGB 50 223 10

HSL 108.73, 0.91%, 0.46%

LAB 78.15, -74.11, 74.75

 

CMYK 72 / 0 / 88 / 5

HEX #43F11D

RGB 67 241 29

HSL 109.25, 0.88%, 0.53%

LAB 84.07, -76.41, 77.28

 

CMYK 67 / 0 / 81 / 0

HEX #54FF30

RGB 84 255 48

HSL 109.57, 1%, 0.59%

LAB 88.74, -76.94, 77.52

 

CMYK 60 / 0 / 74 / 0

HEX #65FF43

RGB 101 255 67

HSL 109.15, 1%, 0.63%

LAB 89.25, -72.4, 72.71

 

CMYK 54 / 0 / 66 / 0

HEX #76FF56

RGB 118 255 86

HSL 108.64, 1%, 0.67%

LAB 89.88, -66.94, 66.79

 

CMYK 80 / 0 / 93 / 13

HEX #2DDF0F

RGB 45 223 15

HSL 111.35, 0.87%, 0.47%

LAB 78.09, -74.64, 74.15

 

CMYK 86 / 0 / 100 / 20

HEX #1CCD00

RGB 28 205 0

HSL 111.8, 1%, 0.4%

LAB 72.17, -71.6, 70.77

 

CMYK 94 / 0 / 100 / 27

HEX #0BBB00

RGB 11 187 0

HSL 116.47, 1%, 0.37%

LAB 66.22, -67.76, 65.95

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 79 / 0 / 93 / 12

HEX #2EE010

RGB 46 224 16

HSL 111.35, 0.87%, 0.47%

LAB 78.42, -74.79, 74.31

 

CMYK 54 / 0 / 93 / 12

HEX #66E010

RGB 102 224 16

HSL 95.19, 0.87%, 0.47%

LAB 79.71, -63.89, 75.9

 

CMYK 29 / 0 / 93 / 12

HEX #9EE010

RGB 158 224 16

HSL 79.04, 0.87%, 0.47%

LAB 82.17, -45.83, 78.92

 

CMYK 4 / 0 / 93 / 12

HEX #D6E010

RGB 214 224 16

HSL 62.88, 0.87%, 0.47%

LAB 85.83, -23.58, 83.34

 

CMYK 0 / 21 / 93 / 12

HEX #E0B210

RGB 224 178 16

HSL 46.73, 0.87%, 0.47%

LAB 74.65, 3.96, 75.28

 

CMYK 79 / 0 / 93 / 12

HEX #2EE010

RGB 46 224 16

HSL 111.35, 0.87%, 0.47%

LAB 78.42, -74.79, 74.31

 

CMYK 93 / 0 / 81 / 12

HEX #10E02A

RGB 16 224 42

HSL 127.5, 0.87%, 0.47%

LAB 78.22, -76.28, 69.03

 

CMYK 93 / 0 / 56 / 12

HEX #10E062

RGB 16 224 98

HSL 143.65, 0.87%, 0.47%

LAB 78.64, -71.03, 48.53

 

CMYK 93 / 0 / 31 / 12

HEX #10E09A

RGB 16 224 154

HSL 159.81, 0.87%, 0.47%

LAB 79.47, -61.16, 21.84

 

CMYK 93 / 0 / 6 / 12

HEX #10E0D2

RGB 16 224 210

HSL 175.96, 0.87%, 0.47%

LAB 80.78, -47.2, -5.88

 

CMYK 79 / 0 / 93 / 12

HEX #2EE010

RGB 46 224 16

HSL 111.35, 0.87%, 0.47%

LAB 78.42, -74.79, 74.31

 

CMYK 79 / 0 / 93 / 12

HEX #2EE010

RGB 46 224 16

HSL 111.35, 0.87%, 0.47%

LAB 78.42, -74.79, 74.31

 

CMYK 71 / 0 / 83 / 20

HEX #3BCD23

RGB 59 205 35

HSL 111.53, 0.71%, 0.47%

LAB 72.7, -66.58, 65.95

 

CMYK 61 / 0 / 71 / 27

HEX #49B936

RGB 73 185 54

HSL 111.3, 0.55%, 0.47%

LAB 66.81, -55.81, 54.33

 

CMYK 48 / 0 / 55 / 35

HEX #57A64A

RGB 87 166 74

HSL 111.52, 0.38%, 0.47%

LAB 61.48, -42.61, 39.76

 

CMYK 31 / 0 / 37 / 42

HEX #65935D

RGB 101 147 93

HSL 111.11, 0.23%, 0.47%

LAB 56.51, -26.61, 23.75

 

CMYK 29 / 0 / 93 / 12

HEX #9EE010

RGB 158 224 16

HSL 79.04, 0.87%, 0.47%

LAB 82.17, -45.83, 78.92

 

CMYK 54 / 0 / 93 / 12

HEX #66E010

RGB 102 224 16

HSL 95.19, 0.87%, 0.47%

LAB 79.71, -63.89, 75.9

 

CMYK 79 / 0 / 93 / 12

HEX #2FE010

RGB 47 224 16

HSL 111.06, 0.87%, 0.47%

LAB 78.43, -74.66, 74.32

 

CMYK 93 / 0 / 82 / 12

HEX #10E028

RGB 16 224 40

HSL 126.92, 0.87%, 0.47%

LAB 78.21, -76.39, 69.54

 

CMYK 93 / 0 / 57 / 12

HEX #10E060

RGB 16 224 96

HSL 143.08, 0.87%, 0.47%

LAB 78.62, -71.3, 49.42

 

CMYK 80 / 0 / 93 / 42

HEX #1E930A

RGB 30 147 10

HSL 111.24, 0.87%, 0.31%

LAB 53.13, -54.14, 53.88

 

CMYK 80 / 0 / 93 / 27

HEX #26BA0D

RGB 38 186 13

HSL 111.33, 0.87%, 0.39%

LAB 66.18, -64.83, 64.45

 

CMYK 79 / 0 / 93 / 12

HEX #2EE010

RGB 46 224 16

HSL 111.35, 0.87%, 0.47%

LAB 78.42, -74.79, 74.31

 

CMYK 71 / 0 / 83 / 6

HEX #46F029

RGB 70 240 41

HSL 111.26, 0.87%, 0.55%

LAB 83.85, -75.16, 74.67

 

CMYK 58 / 0 / 67 / 5

HEX #67F34F

RGB 103 243 79

HSL 111.22, 0.87%, 0.63%

LAB 85.78, -66.99, 64.96

 

CMYK 80 / 0 / 93 / 13

HEX #2DDF0F

RGB 45 223 15

HSL 111.35, 0.87%, 0.47%

LAB 78.09, -74.64, 74.15

 

CMYK 93 / 4 / 0 / 12

HEX #10D6E0

RGB 16 214 224

HSL 182.88, 0.87%, 0.47%

LAB 78.22, -38.7, -17.17

 

CMYK 0 / 93 / 42 / 12

HEX #E01082

RGB 224 16 130

HSL 327.12, 0.87%, 0.47%

LAB 49.29, 76.81, -6.06

 

CMYK 80 / 0 / 93 / 13

HEX #2DDF0F

RGB 45 223 15

HSL 111.35, 0.87%, 0.47%

LAB 78.09, -74.64, 74.15

 

CMYK 93 / 79 / 0 / 12

HEX #102FE0

RGB 16 47 224

HSL 231.06, 0.87%, 0.47%

LAB 32.97, 57.2, -89.16

 

CMYK 0 / 93 / 79 / 12

HEX #E0102F

RGB 224 16 47

HSL 351.06, 0.87%, 0.47%

LAB 47.52, 71.98, 41.94

 

CMYK 80 / 0 / 93 / 13

HEX #2DDF0F

RGB 45 223 15

HSL 111.35, 0.87%, 0.47%

LAB 78.09, -74.64, 74.15

 

CMYK 93 / 4 / 0 / 12

HEX #10D6E0

RGB 16 214 224

HSL 182.88, 0.87%, 0.47%

LAB 78.22, -38.7, -17.17

 

CMYK 14 / 93 / 0 / 12

HEX #C110E0

RGB 193 16 224

HSL 291.06, 0.87%, 0.47%

LAB 48.37, 83.06, -63.21

 

CMYK 0 / 88 / 93 / 12

HEX #E01A10

RGB 224 26 16

HSL 2.88, 0.87%, 0.47%

LAB 47.78, 70, 56.73

 

CMYK 80 / 0 / 93 / 13

HEX #2DDF0F

RGB 45 223 15

HSL 111.35, 0.87%, 0.47%

LAB 78.09, -74.64, 74.15

 

CMYK 93 / 33 / 0 / 12

HEX #1097E0

RGB 16 151 224

HSL 201.06, 0.87%, 0.47%

LAB 59.55, -6.42, -46.02

 

CMYK 14 / 93 / 0 / 12

HEX #C110E0

RGB 193 16 224

HSL 291.06, 0.87%, 0.47%

LAB 48.37, 83.06, -63.21

 

CMYK 0 / 60 / 93 / 12

HEX #E05910

RGB 224 89 16

HSL 21.06, 0.87%, 0.47%

LAB 55.1, 49.87, 61.38

 

Description

Color code: HEX #2DDF0F | qconv.com Color code: HEX #2DDF0F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 223 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 223 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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