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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DDB9F it is the complementary color #D22460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DDB9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DDB9F shade: #32DB9A, #43EDAD, #54FFC0, #65FFD3 and #76FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DDB9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DDB9F shade: #2DDB9F, #1CC98C, #0BB779, #00A566 and #009353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DDB9F shade: #2EDCA0, #2EDC71, #2EDC42, #48DC2E and #77DC2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DDB9F shade: #2EDCA0, #2EDCCE, #2EBADC, #2E8BDC and #2E5CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DDB9F shade matches the following richer shades: #2EDCA0 and #1AEFA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DDB9F shade: #2EDCA0, #42C899, #55B493, #69A08D and #7D8C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DDB9F shade: #2EDC42, #2EDC70, #2EDC9F, #2EDCCD and #2EBCDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DDB9F shade: #1A9C6F, #20BF89, #2EDCA0, #51E1B0 and #74E7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DDB9F shade: #2DDB9F, #2E48DC and #DC592E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DDB9F shade: #2DDB9F, #9F2EDC and #DC9F2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DDB9F shade: #2DDB9F, #2E48DC, #DC2E6B and #DCC12E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DDB9F shade: #2DDB9F, #482EDC, #DC2E6B and #C1DC2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 27 / 14

HEX #2DDB9F

RGB 45 219 159

HSL 159.31, 0.71%, 0.52%

LAB 78.3, -56.22, 17.64

 

Complementary color

CMYK 0 / 83 / 54 / 18

HEX #D22460

RGB 210 36 96

HSL 339.31, 0.71%, 0.48%

LAB 46.72, 67.49, 10.75

 

CMYK 77 / 0 / 30 / 14

HEX #32DB9A

RGB 50 219 154

HSL 156.92, 0.7%, 0.53%

LAB 78.27, -56.78, 20.23

 

CMYK 72 / 0 / 27 / 7

HEX #43EDAD

RGB 67 237 173

HSL 157.41, 0.83%, 0.6%

LAB 84.37, -57.49, 18.83

 

CMYK 67 / 0 / 25 / 0

HEX #54FFC0

RGB 84 255 192

HSL 157.89, 1%, 0.66%

LAB 90.42, -57.97, 17.54

 

CMYK 60 / 0 / 17 / 0

HEX #65FFD3

RGB 101 255 211

HSL 162.86, 1%, 0.7%

LAB 91.23, -50.95, 8.97

 

CMYK 54 / 0 / 10 / 0

HEX #76FFE6

RGB 118 255 230

HSL 169.05, 1%, 0.73%

LAB 92.17, -43.34, 0.57

 

CMYK 79 / 0 / 27 / 14

HEX #2DDB9F

RGB 45 219 159

HSL 159.31, 0.71%, 0.52%

LAB 78.3, -56.22, 17.64

 

CMYK 86 / 0 / 30 / 21

HEX #1CC98C

RGB 28 201 140

HSL 158.84, 0.76%, 0.45%

LAB 72.17, -55.06, 19.17

 

CMYK 94 / 0 / 34 / 28

HEX #0BB779

RGB 11 183 121

HSL 158.37, 0.89%, 0.38%

LAB 66, -53.47, 20.85

 

CMYK 100 / 0 / 38 / 35

HEX #00A566

RGB 0 165 102

HSL 157.09, 1%, 0.32%

LAB 59.77, -51.37, 22.7

 

CMYK 100 / 0 / 44 / 42

HEX #009353

RGB 0 147 83

HSL 153.88, 1%, 0.29%

LAB 53.48, -48.7, 24.72

 

CMYK 79 / 0 / 27 / 14

HEX #2EDCA0

RGB 46 220 160

HSL 159.31, 0.71%, 0.52%

LAB 78.64, -56.28, 17.59

 

CMYK 79 / 0 / 49 / 14

HEX #2EDC71

RGB 46 220 113

HSL 143.1, 0.71%, 0.52%

LAB 77.85, -65.23, 40.53

 

CMYK 79 / 0 / 70 / 14

HEX #2EDC42

RGB 46 220 66

HSL 126.9, 0.71%, 0.52%

LAB 77.38, -70.97, 60.62

 

CMYK 67 / 0 / 79 / 14

HEX #48DC2E

RGB 72 220 46

HSL 111.03, 0.71%, 0.52%

LAB 77.73, -68.35, 67.75

 

CMYK 46 / 0 / 79 / 14

HEX #77DC2E

RGB 119 220 46

HSL 94.83, 0.71%, 0.52%

LAB 79.22, -56.55, 69.67

 

CMYK 79 / 0 / 27 / 14

HEX #2EDCA0

RGB 46 220 160

HSL 159.31, 0.71%, 0.52%

LAB 78.64, -56.28, 17.59

 

CMYK 79 / 0 / 6 / 14

HEX #2EDCCE

RGB 46 220 206

HSL 175.17, 0.71%, 0.52%

LAB 79.74, -44.78, -5.25

 

CMYK 79 / 15 / 0 / 14

HEX #2EBADC

RGB 46 186 220

HSL 191.72, 0.71%, 0.52%

LAB 70.08, -24.65, -27.37

 

CMYK 79 / 37 / 0 / 14

HEX #2E8BDC

RGB 46 139 220

HSL 207.93, 0.71%, 0.52%

LAB 56.3, 1.18, -48.9

 

CMYK 79 / 58 / 0 / 14

HEX #2E5CDC

RGB 46 92 220

HSL 224.14, 0.71%, 0.52%

LAB 43.36, 30.57, -69.73

 

CMYK 79 / 0 / 27 / 14

HEX #2EDCA0

RGB 46 220 160

HSL 159.31, 0.71%, 0.52%

LAB 78.64, -56.28, 17.59

 

CMYK 89 / 0 / 31 / 6

HEX #1AEFA6

RGB 26 239 166

HSL 159.44, 0.87%, 0.52%

LAB 84.33, -63.56, 22.32

 

CMYK 79 / 0 / 27 / 14

HEX #2EDCA0

RGB 46 220 160

HSL 159.31, 0.71%, 0.52%

LAB 78.64, -56.28, 17.59

 

CMYK 67 / 0 / 24 / 22

HEX #42C899

RGB 66 200 153

HSL 158.96, 0.55%, 0.52%

LAB 72.74, -47.24, 13.1

 

CMYK 53 / 0 / 18 / 29

HEX #55B493

RGB 85 180 147

HSL 159.16, 0.39%, 0.52%

LAB 67.04, -36.14, 8.35

 

CMYK 34 / 0 / 12 / 37

HEX #69A08D

RGB 105 160 141

HSL 159.27, 0.22%, 0.52%

LAB 61.71, -22.47, 4.16

 

CMYK 11 / 0 / 4 / 45

HEX #7D8C87

RGB 125 140 135

HSL 160, 0.06%, 0.52%

LAB 56.94, -6.45, 0.82

 

CMYK 79 / 0 / 70 / 14

HEX #2EDC42

RGB 46 220 66

HSL 126.9, 0.71%, 0.52%

LAB 77.38, -70.97, 60.62

 

CMYK 79 / 0 / 49 / 14

HEX #2EDC70

RGB 46 220 112

HSL 142.76, 0.71%, 0.52%

LAB 77.84, -65.39, 41

 

CMYK 79 / 0 / 28 / 14

HEX #2EDC9F

RGB 46 220 159

HSL 158.97, 0.71%, 0.52%

LAB 78.62, -56.5, 18.08

 

CMYK 79 / 0 / 7 / 14

HEX #2EDCCD

RGB 46 220 205

HSL 174.83, 0.71%, 0.52%

LAB 79.71, -45.06, -4.76

 

CMYK 79 / 15 / 0 / 14

HEX #2EBCDC

RGB 46 188 220

HSL 191.03, 0.71%, 0.52%

LAB 70.67, -25.66, -26.46

 

CMYK 83 / 0 / 29 / 39

HEX #1A9C6F

RGB 26 156 111

HSL 159.23, 0.71%, 0.36%

LAB 57.22, -44.28, 14.29

 

CMYK 83 / 0 / 28 / 25

HEX #20BF89

RGB 32 191 137

HSL 159.62, 0.71%, 0.44%

LAB 69.02, -51.58, 16.42

 

CMYK 79 / 0 / 27 / 14

HEX #2EDCA0

RGB 46 220 160

HSL 159.31, 0.71%, 0.52%

LAB 78.64, -56.28, 17.59

 

CMYK 64 / 0 / 22 / 12

HEX #51E1B0

RGB 81 225 176

HSL 159.58, 0.71%, 0.6%

LAB 81.15, -49.89, 12.78

 

CMYK 50 / 0 / 17 / 9

HEX #74E7C0

RGB 116 231 192

HSL 159.65, 0.71%, 0.68%

LAB 84.31, -41.85, 9.02

 

CMYK 79 / 0 / 27 / 14

HEX #2DDB9F

RGB 45 219 159

HSL 159.31, 0.71%, 0.52%

LAB 78.3, -56.22, 17.64

 

CMYK 79 / 67 / 0 / 14

HEX #2E48DC

RGB 46 72 220

HSL 231.03, 0.71%, 0.52%

LAB 38.52, 43.14, -77.66

 

CMYK 0 / 60 / 79 / 14

HEX #DC592E

RGB 220 89 46

HSL 14.83, 0.71%, 0.52%

LAB 54.61, 49.1, 49.33

 

CMYK 79 / 0 / 27 / 14

HEX #2DDB9F

RGB 45 219 159

HSL 159.31, 0.71%, 0.52%

LAB 78.3, -56.22, 17.64

 

CMYK 28 / 79 / 0 / 14

HEX #9F2EDC

RGB 159 46 220

HSL 278.97, 0.71%, 0.52%

LAB 44.93, 70.82, -66.75

 

CMYK 0 / 28 / 79 / 14

HEX #DC9F2E

RGB 220 159 46

HSL 38.97, 0.71%, 0.52%

LAB 69.62, 13.02, 63.47

 

CMYK 79 / 0 / 27 / 14

HEX #2DDB9F

RGB 45 219 159

HSL 159.31, 0.71%, 0.52%

LAB 78.3, -56.22, 17.64

 

CMYK 79 / 67 / 0 / 14

HEX #2E48DC

RGB 46 72 220

HSL 231.03, 0.71%, 0.52%

LAB 38.52, 43.14, -77.66

 

CMYK 0 / 79 / 51 / 14

HEX #DC2E6B

RGB 220 46 107

HSL 338.97, 0.71%, 0.52%

LAB 49.78, 68.43, 8.57

 

CMYK 0 / 12 / 79 / 14

HEX #DCC12E

RGB 220 193 46

HSL 50.69, 0.71%, 0.52%

LAB 78.2, -4.9, 71.18

 

CMYK 79 / 0 / 27 / 14

HEX #2DDB9F

RGB 45 219 159

HSL 159.31, 0.71%, 0.52%

LAB 78.3, -56.22, 17.64

 

CMYK 67 / 79 / 0 / 14

HEX #482EDC

RGB 72 46 220

HSL 248.97, 0.71%, 0.52%

LAB 35, 59.47, -83.42

 

CMYK 0 / 79 / 51 / 14

HEX #DC2E6B

RGB 220 46 107

HSL 338.97, 0.71%, 0.52%

LAB 49.78, 68.43, 8.57

 

CMYK 12 / 0 / 79 / 14

HEX #C1DC2E

RGB 193 220 46

HSL 69.31, 0.71%, 0.52%

LAB 83.3, -29.61, 74.89

 

Description

Color code: HEX #2DDB9F | qconv.com Color code: HEX #2DDB9F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 219 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 219 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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