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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DDB6B it is the complementary color #D22494. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DDB6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DDB6B shade: #32DB66, #43ED79, #54FF8C, #65FF9F and #76FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DDB6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DDB6B shade: #2DDB6B, #1CC958, #0BB745, #00A532 and #00931F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DDB6B shade: #2DDB6B, #2DDB3C, #4DDB2D, #7CDB2D and #ABDB2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DDB6B shade: #2DDB6B, #2DDB9A, #2DDBC9, #2DBEDB and #2D8FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DDB6B shade matches the following richer shades: #2DDB6B and #19EF65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DDB6B shade: #2DDB6B, #41C771, #55B377, #69A07C and #7C8C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DDB6B shade: #4DDB2D, #2DDB3C, #2DDB6A, #2DDB98 and #2DDBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DDB6B shade: #1A9C48, #20BF59, #2DDB6B, #50E184 and #74E79D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DDB6B shade: #2DDB6B, #2D7BDB and #DB2D36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DDB6B shade: #2DDB6B, #6A2DDB and #DB6A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DDB6B shade: #2DDB6B, #2D7BDB, #DB2D9E and #DB8D2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DDB6B shade: #2DDB6B, #2D47DB, #DB2D9E and #DBC12D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

Complementary color

CMYK 0 / 83 / 30 / 18

HEX #D22494

RGB 210 36 148

HSL 321.38, 0.71%, 0.48%

LAB 48.39, 72.3, -18.55

 

CMYK 77 / 0 / 53 / 14

HEX #32DB66

RGB 50 219 102

HSL 138.46, 0.7%, 0.53%

LAB 77.46, -66.06, 45.34

 

CMYK 72 / 0 / 49 / 7

HEX #43ED79

RGB 67 237 121

HSL 139.06, 0.83%, 0.6%

LAB 83.52, -67.02, 43.83

 

CMYK 67 / 0 / 45 / 0

HEX #54FF8C

RGB 84 255 140

HSL 139.65, 1%, 0.66%

LAB 89.53, -67.65, 42.36

 

CMYK 60 / 0 / 38 / 0

HEX #65FF9F

RGB 101 255 159

HSL 142.6, 1%, 0.7%

LAB 90.22, -61.4, 34.03

 

CMYK 54 / 0 / 30 / 0

HEX #76FFB2

RGB 118 255 178

HSL 146.28, 1%, 0.73%

LAB 91.05, -54.4, 25.68

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 86 / 0 / 56 / 21

HEX #1CC958

RGB 28 201 88

HSL 140.81, 0.76%, 0.45%

LAB 71.37, -64.43, 44.52

 

CMYK 94 / 0 / 62 / 28

HEX #0BB745

RGB 11 183 69

HSL 140.23, 0.89%, 0.38%

LAB 65.25, -62.33, 46.08

 

CMYK 100 / 0 / 70 / 35

HEX #00A532

RGB 0 165 50

HSL 138.18, 1%, 0.32%

LAB 59.1, -59.47, 47.44

 

CMYK 100 / 0 / 79 / 42

HEX #00931F

RGB 0 147 31

HSL 132.65, 1%, 0.29%

LAB 52.91, -55.75, 48.26

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 79 / 0 / 73 / 14

HEX #2DDB3C

RGB 45 219 60

HSL 125.17, 0.71%, 0.52%

LAB 77.01, -71.29, 62.41

 

CMYK 65 / 0 / 79 / 14

HEX #4DDB2D

RGB 77 219 45

HSL 108.97, 0.71%, 0.52%

LAB 77.54, -67.09, 67.89

 

CMYK 43 / 0 / 79 / 14

HEX #7CDB2D

RGB 124 219 45

HSL 92.76, 0.71%, 0.52%

LAB 79.12, -54.66, 69.94

 

CMYK 22 / 0 / 79 / 14

HEX #ABDB2D

RGB 171 219 45

HSL 76.55, 0.71%, 0.52%

LAB 81.57, -37.92, 73.08

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 79 / 0 / 30 / 14

HEX #2DDB9A

RGB 45 219 154

HSL 157.59, 0.71%, 0.52%

LAB 78.2, -57.31, 20.13

 

CMYK 79 / 0 / 8 / 14

HEX #2DDBC9

RGB 45 219 201

HSL 173.79, 0.71%, 0.52%

LAB 79.29, -45.81, -3.25

 

CMYK 79 / 13 / 0 / 14

HEX #2DBEDB

RGB 45 190 219

HSL 190, 0.71%, 0.52%

LAB 71.21, -27.07, -25.09

 

CMYK 79 / 35 / 0 / 14

HEX #2D8FDB

RGB 45 143 219

HSL 206.21, 0.71%, 0.52%

LAB 57.38, -1.64, -46.63

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 90 / 0 / 58 / 6

HEX #19EF65

RGB 25 239 101

HSL 141.31, 0.87%, 0.52%

LAB 83.38, -74.76, 52.79

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 67 / 0 / 43 / 22

HEX #41C771

RGB 65 199 113

HSL 141.49, 0.54%, 0.52%

LAB 71.67, -55.03, 32.72

 

CMYK 53 / 0 / 34 / 30

HEX #55B377

RGB 85 179 119

HSL 141.7, 0.38%, 0.52%

LAB 66.14, -41.59, 22.36

 

CMYK 34 / 0 / 23 / 37

HEX #69A07C

RGB 105 160 124

HSL 140.73, 0.22%, 0.52%

LAB 61.31, -26.07, 13.12

 

CMYK 11 / 0 / 7 / 45

HEX #7C8C82

RGB 124 140 130

HSL 142.5, 0.07%, 0.52%

LAB 56.74, -7.83, 3.38

 

CMYK 65 / 0 / 79 / 14

HEX #4DDB2D

RGB 77 219 45

HSL 108.97, 0.71%, 0.52%

LAB 77.54, -67.09, 67.89

 

CMYK 79 / 0 / 73 / 14

HEX #2DDB3C

RGB 45 219 60

HSL 125.17, 0.71%, 0.52%

LAB 77.01, -71.29, 62.41

 

CMYK 79 / 0 / 52 / 14

HEX #2DDB6A

RGB 45 219 106

HSL 141.03, 0.71%, 0.52%

LAB 77.44, -66.08, 43.4

 

CMYK 79 / 0 / 31 / 14

HEX #2DDB98

RGB 45 219 152

HSL 156.9, 0.71%, 0.52%

LAB 78.16, -57.74, 21.12

 

CMYK 79 / 0 / 9 / 14

HEX #2DDBC7

RGB 45 219 199

HSL 173.1, 0.71%, 0.52%

LAB 79.24, -46.35, -2.26

 

CMYK 83 / 0 / 54 / 39

HEX #1A9C48

RGB 26 156 72

HSL 141.23, 0.71%, 0.36%

LAB 56.55, -51.94, 34.42

 

CMYK 83 / 0 / 53 / 25

HEX #20BF59

RGB 32 191 89

HSL 141.51, 0.71%, 0.44%

LAB 68.23, -60.66, 40.28

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 64 / 0 / 41 / 12

HEX #50E184

RGB 80 225 132

HSL 141.52, 0.71%, 0.6%

LAB 80.3, -58.79, 34.38

 

CMYK 50 / 0 / 32 / 9

HEX #74E79D

RGB 116 231 157

HSL 141.39, 0.71%, 0.68%

LAB 83.6, -48.88, 26.24

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 79 / 44 / 0 / 14

HEX #2D7BDB

RGB 45 123 219

HSL 213.1, 0.71%, 0.52%

LAB 51.65, 10.43, -55.76

 

CMYK 0 / 79 / 75 / 14

HEX #DB2D36

RGB 219 45 54

HSL 356.9, 0.71%, 0.52%

LAB 48.52, 65.42, 38.73

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 52 / 79 / 0 / 14

HEX #6A2DDB

RGB 106 45 219

HSL 261.03, 0.71%, 0.52%

LAB 37.94, 63.24, -77.89

 

CMYK 0 / 52 / 79 / 14

HEX #DB6A2D

RGB 219 106 45

HSL 21.03, 0.71%, 0.52%

LAB 57.61, 40.53, 52.64

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 79 / 44 / 0 / 14

HEX #2D7BDB

RGB 45 123 219

HSL 213.1, 0.71%, 0.52%

LAB 51.65, 10.43, -55.76

 

CMYK 0 / 79 / 28 / 14

HEX #DB2D9E

RGB 219 45 158

HSL 321.03, 0.71%, 0.52%

LAB 51.16, 73.37, -20.13

 

CMYK 0 / 36 / 79 / 14

HEX #DB8D2D

RGB 219 141 45

HSL 33.1, 0.71%, 0.52%

LAB 65.2, 22.22, 59.74

 

CMYK 79 / 0 / 51 / 14

HEX #2DDB6B

RGB 45 219 107

HSL 141.38, 0.71%, 0.52%

LAB 77.45, -65.93, 42.93

 

CMYK 79 / 68 / 0 / 14

HEX #2D47DB

RGB 45 71 219

HSL 231.03, 0.71%, 0.52%

LAB 38.16, 43.32, -77.68

 

CMYK 0 / 79 / 28 / 14

HEX #DB2D9E

RGB 219 45 158

HSL 321.03, 0.71%, 0.52%

LAB 51.16, 73.37, -20.13

 

CMYK 0 / 12 / 79 / 14

HEX #DBC12D

RGB 219 193 45

HSL 51.03, 0.71%, 0.52%

LAB 78.1, -5.37, 71.36

 

Description

Color code: HEX #2DDB6B | qconv.com Color code: HEX #2DDB6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 219 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 219 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 51 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 51% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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