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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD84E it is the complementary color #D227B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD84E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD84E shade: #32D849, #43EA5C, #54FC6F, #65FF82 and #76FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD84E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD84E shade: #2DD84E, #1CC63B, #0BB428, #00A215 and #009002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD84E shade: #2CD84D, #39D82C, #68D82C, #96D82C and #C5D82C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD84E shade: #2CD84D, #2CD87C, #2CD8AA, #2CD8D8 and #2CA9D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD84E shade matches the following richer shades: #2CD84D and #18EC41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD84E shade: #2CD84D, #40C45A, #54B066, #689C72 and #7D877F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD84E shade: #68D82C, #3AD82C, #2CD84B, #2CD879 and #2CD8A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD84E shade: #1C9633, #22B93F, #2CD84D, #4FDF6A and #72E588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD84E shade: #2DD84E, #2C96D8 and #D82C51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD84E shade: #2DD84E, #4B2CD8 and #D84B2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD84E shade: #2DD84E, #2C96D8, #D82CB9 and #D86E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD84E shade: #2DD84E, #2C62D8, #D82CB9 and #D8A22C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 64 / 15

HEX #2DD84E

RGB 45 216 78

HSL 131.58, 0.69%, 0.51%

LAB 76.2, -68.69, 54.59

 

Complementary color

CMYK 0 / 81 / 16 / 18

HEX #D227B1

RGB 210 39 177

HSL 311.58, 0.69%, 0.49%

LAB 49.89, 75.19, -33.44

 

CMYK 77 / 0 / 66 / 15

HEX #32D849

RGB 50 216 73

HSL 128.31, 0.68%, 0.52%

LAB 76.24, -68.58, 56.71

 

CMYK 71 / 0 / 61 / 8

HEX #43EA5C

RGB 67 234 92

HSL 128.98, 0.8%, 0.59%

LAB 82.28, -69.83, 55.59

 

CMYK 67 / 0 / 56 / 1

HEX #54FC6F

RGB 84 252 111

HSL 129.64, 0.97%, 0.66%

LAB 88.28, -70.67, 54.33

 

CMYK 60 / 0 / 49 / 0

HEX #65FF82

RGB 101 255 130

HSL 131.3, 1%, 0.7%

LAB 89.81, -65.94, 47.57

 

CMYK 54 / 0 / 42 / 0

HEX #76FF95

RGB 118 255 149

HSL 133.58, 1%, 0.73%

LAB 90.57, -59.38, 39.51

 

CMYK 79 / 0 / 64 / 15

HEX #2DD84E

RGB 45 216 78

HSL 131.58, 0.69%, 0.51%

LAB 76.2, -68.69, 54.59

 

CMYK 86 / 0 / 70 / 22

HEX #1CC63B

RGB 28 198 59

HSL 130.94, 0.75%, 0.44%

LAB 70.14, -66.83, 55.62

 

CMYK 94 / 0 / 78 / 29

HEX #0BB428

RGB 11 180 40

HSL 130.3, 0.88%, 0.37%

LAB 64.05, -64.22, 56.17

 

CMYK 100 / 0 / 87 / 36

HEX #00A215

RGB 0 162 21

HSL 127.78, 1%, 0.32%

LAB 57.94, -60.71, 55.76

 

CMYK 100 / 0 / 99 / 44

HEX #009002

RGB 0 144 2

HSL 120.83, 1%, 0.28%

LAB 51.78, -56.24, 54

 

CMYK 80 / 0 / 64 / 15

HEX #2CD84D

RGB 44 216 77

HSL 131.51, 0.69%, 0.51%

LAB 76.18, -68.92, 54.98

 

CMYK 74 / 0 / 80 / 15

HEX #39D82C

RGB 57 216 44

HSL 115.47, 0.69%, 0.51%

LAB 76.17, -69.83, 66.74

 

CMYK 52 / 0 / 80 / 15

HEX #68D82C

RGB 104 216 44

HSL 99.07, 0.69%, 0.51%

LAB 77.42, -59.55, 68.36

 

CMYK 31 / 0 / 80 / 15

HEX #96D82C

RGB 150 216 44

HSL 83.02, 0.69%, 0.51%

LAB 79.49, -44.58, 71.01

 

CMYK 9 / 0 / 80 / 15

HEX #C5D82C

RGB 197 216 44

HSL 66.63, 0.69%, 0.51%

LAB 82.47, -26.15, 74.8

 

CMYK 80 / 0 / 64 / 15

HEX #2CD84D

RGB 44 216 77

HSL 131.51, 0.69%, 0.51%

LAB 76.18, -68.92, 54.98

 

CMYK 80 / 0 / 43 / 15

HEX #2CD87C

RGB 44 216 124

HSL 147.91, 0.69%, 0.51%

LAB 76.74, -62.24, 33.64

 

CMYK 80 / 0 / 21 / 15

HEX #2CD8AA

RGB 44 216 170

HSL 163.95, 0.69%, 0.51%

LAB 77.61, -52.59, 10.84

 

CMYK 80 / 0 / 0 / 15

HEX #2CD8D8

RGB 44 216 216

HSL 180, 0.69%, 0.51%

LAB 78.81, -40.37, -11.98

 

CMYK 80 / 22 / 0 / 15

HEX #2CA9D8

RGB 44 169 216

HSL 196.4, 0.69%, 0.51%

LAB 64.86, -17.34, -33.24

 

CMYK 80 / 0 / 64 / 15

HEX #2CD84D

RGB 44 216 77

HSL 131.51, 0.69%, 0.51%

LAB 76.18, -68.92, 54.98

 

CMYK 90 / 0 / 72 / 7

HEX #18EC41

RGB 24 236 65

HSL 131.6, 0.85%, 0.51%

LAB 82.15, -77.66, 65.83

 

CMYK 80 / 0 / 64 / 15

HEX #2CD84D

RGB 44 216 77

HSL 131.51, 0.69%, 0.51%

LAB 76.18, -68.92, 54.98

 

CMYK 67 / 0 / 54 / 23

HEX #40C45A

RGB 64 196 90

HSL 131.82, 0.53%, 0.51%

LAB 70.39, -57.67, 42.54

 

CMYK 52 / 0 / 42 / 31

HEX #54B066

RGB 84 176 102

HSL 131.74, 0.37%, 0.51%

LAB 64.88, -43.59, 29.73

 

CMYK 33 / 0 / 27 / 39

HEX #689C72

RGB 104 156 114

HSL 131.54, 0.21%, 0.51%

LAB 59.83, -26.34, 16.63

 

CMYK 7 / 0 / 6 / 47

HEX #7D877F

RGB 125 135 127

HSL 132, 0.04%, 0.51%

LAB 55.3, -5.28, 3.03

 

CMYK 52 / 0 / 80 / 15

HEX #68D82C

RGB 104 216 44

HSL 99.07, 0.69%, 0.51%

LAB 77.42, -59.55, 68.36

 

CMYK 73 / 0 / 80 / 15

HEX #3AD82C

RGB 58 216 44

HSL 115.12, 0.69%, 0.51%

LAB 76.19, -69.67, 66.76

 

CMYK 80 / 0 / 65 / 15

HEX #2CD84B

RGB 44 216 75

HSL 130.81, 0.69%, 0.51%

LAB 76.16, -69.13, 55.79

 

CMYK 80 / 0 / 44 / 15

HEX #2CD879

RGB 44 216 121

HSL 146.86, 0.69%, 0.51%

LAB 76.7, -62.77, 35.1

 

CMYK 80 / 0 / 23 / 15

HEX #2CD8A7

RGB 44 216 167

HSL 162.91, 0.69%, 0.51%

LAB 77.54, -53.31, 12.34

 

CMYK 81 / 0 / 66 / 41

HEX #1C9633

RGB 28 150 51

HSL 131.31, 0.69%, 0.35%

LAB 54.34, -52.49, 41.91

 

CMYK 82 / 0 / 66 / 27

HEX #22B93F

RGB 34 185 63

HSL 131.52, 0.69%, 0.43%

LAB 66.06, -61.82, 49.65

 

CMYK 80 / 0 / 64 / 15

HEX #2CD84D

RGB 44 216 77

HSL 131.51, 0.69%, 0.51%

LAB 76.18, -68.92, 54.98

 

CMYK 65 / 0 / 52 / 13

HEX #4FDF6A

RGB 79 223 106

HSL 131.25, 0.69%, 0.59%

LAB 79.32, -62.24, 45.84

 

CMYK 50 / 0 / 41 / 10

HEX #72E588

RGB 114 229 136

HSL 131.48, 0.69%, 0.67%

LAB 82.59, -52.14, 35.55

 

CMYK 79 / 0 / 64 / 15

HEX #2DD84E

RGB 45 216 78

HSL 131.58, 0.69%, 0.51%

LAB 76.2, -68.69, 54.59

 

CMYK 80 / 31 / 0 / 15

HEX #2C96D8

RGB 44 150 216

HSL 203.02, 0.69%, 0.51%

LAB 59.26, -6.87, -42

 

CMYK 0 / 80 / 63 / 15

HEX #D82C51

RGB 216 44 81

HSL 347.09, 0.69%, 0.51%

LAB 48.25, 66.13, 22.24

 

CMYK 79 / 0 / 64 / 15

HEX #2DD84E

RGB 45 216 78

HSL 131.58, 0.69%, 0.51%

LAB 76.2, -68.69, 54.59

 

CMYK 65 / 80 / 0 / 15

HEX #4B2CD8

RGB 75 44 216

HSL 250.81, 0.69%, 0.51%

LAB 34.51, 59.5, -81.93

 

CMYK 0 / 65 / 80 / 15

HEX #D84B2C

RGB 216 75 44

HSL 10.81, 0.69%, 0.51%

LAB 51.63, 53.75, 47.15

 

CMYK 79 / 0 / 64 / 15

HEX #2DD84E

RGB 45 216 78

HSL 131.58, 0.69%, 0.51%

LAB 76.2, -68.69, 54.59

 

CMYK 80 / 31 / 0 / 15

HEX #2C96D8

RGB 44 150 216

HSL 203.02, 0.69%, 0.51%

LAB 59.26, -6.87, -42

 

CMYK 0 / 80 / 14 / 15

HEX #D82CB9

RGB 216 44 185

HSL 310.81, 0.69%, 0.51%

LAB 51.73, 76.34, -35.17

 

CMYK 0 / 49 / 80 / 15

HEX #D86E2C

RGB 216 110 44

HSL 23.02, 0.69%, 0.51%

LAB 57.97, 37.3, 53.26

 

CMYK 79 / 0 / 64 / 15

HEX #2DD84E

RGB 45 216 78

HSL 131.58, 0.69%, 0.51%

LAB 76.2, -68.69, 54.59

 

CMYK 80 / 55 / 0 / 15

HEX #2C62D8

RGB 44 98 216

HSL 221.16, 0.69%, 0.51%

LAB 44.56, 25.04, -65.51

 

CMYK 0 / 80 / 14 / 15

HEX #D82CB9

RGB 216 44 185

HSL 310.81, 0.69%, 0.51%

LAB 51.73, 76.34, -35.17

 

CMYK 0 / 25 / 80 / 15

HEX #D8A22C

RGB 216 162 44

HSL 41.16, 0.69%, 0.51%

LAB 69.91, 9.61, 64.26

 

Description

Color code: HEX #2DD84E | qconv.com Color code: HEX #2DD84E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 216 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 216 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 64 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 64% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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