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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD4BE it is the complementary color #D22B41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD4BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD4BE shade: #32D4B9, #43E6CC, #54F8DF, #65FFF2 and #76FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD4BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD4BE shade: #2DD4BE, #1CC2AB, #0BB098, #009E85 and #008C72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD4BE shade: #2BD4BD, #2BD490, #2BD463, #2BD435 and #4FD42B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD4BE shade: #2BD4BD, #2BBCD4, #2B8FD4, #2B62D4 and #2B34D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD4BE shade matches the following richer shades: #2BD4BD, #17E8CD and #02FDDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD4BE shade: #2BD4BD, #40BFAE, #55AA9F, #699690 and #7E8181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD4BE shade: #2BD463, #2BD490, #2BD4BD, #2BBDD4 and #2B90D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD4BE shade: #1D8F80, #24B19F, #2BD4BD, #4EDBC8 and #70E2D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD4BE shade: #2DD4BE, #372BD4 and #D47A2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD4BE shade: #2DD4BE, #BD2BD4 and #D4BD2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD4BE shade: #2DD4BE, #372BD4, #D42B42 and #C8D42B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD4BE shade: #2DD4BE, #692BD4, #D42B42 and #96D42B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 10 / 17

HEX #2DD4BE

RGB 45 212 190

HSL 172.1, 0.66%, 0.5%

LAB 76.9, -45.77, -0.87

 

Complementary color

CMYK 0 / 80 / 69 / 18

HEX #D22B41

RGB 210 43 65

HSL 352.1, 0.66%, 0.5%

LAB 46.73, 63.89, 29.76

 

CMYK 76 / 0 / 13 / 17

HEX #32D4B9

RGB 50 212 185

HSL 170, 0.65%, 0.51%

LAB 76.84, -46.58, 1.74

 

CMYK 71 / 0 / 11 / 10

HEX #43E6CC

RGB 67 230 204

HSL 170.43, 0.77%, 0.58%

LAB 82.99, -47.33, 0.62

 

CMYK 66 / 0 / 10 / 3

HEX #54F8DF

RGB 84 248 223

HSL 170.85, 0.92%, 0.65%

LAB 89.09, -47.88, -0.41

 

CMYK 60 / 0 / 5 / 0

HEX #65FFF2

RGB 101 255 242

HSL 174.94, 1%, 0.7%

LAB 92, -43.48, -5.95

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 79 / 0 / 10 / 17

HEX #2DD4BE

RGB 45 212 190

HSL 172.1, 0.66%, 0.5%

LAB 76.9, -45.77, -0.87

 

CMYK 86 / 0 / 12 / 24

HEX #1CC2AB

RGB 28 194 171

HSL 171.69, 0.75%, 0.44%

LAB 70.71, -44.59, 0.35

 

CMYK 94 / 0 / 14 / 31

HEX #0BB098

RGB 11 176 152

HSL 171.27, 0.88%, 0.37%

LAB 64.47, -43.02, 1.71

 

CMYK 100 / 0 / 16 / 38

HEX #009E85

RGB 0 158 133

HSL 170.51, 1%, 0.31%

LAB 58.18, -41.03, 3.23

 

CMYK 100 / 0 / 19 / 45

HEX #008C72

RGB 0 140 114

HSL 168.86, 1%, 0.27%

LAB 51.8, -38.57, 4.91

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 80 / 0 / 32 / 17

HEX #2BD490

RGB 43 212 144

HSL 155.86, 0.66%, 0.5%

LAB 75.83, -57.01, 22.11

 

CMYK 80 / 0 / 53 / 17

HEX #2BD463

RGB 43 212 99

HSL 139.88, 0.66%, 0.5%

LAB 75.14, -65.01, 43.92

 

CMYK 80 / 0 / 75 / 17

HEX #2BD435

RGB 43 212 53

HSL 123.55, 0.66%, 0.5%

LAB 74.74, -69.96, 62.51

 

CMYK 63 / 0 / 80 / 17

HEX #4FD42B

RGB 79 212 43

HSL 107.22, 0.66%, 0.5%

LAB 75.4, -64.47, 66.48

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 80 / 11 / 0 / 17

HEX #2BBCD4

RGB 43 188 212

HSL 188.52, 0.66%, 0.5%

LAB 70.34, -28.49, -22.61

 

CMYK 80 / 33 / 0 / 17

HEX #2B8FD4

RGB 43 143 212

HSL 204.5, 0.66%, 0.5%

LAB 56.99, -4.38, -43.33

 

CMYK 80 / 54 / 0 / 17

HEX #2B62D4

RGB 43 98 212

HSL 220.47, 0.66%, 0.5%

LAB 44.24, 23.43, -63.75

 

CMYK 80 / 75 / 0 / 17

HEX #2B34D4

RGB 43 52 212

HSL 236.8, 0.66%, 0.5%

LAB 33.4, 51.81, -81.52

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 90 / 0 / 12 / 9

HEX #17E8CD

RGB 23 232 205

HSL 172.25, 0.82%, 0.5%

LAB 83.07, -51.64, 0.15

 

CMYK 99 / 0 / 13 / 1

HEX #02FDDC

RGB 2 253 220

HSL 172.11, 0.98%, 0.5%

LAB 89.59, -56.79, 1.79

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 66 / 0 / 9 / 25

HEX #40BFAE

RGB 64 191 174

HSL 171.97, 0.5%, 0.5%

LAB 70.46, -38.46, -1.59

 

CMYK 50 / 0 / 6 / 33

HEX #55AA9F

RGB 85 170 159

HSL 172.24, 0.33%, 0.5%

LAB 64.31, -28.48, -2.25

 

CMYK 30 / 0 / 4 / 41

HEX #699690

RGB 105 150 144

HSL 172, 0.18%, 0.5%

LAB 58.82, -16.58, -1.75

 

CMYK 2 / 0 / 0 / 49

HEX #7E8181

RGB 126 129 129

HSL 180, 0.01%, 0.5%

LAB 53.73, -1.11, -0.4

 

CMYK 80 / 0 / 53 / 17

HEX #2BD463

RGB 43 212 99

HSL 139.88, 0.66%, 0.5%

LAB 75.14, -65.01, 43.92

 

CMYK 80 / 0 / 32 / 17

HEX #2BD490

RGB 43 212 144

HSL 155.86, 0.66%, 0.5%

LAB 75.83, -57.01, 22.11

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 80 / 11 / 0 / 17

HEX #2BBDD4

RGB 43 189 212

HSL 188.17, 0.66%, 0.5%

LAB 70.64, -28.98, -22.16

 

CMYK 80 / 32 / 0 / 17

HEX #2B90D4

RGB 43 144 212

HSL 204.14, 0.66%, 0.5%

LAB 57.28, -4.96, -42.87

 

CMYK 80 / 0 / 10 / 44

HEX #1D8F80

RGB 29 143 128

HSL 172.11, 0.66%, 0.34%

LAB 53.45, -33.9, -0.75

 

CMYK 80 / 0 / 10 / 31

HEX #24B19F

RGB 36 177 159

HSL 172.34, 0.66%, 0.42%

LAB 65.22, -39.82, -1.06

 

CMYK 80 / 0 / 11 / 17

HEX #2BD4BD

RGB 43 212 189

HSL 171.83, 0.66%, 0.5%

LAB 76.85, -46.22, -0.41

 

CMYK 64 / 0 / 9 / 14

HEX #4EDBC8

RGB 78 219 200

HSL 171.91, 0.66%, 0.58%

LAB 79.87, -42.01, -1.79

 

CMYK 50 / 0 / 7 / 11

HEX #70E2D3

RGB 112 226 211

HSL 172.11, 0.66%, 0.66%

LAB 83.2, -36.06, -2.64

 

CMYK 79 / 0 / 10 / 17

HEX #2DD4BE

RGB 45 212 190

HSL 172.1, 0.66%, 0.5%

LAB 76.9, -45.77, -0.87

 

CMYK 74 / 80 / 0 / 17

HEX #372BD4

RGB 55 43 212

HSL 244.26, 0.66%, 0.5%

LAB 32.47, 57.17, -83.04

 

CMYK 0 / 42 / 80 / 17

HEX #D47A2B

RGB 212 122 43

HSL 28.05, 0.66%, 0.5%

LAB 59.97, 29.37, 55.36

 

CMYK 79 / 0 / 10 / 17

HEX #2DD4BE

RGB 45 212 190

HSL 172.1, 0.66%, 0.5%

LAB 76.9, -45.77, -0.87

 

CMYK 11 / 80 / 0 / 17

HEX #BD2BD4

RGB 189 43 212

HSL 291.83, 0.66%, 0.5%

LAB 48.64, 75.4, -55.96

 

CMYK 0 / 11 / 80 / 17

HEX #D4BD2B

RGB 212 189 43

HSL 51.83, 0.66%, 0.5%

LAB 76.42, -6.39, 70.22

 

CMYK 79 / 0 / 10 / 17

HEX #2DD4BE

RGB 45 212 190

HSL 172.1, 0.66%, 0.5%

LAB 76.9, -45.77, -0.87

 

CMYK 74 / 80 / 0 / 17

HEX #372BD4

RGB 55 43 212

HSL 244.26, 0.66%, 0.5%

LAB 32.47, 57.17, -83.04

 

CMYK 0 / 80 / 69 / 17

HEX #D42B42

RGB 212 43 66

HSL 351.83, 0.66%, 0.5%

LAB 47.13, 64.49, 29.74

 

CMYK 6 / 0 / 80 / 17

HEX #C8D42B

RGB 200 212 43

HSL 64.26, 0.66%, 0.5%

LAB 81.59, -23.02, 74.38

 

CMYK 79 / 0 / 10 / 17

HEX #2DD4BE

RGB 45 212 190

HSL 172.1, 0.66%, 0.5%

LAB 76.9, -45.77, -0.87

 

CMYK 50 / 80 / 0 / 17

HEX #692BD4

RGB 105 43 212

HSL 262.01, 0.66%, 0.5%

LAB 36.9, 62.13, -75.57

 

CMYK 0 / 80 / 69 / 17

HEX #D42B42

RGB 212 43 66

HSL 351.83, 0.66%, 0.5%

LAB 47.13, 64.49, 29.74

 

CMYK 29 / 0 / 80 / 17

HEX #96D42B

RGB 150 212 43

HSL 82.01, 0.66%, 0.5%

LAB 78.31, -42.9, 70.22

 

Description

Color code: HEX #2DD4BE | qconv.com Color code: HEX #2DD4BE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 212 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 212 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 10 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 10% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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