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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD418 it is the complementary color #D22BE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD418. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD418 shade: #32D413, #43E626, #54F839, #65FF4C and #76FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD418. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD418 shade: #2DD418, #1CC205, #0BB000, #009E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD418 shade: #2CD317, #5FD317, #92D317, #C4D317 and #D3AF17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD418 shade: #2CD317, #17D335, #17D368, #17D39A and #17D3CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD418 shade matches the following richer shades: #2CD317 and #1EE604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD418 shade: #2CD317, #3BC02A, #4AAD3D, #599A50 and #678763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD418 shade: #91D317, #5FD317, #2DD317, #17D334 and #17D366

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD418 shade: #1D890F, #25AE13, #2CD317, #41E82C and #63EC51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD418 shade: #2DD418, #17C4D3 and #D31778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD418 shade: #2DD418, #172DD3 and #D3172D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD418 shade: #2DD418, #17C4D3, #BD17D3 and #D32717

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD418 shade: #2DD418, #178BD3, #BD17D3 and #D35F17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 89 / 17

HEX #2DD418

RGB 45 212 24

HSL 113.3, 0.8%, 0.46%

LAB 74.64, -71.24, 69.92

 

Complementary color

CMYK 9 / 81 / 0 / 9

HEX #D22BE7

RGB 210 43 231

HSL 293.3, 0.8%, 0.54%

LAB 53.17, 82.3, -59.31

 

CMYK 76 / 0 / 91 / 17

HEX #32D413

RGB 50 212 19

HSL 110.36, 0.84%, 0.45%

LAB 74.71, -70.72, 70.82

 

CMYK 71 / 0 / 83 / 10

HEX #43E626

RGB 67 230 38

HSL 110.94, 0.79%, 0.53%

LAB 80.7, -72.77, 72.5

 

CMYK 66 / 0 / 77 / 3

HEX #54F839

RGB 84 248 57

HSL 111.52, 0.93%, 0.6%

LAB 86.66, -74.28, 73.14

 

CMYK 60 / 0 / 70 / 0

HEX #65FF4C

RGB 101 255 76

HSL 111.62, 1%, 0.65%

LAB 89.3, -71.76, 69.72

 

CMYK 54 / 0 / 63 / 0

HEX #76FF5F

RGB 118 255 95

HSL 111.38, 1%, 0.69%

LAB 89.95, -66.13, 63.31

 

CMYK 79 / 0 / 89 / 17

HEX #2DD418

RGB 45 212 24

HSL 113.3, 0.8%, 0.46%

LAB 74.64, -71.24, 69.92

 

CMYK 86 / 0 / 97 / 24

HEX #1CC205

RGB 28 194 5

HSL 112.7, 0.95%, 0.39%

LAB 68.64, -68.42, 67.37

 

CMYK 94 / 0 / 100 / 31

HEX #0BB000

RGB 11 176 0

HSL 116.25, 1%, 0.35%

LAB 62.61, -64.71, 63.06

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 79 / 0 / 89 / 17

HEX #2CD317

RGB 44 211 23

HSL 113.3, 0.8%, 0.46%

LAB 74.31, -71.11, 69.8

 

CMYK 55 / 0 / 89 / 17

HEX #5FD317

RGB 95 211 23

HSL 97.02, 0.8%, 0.46%

LAB 75.5, -61.05, 71.29

 

CMYK 31 / 0 / 89 / 17

HEX #92D317

RGB 146 211 23

HSL 80.74, 0.8%, 0.46%

LAB 77.73, -44.61, 74.06

 

CMYK 7 / 0 / 89 / 17

HEX #C4D317

RGB 196 211 23

HSL 64.79, 0.8%, 0.46%

LAB 80.95, -24.73, 78.01

 

CMYK 0 / 17 / 89 / 17

HEX #D3AF17

RGB 211 175 23

HSL 48.51, 0.8%, 0.46%

LAB 72.61, -0.04, 71.97

 

CMYK 79 / 0 / 89 / 17

HEX #2CD317

RGB 44 211 23

HSL 113.3, 0.8%, 0.46%

LAB 74.31, -71.11, 69.8

 

CMYK 89 / 0 / 75 / 17

HEX #17D335

RGB 23 211 53

HSL 129.57, 0.8%, 0.46%

LAB 74.21, -71.53, 61.92

 

CMYK 89 / 0 / 51 / 17

HEX #17D368

RGB 23 211 104

HSL 145.85, 0.8%, 0.46%

LAB 74.68, -65.68, 40.9

 

CMYK 89 / 0 / 27 / 17

HEX #17D39A

RGB 23 211 154

HSL 161.81, 0.8%, 0.46%

LAB 75.52, -56.01, 16.36

 

CMYK 89 / 0 / 3 / 17

HEX #17D3CD

RGB 23 211 205

HSL 178.09, 0.8%, 0.46%

LAB 76.79, -42.7, -9.12

 

CMYK 79 / 0 / 89 / 17

HEX #2CD317

RGB 44 211 23

HSL 113.3, 0.8%, 0.46%

LAB 74.31, -71.11, 69.8

 

CMYK 87 / 0 / 98 / 10

HEX #1EE604

RGB 30 230 4

HSL 113.1, 0.97%, 0.46%

LAB 80.11, -78.23, 76.78

 

CMYK 79 / 0 / 89 / 17

HEX #2CD317

RGB 44 211 23

HSL 113.3, 0.8%, 0.46%

LAB 74.31, -71.11, 69.8

 

CMYK 69 / 0 / 78 / 25

HEX #3BC02A

RGB 59 192 42

HSL 113.2, 0.64%, 0.46%

LAB 68.6, -62.06, 60.16

 

CMYK 57 / 0 / 65 / 32

HEX #4AAD3D

RGB 74 173 61

HSL 113.04, 0.48%, 0.46%

LAB 63.08, -50.51, 47.48

 

CMYK 42 / 0 / 48 / 40

HEX #599A50

RGB 89 154 80

HSL 112.7, 0.32%, 0.46%

LAB 57.86, -35.97, 32.34

 

CMYK 24 / 0 / 27 / 47

HEX #678763

RGB 103 135 99

HSL 113.33, 0.15%, 0.46%

LAB 53.07, -18.75, 15.78

 

CMYK 31 / 0 / 89 / 17

HEX #91D317

RGB 145 211 23

HSL 81.06, 0.8%, 0.46%

LAB 77.68, -44.98, 73.99

 

CMYK 55 / 0 / 89 / 17

HEX #5FD317

RGB 95 211 23

HSL 97.02, 0.8%, 0.46%

LAB 75.5, -61.05, 71.29

 

CMYK 79 / 0 / 89 / 17

HEX #2DD317

RGB 45 211 23

HSL 112.98, 0.8%, 0.46%

LAB 74.32, -70.98, 69.82

 

CMYK 89 / 0 / 75 / 17

HEX #17D334

RGB 23 211 52

HSL 129.26, 0.8%, 0.46%

LAB 74.2, -71.6, 62.24

 

CMYK 89 / 0 / 52 / 17

HEX #17D366

RGB 23 211 102

HSL 145.21, 0.8%, 0.46%

LAB 74.65, -65.99, 41.84

 

CMYK 79 / 0 / 89 / 46

HEX #1D890F

RGB 29 137 15

HSL 113.11, 0.8%, 0.3%

LAB 49.72, -50.93, 49.97

 

CMYK 79 / 0 / 89 / 32

HEX #25AE13

RGB 37 174 19

HSL 113.03, 0.8%, 0.38%

LAB 62.26, -61.17, 60.12

 

CMYK 79 / 0 / 89 / 17

HEX #2CD317

RGB 44 211 23

HSL 113.3, 0.8%, 0.46%

LAB 74.31, -71.11, 69.8

 

CMYK 72 / 0 / 81 / 9

HEX #41E82C

RGB 65 232 44

HSL 113.3, 0.8%, 0.54%

LAB 81.3, -73.42, 71.57

 

CMYK 58 / 0 / 66 / 7

HEX #63EC51

RGB 99 236 81

HSL 113.03, 0.8%, 0.62%

LAB 83.57, -65.32, 61.78

 

CMYK 79 / 0 / 89 / 17

HEX #2DD418

RGB 45 212 24

HSL 113.3, 0.8%, 0.46%

LAB 74.64, -71.24, 69.92

 

CMYK 89 / 7 / 0 / 17

HEX #17C4D3

RGB 23 196 211

HSL 184.79, 0.8%, 0.46%

LAB 72.47, -34.05, -18.84

 

CMYK 0 / 89 / 43 / 17

HEX #D31778

RGB 211 23 120

HSL 329.04, 0.8%, 0.46%

LAB 46.73, 72.13, -4.01

 

CMYK 79 / 0 / 89 / 17

HEX #2DD418

RGB 45 212 24

HSL 113.3, 0.8%, 0.46%

LAB 74.64, -71.24, 69.92

 

CMYK 89 / 79 / 0 / 17

HEX #172DD3

RGB 23 45 211

HSL 232.98, 0.8%, 0.46%

LAB 31.26, 54.24, -84.51

 

CMYK 0 / 89 / 79 / 17

HEX #D3172D

RGB 211 23 45

HSL 352.98, 0.8%, 0.46%

LAB 45.15, 67.69, 39.77

 

CMYK 79 / 0 / 89 / 17

HEX #2DD418

RGB 45 212 24

HSL 113.3, 0.8%, 0.46%

LAB 74.64, -71.24, 69.92

 

CMYK 89 / 7 / 0 / 17

HEX #17C4D3

RGB 23 196 211

HSL 184.79, 0.8%, 0.46%

LAB 72.47, -34.05, -18.84

 

CMYK 10 / 89 / 0 / 17

HEX #BD17D3

RGB 189 23 211

HSL 292.98, 0.8%, 0.46%

LAB 47.15, 79.4, -57.78

 

CMYK 0 / 82 / 89 / 17

HEX #D32717

RGB 211 39 23

HSL 5.11, 0.8%, 0.46%

LAB 46.13, 63.89, 51.72

 

CMYK 79 / 0 / 89 / 17

HEX #2DD418

RGB 45 212 24

HSL 113.3, 0.8%, 0.46%

LAB 74.64, -71.24, 69.92

 

CMYK 89 / 34 / 0 / 17

HEX #178BD3

RGB 23 139 211

HSL 202.98, 0.8%, 0.46%

LAB 55.43, -3.98, -45.25

 

CMYK 10 / 89 / 0 / 17

HEX #BD17D3

RGB 189 23 211

HSL 292.98, 0.8%, 0.46%

LAB 47.15, 79.4, -57.78

 

CMYK 0 / 55 / 89 / 17

HEX #D35F17

RGB 211 95 23

HSL 22.98, 0.8%, 0.46%

LAB 54.13, 42.31, 57.71

 

Description

Color code: HEX #2DD418 | qconv.com Color code: HEX #2DD418 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 212 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 212 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 89 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 89% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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